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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Partitions à imprimer
47 partitions trouvées
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26
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99
Visions of Grace (2015) Quintet for Low Flutes
Flute,2 alto flutes,2 bass flutes,1 contrabass flute
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Adrienne Albert
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Visions of Grace
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Adrienne Albert
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SheetMusicPlus
Composed by Adrienne Albert. 21st Century, Contemporary Classical, Impressionistic, Modern. Score, Set of Parts. 29 pages. Published by Adrienne Albert (S0.9109...
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Composed by Adrienne Albert. 21st Century, Contemporary Classical, Impressionistic, Modern. Score, Set of Parts. 29 pages. Published by Adrienne Albert (S0.91097). - Score,Set of Parts - 21st Century,Contemporary Classical,Impressionistic,Modern - Adrienne Albert
$35.00
Boy at Sea for TB and piano
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Chorale 2 parties
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FACILE
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Adrienne Inglis
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Boy at Sea for TB and piano
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pa...
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Choral Choir (TB) - Level 2 - SKU: A0.1281812 Composed by Adrienne Inglis (ASCAP). 21st Century,Celtic,Classical,Historic,Irish,Patriotic. Octavo. 20 pages. Adrienne Inglis (ASCAP) #873161. Published by Adrienne Inglis (ASCAP) (A0.1281812). Boy at Sea (2023) for TB choir and piano is great for community choruses looking for something fun, easy, and interesting for lower voices! TB and pianoText: excerpts from a 1915 letter by Robert Inglis to the Commissioner of PensionsDuration about 5 minutesDifficulty 2 (Advanced high school, collegiate or community chorus) Language: EnglishSheet music is available for purchase soon.Performances:8 Aug 2023 Inversion Coda performed Boy at Sea at Spider House Ballroom Austin, Texas (world premiere)Commissioned by Inversion Ensemble for Coda’s Tales of the Sea concert in August 2023, Boy at Sea by Adrienne Inglis for tenor and bass chorus with piano recounts the sea-faring adventures of the composer’s great-grandfather as a boy. The text comes from a letter that Robert Inglis wrote in 1915 to the Commissioner of Pensions asking for a raise in his civil war pension. In providing information apparently requested by the Pension office, Robert details many events in his early years, adding a fair bit of sarcasm and wit to the narrative. The composer edited the content to fit into more of a strophic sea-shanty style. The piano part offers a sense of ocean waves as well as a few popular tunes of the day as commentary on the story. When he and his sister were in boarding school in Cowes on the Isle of Wight, he witnessed a historic yacht race. The following year, they sailed across the Atlantic with the family of their father’s third wife. Life with his stepmother must have been unbearable, because he “went to sea†time after time to escape the unpleasantness she brought to bear. The final departure left him shipwrecked on Hatteras with drunken shipmates. He made his way to Maryland where, to his horror, he witnessed a slave auction. Sensing the tension and possibly inspired to action, he headed west to join the 20th Indiana Infantry. He later served in the 51st Pennsylvania, the Provost Guard, and the U. S. Navy. He fell off of a train in 1863, leaving him injured and in pain for the rest of his life.https://adrienneinglis.com/.
$1.99
Leaves All Awhirl - Elementary Piano Solo
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Piano seul
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Adrienne McKinney
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Leaves All Awhirl - Elementary
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Adrienne Fero McKinney
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SheetMusicPlus
Composed by Adrienne McKinney. 21st Century, Contemporary Classical, Modern, Repertoire, Halloween. Sheet Music Single. 2 pages. Published by Adrienne Fero McKi...
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Composed by Adrienne McKinney. 21st Century, Contemporary Classical, Modern, Repertoire, Halloween. Sheet Music Single. 2 pages. Published by Adrienne Fero McKinney (S0.84301). - Sheet Music Single - 21st Century,Contemporary Classical,Modern,Repertoire,Halloween - Adrienne Fero McKinney
$3.00
La loba (The Wolf) for SATB and flute
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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La loba
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Adrienne Inglis
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1178090 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Halloween,Latin,Multicultural,World. 14 pages. Adrienne Inglis (ASCAP) #778051. Published by Adrienne Inglis (ASCAP) (A0.1178090). Fabulous feminist empowerment piece by a woman poet and woman composer!For SATB mixed chorus and electronically distorted flute.La loba (2022) by Adrienne Inglis (ASCAP)SATB mixed chorus and distorted fluteText: an excerpt from La loba (1916) by Argentine poet Alfonsina Storni (1892-1938)Commissioned by Jonathan Riemer for Inversion Ensemble’s The Electric Choir concert October 22, 2022Duration 4:08 minutesDifficulty 3 (Advanced high school, collegiate or community chorus)Language — SpanishThe perusal score video will be included on this YouTube playlist.https://youtube.com/playlist?list=PLY9Jh0jT7VQvcM78yozLNYpIXeWzJjMPsPerformances:22 Oct 2022 at 2 PM Inversion Ensemble and flutist Adrienne Inglis (world premiere) at KMFA Classical 89.5. Commissioned by Jonathan Riemer for Inversion Ensemble’s “Electric Choir†concert in October 2022, La loba (The Wolf) displays Alfonsina Storni’s powerful poetic voice as a feminist amidst the patriarchy of early twentieth century Buenos Aires. She breaks away from her expected role as a sheep in an obedient flock and becomes a wolf sharpening her teeth and honing her skills. Moreover, she calls for others to follow her to stand up and face the enemy. More than a century later, Storni’s voice still echoes with a powerful call to action in a world where women’s rights are as fragile as ever. Bored of its usual role as a bird, the flute breaks away from the flock to inhabitat the wolf through transformative electronic distortions. The main theme mimics actual wolf calls, surprisingly comfortable in the flute’s low register. The tango-infused choral harmonies evoke the dissonance and angst in women’s struggle for equality through the ages.
$1.99
Sonatina in C major, Op 36 No 1
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Piano seul
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FACILE
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Classique
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Muzio Clementi
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Adrienne Low
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Sonatina in C major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1000701 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 3 pages. Tiramapublisher #6505699...
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Piano Solo - Level 2 - SKU: A0.1000701 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 3 pages. Tiramapublisher #6505699. Published by Tiramapublisher (A0.1000701). Add playing fingering to help students playing easily and melody phase.
$4.50
Sonatina in C major, Op 36 No 3
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Piano seul
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Classique
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Muzio Clementi
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Adrienne Low
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Sonatina in C major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - SKU: A0.1000699 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 5 pages. Tiramapublisher #6505197. Publishe...
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Piano Solo - SKU: A0.1000699 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 5 pages. Tiramapublisher #6505197. Published by Tiramapublisher (A0.1000699). Add playing fingering to help students playing easily and phase of melody.
$4.50
Sonatina in G major, Op 36 No 2
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Piano seul
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Classique
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Muzio Clementi
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Adrienne Low
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Sonatina in G major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - SKU: A0.1000700 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 5 pages. Tiramapublisher #6505199. Publishe...
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Piano Solo - SKU: A0.1000700 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 5 pages. Tiramapublisher #6505199. Published by Tiramapublisher (A0.1000700). Add playing fingering to help students playing easily and melody phase.
$4.50
Sonatina in G major, Op 36 No 5
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Piano seul
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Classique
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MuzioClementi
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Adrienne Low
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Sonatina in G major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - SKU: A0.1000697 Composed by MuzioClementi. Arranged by Adrienne Low. Baroque,Classical. Score. 10 pages. Tiramapublisher #6505077. Publishe...
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Piano Solo - SKU: A0.1000697 Composed by MuzioClementi. Arranged by Adrienne Low. Baroque,Classical. Score. 10 pages. Tiramapublisher #6505077. Published by Tiramapublisher (A0.1000697). Add playing fingering to help students playing easily and phase of melody.
$4.50
Sonatina in D major, Op 36 No 6
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Piano seul
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FACILE
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Classique
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MuzioClementi
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Adrienne Low
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Sonatina in D major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1000696 Composed by MuzioClementi. Arranged by Adrienne Low. Baroque,Classical. Score. 7 pages. Tiramapublisher #6505049....
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Piano Solo - Level 2 - SKU: A0.1000696 Composed by MuzioClementi. Arranged by Adrienne Low. Baroque,Classical. Score. 7 pages. Tiramapublisher #6505049. Published by Tiramapublisher (A0.1000696). Add playing fingering to help students playing easily and phase of melody.
$4.50
Sonatina in F major, Op 36 No 4
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Piano seul
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Classique
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Muzio Clementi
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Adrienne Low
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Sonatina in F major, Op 36 No
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Tiramapublisher
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SheetMusicPlus
Piano Solo - SKU: A0.1000698 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 6 pages. Tiramapublisher #6505083. Publishe...
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Piano Solo - SKU: A0.1000698 Composed by Muzio Clementi. Arranged by Adrienne Low. Baroque,Classical. Score. 6 pages. Tiramapublisher #6505083. Published by Tiramapublisher (A0.1000698). Add playing fingering to help students playing easily and phase of melody.
$4.50
Shelter in Place for SSAATB chorus and nature soundtrack
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Chorale SATB
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Shelter in Place for SSAATB ch
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.953628 Composed by Adrienne Inglis (ASCAP). Contemporary. Octavo. 14 pages. Adrienne Inglis (ASCAP) #6405671. Published by Adrienne Inglis (ASCAP) (A0.953628). Great for concerts about nature and the environment, pandemic life, creativity!Shelter in Place by Adrienne Inglis (ASCAP) for mixed SSAATB chorus with nature soundtrack created by Chris Clark-Johnsona setting of Shelter in Place, a poem by Kim Stafford Commissioned by Lewis & Clark College, Portland, Oregon, April 2021Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas.Poet Kim Stafford grew up in Oregon, Iowa, Indiana, California, and Alaska, following his parents as they taught and traveled through the West. He is the author of a dozen books of poetry and prose, and the founding director of the Northwest Writing Institute at Lewis & Clark College, where he has taught since 1979. He holds a PhD in Medieval Literature from the University of Oregon, and has worked as a printer, photographer, oral historian, editor, and visiting writer at a host of colleges and schools, and offered writing workshops in Italy, Scotland, and Bhutan.Shelter in Place by Kim Stafford (used with permission)Long before pandemic prisoned us,the trees knew how to guard their placewith roots and shade.Moss found how to hug a stone for life.Every stream knows how to move in place,stay home and yet flow outward,sending bounty far.Now is our time to practice-now to sing from balconies,now send words of comfortby any courier,now to hoard lonesome generosity-and then to shine in all directions like stars.Program note: Shelter in Place (2021) by Adrienne Inglis, commissioned by Lewis & Clark College, Portland, Oregon, April 2021, sets former Oregon poet laureate Kim Stafford’s poem Shelter in Place (2020) for SSAATB mixed choir with Oregon nature soundtrack created by Chris Clark-Johnson, Lewis & C lark College class of 2021. Written during the coronavirus pandemic, the poem expresses how quarantine can serve as a conduit for healing, how words of comfort flow despite barriers, and how the paralysis of sheltering in place generates creative movement. The music and poem draw inspiration from ancient forest wisdom, shown musically with a pentatonic scale. The tight harmonies of Locrian mode bind moss to stone and stream to its own flow. Then vocal expression bursts forth with lush harmonies as singers serenade from balconies, sharing compassion through music. Returning to the pentatonic scale, we overcome obstacles and send generosity beyond our ancient and modern world into the celestial realm. The nature soundtrack features sounds of the Oregon forest, stream, and night sky.Acknowledgements: The composer warmly thanks Katherine FitzGibbon, Bailey Dean, Chris Clark-Johnson, Kim Stafford, and the Lewis & Clark College Community Chorale. Contact the composer to obtain the audio file of the nature soundtrack.Copyright © 2021 Adrienne Inglis | adrienne.inglis.com
$3.99
Canoe for solo piano
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Piano seul
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AVANCÉ
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Adrienne Inglis
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Canoe for solo piano
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Adrienne Inglis
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrien...
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Piano Solo - Level 5 - SKU: A0.1110965 Composed by Adrienne Inglis (ASCAP). 20th Century,Classical,Historic,Multicultural,World. Score. 24 pages. Adrienne Inglis (ASCAP) #713232. Published by Adrienne Inglis (ASCAP) (A0.1110965). Colorful, challenging piano solo traces an Ojibwe family’s harrowing journey by canoe down the Brule River and across Lake Superior to safety Canoe (2022) by Adrienne Inglis (ASCAP) For solo piano Duration 9:22 Difficulty 5 advanced Canoe (2022) by Adrienne Inglis (ASCAP), commissioned by Dr. Joseph Choi for solo piano, tells a harrowing story through music of the composer’s Ojibwe ancestor, Wabegiah, and her three young children. Wabegiah grew up at Upper Lake St. Croix in Wisconsin, married the French trader Mr. Couture, and had three children. Mr. Couture died suddenly just as the tensions with the Sioux became quite threatening. To protect her children from being killed by the Sioux, she took them on the long journey in a birch bark canoe down the Brule River and along the coast of Lake Superior all the way to Sault Ste. Marie. As you would expect, much of the music represents water, but it also captures moments during their flight. Loud dissonant chords mark Mr. Couture’s death and Wabegiah’s grief. The unsettling fear motive in Locrian mode predominates as they begin to flee. As they head away from danger, the courage theme follows them downstream. In a dissonant conversation with an Ojibwe man on the Brule River, he refused to give the hungry travelers food, but told them to continue to the river’s mouth to find Wabegiah’s aunt and uncle. The restful and nourishing family time on the shores of Lake Superior allows for variations on the family theme, playful, sleepy, and reflecting on the coming of autumn. With the courage theme as the subject, a fugue tracks their difficult passage across Lake Superior to the safety of Sault Ste. Marie. Recounted by Eliza Morrison, a daughter from Wabegiah’s second marriage, this journey took place in the early 1830s. The three children were born in 1828, 1829, and 1830. The youngest of the children was Angelique, the composer’s great great grandmother.
$9.99
Adrienne Anderson: Could It Be Magic for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Comédie Musicale
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Adrienne Anderson
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Virtualsheetmusic
Instantly printable sheet music by Barry Manilow for voice, piano or guitar of MEDIUM skill level. / musical/show,pop
Instantly printable sheet music by Barry Manilow for voice, piano or guitar of MEDIUM skill level. / musical/show,pop
$6.97
Adrienne Anderson: Could It Be Magic for piano solo
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Piano seul
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INTERMÉDIAIRE
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Pop musique
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Adrienne Anderson
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Virtualsheetmusic
Instantly printable sheet music by Barry Manilow for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
Instantly printable sheet music by Barry Manilow for piano solo (chords, lyrics, melody) of MEDIUM skill level. / pop
$4.97
Adrienne Anderson: Could It Be Magic for guitar
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Paroles et Accords
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INTERMÉDIAIRE
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Pop musique
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Adrienne Anderson
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Virtualsheetmusic
Instantly printable sheet music by Barry Manilow for guitar (chords) of MEDIUM skill level. / pop
Instantly printable sheet music by Barry Manilow for guitar (chords) of MEDIUM skill level. / pop
$4.97
Adrienne Anderson: Daybreak for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Pop musique
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Adrienne Anderson
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Virtualsheetmusic
Instantly printable sheet music by Barry Manilow for voice, piano or guitar of MEDIUM skill level. / pop
Instantly printable sheet music by Barry Manilow for voice, piano or guitar of MEDIUM skill level. / pop
$6.97
Adrienne Anderson: Could It Be Magic for piano solo
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Piano seul
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FACILE
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Comédie Musicale
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Adrienne Anderson
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Virtualsheetmusic
Instantly printable sheet music by Barry Manilow for piano solo of EASY skill level. / musical/show,pop,children
Instantly printable sheet music by Barry Manilow for piano solo of EASY skill level. / musical/show,pop,children
$5.97
Santo y Hosanna for SATB chorus and piano
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Santo y Hosanna for SATB choru
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Ad...
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Choral Choir (SATB) - Level 4 - SKU: A0.953633 Composed by Adrienne Inglis (ASCAP). Contemporary,Easter,Multicultural,Sacred,World. Octavo. 40 pages. Adrienne Inglis (ASCAP) #6639479. Published by Adrienne Inglis (ASCAP) (A0.953633). Perfect for a multicultural celebration, Easter, Mass, World Communion Sunday, or other sacred occasion - Spanish language with a Venezuelan â… rhythm and virtuosic piano partSanto y Hosanna (2020) by Adrienne Inglis, commissioned by Inversion as part of its collaborative requiem project Be near me when my light is low, sets a modified version of the Spanish liturgical Sanctus Benedictus text for mixed choir and piano. Referenced in the startling narrative of Isaiah 6, this remarkable prayer to God reacts to the sacred call to Christians-apathetic, unclean, stingy-to go to the difficult, tough places in the world to offer compassion, peace, and mercy. The choral passages reveal amazement and gratitude while the piano both dazzles with divine glory and squirms with human reluctance. The interplay between the B Phrygian and C Lydian modes reflects struggle between apathy and compassion, stinginess and mercy, darkness and peace. The rhythm is loosely based on â… Venezuelan merengue style.The music you purchase and download here contains the full score, a piano score, and a vocal score with piano reduction.
$2.99
Most Importantly, Loves, a song cycle for soprano and piano
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Most Importantly, Loves, a son
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Adrienne Inglis
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis ...
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Piano,Vocal,Voice - Level 4 - SKU: A0.1233352 Composed by Adrienne Inglis (ASCAP). 21st Century,Classical,Country,Pop. Score. 45 pages. Adrienne Inglis (ASCAP) #828940. Published by Adrienne Inglis (ASCAP) (A0.1233352). Sing one, two, or all six of these expressive and charming songs for soprano and piano!Most Importantly, Loves (2021) by Adrienne Inglis (ASCAP), as a six-song cycle for soprano and pianoText — six letters by Maureen Broy PapovichDuration 25:00Difficulty 4 intermediate/advancedProgram note — Most Importantly, Loves (2021), a song cycle for soprano and piano composed by Adrienne Inglis (ASCAP), was commissioned by Maureen Broy Papovich whose six letters furnish the text. She wrote letters to various close family members with tender messages overflowing with admiration, affection, and hope. The songs look at each beloved relative as seen through the prism of the author’s caring eyes and heart. Rooted in moody Dorian mode, the lyrical melodies of R. J. overlay a more brooding, restless piano part. Lucy sports a bit of a jazzy lilt and sassy attitude. The infectious laugh of Camryn and the remarkable resemblance to her late father underpin this quick syncopated C major number. Brendan reflects his exuberant love of life and devastating self-destructive addiction with radical tonality and tempo changes. Mira has an encouraging message for a young person in D mixolydian with soothing piano texture. Jonah’s long lines soar over lush expansive harmonies grounded in B flat major to form a soft fleece blanket of comforting sound and boundless unconditional parental love. — Adrienne InglisThe impetus for the poems that became the song cycle “Most Importantly Loves†started a decade ago. My brother died suddenly in 2011 at the age of 42. He left all of us behind including his daughters, my nieces, when they were ages six years and six months. My father and mother died a short time later, within months of each other in 2013 and 2014. Finally, in 2017 my 27-year-old nephew died of a drug overdose. This intense period of loss brought and continues to bring about many feelings of regret in addition to so much more. When my nephew died, my son Jonah, developed an intense anxiety about losing us, his parents. I felt compelled to express my feelings, the fear of my own mortality, the anxiety of leaving behind loved ones, combined with words said and unsaid to those lost. “Love letters†is my gift to the six young people I care most about. These songs, exquisitely set to music by my friend and composer Adrienne Inglis, express my deep love for each of my loved ones and also, hopefully, provide them with a piece of writing that they can use as a source of strength when life becomes particularly challenging. —  Maureen Broy PapovichPlaylist of Oct. 22, 2022 performance:https://youtube.com/playlist?list=PLY9Jh0jT7VQsLBdIik5wJRjE6Qhu_5IZD.
$9.99
Metamorphosis for solo flute, solo pedal or lever harp, and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Adrienne Inglis
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Metamorphosis for solo flute,
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383...
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Chamber Orchestra - Level 3 - SKU: A0.953627 Composed by Adrienne Inglis (ASCAP). Contemporary. Score and parts. 51 pages. Adrienne Inglis (ASCAP) #6383557. Published by Adrienne Inglis (ASCAP) (A0.953627). Celebrate women scientists!Metamorphosis (2019) by Adrienne Inglis (ASCAP) for flute, harp, and string orchestra, commissioned by Balcones Community Orchestra, celebrates the life and work of Maria Sibylla Merian (1647-1717), pioneering entomologist, naturalist, and artist.Duration 5:30 minutes.Commissioned by the Balcones Community Orchestra of Austin, Texas, Metamorphosis (2019) by Adrienne Inglis for solo flute, solo harp, and string orchestra, honors the life and work of pioneering entomologist, naturalist, and artist Maria Sibylla Merian (1647-1717). As she carefully documented in illustrated detail the life cycle of so many insects, Metamorphosis musically follows a butterfly from adult, egg, larva, pupa, and adult. The piece opens with an ostinato pattern in the strings over which the flute and harp play fluttering modal melodies. The strings and harp represent the egg stage with minimalistic layers of a single pitch. To recognize Merian’s time in Suriname and her discovery of many insect species there, a cheerful tune fashioned after traditional Arawak folk songs informs the busy larvae in the caterpillar canon. A bit of contemplative dorian polyphony laced with metamorphic machinations demonstrate the remarkable transformation of the pupa as well as Merian’s time at a devout Labadist religious commune. The butterfly emerges from the pupa with a flute/harp cadenza and then the strings underscore the adult butterfly with a return of the ostinato. The piece ends with the same ostinato as the beginning such that the piece could loop seamlessly as in a true life cycle.This performance does not include the revisions made in this version of the music: https://youtu.be/GIjQpkXl6Uc
$9.99
Os nace un Cordero (Unto You a Lamb is Born) for SATB chorus, piano, and pedal or lever harp
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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Os nace un Cordero
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adr...
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Choral Choir (SATB) - Level 3 - SKU: A0.953634 Composed by Adrienne Inglis (ASCAP). Christian,Christmas,Contemporary,Sacred,World. Octavo. 16 pages. Adrienne Inglis (ASCAP) #6883479. Published by Adrienne Inglis (ASCAP) (A0.953634). Celebratory sacred intermediate-level piece for the Christmas season, with gorgeous Spanish textOs nace un Cordero (Unto You a Lamb is Born)Commissioned by Chorus Austin for On a Winter’s Eve 2021Music by Adrienne (ASCAP)Text by Santa Teresa de Jesús de Ãvila, España (1515-1582)SATB chorus, piano, pedal or lever harpLanguage: SpanishDuration 3:30Commissioned by Chorus Austin, Os nace un Cordero (Unto You a Lamb Is Born) sets excerpts from the Spanish poem Pastores que veláis by Santa Teresa de Jesús de Ãvila for SATB mixed chorus, piano, and harp. As angels announce the birth of Jesus to the shepherds, Teresa foreshadows Jesus’ crucifixion by referring to him as Cordero (Lamb). She also affirms Jesus as the fully human (hombre también junto) and fully divine son of the sovereign God (Hijo de Dios Soberano). The piece opens with angels approaching from a distance singing pastores (shepherds) followed by joyful choral couplets. Several dualities weave together representing the oneness of the human and divine: harp and piano; Venezuelan joropo rhythm derived from Spanish dance; sixteenth century text and twenty-first century music; and major and Phrygian modes. Spanning cultures, oceans, and centuries, this music exuberantly announces the celebrated birth of Christ.Santa Teresa de Jesús de Ãvila, España 1515-1582Lines 1-4, 17-20 from Pastores que veláis ¡Ah, pastores que veláis,por guardar vuestro rebaño,mirad que os nace un Cordero,Hijo de Dios Soberano! –¡Oh, que es hombre también junto!La vida estará en su mano;mirad, que es este el Cordero,Hijo de Dios Soberano. Translation by Adrienne Inglis and Jennifer Inglis Hudson Ah, shepherds who watch, for keeping your flock, see that a Lamb is born to you, Son of Sovereign God! Oh, he's fully a man as well!In his hand is the life of every creature; look, this is the Lamb, Son of Sovereign God.https://youtu.be/u8gTnpn3VuE?t=5485
$2.99
Leaving Footprints for flute+piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Adrienne Inglis
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Leaving Footprints for flute+p
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Adrienne Inglis
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SheetMusicPlus
Piano,Soprano Flute - Level 3 - SKU: A0.1449306 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Lent,Sacred. Score and part. 4 pages...
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Piano,Soprano Flute - Level 3 - SKU: A0.1449306 Composed by Adrienne Inglis (ASCAP). 21st Century,Chamber,Classical,Lent,Sacred. Score and part. 4 pages. Adrienne Inglis (ASCAP) #1029069. Published by Adrienne Inglis (ASCAP) (A0.1449306). Suitable for a contemplative occasion, Lent, prayer vigil, memorial, communion, or remembranceVery playable on organ instead of pianoLeaving Footprints (2024) for flute and piano (or organ)Duration — 2:15Difficulty — intermediate/advancedThe contemplative nature of this 5/4 chorale makes me think of the simple physical act of leaving footprints in the mud or snow on a quiet walk, but also of the impact we humans have on each other and on the earth. May we tread lightly and lovingly on our home, the earth, and care gently for our fellow humans and other creatures.
$4.99
In Heaven and on Earth for SATB chorus, flute, and pedal or lever harp or piano
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Chorale SATB
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INTERMÉDIAIRE
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Adrienne Inglis
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In Heaven and on Earth for SAT
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Ing...
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Choral Choir (SATB) - Level 3 - SKU: A0.953621 Composed by Adrienne Inglis (ASCAP). Celtic,Christian,Contemporary,Sacred. Octavo. 19 pages. Adrienne Inglis (ASCAP) #4807817. Published by Adrienne Inglis (ASCAP) (A0.953621). One of the most powerful passages in scripture set to music! Good length for an anthem, interesting and idiomatic use of flute and harp, nice mix of beautiful melodic passages and crunchy bits!A Setting of Philippians 2:5-11 from New Revised Standard VersionFor SATB chorus, flute, and clà rsach (Scottish lever harp) or harp or pianoDuration approximately 5:00 The Letter of Paul to the Philippians 2:5-11 (NRSV)*Let the same mind be in you that was in Christ Jesus, who, though he was in the form of God, did not regard equality with God as something to be exploited, but emptied himself, taking the form of a slave, being born in human likeness. And being found in human form, he humbled himself and became obedient to the point of death - even death on a cross.Therefore God also highly exalted him and gave him the name that is above every name, so that at the name of Jesus every knee should bend, in heaven and on earth and under the earth, and every tongue should confess that Jesus Christ is Lord, to the glory of God the Father. *New Revised Standard Version Bible, copyright © 1989 National Council of the Churches of Christ in the United States of America. Used by permission. All rights reserved.Composed by Adrienne Inglis in 2014 and premiered in 2014 in Austin, Texas, by the Westminster Presbyterian Church Sanctuary Choir, In Heaven and on Earth for SATB chorus, flute, and clà rsach, draws inspiration from the tune Love is the Cause of my Mourning from The Caledonian Pocket Companion Book 1, p. 27. The piece opens with the tune altered to G mixolydian mode. As the word exploited appears, a sinister-sounding E flat enters the harmony. Open octaves between soprano and bass show the emptying, followed by a shift to E phrygian mode with the word slave. Several dissonances emerge as the narrative gets darker. The flute and clà rsach represent chaos or hell with an aleatoric interlude of extended techniques involving tongue rams, flutter tonguing, multiphonics, spoken syllables, and lever glissandi. The harp then joyfully proclaims the new tonality of G major in a fanfare to introduce the text of praise and exaltation. The original source tune returns harmonically restored to G major.
$3.99
Stars Through the Rain for SAB and electronic track
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Chorale 3 parties
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FACILE
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Adrienne Inglis
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Stars Through the Rain for SAB
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pa...
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Choral Choir (SAB) - Level 2 - SKU: A0.1265057 Composed by Adrienne Inglis (ASCAP) and Walter Torres (BMI). 21st Century,Classical,New Age. Octavo. 8 pages. Adrienne Inglis (ASCAP) #857898. Published by Adrienne Inglis (ASCAP) (A0.1265057). Perfect SAB for youth or community choirs! Evocative music that speaks to loneliness and sharingEasy to follow trance-style electronic trackStars Through the Rain (2022) by Adrienne Inglis (ASCAP) and Walter Torres (BMI)SAB and electronic track by Walter TorresText — Stars Through the Rain by Kim Stafford Program note — Duration 3:23Difficulty 2 (High school)Language — SpanishProgram note — Commissioned by Inversion’s new youth choir Nova for its inaugural concert “Star Stuff†in June 2023, Stars Through the Rain is scored for SAB chorus by Adrienne Inglis with electronic track created by Walter Torres. Kim Stafford’s poignant poem of the same name tells the story of a young woman living alone in a remote corner of the world. She witnesses remarkable images of a rainbow over the moon and stars showing through the rain showers. She yearns to share these beautiful experiences with another person. The piece sets the choruses of the poem, which start in a lonely mood and subtly evolve, giving the listener the hope of being lifted into a sharing relationship with another soul. The electronic track weaves natural and synthesized elements together, creating a dreamlike soundscape evoking the night sky. The emotive arpeggiated melody line alternates between minor and major tonality, capturing her melancholic yet hopeful yearning to share this sublime moment with somebody else. The driving percussion elements represent the pitter-patter of rain drops. Synthesized pads provide the harmony and are affected by filter sweeps, a sonic interpretation of starlight refracting through rain sheets.YouTube link for electronic track: https://youtu.be/HlQFoy9hw0E.
$1.99
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