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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
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After Last Night
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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Crtitères actifs :
After Last Night
Partitions à imprimer
61 partitions trouvées
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51
Still Crazy After All These Years
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE/AVANCÉ
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Simon And Garfunkel
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John Fries
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Still Crazy After All These Ye
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500249 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fak...
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C Instrument - Level 4 - SKU: A0.500249 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #113433. Published by John Fries (A0.500249). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Still Crazy After All These Years is a song by the American singer-songwriter Paul Simon. It was the third and final single from his fourth studio album of the same name (1975), released on Columbia Records. Though the song briefly reached the top 40 of the Billboard Hot 100 in the U.S., it was a bigger hit on the magazine's Easy Listening chart, where it peaked at number four Still Crazy After All These Years begins with the singer singing that I met my old lover on the street last night. The old lover has been variously interpreted to be either Simon's ex-wife Peggy Harper, from whom he was recently divorced, his former girlfriend from the 1960s Kathy Chitty, or even Simon's former musical partner Art Garfunkel, who appears on the song that follows 'Still Crazy After All These Years on the album. After sharing a few beers, the singer and the old lover part ways again.
$3.99
Still Crazy After All These Years
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Simon And Garfunkel
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John Fries
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Still Crazy After All These Ye
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200447 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Jazz,Standards. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1200447 By Simon And Garfunkel. By Paul Simon. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 3 pages. John Fries #799274. Published by John Fries (A0.1200447). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Still Crazy After All These Years is a song by the American singer-songwriter Paul Simon. It was the third and final single from his fourth studio album of the same name (1975), released on Columbia Records. Though the song briefly reached the top 40 of the Billboard Hot 100 in the U.S., it was a bigger hit on the magazine's Easy Listening chart, where it peaked at number four Still Crazy After All These Years begins with the singer singing that I met my old lover on the street last night. The old lover has been variously interpreted to be either Simon's ex-wife Peggy Harper, from whom he was recently divorced, his former girlfriend from the 1960s Kathy Chitty, or even Simon's former musical partner Art Garfunkel, who appears on the song that follows 'Still Crazy After All These Years on the album. After sharing a few beers, the singer and the old lover part ways again.
$4.99
Time After Time
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Javier Colon
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Javier MartÃnez
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Time After Time
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Arte Nova Music Lab
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃn...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.742482 By Javier Colon. By Cyndi Lauper and Rob Hyman. Arranged by Javier MartÃnez. Pop. Score and parts. 15 pages. Arte Nova Music Lab #4736971. Published by Arte Nova Music Lab (A0.742482). Time After Time is the second single by American singer-songwriter Cyndi Lauper from her debut studio album, She's So Unusual(1983), with Rob Hyman (co-writer and founding member of the rock band The Hooters) contributing backing vocals. The track was produced by Rick Chertoff and released as a single on January 27, 1984. The song became Lauper's first number 1 hit in the U.S. The song was written in the album's final stages, after Girls Just Wanna Have Fun, She Bop and All Through the Night had been written. The writing began with the title, which Lauper had seen in TV Guide magazine, referring to the science fiction film Time After Time (1979).[2]Time After Time is composed of simple keyboard-synth chords, bright, jangly guitars, clock-ticking percussion, and elastic bassline. Lyrically, it is a love song of devotion. Music critics gave the song positive reviews, with many commending the song for being a solid and memorable love song. The song has been selected as one of the Best Love Songs of All Time by many media outlets, including Rolling Stone, Nerve, MTV and many others.[3] Time After Time was also nominated for a Grammy Award for Song of the Year at the 1985 edition.[4] The song was a success on the charts, becoming her first number-one single on the US Billboard Hot 100 chart on June 9, 1984, and remaining there for two weeks. The song reached number three on the UK Singles Chart and number six on the ARIA Singles Chart.The song is also known for its numerous covers by a wide range of artists, including Miles Davis, who recorded an instrumental version for his 1985 album You're Under Arrest, and Eva Cassidy, whose cover of the song appears on her posthumous album of the same name.R&B singer Lil Mo also covered the song for her 2001 debut album Based on a True Story. An acoustic version was sung by Lauper withSarah McLachlan on her 2005 album The Body Acoustic.[5] Lauper has performed the song live with Patti LaBelle twice in 1985 and 2004 and with Sarah McLachlan at the American Music Awards of 2005,[6] as well as with rapper Lil' Kim in 2009.Taken from https://en.wikipedia.org/wiki/Time_After_Time_(Cyndi_Lauper_song)
$20.00
Nocturne No 1 - A restless night in June 2016
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Stuart Brown
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Nocturne No 1 - A restless nig
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Stuart Brown Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart ...
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Piano Solo - Level 4 - SKU: A0.835450 Composed by Stuart Brown. Concert,Contemporary. Score. 12 pages. Stuart Brown Music #2859967. Published by Stuart Brown Music (A0.835450). This is not your typical nocturne. This is night as it really is for many people: a time of restlessness, of anxiety, in which you lie awake or even feel the need to get out of the house for a while. This music is for all of those nights when you wonder what on earth is happening to the world around you, when you feel troubled by the contradictions between you and the world, when you dread the morning news of the results of an election or referendum; when you just want to shout at the world, I'm out of here ... imagine a night in which you need to step outside to gather your thoughts. You feel the chill of the night air as you stand gazing up at the sky. As clouds move above, you turn over in your mind the things that are troubling you. Gradually you begin to see more clearly the difference between the things you cannot change and those that you can; and with that realisation comes serenity and finally you are able to sleep.The composer, who is a passionate believer in unity rather than division, wrote this music three days after Britain's 2016 referendum on its continued membership of the European Union, reflecting his feelings about the outcome. This is, therefore, as deeply personal a piece of music as you'll get. Include it in a program and it will help to put the rest of the program into perspective.The music itself demonstrates that nonatonic and octatonic modes of limited transposition can be used to create melodies and harmonic progressions that combine tension with great beauty. At notated tempi the work lasts just under ten minutes. It is of advanced intermediate difficulty, the main challenges for the player being the complex modality and the shifting rhythms. The sound file provided here is the composer's own live performance, recorded on Saturday, September 10th, 2016. It is possibly appropriate for high school performance: students who are interested are welcome to get in touch with the composer via www.facebook.com/StuartBrownComposer/
$2.50
After Last Night
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Trompette
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INTERMÉDIAIRE/AVANCÉ
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Silk Sonic
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David Lartey
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After Last Night
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David Lartey
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SheetMusicPlus
B-Flat Trumpet Solo - Level 4 - SKU: A0.1317311 By Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Dernst Emile, James Fauntleroy, Jeremy Reeves...
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B-Flat Trumpet Solo - Level 4 - SKU: A0.1317311 By Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Dernst Emile, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Peter Gene Hernandez, Ray Charles McCullough II, Ray Romulus, and Stephen Bruner. Arranged by David Lartey. Funk,R & B,Soul. Individual part. 1 pages. David Lartey #905972. Published by David Lartey (A0.1317311).
$12.00
After Last Night
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Piano, Voix et Guitare
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Soul/R&B
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Silk Sonic and Bruno Mars
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B
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After Last Night
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Hal Leonard
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SheetMusicPlus
By Silk Sonic and Bruno Mars. This edition: Interactive Download,scorch. R & B. Score. 6 pages. Hal Leonard #338511. Published by Hal Leonard...
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By Silk Sonic and Bruno Mars. This edition: Interactive Download,scorch. R & B. Score. 6 pages. Hal Leonard #338511. Published by Hal Leonard
$4.99
A Quiet Summer Night
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Samuel Livingston
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A Quiet Summer Night
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Imagine Music - Digital
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SheetMusicPlus
Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagi...
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Clarinet & string quartet - SKU: IZ.CMF183 Composed by Samuel Livingston. Score and Parts. 88 pages. Imagine Music - Digital #CMF183. Published by Imagine Music - Digital (IZ.CMF183). 9 x 12 in inches.The clarinet is my instrument, and I think the two greatest works in its repertory (and two of the greatest of all chamber works) are the quintets for clarinet and strings by Mozart and Brahms. In writing for this combination of instruments, I borrowed ideas shamelessly from both.I would describe the style as folk-inspired classical chamber music. The melodies are song-like or dance-like; the harmonies are simple, modal, and consonant. The time signatures of the three movements are 7/8, 5/4, 7/8 - unusual in classical music but common in the folk music of some eastern European countries. The texture is homophonic in some places and contrapuntal in others, always with at least one melody, often with more than one. The clarinet is not treated as a solo instrument but is integrated into the ensemble.The first movement is in sonata form. As in the Mozart and Brahms quintets, it begins in the strings, with the clarinet entering a few bars later on a rising arpeggio. The first theme is song-like; the second theme is dance like. The movement ends quietly on a phrase from the second theme. The form of the second movement begins with a song for the cello, repeated in the clarinet. The next section features a dance-like melody in the second violin, repeated in the clarinet with a descant in the first violin. Then a brief section in the minor, featuring the viola, leads to a repetition of the song that opened the movement, this time in the viola, repeated in the violins and the clarinet.The third movement is a set of variations on a brisk, dance-like theme. After several variations, including two in the minor mode, the tempo slows to adagio for the next-to-last variation (as in the last movement of the Mozart quintet). That variation features a duet for the first violin and the clarinet (as in the slow movement ofthe Brahms quintet). The final variation returns to the brisk tempo and brings back the melodic figure that ends the first movement. A brief coda on this melodic figure concludes the piece.
$48.00
At the Mid Hour of Night
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Chorale SATB
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INTERMÉDIAIRE
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Traditional Irish folk tune/po
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Scott S
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At the Mid Hour of Night
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1451464 Composed by Traditional Irish folk tune/poem by Thomas Moore. Arranged by Scott S. Stewart. ...
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Choral Choir,Choral,SATB Chorus - Level 3 - SKU: A0.1451464 Composed by Traditional Irish folk tune/poem by Thomas Moore. Arranged by Scott S. Stewart. 19th Century,Celtic,Folk,Irish,Romantic Period,Singer/Songwriter. 6 pages. Scott S. Stewart #1030846. Published by Scott S. Stewart (A0.1451464). “At the Mid Hour of Night” comes from The Irish Melodies, National Airs, Sacred Songs, Etc., of Thomas Moore, published between 1807 and 1834. Moore, himself a singer and accomplished musician, is now best remembered for the lyrics of “The Minstrel Boy” and “The Last Rose of Summer.” His poem “At the Mid Hour of Night” is about love, loss and belief in the afterlife as a place where love persists. The suggested ‘tune’ for this poem is the harp air: O! Molly Dear AKA Molly My Dear an Irish air and fiddle tune. This 2024 setting of Moore’s masterpiece is scored for 4-part SATB ensemble to be performed a cappella. Performance time: 2:55+.
$2.99
Silent Night For Full Orchestra And Chorus
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Orchestre
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INTERMÉDIAIRE
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Noël
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Christian Paulson
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Christian Paulson
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Silent Night For Full Orchestr
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Christian Paulson
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. S...
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Full Orchestra - Level 3 - SKU: A0.1153104 By Christian Paulson. By Franz Xaver Gruber. Arranged by Christian Paulson. 19th Century,Christmas,Holiday. Score and Parts. 28 pages. Christian Paulson #753348. Published by Christian Paulson (A0.1153104). This arrangement began as a piece I arranged as a finale for our first combined band, orchestra, and choir concert. It was a big hit! Silent Night has always been a piece that everyone seems to hold dearly. The chorus has a traditional harmony right out of the green hymnal. This piece can also be done with a small group of singers or as a solo. The instruments parts are very accessible and the scoring makes every group sound full. One of the theatrical moments happens right after the climax of the second verse. Choke the cymbal and chimes on beat one of measure 55 and let the natural reverberance of the hall ring on. Slow the tempo, lower the volume and invite the audience to hum along to the last verse. Nothing brings musicians and audiences together like Silent Night.
$45.00
That Good Night
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jake Safirstein
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That Good Night
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Jake Safirstein
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SheetMusicPlus
Choral Choir (4-Part) - Level 4 - SKU: A0.940081 Composed by Jake Safirstein. Contemporary. Octavo. 77 pages. Jake Safirstein #3004315. Published by Jak...
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Choral Choir (4-Part) - Level 4 - SKU: A0.940081 Composed by Jake Safirstein. Contemporary. Octavo. 77 pages. Jake Safirstein #3004315. Published by Jake Safirstein (A0.940081). Work for orchestra and an optional choir. Duration is 5:36. Original composition, written for my grandmother after her husband passed away last summer. It is a beautiful piece that was made to represent their love and her grieving. He will be missed.
$49.99
After Last Night by Silk Sonic with Thundercat & Bootsy Collins - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Silk Sonic with Thundercat & B
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After Last Night
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Musicnotes
Sheet Music for After Last Night by Silk Sonic with Thundercat & Bootsy Collins arranged for Piano/Vocal/Guitar in C Minor. Digital sheet music from Musicno...
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Sheet Music for After Last Night by Silk Sonic with Thundercat & Bootsy Collins arranged for Piano/Vocal/Guitar in C Minor. Digital sheet music from Musicnotes.
$5.79
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
In A Chinese Temple Garden
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Albert Ketelbey
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John Ivor Holland
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In A Chinese Temple Garden
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Wor...
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Concert Band - Level 4 - SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99
BUXTEHUDE TRIO SONATA IN E MINOR OPUS 1 No. 7 for flute, oboe & bassoon or cello
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Dietrich Buxtehude
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arranged by Pat Spence
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continuo composed in 1694
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BUXTEHUDE TRIO SONATA IN E MIN
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Piper Publications
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SheetMusicPlus
Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Bar...
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Small Ensemble Bassoon,Cello,Flute,Oboe - Level 3 - SKU: A0.811769 Composed by Dietrich Buxtehude (1637 - 1707). Arranged by arranged by Pat Spence. Baroque,Concert,Graduation,Standards. Score and parts. 32 pages. Piper Publications #6113773. Published by Piper Publications (A0.811769). This Trio Sonata is an arrangement of the last of the seven opus 1 sonatas for violin, viola da gamba & continuo composed in 1694. The movements are: Allegro, Largo, Presto, Adagio, Poco presto, Lento & Prestissimo. Written for players of equal ability and of intermediate standard and above, the sonata has been carefully edited, additions are shown in parentheses ( ) or dashed lines.Buxtehude was famous during his lifetime for his skill as an organist and composer. Both Handel and J.S. Bach travelled to hear him play (at different times). Bach stayed to study with him for three months. Handel departed after one night when he learned that Buxtehude (who wanted to retire) was looking for an organist to succeed him, a condition of taking the post being the necessity to marry Buxtehude's eldest daughter who was some years older than Handel.
$12.00
Sonata No. 2
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Guitare
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AVANCÉ
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Olli Mustonen
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Sonata No. 2
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Schott Music - Digital
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SheetMusicPlus
Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadabl...
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Guitar - advanced - SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99
Above the Clouds
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Above the Clouds
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904894 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #4791213. Pub...
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Piano Solo - Level 3 - SKU: A0.904894 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #4791213. Published by Pamela C Asberry (A0.904894). Above the Clouds was inspired by the profound tranquility experienced while gazing through the window of an airplane and the limitless potential suggested by the view. From the solo piano album The Presence of Wonder. The song begins with a hypnotic circular melody...then it breezes along joyously, like the proverbial burst of sunlight after the night is through. The light does a lively, hypnotic dance, creating a message that the darkness -beautiful though it is in its own way-only lasts for a spell before dissipating (Jonathan Widran, The JW Vibe). In Asberry’s music there is a gentle poetry that is simply irresistible (BT Fasmer, New Age Music Guide). Pam's music can be found on Amazon, iTunes, Spotify, Pandora, and elsewhere. For more information, visit www.pamasberry.com.
$5.95
Born This Way
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Orchestre d'harmonie
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FACILE
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Lady Gaga
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Fernando Garibay, Stefani Germ
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Simone Orsini
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Born This Way
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Simone Orsini
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini...
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Concert Band - Level 2 - SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Composed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry.
$68.00
Silk Sonic: After Last Night - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Silk Sonic
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Virtualsheetmusic
Instantly printable sheet music by Silk Sonic for voice, piano or guitar of MEDIUM skill level. / r & b
Instantly printable sheet music by Silk Sonic for voice, piano or guitar of MEDIUM skill level. / r & b
$6.97
After Last Night
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Trombone
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INTERMÉDIAIRE/AVANCÉ
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Silk Sonic
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David Lartey
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After Last Night
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David Lartey
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SheetMusicPlus
Trombone Solo - Level 4 - SKU: A0.1424538 By Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Dernst Emile, James Fauntleroy, Jeremy Reeves, Jona...
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Trombone Solo - Level 4 - SKU: A0.1424538 By Silk Sonic. By (brandon Paak Anderson), Anderson .paak, Dernst Emile, James Fauntleroy, Jeremy Reeves, Jonathan Yip, Peter Gene Hernandez, Ray Charles McCullough II, Ray Romulus, and Stephen Bruner. Arranged by David Lartey. Funk,R & B,Soul. Individual part. 1 pages. David Lartey #1005722. Published by David Lartey (A0.1424538).
$12.00
Peace Is Like Starlight, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, a sac
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pa...
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Choral Choir (SATB) - Level 4 - SKU: A0.1046890 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 2 pages. Kevin G. Pace #651386. Published by Kevin G. Pace (A0.1046890). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$1.99
Peace Is Like Starlight, sacred vocal solo
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Musique Sacrée
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Kevin G
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Peace Is Like Starlight, sacre
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Kevin G. Pace
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SheetMusicPlus
Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 p...
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Medium-High Voice,Vocal Solo - Level 4 - SKU: A0.1049056 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. 8 pages. Kevin G. Pace #653450. Published by Kevin G. Pace (A0.1049056). A beautiful vocal solo with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Peace is like starlight in the night sky after the clatter of storm. Peace is the melting of snow-capped peaks bringing the whole world it’s warmth. Peace is the blossom in a new Spring bursting its head from the ground. Peace is the falling of autumn leaves, twirling and spinning around. Peace is the music of symphony after much practice and time. Peace is the poet’s stanza and verse, joining each word and each rhyme. Peace is an artist’s palette and shade, covering canvasses well. Peace is a story written of old filled with a dear life to tell. Peace is a baby’s smile once more, after a sickness has passed. Peace is surpassing personal goals, even when coming in last. Peace is like manna feeding a crowd when there is never enough. Peace is accepting those who seem strange, giving them unending love. Peace is our Father’s answer to prayer when trusting faith has been shown. Peace is sure wisdom, finally gained, like a new truth to be known. Peace is our Savior righting each wrong, covering sin through his cross. Peace is our knowing his love will last so we will never be lost.
$3.99
Stars
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Piano seul
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INTERMÉDIAIRE
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Damien Gauci
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Stars
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Damien Gauci
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1412974 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 230. Damien Gauci #994979. Publishe...
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Piano - Level 3 - SKU: A0.1412974 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Full Performance. Duration 230. Damien Gauci #994979. Published by Damien Gauci (A0.1412974). This composition is the last piece of my album ‘Sunday’. It is heard after ‘Sunset’ and reflects the stars that have come out after a relaxing Sunday. The piece begins and ends with warm chords as well as a slow, flowing melody that rests on top. This short introduction encapsulates the cooling air and the fading glow of the sun as the stars start to show themselves spotted throughout the night sky.Most of the piece is built upon flowing arpeggios, initially in the left hand, but later in the right hand too. These arpeggios are reflective of the twinkling stars scattered in the night sky. The simple, slow moving melody drifts above the arpeggios and creates an overarching arc to the piece, reflecting the spiral of the milky way visible from our planet. The culmination of these elements creates a dreamy and sparkly atmosphere to mark the end of a beautiful Sunday.
$1.99
Stars
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Piano seul
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INTERMÉDIAIRE
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Damien Gauci
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Stars
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1411188 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993523. Published by Damien...
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Piano Solo - Level 3 - SKU: A0.1411188 By Damien Gauci. By Damien Gauci. Contemporary,New Age. Score. 5 pages. Damien Gauci #993523. Published by Damien Gauci (A0.1411188). This composition is the last piece of my album ‘Sunday’. It is heard after ‘Sunset’ and reflects the stars that have come out after a relaxing Sunday. The piece begins and ends with warm chords as well as a slow, flowing melody that rests on top. This short introduction encapsulates the cooling air and the fading glow of the sun as the stars start to show themselves spotted throughout the night sky.Most of the piece is built upon flowing arpeggios, initially in the left hand, but later in the right hand too. These arpeggios are reflective of the twinkling stars scattered in the night sky. The simple, slow moving melody drifts above the arpeggios and creates an overarching arc to the piece, reflecting the spiral of the milky way visible from our planet. The culmination of these elements creates a dreamy and sparkly atmosphere to mark the end of a beautiful Sunday.
$1.99
Hope Prevails
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Lim...
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Brass Ensemble - SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
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After Last Night