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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Advanced Studies for Tuba
Partitions à imprimer
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Advanced Studies for Tuba
Tuba
By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press
By John Paff. For Tuba Methods/Studies/Etudes. Published by Cimarron Music Press
$17.00
15.65 €
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Tuba
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John Paff
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Advanced Studies for Tuba
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Cimarron Music Press
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SheetMusicPlus
Flex on the Move-Tuba Edition
Tuba
Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etud…
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Tuba - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!<br> Flex on the Move<br> There are many great books on flexibility (or “lip flexibility” as it is commonly called) available to today’s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.<br> <br> There are different categories of flexibility exercises. There is “Long Flexibility” like those found in Colin’s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is “Short Flexibility” similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add “Moving Flexibility” to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.<br> <br> Why Practice Flexibility?<br> Chances are, you’re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would “get me feelin’ good.” So, that is my goal with these studies, to get you “feelin’ good”.<br> <br> Technique<br> There are many beliefs among players as to what makes a brass instrument “work”. Some believe it’s the lip, some believe it’s the tongue, some believe it’s the air, or some (like me) believe it’s a balance or coordination of all three. I don’t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you’re playing will certainly improve.
$16.95
15.61 €
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Tuba
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Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
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SheetMusicPlus
Celebrated Tutor for Tuba Method
Tuba
Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arr…
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Tuba Solo - Level 2 - Digital Download SKU: A0.810827 Composed by Langey, Otto. Arranged by Cherry, Gordon. Instructional,Standards. Individual part. 127 pages. Gordon Cherry #3417301. Published by Gordon Cherry (A0.810827). The Otto Langey Tutors were THE method books of the early 20th century. Langey, a cellist, was a German immigrant to America who wrote more than 28 method books for almost all of the major instruments. Many young instrumentalists used these books for their first studies. The book became their musical mainstay during their early musical studies. The Celebrated Tutors for Tuba of 127 pages is suitable for performers from beginner right up to advanced. We are pleased to add this special reprint of the original Hawkes and Son edition to our Vintage Brass collection.
$20.00
18.42 €
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Tuba
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Langey, Otto
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Cherry, Gordon
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Celebrated Tutor for Tuba Method
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Gordon Cherry
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SheetMusicPlus
Fanfare and Allegro for Brass Quintet
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.894386
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - Digital Download SKU: A0.894386 Composed by Zack Richards. 20th Century,Concert,Contemporary,Easter. Score and parts. 34 pages. Zack Richards #5197213. Published by Zack Richards (A0.894386). During my undergraduate career at The University of Akron, like many college students, I went through a year of trying to discover what I really wanted to do. In my sophomore year, I dropped from Music Education, and picked up a double major in Trumpet Performance and Composition with a minor in Jazz Studies. After 2 semesters of taking nearly 30 credit hours and a need to change my embouchure, I decided to focus on trumpet and come back to composition later. After finishing my BM in Trumpet Performance, I decided to go for a MM in Composition. This piece was one that I wrote for entry into the graduate program. To this day, it is still one of my favorite compositions! It's a lot of fun, very difficult and taxing, but also very musically interesting. It melds together several interesting melodic lines and motifs, and each player gets a chance to shine. There are also a lot of great ensemble moments where lines get passed through the entire quintet and turn it into one instrument. It's a piece for advanced players for sure, but a great feature for any group willing to give it a go!Brass QuintetAdvancedApprox. 6:30Visit zackrichards.com for more from this composer!
$17.99
16.57 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Zack Richards
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Fanfare and Allegro for Brass Quintet
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Zack Richards
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SheetMusicPlus
Selected Studies and Scales for Bass Trombone or Tuba
Bass Trombone,Instrumental Solo - Level 4 - Digital Download SKU: A0.792787 Compose…
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Bass Trombone,Instrumental Solo - Level 4 - Digital Download SKU: A0.792787 Composed by Jean-Baptiste Arban. Arranged by Wade Goodwin. Instructional. Individual part. 134 pages. Gordon Cherry #6437485. Published by Gordon Cherry (A0.792787). The Arban Method has been a staple for cornetists, trumpeters, and trombonists for generations. Dr. Wade Goodwin has now compiled, arranged, and edited Selected Studies and Scales for Bass Trombone or Tuba from the famous method book.Also, he has taken many of the most relevant and transposed them into different keys to maximize the effectiveness of the most valuable studies. For tubists, some of these may be more appropriate on F Tuba.The range goes from very low Double Pedal D-flat to a high C (C5) an octave above middle C (C4) on the piano.This fantastic new addition to the repertoire contains over 139 pages of the best exercises and is sure to improve the technique of the performer.This method book is appropriate for intermediate to advanced performers.
$30.00
27.62 €
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Jean-Baptiste Arban
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Wade Goodwin
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Selected Studies and Scales for Bass Trombone or Tuba
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Gordon Cherry
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SheetMusicPlus
Rubank Advanced Method - E Flat Or BB Flat Bass Vol.1
Tuba SKU: HL.4470460 Edited by H. Voxman and William Gower. Concert Band Method. Ru…
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Tuba SKU: HL.4470460 Edited by H. Voxman and William Gower. Concert Band Method. Rubank Advanced Method. Instruction. 72 pages. Rubank Publications #RUBL142. Published by Rubank Publications (HL.4470460). ISBN 9781423444398. UPC: 073999704600. 9.0x12.0x0.18 inches. Edited by Wm. Gower and H. Voxman.(Bass clef in C) An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a complete pedagogy: • Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course • Melodic Interpretation Including 20+ contest level duets in each book • Solo Preparation Six contest level solos included • Articulation Studies Specialized for each instrument • Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) • Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods – join the tradition!
$9.99
9.2 €
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Rubank Advanced Method - E Flat Or BB Flat Bass Vol.1
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Rubank Publications
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SheetMusicPlus
Rubank Advanced Method - E Flat Or BB Flat Vol.2
Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Ru…
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Tuba SKU: HL.4470470 Edited by H. Voxman and William Gower. Concert Band Method. Rubank Advanced Method. Instruction. 96 pages. Rubank Publications #RUBL184. Published by Rubank Publications (HL.4470470). ISBN 9781540001306. UPC: 073999704709. 9.0x12.0x0.241 inches. Edited by Wm. Gower and H. Voxman.(Bass clef in C) An outlined course of study designed to follow the elementary and intermediate levels of any instructional method, the Rubank Advanced Methods are considered to be one of the gold standards of advanced instrumental study. The specially designed units provide a complete pedagogy: • Scales and Arpeggios All of the major and minor keys are covered in the complete two-book course • Melodic Interpretation Including 20+ contest level duets in each book • Solo Preparation Six contest level solos included • Articulation Studies Specialized for each instrument • Exercises in Fingering (woodwinds), Flexibility (brass) and Sticking (percussion) • Ornamentation All types are introduced Generations of musicians have been taught with Rubank methods – join the tradition!
Song List: Air Gai (Berlioz) Andante & Allegro (Clerisse) Elegie (Duquesne) Morceau De Concours (Alary) Prem.Solo De Concours (Maniet) Andante (Gostinelli) Andantino Grazioso (Dureau) Marcia (Kling) Allegro Moderato (Dureau) Allegro Moderato (Rodolphe) Maestoso (Dureau) Andante Espr.E Sost. (Borghi) Andante Con Moto (Kietzer) Allegro Moderato (Furkins) Moderato (Concone) Allegretto (Hohne) Allegretto Quasi And. (Dureau) Minuetto (Dureau) Bolero (Rossini) Andante (Muller) Andante (Kling) Allegretto (Kreutzer) Energico (Sidow) Allegro Ma Non Troppo (Dureau) Tempo Di Marcia (Gostinelli) Waltz (Kling) Moderato (Kling) Adagio (Kling) Lively (Hohne) Majestically (Pfleger) Andante (Westermann) Andante (Gallay) Cavatine (Demersseman) Adagio And Finale Concertpiece Andante And Allegro
$9.99
9.2 €
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Rubank Advanced Method - E Flat Or BB Flat Vol.2
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Rubank Publications
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SheetMusicPlus
Danket dem Herren for Antiphonal Brass Choir
Ensemble de cuivres
Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.81…
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Brass Band Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817178 Composed by Heinrich Schutz. Arranged by Richard Decker. Baroque,Chamber,Historic,Multicultural,Renaissance,World. 64 pages. Charles Decker Music Press #6689647. Published by Charles Decker Music Press (A0.817178). Revered as one of the greatest German composers of the 17th century, Heinrich Schütz embraced his early studies with Giovanni Gabrieli and developed his own dramatic style of antiphonal music for voices and instruments.  Originally written for the centenary of the Reformation in 1617 to honor then Emperor Matthias and his family, this engaging composition translated as Praise the Lord for He is Kind was published in his Psalmen Davids (Op. 2) in 1619 and translates well four centuries later, giving today's brass choirs the opportunity to recreate those glorious antiphonal choir sounds of the early Baroque period.  Beyond brass ensemble concerts, consider adding some musical fireworks to your next band or orchestra concerts with this impressive and memorable showcase for your brass section.  Trumpet parts in B-flat and alternate C trumpet are provided. A recording of the entire transcription is included.See 50+ homogeneous brass editions for trumpet, horn and trombone ensembles and 75+ mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. To see our Music of Black Composers Series enter “Black Composers Series†in the search box at Charles Decker Music Press for 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$23.95
22.05 €
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Ensemble de cuivres
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Heinrich Schutz
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Richard Decker
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Danket dem Herren for Antiphonal Brass Choir
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Charles Decker Music Press
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SheetMusicPlus
The Arban Manual (Pre 2013)
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Down…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 75 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the older Carl Fischer Arban Method.<br> <br> Description<br> The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice.<br> Why<br> Arban’s Complete Conservatory Method for Trumpet andArban’s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology.<br> <br> How<br> A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can.<br> <br> Range Considerations<br> Students who are ready to play from Arban should have a “usable range” up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today’s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129.<br> If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don’t rush your progress.<br> <br> Warming Up<br> One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson.<br> <br> Performance Etudes<br> I’ve designated some of the more melodic and well balanced etudes as “performance etudes”. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance.<br> <br> All of the characteristic studies and celebrated fantaisies are considered performance pieces.<br> <br> Models<br> Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban’suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons.<br> <br> The Hard Stuff<br> At some point in your study of Arban you may come across something that you just can’t play, or play at tempo. This often involves triple or double tonguing. Don’t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world’s top players can’t play everything in the Arban book.<br> <br> Multiple Tonguing<br> Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends “tu ku”, many have had success using “tuh kuh”, “duh guh”, “tee kee” and many others. Finding your best syllables may take some experimentation.<br> <br> Extending Exercises<br> Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models.<br> <br> Transposition<br> Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice.<br> The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part.<br> <br> Songs and duets<br> Some teachers love these and others don’t. I suggest you try them and if you’d like to supplement other pieces that you need to work on, please feel free to do so.<br> <br> For bass clef instruments<br> Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments.<br> <br> The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone.
$16.95
15.61 €
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Trompette
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Eric Bolvin
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The Arban Manual
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SheetMusicPlus
The Arban Manual - Hooten Edition
Trompette
Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Downloa…
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Trumpet, Trombone, Tuba, Horn in F, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 76 pages. Published by Faded Duck Music
The Arban Manual is a complete course that takes you through the Arban Method in 69 well organized lessons. You will need The Arban Method to use this course. Each lesson is a balanced day of practice. This version is for the newer, Hooten edition published by Fischer. Why Arban?s Complete Conservatory Method for Trumpet andArban?s Famous Method for Trombone have been two of the most widely used brass books for over 100 years. The Arban Manual is simply a guide in how to practice Arban. The Arban Manual will take you step by step through the entire Arban method. The Arban Manual is not a technique book and the practice advice should work well with most brass methodology. How A minimum of one week should be spent on each lesson, although many choose to spend longer. If you are having trouble with one part of a lesson, you may wish to spend more time on that part. Most lessons are divided into six parts that should be practiced in the prescribed order. It is recommended that you rest between each part and try to spread your practicing throughout the day as best you can. Range Considerations Students who are ready to play from Arban should have a ?usable range? up to A (concert G). Many of the easy studies do go this high. Although there are not many really high notes in Arbanby today?s standards, some of the studies can be quite taxing. An example of this is the interval studies on p. 126-129. If you are not able to reach the highest keys at first, go as far you can comfortably, be sure to rest properly, and try to go further the next day. Remember, you will likely play from Arban in one way or another for most of your life, so don?t rush your progress. Warming Up One of the shortcomings of Arban is the lack of solid warm up material. Part I of each lesson is designed to be a warm up. Some teachers and students may find this inadequate for a warm up. Therefore, feel free to supplement the lesson plan with a warm up of your choosing. After your warm up, continue with Part I of the lesson. Performance Etudes I?ve designated some of the more melodic and well balanced etudes as ?performance etudes?. These can be used for auditions or recitals and should be prepared for that purpose. Some teachers or students may have other favorite etudes that they may choose to use for the purpose of performance. All of the characteristic studies and celebrated fantaisies are considered performance pieces. Models Models are different ways of playing an exercise. Many modelsinvolve using different articulations on a given exercise. Arban?suse of models is not extensive so I have chosen to expand on it, giving the student even more practice material. All models must be practiced thoroughly as prescribed in the lessons. The Hard Stuff At some point in your study of Arban you may come across something that you just can?t play, or play at tempo. This often involves triple or double tonguing. Don?t let this discourage you. Practice it diligently and slowly. You may want to stay with it for more than one lesson. After practicing the difficult etude for at least a month, make a note of it and return to it later. Brass playing is a lifetime commitment and you should continue to grow throughout your playing career. Many of the world?s top players can?t play everything in the Arban book. Multiple Tonguing Selecting the best syllables for multiple tonguing is often a problem for brass players and teachers. Although Arbanrecommends ?tu ku?, many have had success using ?tuh kuh?, ?duh guh?, ?tee kee? and many others. Finding your best syllables may take some experimentation. Extending Exercises Beginning with Lesson 44, some of the exercises are reviewed and extended. This is to provide more upper range work, more key work and different models. Transposition Beginning with Lesson 47, exercises are suggested to be transposed for trumpets in different keys. These are the most common transpositions and are only to provide the trumpet player with some basic transposition skills. Bass clef instruments need to substitute other material here such as clef practice. The first transposition is for C trumpet which is useful for reading music in concert pitch. The second transposition is for Ab trumpet which is useful if you play a C trumpet and want to read a Bb part. Songs and duets Some teachers love these and others don?t. I suggest you try them and if you?d like to supplement other pieces that you need to work on, please feel free to do so. For bass clef instruments Although the page numbering is different, the exercises in the bass clef edition are numbered the same as the trumpet edition, therefore making The Arban Manual viable for bass clef instruments. The songs and duets have been left out of the early bass clef version of Arban, although there is now a new version that does include them. Feel free to supplement music of your choice. Some of the articulations and models may not be practical for slide trombone. About SMP Press
$16.95
15.61 €
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Trompette
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Eric Bolvin
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The Arban Manual - Hooten Edition
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SheetMusicPlus
The Clarke Variations-bass clef edition
Bass Clef Instruments
Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric…
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Trombone, Tuba, Euphonium - Advanced Intermediate - Digital Download Composed by Eric Bolvin. Method, Etudes and Exercises, General Instructional, Technique Training. 55 pages. Published by Faded Duck Music
Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. Click our free sample below to read the introduction and try some easy sample exercises. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.<br> <br> There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as “the trumpet player’s bible”. If that is the case, then the Clarke should be “the new testament”. I consider Herbert L. Clarke to be the “George Washington” of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.<br> <br> The impetus for this set of variations is based on the idea of an “Expanding Scale” or “Expanding Range”. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are “holding one note” and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.<br> <br> This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.
$16.95
15.61 €
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Bass Clef Instruments
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Eric Bolvin
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The Clarke Variations-bass clef edition
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Faded Duck Music
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SheetMusicPlus
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