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Vous avez sélectionné:
Adagio for Harp and Strings
Partitions à imprimer
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Adagio for Harp and Strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.921823 Composed by Eduard Ki…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.921823 Composed by Eduard Kiprsky. 20th Century,Contemporary. Score and parts. 31 pages. Eduard Kiprsky #5024281. Published by Eduard Kiprsky (A0.921823). Full Score and individual parts (violin 1, violin 2, viola, cello, harp) of Adagio for harp and strings written by Eduard Kiprsky.
$17.00
15.67 €
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Orchestre de chambre
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Eduard Kiprsky
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Adagio for Harp and Strings
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Eduard Kiprsky
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SheetMusicPlus
Concerto for Harp and Strings
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.998661 Composed by Robert Edward Smith…
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Chamber Orchestra - Digital Download SKU: A0.998661 Composed by Robert Edward Smith. Contemporary. Score and parts. 97 pages. ROBERT EDWARD SMITH MUSIC #4795923. Published by ROBERT EDWARD SMITH MUSIC (A0.998661). Concerto for Harp and Strings is a work of about 17 minutes duration. The musical style is tonal and melodic. It is in three movements: Allegretto, Adagio, and Vivace. The audio sample is the third movement in its entirety. It requires a harpist with advanced technique. The score comes with permission for the purchaser to print the number of string parts necessary for the size of the orchestra at hand.
$40.00
36.86 €
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Orchestre de chambre
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Robert Edward Smith
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Concerto for Harp and Strings
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ROBERT EDWARD SMITH MUSIC
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.21 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James N…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.730393 Composed by James Nathaniel Holland. Contemporary,Sacred,Wedding. Octavo. 92 pages. James Nathaniel Holland #3075871. Published by James Nathaniel Holland (A0.730393). New and original music by 21st century, American Costa Rican composer James Nathaniel Holland. This extremely versatile publication of a score and set of parts is a great addition to any orchestral or choral music library: either school, church, or community orchestra. Excellent for young musicians or intermediate-level volunteers, for the beginning conductor, but full of meaning for the professional orchestra as well.YouTube video presentation:https://youtu.be/WonTmPLYP1gThese three beautiful Adagios are adapted from JN Holland's ballet, The Wind in the Willows Perform together for concert or as stand alone pieces. They are perfect for weddings, funerals, graduations, or any solemn occasions. Texts are non-religious, but express universal sentiments of one's helping others, healing, and impermanence. Complete, intended orchestration for: fl, ob, cl Bb, bsn, hrn, hrp, SATB choir, strings Use as optional accompaniment for solos, or SATB choir. (Vocal parts included.) Adagio No. 1 My Salvation (or if If I've done one bit of good, that is my salvation) text by JN HollandAdagio No. 2 The Healing Power (aka Forget) Text by Kenneth GrahameAdagio No. 3 All Are PassersbyMix, omit and match combinations of available instruments of your group. Such as:Strings, woodwind quintet, harp (or piano), soloists and/or chorus. (omissions and combinations thereof, except the essential string section) String orchestra onlyTripled Strings players with woodwind quintetStrings, woodwind quintetIncluded are substitution parts in key of C for the parts of Clarinet in Bb and Horn in F (if those instruments are not available).Add one trumpet, or trombone, etc. etc.(Complete duration: 20 minutes)Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$20.95
19.31 €
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Chorale SATB
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James Nathaniel Holland
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An Adagio Suite, in Three Movements for Small Orchestra, Solo Voices, SATB Chorus(or Various Combina
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James Nathaniel Holland
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SheetMusicPlus
Adagio molto
Harpe
Small Ensemble,Strings Harp - Level 3 - Digital Download SKU: A0.1150792 By Nick M …
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Small Ensemble,Strings Harp - Level 3 - Digital Download SKU: A0.1150792 By Nick M Lacanski. By Tchaikovsky, P. I. Arranged by Nick M Lacanski. Romantic Period. Score and parts. 15 pages. Theupperstaff #750973. Published by theupperstaff (A0.1150792). This adagio was written in 1863 as an exercise in composition while Tchaikovsky was a student in Anton Rubinstein's composition classes at the St. Petersburg Conservatory. He was 23 years old. It is a quintet for string quartet and harp.
$7.99
7.36 €
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Harpe
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Nick M Lacanski
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Nick M Lacanski
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Adagio molto
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theupperstaff
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SheetMusicPlus
Adagio from Concerto for Oboe and Violin in C Minor (Reconstruction after Concerto for 2 Harpsichor
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.597544 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 12 pages. Flavio Regis Cunha #6440903. Published by Flavio Regis Cunha (A0.597544). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction by Wilfried Fischer for Oboe Concertato, Violin Concertato and Piano.
$12.99
11.97 €
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Johann Sebastian Bach
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Flavio Regis Cunha
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Adagio from Concerto for Oboe and Violin in C Minor
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Flavio Regis Cunha
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SheetMusicPlus
Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - L…
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Large Ensemble Flute,Guitar,Harmonica,Oboe,Piano Accompaniment,Soprano Recorder,Violin - Level 4 - Digital Download SKU: A0.597545 Composed by Johann Sebastian Bach. Arranged by Wilfried Fischer - Edited by Flavio Regis Cunha. Baroque,Contemporary,Easter. Score and parts. 7 pages. Flavio Regis Cunha #6441577. Published by Flavio Regis Cunha (A0.597545). The concerto for two harpsichords in C minor, BWV 1060, is a concerto for two harpsichords and string orchestra by Johann Sebastian Bach. It is likely to have originated in the second half of the 1730s as an arrangement of an earlier concerto, also in C minor, for oboe and violin. That conjectural original version of the concerto, which may have been composed in Bach's Köthen years (1717–1723), is lost, but has been reconstructed in several versions known as BWV 1060R. While the extant 18th-century manuscripts present the concerto in a form for two harpsichords and strings, the assumption that it originated as concerto for violin and oboe has become widely accepted since the late 19th century. The Adagio middle movement, where the melody lines of both solo instruments imitate one another without distinction in texture and figuration, has been likened to the middle movement of Bach's double violin concerto, BWV 1043. Here we present the reconstruction for 2 Instruments in C and Piano.
$12.99
11.97 €
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Johann Sebastian Bach
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Adagio from Concerto for Oboe and Violin in C Minor - Reconstruction after Concerto for 2 Harpsichor
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Flavio Regis Cunha
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SheetMusicPlus
Marcello (Alessandro) - Adagio (2nd part) from Concerto for Oboe, Strings and Continuo no. 2 in D mi
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.913024 Composed by Alessandro Marce…
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Piano Solo - Level 3 - Digital Download SKU: A0.913024 Composed by Alessandro Marcello (b.1673-d.1747). Arranged by Andrei-Lucian Dragoi. Baroque,Standards. Score. 4 pages. Andrei-Lucian Dragoi #4791125. Published by Andrei-Lucian Dragoi (A0.913024). Music: Alessandro Marcello (b.1673-d.1747) (https://en.wikipedia.org/wiki/Alessandro_Marcello) https://en.wikipedia.org/wiki/Oboe_Concerto_(Marcello) Initial arrangement for solo harpsichord(/keyboard/piano) (BWV 974) (1715): J.S. Bach (1685-1750) Arrangement for G-clef piano/harp (GCP/GCH) in 3/2 measure: dr. Andrei-Lucian Drăgoi, (www.dragoii.com, www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com)
$1.99
1.83 €
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Piano seul
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Alessandro Marcello
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Andrei-Lucian Dragoi
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Marcello
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Andrei-Lucian Dragoi
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SheetMusicPlus
Adagio for English Horn & orchestra- Song for Ueli Steck
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.882398 Composed by David Che…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.882398 Composed by David Chesky. Contemporary. Score and parts. 80 pages. Pamaluc Music #3543811. Published by Pamaluc Music (A0.882398). A ten minute beautiful adagio for English Horn and string orchestra dedicated to the great Swiss mountain climber Ueli Steck.strings, 1perc, I harp, English Horn Soloist.
$40.00
36.86 €
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Orchestre de chambre
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David Chesky
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Adagio for English Horn & orchestra- Song for Ueli Steck
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Pamaluc Music
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SheetMusicPlus
Kol Nidrei, Op. 47 (saxophone quintet version)
Quintette de Saxophone: 5 saxophones
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Sopra…
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.764659 Composed by Max Bruch (1838-1920). Arranged by James Pybus. Contest,Festival,Jewish,Romantic Period. 26 pages. James Pybus #36999. Published by James Pybus (A0.764659). Kol Nidrei, Op. 47, is a composition originally written for cello and orchestra by Max Bruch. He completed the composition in Liverpool before it was first published in Berlin in 1881. It is styled as an Adagio on two Hebrew Melodies for Cello and Orchestra with Harp and consists of a series of variations on two main themes of Jewish origin. Bruch scored the work for solo cello, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, harp and strings. In the present arrangement for Solo Alto Saxophone and SATB Saxophone Quartet, the 1st alto takes the solo cello line, while the remaining four voices cover the orchestral accompaniment. Special thanks go to Mr. Marino Galluzzo, leader of the Three Rivers Saxophone Quartet, based in Pittsburgh, Pennsylvania, for suggesting the arrangement and providing encouragement. The premiere performance took place at the 23rd Annual Saxophone and Woodwind Workshop, hosted by the TRSQ at California University in California, Pennsylvania, in June 2013. Duration 9:25 contact me at james.pybus56@gmail.com.
$19.00
17.51 €
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Quintette de Saxophone: 5 saxophones
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Max Bruch
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James Pybus
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Kol Nidrei, Op. 47
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James Pybus
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SheetMusicPlus
Bach - Piano Concerto in E major BWV 1042 - Piano Version
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.516534 By Santino Cara. By Johann S…
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Piano Solo - Level 5 - Digital Download SKU: A0.516534 By Santino Cara. By Johann Sebastian Bach. Arranged by Santino Cara. Baroque. Score. 25 pages. Santino Cara #19961. Published by Santino Cara (A0.516534). Complete score of the Concerto in E major BWV 1042 for solo piano. Composed by Johann Sebastian Bach in Köthen around 1718 for solo violin, strings and continuo. This piano version, transcribed by Santino Cara in Rome in 2004, faithfully reports the complete score of the 1760 manuscript copied by Carl Friedrich Zelter (1758-1832).3 Movements: 1. Allegro (E major), 2. Adagio (C sharp minor), 3. Allegro assai (E major).
$18.24
16.81 €
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Piano seul
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Santino Cara
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Johann Sebastian Bach in Köthen around 1718 for solo violin, strings and continuo
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Santino Cara
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Bach - Piano Concerto in E major BWV 1042 - Piano Version
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Santino Cara
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SheetMusicPlus
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