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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Africa - Synthesizer II
Non classifié
9
Piano & claviers
Piano seul
8
Piano, Voix
1
2 Pianos, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
Guitares
Voix
Chorale SATB
7
Chorale TTBB
3
Chorale 2 parties
2
Chorale SSAA
1
Vents
Quatuor de Saxophones: 4 saxophones
3
Clarinette
3
Flûte traversière
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Clarinette (duo)
2
2 Flûtes traversières (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Clarinettes (duo)
2
Clarinette et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière et Piano
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Clarinette Basse, Piano
1
2 Saxophones (duo)
1
Saxophone Alto et Piano
1
+ 10 instrumentations
Retracter
Cuivres
Trompette, Trombone (duo)
2
2 Trompettes (duo)
2
2 Trombones (duo)
2
Trombone
1
Trompette
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Piano
1
Trombone et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 5 instrumentations
Retracter
Cordes
2 Violoncelles (duo)
3
Quatuor à cordes: 2 violons, alto, violoncelle
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Piano Trio: Violon, Alto, Piano
1
Violon, Alto (duo)
1
2 Altos (duo)
1
Violon et Piano
1
Violon
1
Violon, Violoncelle (duo)
1
Violoncelle, Piano
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle
1
Trio à cordes: 3 violins
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Orchestre
2
Orchestre à Cordes
2
Orchestre de chambre
1
Ensemble de Percussions
1
Orchestre d'harmonie
1
Autres
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CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
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DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CELTIQUE - IRISH - S…
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Crtitères actifs :
Africa - Synthesizer II
Partitions à imprimer
96 partitions trouvées
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Mozart : Concerto pour clarinette, K.622 (Out of Africa) - II. Adagio (clarinette en sib)
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Clarinette
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INTERMÉDIAIRE
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Film/TV
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Mozart
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Concerto pour clarinette, K.62
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette, K.622 (Out of Africa) - II. Adagio (clarinette en sib) de Mozart. Partition pour Clarinette avec ...
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Telechargez la partition Clarinette Concerto pour clarinette, K.622 (Out of Africa) - II. Adagio (clarinette en sib) de Mozart. Partition pour Clarinette avec accomp. orchestre -- Musique de film - Movie / TV
8.99€
Mozart : Concerto pour clarinette K.622 (Out of Africa)- II. Adagio (clarinette en la)
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Clarinette
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INTERMÉDIAIRE
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Film/TV
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Mozart
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Concerto pour clarinette K.622
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Tomplay
Telechargez la partition Clarinette Concerto pour clarinette K.622 (Out of Africa)- II. Adagio (clarinette en la) de Mozart. Partition pour Clarinette avec acco...
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Telechargez la partition Clarinette Concerto pour clarinette K.622 (Out of Africa)- II. Adagio (clarinette en la) de Mozart. Partition pour Clarinette avec accomp. orchestre -- Musique de film - Movie / TV
8.99€
Africa
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Toto
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Dianne Goldrick
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Africa
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Dianne Goldrick
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SheetMusicPlus
Choral Choir (SSAA) - Level 4 - SKU: A0.929478 By Toto. By David Paich and Jeff Porcaro. Arranged by Dianne Goldrick. A Cappella,Pop,Rock. Octavo. 11 pa...
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Choral Choir (SSAA) - Level 4 - SKU: A0.929478 By Toto. By David Paich and Jeff Porcaro. Arranged by Dianne Goldrick. A Cappella,Pop,Rock. Octavo. 11 pages. Dianne Goldrick #4600761. Published by Dianne Goldrick (A0.929478). The beloved song by Toto.The melody is mostly in the Alto II and Soprano I parts, with a few measures in the Soprano II part. There is a 5th optional descant part at the end, very similar to the original.
$3.25
Africa
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Orchestre
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INTERMÉDIAIRE
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Rock
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Toto
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Jeremy Mattson
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Africa
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Mattson Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.931844 By Toto. By David Paich and Jeff Porcaro. Arranged by Jeremy Mattson. Pop,Rock. Score and parts. 36 pages. Mat...
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Full Orchestra - Level 3 - SKU: A0.931844 By Toto. By David Paich and Jeff Porcaro. Arranged by Jeremy Mattson. Pop,Rock. Score and parts. 36 pages. Mattson Music Publishing #4573843. Published by Mattson Music Publishing (A0.931844). ID: MMP-025title: Africa (by Toto)arranger: Jeremy Mattsoninstrumentation: string orchestra, piano, drum set, and cowbelllevel: Grade 2+duration: 4’30written in: 2019included files: full score, parts (I, II, Vla, Vc, Cb, Piano, Drum Set, Cowbell)See more at: https://www.sheetmusicplus.com/publishers/mattson-music-publishing-sheet-music/3011314?isPLP=1
$29.99
Africa
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Rock
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Toto
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Joe Deninzon
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Africa
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Fiddlefunk Music
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.784560 By Toto. By David Paich and Jeff Porcaro. Arranged by Joe Deninzon. Pop,Rock. Score and parts. 86 pages. Fid...
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String Orchestra - Level 4 - SKU: A0.784560 By Toto. By David Paich and Jeff Porcaro. Arranged by Joe Deninzon. Pop,Rock. Score and parts. 86 pages. Fiddlefunk Music #6457625. Published by Fiddlefunk Music (A0.784560). This arrangement includes violin I, violin II, and an easy violin III, viola, cello, bass (electric or upright), drum set, guitar, and keyboard parts. Original key is B major and this arrangement is in D major. Have fun with this Toto classic!
$49.99
The Sands of Time Movement II: Go Down Moses
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Orchestre d'harmonie
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FACILE
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Peyton T
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The Sands of Time Movement II:
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Starkweather Arts Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts...
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Concert Band - Level 2 - SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
AFRICAN ARIAS LEADSHEET
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Flûte traversière
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AVANCÉ
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Jazz
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Cheryl Lynne Skinner
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AFRICAN ARIAS LEADSHEET
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Cheryl Lynne Skinner
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SheetMusicPlus
Flute Solo - Level 5 - SKU: A0.941152 Composed by Cheryl Lynne Skinner. Jazz. Individual part. 6 pages. Cheryl Lynne Skinner #4794455. Published by Cher...
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Flute Solo - Level 5 - SKU: A0.941152 Composed by Cheryl Lynne Skinner. Jazz. Individual part. 6 pages. Cheryl Lynne Skinner #4794455. Published by Cheryl Lynne Skinner (A0.941152). THIS AFROCENTIC COMPOSITION FEATURES SOLO FLUTE &, PIANO WITH A RHYTHM SECTION. THE WORK HAS 2 MOVEMENTSI. RAFIKI (friend in Swahili) for flute and rhythm sectionII. NGOMA (TO DRUM AND DANCE in Swahili) piano and rhythm section.
$3.99
Melodia Africana II by Ludovico Einaudi - Piano Solo
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Piano seul
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Ludovico Einaudi
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Melodia Africana II
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Musicnotes
Performed by: Ludovico Einaudi: Melodia Africana II Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet musi...
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Performed by: Ludovico Einaudi: Melodia Africana II Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 3 pages -- Classical~~New Age~~Contemporary Instrumental~~Neo-Classical
$5.50
African Ascension Part Ii
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Clarinette Basse, Piano
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INTERMÉDIAIRE
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Jazz
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Horace Silver
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George Kaplan
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African Ascension Part Ii
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George Kaplan
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SheetMusicPlus
Bass Clarinet,Piano - Level 3 - Interactive Download SKU: A0.1354635 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Down...
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Bass Clarinet,Piano - Level 3 - Interactive Download SKU: A0.1354635 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. 11 pages. Duration 72. George Kaplan #2JBYN01fTvCEkUL6A1OadY. Published by George Kaplan (A0.1354635). Key: C major.From Horace Silver's 1977 Blue Note album entitled Silver 'N Percussion. Includes part of his piano solo.
$9.95
Four World Variants for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Brett L
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Four World Variants for Clarin
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Sonata Grendel Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Son...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.837482 Composed by Brett L. Wery. 20th Century,Concert,Contemporary,World. 76 pages. Sonata Grendel Publishing #3133453. Published by Sonata Grendel Publishing (A0.837482). All the movements of Four World Variants are based on one theme. The theme proper can be heard in the fugue subject of the first movement. The second movement uses the theme in retrograde inversion (backwards and upside down) to emulate the music of Gagaku. Gagaku literally translates as elegant music and is the ancient imperial court music of Japan. The third movement uses the theme in retrograde (simply backwards) to create a sarabande. Sarabandes are typically associated with the dance suites of the Baroque era but are said to have originated in Central and North America. The Sarabande was banned for a time in 16th century Spain for it’s lascivious nature. The final movement uses the original form of the theme combined with a traditional drumming pattern of the Ewe people of Togo, Benin, and Ghana, West Africa. I. Europe: An Enlightenment Fugue II. Asia: A Gagaku Serenade III. A New World Sarabande IV. Africa: Ewe Polyrhythms This 14 minute suite is scored for two four B-flat clarinets and is ideal for high school, college or professional players. You can find information on Brett L. Wery’s music at: http://www.societyofcomposers.org/members/BrettL.Wery/ or follow him on Facebook at: https://www.facebook.com/werymusic/
$27.95
Roots for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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incorporating aspects of Palo
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Gabrielle Liriano
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Roots for Full Orchestra
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Art Haus Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 p...
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Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
$150.00
Story Of My Life
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Driftkid
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DarkDaze
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Story Of My Life
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KayBee-da-rapper-ii
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SheetMusicPlus
SKU: A0.1072927 Composed by Driftkid. Arranged by DarkDaze. Hip-Hop. Full Performance. Duration 186. KayBee-da-rapper-ii #4794177. Published by KayBee-d...
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SKU: A0.1072927 Composed by Driftkid. Arranged by DarkDaze. Hip-Hop. Full Performance. Duration 186. KayBee-da-rapper-ii #4794177. Published by KayBee-da-rapper-ii (A0.1072927). Hiphop/rap from south Africa more information email at kabelokanyanr558@gmail.com.
$2.99
We Are The World
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
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USA For Africa
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Thomas Graf
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569477 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. C...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.569477 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Contemporary. Score and parts. 23 pages. Thomas Graf - the-hit-factory.com #6355209. Published by Thomas Graf - the-hit-factory.com (A0.569477). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Part I (Tpt in C/Bb), Part II (Tpt in Bb/Horn in F), Part III (Horn in F/Eb/Bb, Trombone), Part IV (Trombone/Euph./Baritone in C/Bb) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$12.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
We Are The World
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Contemporain
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USA For Africa
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Thomas Graf
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569481 By USA For Africa. By ...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569481 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Contemporary. 13 pages. Thomas Graf - the-hit-factory.com #6355219. Published by Thomas Graf - the-hit-factory.com (A0.569481). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Part I (Soprano), Part II (Alto), Part III (Tenor), Part IV (Baritone/Bass Sax) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$14.99
Elizabethan Serenade - Ronald Binge (Mixed Ensemble)
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Contemporain
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Ronald Binge
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Elizabethan Serenade - Ronald
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Peet du Toit
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SheetMusicPlus
Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Flute,Multi-Percussion,Tenor Saxophone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.802573 Compose...
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Large Ensemble Alto Saxophone,Bassoon,Cello,Clarinet,Flute,Multi-Percussion,Tenor Saxophone,Trumpet,Tuba,Viola,Violin - Level 3 - SKU: A0.802573 Composed by Ronald Binge. Arranged by Edrich Siebert & Richard Pollen & Peet du Toit. Contemporary. Score and parts. 40 pages. Peet du Toit #5798651. Published by Peet du Toit (A0.802573). Elizabethan Serenade is a light music composition by Ronald Binge. When it was first played by the Mantovani orchestra in 1951, it was simply titled Andante cantabile, although the original orchestral manuscript parts in Ronald Binge's own hand show the title The Man in the Street (possibly the title of an early television documentary). The name was altered by the composer to reflect the post-war optimism of a new Elizabethan Age that began with the accession of Queen Elizabeth II in February 1952. The Günter Kallmann Choir also made it famous by recording it in the Kango Caves in South Africa.Here is an interesting combination of instruments to give it a different touch in your presentation. Enjoy!
$21.00
We Are The World
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE
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USA For Africa
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Thomas Graf
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We Are The World
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569482 By USA For Africa. By...
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Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.569482 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Thomas Graf. Contemporary,Film/TV,Pop,Rock. 18 pages. Thomas Graf - the-hit-factory.com #6355221. Published by Thomas Graf - the-hit-factory.com (A0.569482). One of the most famous ballads ever an one of the fewer than 30 all-time singles to have sold at least 10 million copies worldwide. Remember Michael Jackson! Instrumentation: Part I (Soprano), Part II (Alto), Part III (Alto/Tenor), Part IV (Tenor), Part V(Baritone/Bass Sax) Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .
$16.99
Go Tell It on the Mountain (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Robert A
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Go Tell It on the Mountain
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, brass quintet, tambourine, organ - Moderately Easy - SKU: MQ.50-1958-E Composed by Robert A. Hobby. Christmas, Feast ...
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SATB choir, optional congregation, brass quintet, tambourine, organ - Moderately Easy - SKU: MQ.50-1958-E Composed by Robert A. Hobby. Christmas, Feast of the Holy Family. Instrument parts. 10 pages. MorningStar Music Publishers - Digital Sheet Music #50-1958-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-1958-E). A setting of the favorite African-American Christmas spiritual in which the congregation can play a major role. Set in a swing style and full of spirit. Delightful optional brass parts help capture the jazzy spirit of this piece. This piece was the concluding selection in the larger Christmas work Holy Light. Accompaniment may be performed with organ alone, with brass and organ, or with orchestra and organ.Orchestra Parts Include:2 Flute1 Oboe3 B-flat Clarinet1 Bassoon1 Horn in F2 B-flat Trumpet I and II2 C Trumpet I and II2 Trombone I and II2 Percussion1 Harp1 Organ5 Violin I5 Violin II3 Viola3 Cello3 Double Bass
$2.65
Rio Grande De Loiza
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Paul E Hodson II
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Rio Grande De Loiza
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Paul E. Hodson II
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1377572 Composed by Paul E Hodson II. 21st Century,Classical,Multicultural,World. 11 pages. Paul E. Hodson II #9621...
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String Orchestra - Level 3 - SKU: A0.1377572 Composed by Paul E Hodson II. 21st Century,Classical,Multicultural,World. 11 pages. Paul E. Hodson II #962165. Published by Paul E. Hodson II (A0.1377572). This piece is inspired by Julia de Burgos' Poem of the same name. The Poem depicts the hardship and suffering the African populous went through at the hands of their colonial oppressors in Puerto Rico. Grade Level: 2.5 to 3.
$85.00
Cowboy Songs of the American Southwest [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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Cowboy Songs of the American S
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891193 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 24 pages. Dandelion Music Press #3103597. Published by Dandelion Music Press (A0.891193). This fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$4.20
When Cockle Shells Turn Silver Bells from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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When Cockle Shells Turn Silver
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891196 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 5 pages. Dandelion Music Press #3103605. Published by Dandelion Music Press (A0.891196). Movement four of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
I'm Sad and I'm Lonely, from "Cowboy Songs of the American Southwest" [TTBB]
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Chorale TTBB
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INTERMÉDIAIRE
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Traditional
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Laurie Betts Hughes
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I'm Sad and I'm Lonely, from &
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Dandelion Music Press
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SheetMusicPlus
Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octav...
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Choral Choir (TTBB) - Level 3 - SKU: A0.891194 Composed by Traditional. Arranged by Laurie Betts Hughes. A Cappella,Contemporary,Folk,Traditional. Octavo. 6 pages. Dandelion Music Press #3103603. Published by Dandelion Music Press (A0.891194). Movement two of four Cowboy Songs of the American SouthwestThis fun-to sing TTBB a cappella concert arrangement set of regional folksongs are evocative of barbershop, concert, and a cappella styles and utilize some fun extended techniques in the second movement. Also appropriate for a versatile barbershop or men's quartet, upper HS level or above.These four cowboy songs that make up the song cycle Cowboy Songs of the American Southwest are among the nearly 3,000 field recordings recorded in the U.S. Southwest, Mexico and Spain collected by John Donald Robb over 40 year while at the University of New Mexico. These recordings preserve many of the musical traditions of these areas, especially New Mexico and Southern Colorado, and include Native American, Hispano, Mexican and African American music, as well as railroad and cowboy songs, fiddle music and the music of festivals and fiestas.I. The Call of the Range- Evocative of a carefree, lone cowboy singing while strumming his ukulele. Barbershop harmonies, similar to ukulele harmonies, suggest a personification of both the ukulele and the rangeland itself as a character in the unfolding drama of the seemingly solitary cowboy.II. I'm Sad and I'm Lonely- Whispered syllables and whistles evoke percussion and a bowed saw in this despondent tale of unrequited love and solitude.III. Wild Horse of the Desert- The melody fights with the downbeat to mimic the wild horse fighting against land rights and fencing.IV. When Cockle Shells Turn Silver Bells- An overly carefree, lighthearted shrug at lost love to embrace the lone cowboy lifestyle.Due to current restrictions of the John Donald Robb field recordings housed at the University of New Mexico, movements I. The Call of the Range and III. Wild Horse of the Desert are offered with permission and without charge with the purchase of public domain arrangements of II. I'm Sad and I'm Lonely and IV. When Cockle Shells Turn Silver Bells forming an entire song cycle. Movements II. and IV. are also available for purchase individually.2017 Choral Contest EntryLaurie Betts Hughes, ASCAP | www.LaurieBettsHughes.com
$2.10
Joshua Fought the Battle of Jericho
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Violon et Piano
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DÉBUTANT
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Gospel Spirituel
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African American Spiritual
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Russell K
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Joshua Fought the Battle of Je
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Russell K. Campbell II
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.896134 Composed by African American Spiritual. Arranged by Russell K. Campbell II. Christian,Concert,Sacred,Spiritual. ...
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Piano,Violin - Level 1 - SKU: A0.896134 Composed by African American Spiritual. Arranged by Russell K. Campbell II. Christian,Concert,Sacred,Spiritual. 6 pages. Russell K. Campbell II #4332075. Published by Russell K. Campbell II (A0.896134). This is an extremely fun piece for the beginning violinist! Since the piano score uses more complex harmonies, this violin piece for beginners is enjoyable for both the listener and the player. .
$4.99
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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5 Spirituals and Dances from &
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String Play for All
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SheetMusicPlus
Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #...
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Small Ensemble Violin - SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50
We shall overcome - Brass Quartet
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Trad
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Thomas Graf
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We shall overcome - Brass Quar
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1211753 Composed by Trad. Arranged by Thomas Graf. Patriotic,Pop,Trad...
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Brass Quartet Baritone Horn TC,Euphonium,Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1211753 Composed by Trad. Arranged by Thomas Graf. Patriotic,Pop,Traditional. 22 pages. Thomas Graf - the-hit-factory.com #809369. Published by Thomas Graf - the-hit-factory.com (A0.1211753). Hymn and protest song song from the African-American Civil Rights and Peace Mouvement. Made famous by Pete Seeger, Joan Baez and many more.About this arrangement:Â Composed by: trad.Arranged by: Thomas H. GrafInstrumentation:Â Full Score and Parts as listed below:Part I Trumpet in BbPart II Trumpet in BbPart II Horn in FPart III Horn in FPart III Baritone/Euph.Part III TrombonePart IV Tuba/B.Tbn.Drum SetPianoPart IV Bass GuitarPart IV Bass in EbPart IV Bass in BbAny individual arrangement and substitute parts are available on request.Call +49 (0) 172 2515987 Â E-Mail: info@the-hit-factory.com. Â www.the-hit-factory.comfacebook: https://www.facebook.com/hitfactorymusic
$12.00
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