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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
African Melodies
Non classifié
27
Piano & claviers
Piano seul
10
2 Pianos, 4 mains
2
Accordéon
1
Piano Facile
1
Guitares
Mandoline
1
Voix
Chorale SATB
3
Vents
Quintette de Saxophone: 5 saxophones
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Clarinettes
2
Quintette de Flûte : 5 flûtes
2
Flûte, Violon
1
Clarinette, Violon (duo)
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois (duo)
1
Flûte traversière
1
Flûte, Alto (duo)
1
Quatuor de Clarinettes: 4 clarinettes
1
Flûte irlandaise
1
Flûte, Clarinette (duo)
1
Clarinette et Alto
1
Hautbois et alto (duo)
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Hautbois, Violoncelle
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Hautbois, violon (duo)
1
+ 16 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Ensemble de Trombones
3
Ensemble de Trompettes
2
Trompette
2
Trompette, Trombone (duo)
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
2 Tubas (duo)
1
+ 2 instrumentations
Retracter
Cordes
Ensemble de Violons
2
Violon, Alto (duo)
2
Violon, Basson (duo)
1
2 Violons (duo)
1
Alto, Piano
1
2 Altos (duo)
1
2 Violoncelles (duo)
1
Violon, Violoncelle (duo)
1
Quatuor à cordes: 2 violons, alto, violoncelle
1
Violon
1
+ 5 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
5
Orchestre à Cordes
4
Ensemble de cuivres
2
Ensemble de Percussions
1
Piano et Orchestre
1
Marimba
1
+ 1 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
African Melodies
Partitions à imprimer
122 partitions trouvées
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African Diaspora Suite
Orchestre d'harmonie
Concert Band - Digital Download SKU: A0.881228 Composed by Gary Powell Nash. Contem…
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Concert Band - Digital Download SKU: A0.881228 Composed by Gary Powell Nash. Contemporary. Score and parts. 119 pages. Gary Powell Nash #33509. Published by Gary Powell Nash (A0.881228). Back to School 2015 African Diaspora Suite is a four movement work for grade 1.5-2 band, based on and inspired by West African folk music. Movement 1, Fanfare and Dance is a fast tempo, quadruple meter with highly syncopated rhythms and melodies. Movement 2, Lullaby is a SLOW tempo, triple meter movement. Movement 3, Reggaeland is in a fast duple meter, with melodies, harmonies and rhythms that allude to reggae music and the only minor mode movement. Movement 4, Swan Dance is in compound duple meter with several cross rhythms also prominent in West African folk music.
$40.00
36.88 €
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Orchestre d'harmonie
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Gary Powell Nash
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African Diaspora Suite
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Gary Powell Nash
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SheetMusicPlus
Two Afro Melodies for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - …
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Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Bass Clarinet,Bassoon,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1411716 Composed by Samuel Coleridge-Taylor. Arranged by Charles Decker. 20th Century,Chamber,Contest,Festival,Multicultural,Romantic Period,World. 34 pages. Charles Decker Music Press #993952. Published by Charles Decker Music Press (A0.1411716). From the Music of Black Composers Series are these two contrasting works from Coleridge-Taylor's 1905 piano collection of African and Spiritual Melodies, the playful Bamboula and the dramatic Take Nabandji arranged for a traditional woodwind quintet of flute, oboe, clarinet, horn, and bassoon, with alternate parts clarinet in B-flat substitute for oboe, alto saxophone in E-flat substitute for horn, and bass clarinet in B-flat substitute for bassoon. Born of an African father, Coleridge-Taylor was an early 20th century prominent English composer and conductor who was an influential advocate for Black composers. The recording is of the entire editionTo see our Music of Black Composers Series for woodwinds enter “Black Composers Series Woodwinds†in the search box at Charles Decker Music Press for arrangements for mixed woodwind ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.
$14.99
13.82 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Samuel Coleridge-Taylor
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Charles Decker
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Two Afro Melodies for Woodwind Quintet
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Charles Decker Music Press
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SheetMusicPlus
Ethiopian Melodies. Julius' Bride
Piano and voice (solo and 4-part chorus) - Digital Download SKU: LV.13793 Composed …
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Piano and voice (solo and 4-part chorus) - Digital Download SKU: LV.13793 Composed by E. P. Christy. African Americans, Portraits, Musical instruments, Dancing, Couples, Monkeys, Slave trade, Courtship & love, Marriage proposals, Banjos, Sleeping, Dreaming, Ethnic stereotypes, Dialects. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13793). Ethiopian Melodies. Julius' Bride [contains reference to the song Jennie Git Your Hoe Cake Done]. Arranged & Partly Composed By E.P. Christy. Published 1848 by William Vanderbeek, 479 Broadway in New York. Composition of strophic with chorus with piano and voice (solo and 4-part chorus) instrumentation. Subject headings for this piece include African Americans, Portraits, Musical instruments, Dancing, Couples, Monkeys, Slave trade, Courtship & love, Marriage proposals, Banjos, Sleeping, Dreaming, Ethnic stereotypes, Dialects. First line reads When I liv'd way down in ole Virginia, I bought a culored [sic] gal for a guinea.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.52 €
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E
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E
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Ethiopian Melodies. Julius' Bride
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Five African-American Preludes for the Church Year
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1359045 By Henrietta Atkin. By Afri…
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Piano Solo - Level 3 - Digital Download SKU: A0.1359045 By Henrietta Atkin. By African-American Spirituals. Arranged by Henrietta Atkin. Christian,Religious,Sacred,Spiritual. Score. 16 pages. Henrietta Atkin #943470. Published by Henrietta Atkin (A0.1359045). This collection of preludes based on African-American spirituals include two preludes for Lent, one for Christmas, one for Good Friday and one for Ordinary Time. If you love the beautiful melodies and historical tradition of African-American music, these arrangements are for you.
$12.99
11.98 €
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Piano seul
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Henrietta Atkin
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Henrietta Atkin
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Five African-American Preludes for the Church Year
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Henrietta Atkin
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SheetMusicPlus
African Songs and Rhythms for Children
Voice and Orff-instruments - Digital Download SKU: S9.Q25930 A Selection from Gh…
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Voice and Orff-instruments - Digital Download SKU: S9.Q25930 A Selection from Ghana. This edition: score for voice and/or instruments. Carl Orff - cultures - Countries - Songs - repertoire pieces - lyrics. Orff-Schulwerk. Downloadable, Vocal and performing score. Schott Music - Digital #Q25930. Published by Schott Music - Digital (S9.Q25930). English.Orff-Schulwerk has been translated and adapted for use in many countries and there are editions in numerous languages, with a comprehensive range of supplementary material. Those teachers using the various English editions will find here a rich and exciting source of traditional folk songs, dance melodies and original material from other countries, which will enlarge and enrich the activites and experiences of their pupils. Discover the Orff-Schulwerk in the African tradition, a selection from Ghana by W. K. Amoaku. Based entirely on African material.
$9.99
9.21 €
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African Songs and Rhythms for Children
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Schott Music - Digital
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SheetMusicPlus
Bamboula, from 24 Negro Melodies
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859954 Composed by Samuel Col…
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String Orchestra - Level 4 - Digital Download SKU: A0.859954 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. 20th Century,African,Spiritual,Standards. Score and parts. 71 pages. String Play for All #5983473. Published by String Play for All (A0.859954). Samuel Coleridge-Taylor (1875-1912) was one of the leading black composers from England during his time. His most famous work is The Song of Hiawatha. He wrote 24 Negro Melodies, Op. 59 for piano solo. This movement, Bamboulais the first one to be arranged for string orchestra. Bamboula was a lively syncopated dance the first appeared in the US inNew Orleans. Your students will love the lively rhythms and harmonies of this arrangement which is Grade 3.5 level. Approximate length is 2 1/2 minutes
$15.99
14.74 €
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Orchestre à Cordes
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Samuel Coleridge-Taylor
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Bamboula, from 24 Negro Melodies
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String Play for All
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SheetMusicPlus
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for…
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Small Ensemble Violin - Digital Download SKU: A0.859957 Arranged by String Play for All. African,Folk,Gospel,Spiritual. Score and parts. 256 pages. String Play for All #6096717. Published by String Play for All (A0.859957).  The five spirituals and dances are arrangements for multi-level violin ensemble of five movements from Samuel Coleridge-Taylor’s 24 Negro Melodies for solo piano. The five movements included are Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each movement contains a brief description as well as illustration. The violin parts include Advanced Violin, Violin I, Violin II, Violin Book 1, and Twinkle Violin. Since note reading and ensemble playing pose additional challenges, I have made the Twinkle Violin part quite basic, with an emphasis on open strings and basic rhythmic patterns. The Violin Book 1 part is more challenging, designed for players who have finished or about to finish Suzuki Violin School, Book 1. The Advanced Violin part occasionally extends to fifth position, while the Violin I part remains mainly in first Position, with only and occasional use of third position. Violin II remains in first position. The Advanced Violin part is optional. It may be omitted, replace the Violin I part, or both Advanced Violin and Violin I parts may be used, depending on the needs and level of your group. 6 of each part have been included. The entire suite totals 12 ½ minutes.
$16.50
15.21 €
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String Play for All
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5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for Multi-Level Violin E
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String Play for All
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SheetMusicPlus
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for String Orchestra
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.859956 Composed by Samuel Col…
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String Orchestra - Level 4 - Digital Download SKU: A0.859956 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. African,Folk,Gospel,Spiritual. Score and parts. 276 pages. String Play for All #6079061. Published by String Play for All (A0.859956). This is an arrangement for String Orchestra with optional harp of the most beloved Black Spirituals: Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each work contains a brief description as well as illustration. The work is demanding technically and would be appropriate for advanced high school or college students. All five movements total about 12 1/2 minutes. Grade 3.5.
$19.99
18.43 €
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Orchestre à Cordes
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Samuel Coleridge-Taylor
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5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for String Orchestra
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String Play for All
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SheetMusicPlus
5 Spirituals and Dances from "24 Negro Melodies" for Violin and Viola
Violon, Alto (duo)
Instrumental Duet Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.8…
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Instrumental Duet Instrumental Duet,Viola,Violin - Level 5 - Digital Download SKU: A0.859953 Composed by Samuel Coleridge-Taylor. Arranged by Steven Kruse, Penny Thompson Kruse. African,Folk,Gospel,Spiritual. Score and parts. 40 pages. String Play for All #6064167. Published by String Play for All (A0.859953). This is an arrangement for Violin and Viola of several of the most beloved Black Spirituals: Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each work contains a brief description as well as illustration. The work is demanding technically and would be appropriate for advanced high school or college students, as well as professionals. All five movements total about 12 1/2 minutes.
$9.99
9.21 €
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Violon, Alto (duo)
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Samuel Coleridge-Taylor
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5 Spirituals and Dances from "24 Negro Melodies" for Violin and Viola
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String Play for All
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SheetMusicPlus
5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Digital Download Composed by Samuel Coleridge-Taylor (1875- 1912). …
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String Quartet - Digital Download Composed by Samuel Coleridge-Taylor (1875- 1912). Arranged by Steven Kruse, Penny Thompson Kruse. Gospel, Spiritual, Blues, African, Americana. Score, Set of Parts. 56 pages. Published by String Play for A
This is an arrangement for String Quartet of several of the most beloved Black Spirituals: Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each work contains a brief description as well as illustration. The work is demanding technically and would be appropriate for advanced high school or college students, as well as professionals. All five movements total about 12 1/2 minutes.This is an arrangement for String Quartet of several of the most beloved Black Spirituals: Wade in the Water, Sometimes I Feel Like a Motherless Child, Deep River, My Lord Delivered Daniel, and Bamboula. This instrumental setting preserves the energy and warmth of the original. Expose your students to this important style of American Music. Each work contains a brief description as well as illustration. The work is demanding technically and would be appropriate for advanced high school or college students, as well as professionals. All five movements total about 12 1/2 minutes.
$15.99
14.74 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Samuel Coleridge-Taylor
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5 Spirituals and Dances from "24 Negro Melodies" by Samuel Coleridge-Taylor for String Quartet
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String Play for A
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SheetMusicPlus
First Flights: 14 playful pieces for piano beginners
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.912591 Composed by John McLachlan. …
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Piano Solo - Level 1 - Digital Download SKU: A0.912591 Composed by John McLachlan. Children,Standards. Score. 13 pages. John McLachlan #3457433. Published by John McLachlan (A0.912591). Album of new and original beginner pieces for piano solo. A collection of titles also sold separately by Acla Music. Many of these have been selected for the Royal Irish Academy of Music piano syllabus at Elementary, Preliminary and Primary levels. Therefore before grade 1. Titles included are: Sticky Notes, Five-a-side, A Little Japanese Tune, Night Prowler, Chop Chop!, Caves, African Melodies I-III, Hop Skip and Tumble , The Curious Cat, The Guillotine, Folk-style Melody and Ol' Cowpoke.
$13.00
11.98 €
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Piano seul
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John McLachlan
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First Flights: 14 playful pieces for piano beginners
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John McLachlan
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SheetMusicPlus
Solos for Flute, Collection 1
Flûte traversière
Flute - Intermediate - Digital Download SKU: M0.21696EB African-American & Jamai…
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Flute - Intermediate - Digital Download SKU: M0.21696EB African-American & Jamaican Melodies. Composed by Clark Kimberling. Flute, Fife and Oboe, Gospel/Sacred, Christian. World Music. E-book. Mel Bay Publications - Digital Sheet Music #21696EB. Published by Mel Bay Publications - Digital Sheet Music (M0.21696EB). ISBN 9781609745103. 8.75x11.75 inches.A unique collection for the flute: 46 full-page solos, including arrangements of spirituals, folk songs, dance tunes, and melodies by African-American composers, plus five solos composed for this collection. Includes melodies by A. J. R. Conner, Henry Hart, J. W. Postlewaite, Will Accooe, John W. Boone, Justin Holland, James Allen Bland and more. Features previously unpublished solo by renowned Philadelphia musician Francis Johnson, the earliest known composition by an African-American, dating from 1815. Favorites include Amen, Banyan Tree, Doctor Bird, and Ev'ry Time I Feel the Spirit. Supported by Internet-accessible melody-specific Historical Notes.Forty-six full-page solos for fluteArrangements of melodies by America's best known composers of African descent, as well as traditional melodiesInternet-based melody-specific Historical Notes
$14.99
13.82 €
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Flûte traversière
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Clark Kimberling
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Solos for Flute, Collection 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Jerusalema
Marimba
Marimba Solo - Level 4 - Digital Download SKU: A0.1302680 By Master Kg. By Damini O…
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Marimba Solo - Level 4 - Digital Download SKU: A0.1302680 By Master Kg. By Damini Ogulu, Moagi Khaogelo, and Nomcebo Zikode. Arranged by Tom Swennen. Multicultural,Pop,World. Individual part. 6 pages. TomStar Percussion #892305. Published by TomStar Percussion (A0.1302680). Jerusalema by Master KG, a global sensation that resonates with joyful rhythms and heartwarming melodies, finds a new voice in this marimba solo arrangement. Tailored for the sonorous depth of the marimba, this rendition takes listeners on a journey that melds the vibrant energy of the hit song with the rich, woody tones of the instrument.Every note is meticulously crafted to capture the essence of Jerusalema, ensuring that the iconic melodies and rhythms remain recognizable, yet fresh. This arrangement offers marimbists a chance to explore the harmonious blend of African dance music with the melodic resonance of the marimba.Perfect for both intimate recitals and grand performances, this marimba solo version of Jerusalema is more than just a cover—it's a celebration of music, rhythm, and cultural fusion. Dive in and let the evocative sounds of the marimba breathe new life into this beloved track.Keywords: Jerusalema, Master Kg, Marimba Solo Arrangement, African Dance Music, Percussive Melodies, Cultural Fusion, TomStar Percussion, Tom Swennen, Rhythmic Journey
$9.00
8.3 €
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Marimba
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Master Kg
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Tom Swennen
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Jerusalema
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TomStar Percussion
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SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Clarinet Quintet)
Ensemble de Clarinettes
Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dv…
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Woodwind Ensemble Clarinet - Digital Download SKU: A0.813826 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533907. Published by Regis Bookshar (A0.813826). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Clarinet Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Clarinet Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumenta.
$15.00
13.83 €
#
Ensemble de Clarinettes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") (From the New World") (Db) (Bassoon Quintet)
Ensemble de Bassons
Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by A…
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Woodwind Ensemble Bassoon - Level 3 - Digital Download SKU: A0.813822 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533893. Published by Regis Bookshar (A0.813822). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Bassoon Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Bassoon Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.83 €
#
Ensemble de Bassons
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Flute Quintet)
Quintette de Flûte : 5 flûtes
Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Ant…
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Woodwind Ensemble Flute - Level 3 - Digital Download SKU: A0.813829 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. 18 pages. Regis Bookshar #6533919. Published by Regis Bookshar (A0.813829). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Flute Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Flute Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.83 €
#
Quintette de Flûte : 5 flûtes
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) Viola Quintet)
String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Co…
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String Ensemble,String Quintet Viola - Level 3 - Digital Download SKU: A0.813839 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533949. Published by Regis Bookshar (A0.813839). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Viola Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Viola Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (Violin Quintet)
Ensemble de Violons
String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 C…
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String Ensemble,String Quintet Violin - Level 3 - Digital Download SKU: A0.813840 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533951. Published by Regis Bookshar (A0.813840). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (Violin Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a Violin Quintet, he has made quite a few other arrangements of this selection which are readily available for a wide variety of instrumental en.
$15.00
13.83 €
#
Ensemble de Violons
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
Largo (from "Symphony No. 9") ("From the New World") (Db) (String Quintet - 2 Violins, 1 Viola, 1 Ce
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.813833 Composed by Antonin Dvorak. Arranged by Regis Bookshar. Concert,Contemporary,Folk,Romantic Period,Standards. Score and parts. 18 pages. Regis Bookshar #6533931. Published by Regis Bookshar (A0.813833). Largo (from Symphony No. 9 in E minor) (From the New World) (Db) (String Quintet) - Intermediate - Digital Download. This marvelous arrangement of the Largo, based on the second movement of Antonin Dvorak's Symphony No. 9 in E minor, would be a fabulous addition to any music library and could be performed for concerts, recitals and church services, especially Funerals, but would be appropriate any time during the church year. This arrangement is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (18 pages). This selection is one of the many arrangements from the The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Symphony No. 9 in E minor, Op. 95 (subtitled From the New World and popularly know as the New World Symphony), was composed by Antonin Dvorak in 1893 while he was the director of the National Conservatory of Music of America from 1892 to 1895. It premiered at Carnegie Hall in New York City on December 16, 1893 and has been described as one of the most popular of all symphonies. The second movement of the symphony, upon which this arrangement is based, is marked Largo, and begins with a harmonic progression of chords which is then followed by a solo instrument playing the famous main theme.Dvorak was interested in Native American music and the African-American spirituals he heard in North America. While director of the National Conservatory he encountered an African-American student, Harry T. Burleigh, who sang traditional spirituals to him. Burleigh, later a composer himself, said that Dvorak had absorbed their spirit before writing his own melodies. Dvorak stated:    I am convinced that the future music of this country must be founded on what are called Negro melodies. These can be the foundation of a serious and original school of composition to be developed in the United States. These beautiful and varied themes are the product of the soil. They are folk songs of America and your composers must turn to them.He further explained how Native American music influenced his symphony:  I have not actually used any of these (Native American) melodies. I have simply written original themes embodying the peculiarities of the Indian music, and, using these themes as subjects, have developed them with all the resources of modern rhythms, counterpoint, and orchestral colour.In 1893, a newspaper interview quoted Dvorak as saying, I found that the music of the negroes and of the Indians was practically identical, and that the music of the two races bore a remarkable similarity to the music of Scotland. Most historians agree that Dvorak is referring to the pentatonic scale, which is typical of each of these musical traditions.Dvorak was influenced not only by music he heard, but also by what he had seen, in America. He wrote that he would not have composed his American pieces as he had if he had not seen America. It has been said that Dvorak was inspired by the wide open spaces of America, such as the prairies he may have seen on his trip to Iowa in the summer of 1893. Notices about several performances of the symphony include the phrase wide open spaces about what inspired the symphony and/or about the feelings it conveys to listeners.The theme from the Largo was adapted into the spiritual Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvorak's pupil, William Arms Fisher, who wrote the lyrics in 1922. Regis Bookshar thought it would be wonderful if other instrumentalists could have the opportunity to play this beautiful melody, so, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, he has made quite a few other arrangements of this sel.
$15.00
13.83 €
#
Antonin Dvorak
#
Regis Bookshar
#
Largo
#
Regis Bookshar
#
SheetMusicPlus
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