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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
DEEJAY
DIDGERIDOO
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
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SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After Some Thought
Non classifié
82
Piano & claviers
Piano seul
16
Piano, Voix
3
Piano Facile
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Trio: piano, violon, violoncelle
1
Piano, Voix et Guitare
1
+ 1 instrumentations
Retracter
Guitares
Guitare
4
Guitare notes et tablatures
2
Ligne De Mélodie, (Paroles) et Accords
1
Ukulele
1
Mandoline
1
Voix
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6
Chorale TTBB
2
Chorale SSAA
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Quintette de Saxophone: 5 saxophones
44
Ensemble de Clarinettes
5
Quintette de Flûte : 5 flûtes
3
Flûte traversière et Piano
3
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2
Saxophone Soprano et Piano
2
Clarinette et Piano
2
Hautbois, Piano (duo)
1
Saxophone Baryton, Piano
1
Saxophone Alto
1
Clarinette Basse
1
Saxophone Tenor et Piano
1
Ensemble de saxophones
1
Flûte, Hautbois, Clarinette, Basson
1
Quatuor de Saxophones: 4 saxophones
1
Clarinette
1
+ 12 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Ensemble de Trombones
6
Ensemble de Trompettes
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de cuivres: 4 trombones
1
Trompette
1
Cor et Piano
1
Trombone
1
Tuba et Piano
1
Trombone et Piano
1
+ 5 instrumentations
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Cordes
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Quatuor à cordes: 2 violons, alto, violoncelle
4
Ensemble de Violons
4
Ensemble d'Altos
4
Alto, Piano
4
Violon et Piano
4
Harpe
2
Violoncelle, Piano
2
Violon
1
+ 4 instrumentations
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Orchestre & Percussions
Orchestre
7
Orchestre à Cordes
4
Orchestre d'harmonie
3
Ensemble de cuivres
2
Ensemble Jazz
2
Vibraphone
1
+ 1 instrumentations
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Autres
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Crtitères actifs :
After Some Thought
Partitions à imprimer
332 partitions trouvées
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1
26
51
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326
After Some Thought (incidental music from Al Hayba)
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Bob Good
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After Some Thought
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Surrey Dance Music
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SheetMusicPlus
Piano Quintet,String Ensemble - SKU: A0.951175 Composed by Bob Good. Concert,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Surrey Danc...
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Piano Quintet,String Ensemble - SKU: A0.951175 Composed by Bob Good. Concert,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Surrey Dance Music #3865071. Published by Surrey Dance Music (A0.951175). 2½ minutes of incidental music from the Netflix TV series Al Hayba for Piano Quintet (Piano and String Quartet)Full piece can be heard here http://www.cinephonix.com/our-music/tracks/after-some-thought.aspxwww.surreydancemusic.co.uk
$6.99
With Some Cherry Twigs -viola&piano
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Alto, Piano
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FACILE
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Contemporain
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Tommy Johansson, Hjo
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With Some Cherry Twigs -viola&
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Tommy Johansson, Hjo
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.949945 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 3 pages. Tommy Johansson, Hjo #6217193. Published...
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Piano,Viola - Level 2 - SKU: A0.949945 Composed by Tommy Johansson, Hjo. 20th Century. Score and part. 3 pages. Tommy Johansson, Hjo #6217193. Published by Tommy Johansson, Hjo (A0.949945). With Some Cherry TwigsA thought-provoking composition for viola and pianoinspired by a Japanese haiku poemcomposed by Tommy Johansson, Hjo, SwedenAlso available for vocal and piano.About the composerTommy Johansson, Hjo (Sweden)Music teacher, arranger and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor. Many more arrangements by this arranger are to be found at sheetmusicplus.com
$5.99
With Some Cherry Twigs -clarinet&piano
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Clarinette et Piano
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FACILE
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Tommy Johansson, Hjo
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Tommy Johansson, Hjo
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With Some Cherry Twigs -clarin
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Tommy Johansson, Hjo
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316377 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Peri...
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B-Flat Clarinet,Piano - Level 2 - SKU: A0.1316377 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period. Score and part. 7 pages. Tommy Johansson, Hjo #905121. Published by Tommy Johansson, Hjo (A0.1316377). With Some Cherry Twigs -clarinet&pianoA thought-provoking composition for clarinet and pianoinspired by a Japanese haiku poemcomposed by Tommy Johansson, Hjo, SwedenAlso available for vocal and piano. (and other instruments as well)About the composerTommy Johansson, Hjo (Sweden)Music instructor, arranger, and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more compositions, arrangements and transcriptions by this arranger can be found at Hal Leonard's: Sheetmusicplus.com,  Sheetmusicdirect.com.
$5.99
With Some Cherry Twigs -flute&piano
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Flûte traversière et Piano
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FACILE
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Tommy Johansson, Hjo
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Tommy Johansson, Hjo
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With Some Cherry Twigs -flute&
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Tommy Johansson, Hjo
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SheetMusicPlus
Piano,Soprano Flute - Level 2 - SKU: A0.1316378 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period...
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Piano,Soprano Flute - Level 2 - SKU: A0.1316378 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period. Score and part. 7 pages. Tommy Johansson, Hjo #905122. Published by Tommy Johansson, Hjo (A0.1316378). With Some Cherry Twigs -flute&pianoA thought-provoking composition for flute and pianoinspired by a Japanese haiku poemcomposed by Tommy Johansson, Hjo, SwedenAlso available for vocal and piano (and other instruments as well)About the composerTommy Johansson, Hjo (Sweden)Music instructor, arranger, and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more compositions, arrangements and transcriptions by this arranger can be found at Hal Leonard's: Sheetmusicplus.com,  Sheetmusicdirect.com.
$5.99
With Some Cherry Twigs -cello&piano
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Violoncelle, Piano
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FACILE
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Tommy Johansson, Hjo
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Tommy Johansson, Hjo
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With Some Cherry Twigs -cello&
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Tommy Johansson, Hjo
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SheetMusicPlus
Cello,Piano - Level 2 - SKU: A0.1316384 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period. Score ...
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Cello,Piano - Level 2 - SKU: A0.1316384 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period. Score and part. 7 pages. Tommy Johansson, Hjo #905128. Published by Tommy Johansson, Hjo (A0.1316384). With Some Cherry Twigs -cello&pianoA thought-provoking composition for cello and pianoinspired by a Japanese haiku poemcomposed by Tommy Johansson, Hjo, SwedenAlso available for vocal and piano (and other instruments as well)About the composerTommy Johansson, Hjo (Sweden)Music instructor, arranger, and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more compositions, arrangements and transcriptions by this arranger can be found at Hal Leonard's: Sheetmusicplus.com,  Sheetmusicdirect.com.
$5.99
Thoughts Left Unheard
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Tim Weller
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Thoughts Left Unheard
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Tim Weller
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SheetMusicPlus
Small Ensemble C Instrument - Level 3 - SKU: A0.1003698 Composed by Tim Weller. Country,Pop,Rock. Lead Sheet / Fake Book. 2 pages. Tim Weller #3004195. ...
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Small Ensemble C Instrument - Level 3 - SKU: A0.1003698 Composed by Tim Weller. Country,Pop,Rock. Lead Sheet / Fake Book. 2 pages. Tim Weller #3004195. Published by Tim Weller (A0.1003698). I wrote this after my father passed away. Don't lose someone without saying how much you love them.
$2.99
Can't Help Falling In Love
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Guitare notes et tablatures
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FACILE
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Rock
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Elvis Presley
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Ilona Skowrońska
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Can't Help Falling In Love
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Ilona Guitar
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1502450 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Ilona Skowrońska. 20th C...
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Solo Guitar - Level 2 - SKU: A0.1502450 By Elvis Presley. By George David Weiss, Hugo Peretti, and Luigi Creatore. Arranged by Ilona Skowrońska. 20th Century,Rock. Individual part. 5 pages. Ilona Guitar #1078233. Published by Ilona Guitar (A0.1502450). Hi everyone!After receiving so many kind messages and requests over the past few months about my arrangement of Can't Help Falling in Love for solo classical guitar, I’m excited to finally share it with you all! I originally posted the video on YouTube and was overwhelmed by the wonderful response from all of you. Many of you asked where you could find the sheet music, and after some thought, I decided to write it down and make it available.This arrangement includes both standard notation and tabulature, so whether you prefer to read music or follow tabs, you'll find it easy to play. It stays true to the beauty of Elvis Presley’s timeless classic while bringing out the gentle, melodic qualities that shine on classical guitar. Whether you’re a beginner or an experienced player, I hope this piece brings you as much joy in playing it as it did for me in creating it.Thank you so much for your support and encouragement! You’ve inspired me to make this arrangement available, and I can’t wait to hear how you interpret it.Warm wishes, Ilona.
$11.99
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
THE ENLIGHTMENT OF LOVE
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Guitare
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FACILE
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Gilbert Piger
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THE ENLIGHTMENT OF LOVE
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GJP Productions
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1018767 Composed by Gilbert Piger. Contemporary,World. Individual part. 3 pages. GJP Productions #2081507. Published by ...
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Solo Guitar - Level 2 - SKU: A0.1018767 Composed by Gilbert Piger. Contemporary,World. Individual part. 3 pages. GJP Productions #2081507. Published by GJP Productions (A0.1018767). Very expressive, was set aside for many years as a pencil in title of 'movie theme'. After some thought I finally settled on the title the enlightment of love.
$6.49
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Slavonic Dance Op. 72/2 (2 flutes, oboe & clarinet/bassoon)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Catriona Melville-Mason
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Slavonic Dance Op. 72/2
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C Melville-Mason
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.956656 Composed by Antonin Dvorak. Arranged by Catriona Melville-Maso...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 3 - SKU: A0.956656 Composed by Antonin Dvorak. Arranged by Catriona Melville-Mason. Concert,Romantic Period,Standards. 8 pages. C Melville-Mason #6505735. Published by C Melville-Mason (A0.956656). This piece is taken from the second set of Slavonic Dances, Opus 72, written by Czech composer AntonÃn Dvořák in 1886. His original set, Opus 48, had proved to be something of a breakthrough work, finally establishing Dvořák’s reputation well beyond his native land.The dances are original melodies, inspired by, and drawing on, the character of traditional national dances – not, as is sometimes thought, works based on existing folk tunes, as was the fashion among composers at around that time. Both sets of Slavonic Dances were originally written for piano 4 hands but, in response to a request from his publisher, the composer produced orchestrated versions shortly afterwards.This is an arrangement for semi-flexible mixed woodwind quartet of 2 flutes, oboe and either B-flat clarinet or bassoon. The piece makes a charming addition to general repertoire but could also be used as part of a programme of light background music at a wedding or function.
$4.50
PLANET ORIGAMI (an original, futuristic comedy stage musical)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Dennis A
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PLANET ORIGAMI
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Tyne Music
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #...
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Choral Choir (Mixed) - Level 4 - SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #5888377. Published by Tyne Music (A0.999349). PLANET ORIGAMI : Is my latest play in the TYNE ONSTAGE series of family orientated musicals and takes the audience ‘Out of this World’ to a strange little planet in a far distant galaxy on a small barren rocky planet called BEEZEDON. This is a place entirely inhabited by a race of androids, who after some catastrophic event, were the only machines immune from the ensuing radiation which destroyed every living life form and fauna. Before leaving for a safer haven, the emigrating intelligencia built a new colony of these ‘droids and programmed them to make their planet beautiful again by carpeting it with new flowers, when it was deemed ‘safe.’ The droids had carried out this programme diligently for the next thousand years. However no one had thought through the consequence of instigating such a rigid programme and when their preliminary attempts ended in failure and the fauna died,these clever machines found a perfect solution by refering to their data banks and manufacturing replicas from synthesised plastic. Once the programme was completed and with no more space left, the ‘droids instantly ‘restored' themselves and began creating their world all over again. This is where my story begins:- ‘Melody Mayflower’, Is a newly appointed Earth’s Ambassador and a representative of the Commission for Harmony and Concilliation, an organisation which has been extending its borders throughout the Milky Way Galaxy. Our own star system has become a recent member and Melody is one of their many Goodwill Ambassadors. Although she doesn’t know it, she has been selected for the onerous task of convincing the Droid Nation that their programme is now obselete, as Beezedon is now free of contamination, therefore ready for re-planting with organic material.
$37.00
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Come, People of the Risen King
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Musique Sacrée
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Keith Getty and Stuart Townend
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Michael Lawrence
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Choral Octavo
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Come, People of the Risen King
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Jubilate Music Group - Digital
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SheetMusicPlus
Choir Sacred Instrumental Ensemble - SKU: JX.00-32343 Composed by Keith Getty and Stuart Townend. Arranged by Michael Lawrence. This edition: InstruPax....
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Choir Sacred Instrumental Ensemble - SKU: JX.00-32343 Composed by Keith Getty and Stuart Townend. Arranged by Michael Lawrence. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. With One Voice Choral Series. Easter; Sacred; Spring. Part(s). 94 pages. Jubilate Music Group - Digital #00-32343. Published by Jubilate Music Group - Digital (JX.00-32343). English.Rejoice! Rejoice! . . . the command to praise resounds in the beginning of this dynamic, thrilling anthem from Keith Getty and Stuart Townend. Sometimes thoughtful, sometimes rollicking, Michael Lawrence's arrangement is a delight to sing and hear. Suitable for Easter, the hard to program Sunday after Easter or any time of exultation, this anthem is must for any music library.
$40.00
Caprice for Viola and Piano
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Alto, Piano
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FACILE
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Contemporain
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Phil Thrift
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Caprice for Viola and Piano
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Phil Thrift
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SheetMusicPlus
Piano,Viola - Level 2 - SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (...
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Piano,Viola - Level 2 - SKU: A0.955749 Composed by Phil Thrift. Contemporary. Score and part. 11 pages. Phil Thrift #6683993. Published by Phil Thrift (A0.955749). Caprice started out as a totally different piece of music, as a song in fact. However, in this modified form in a different key, it works well as a short, easy solo for viola. This is a light piece without any technical difficulties, but the modest musical material will test your musicality. It’s mainly about melody, not technical abilities. Spirited, lyrical, reflective – those are the three moods the player needs to communicate, and always with a light touch. The first section, up to the key change, should be thought of as a song. That is followed by an instrumental interlude before the song returns at measure 72. At times there is a hint of Latin feeling in the piano accompaniment, which will require some sensitive playing to support that song-like concept. The repetition of the opening four notes in the solo part at the end should not be played loud – they should be regarded as an afterthought. Likewise, the last note in the piano part should not be a we’ve-reached-the-end thump, instead played lightly, like an understatement.
$3.99
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Contemporain
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Grace Joy Reid
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Poe's Evening Carousel Ride, b
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Creating Music Joy
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SheetMusicPlus
Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creatin...
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Small Ensemble Flute,Keyboard,Voice - Level 5 - SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
Father's Day Song
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Piano, Voix et Guitare
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Darrell Hansen
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Darrell Hansen
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Father's Day Song
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Darrell Hansen
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - SKU: A0.1028870 Composed by Darrell Hansen. Arranged by Darrell Hansen. Holiday. Score. 10 pages. Darrell Hansen #4352773. Pu...
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Guitar,Piano,Vocal,Voice - SKU: A0.1028870 Composed by Darrell Hansen. Arranged by Darrell Hansen. Holiday. Score. 10 pages. Darrell Hansen #4352773. Published by Darrell Hansen (A0.1028870). I wrote this song for my dad, as I reflected on my final visit with him on this earth. He had done some drinking, he had smoked like a chimney for many years. As a result of some bad choices, he had to undergo quadruple bypass heart surgery, from which he never really came back fully. I remember my last visit was on the porch swing at dad and mom's place. He was really down on himself, very dissatisfied with his life, and basically considered himself a failure. I tried to assure him that I was proud of him. After all, he stayed with mom, ran a small business, left a paid off house, always kept us fed, and even took us on some wild journeys across the country. I thought about dad after he passed and the thought came to me that even though he was down on himself, in my eyes he was a king. The rest is history. .
$3.99
20,000
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Saxophone Alto
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AVANCÉ
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Contemporain
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815...
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Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99
SILENT GIFTS (Piano Solo)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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ROBERT VAN HORNE
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SILENT GIFTS
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White Piano International Publishing
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.914978 Composed by ROBERT VAN HORNE. Children,Christmas,Holiday,Instructional,Traditional. Score. 8 pages. White Piano In...
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Piano Solo - Level 4 - SKU: A0.914978 Composed by ROBERT VAN HORNE. Children,Christmas,Holiday,Instructional,Traditional. Score. 8 pages. White Piano International Publishing #6612583. Published by White Piano International Publishing (A0.914978). SILENT GIFTSÂ Advanced Intermediate Piano Soloby ROBERT VAN HORNE8 PagesOn the evening of November 9, 2009, while rehearsing some Christmas music at the piano, inspiration for composing a holiday piano solo came to me after playing the beautiful Christmas classic Silent Night.After a few minutes of creating a melody, I quickly wrote down some of the ideas for this song while imagining the anticipation of Christmas with family and friends and the traditional custom of giving gifts.What would be the most natural gift to give anyone, I thought. After finishing the song, the answer became apparent - the silent gift of a smile and thus the title Silent Gifts.This Advanced Intermediate Christmas piano solo is clearly and carefully notated with dynamic marks, phrasing, suggested fingerings, pedal indications, chord identifications and appropriate musical terms for playing.Some of the chords are challenging especially when some notes are held while others are played with the same hand. Many of these chords include jazz ninths. The 6/8 time signature gives the piece a lilting quality.The bridge section builds to a climatic dominate seventh chord followed by an arpeggiated run in both hands.This original piano piece sounds artistic and impressive, a wonderful Holiday selection, ideal for teaching, recitals, and enjoyment.Both Piano/Vocal and Chorus arrangements of Silent Gifts are available, as well as an Easy Piano arrangement.A 2009 original YouTube video of Robert's premier performance is available at: http://www.youtube.com/watch?v=6nQWbgBNbwURobert Van Horne is a long standing member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$5.99
Latté On My Carpé
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Piano seul
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INTERMÉDIAIRE
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Methodes
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Joy Gilmore, Hsin Hui Gilmore
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Latté On My Carpé
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Joyful Sound Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.906719 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 4 pages. Joyful Sound Music #21745. Published by ...
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Piano Solo - Level 3 - SKU: A0.906719 Composed by Joy Gilmore, Hsin Hui Gilmore. Instructional. Score. 4 pages. Joyful Sound Music #21745. Published by Joyful Sound Music (A0.906719). Latté On My Carpé for Late Intermediate LevelThis is a Storyteller Piano Solo.Storyteller songs normally use the sound to describe an action or tell a story. They sometimes use sound to describe a feeling or a sound.Carpé is a made-up word for Carpet. A piano teacher posted a thread on Facebook in November 2013. She mentioned that one of her student’s parents spilled coffee on her white carpet while she was giving piano lessons. I thought this might be a good subject to write about because I spill coffee all the time. One time, I spilled a pot of chicken soup in my car……. A friend of mine spilled a crock pot of chili in her car transporting it to a graduation party.How to use this song at the recitalThis is a very good song for the recital. You will need to have a slideshow of the words to accompany the song. You can download the slideshow after purchasing the song.This PDF is designed for two-sided printing. It is going to look like a sheet music book. This is the reason why there is one blank page in some of the songs. You can also just print the sheet music pages only.
$2.99
The Veil Between
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Drew Morris
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The Veil Between
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1272809 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 65 pages. Yello...
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Concert Band - Level 3 - SKU: A0.1272809 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 65 pages. Yellow Envelope Publications #865007. Published by Yellow Envelope Publications (A0.1272809). Though “The Veil Between†starts slow and ominous, it quickly picks up the tempo with a driving bass line and melody that pushes throughout the piece. The middle section is filled with creepy percussion instruments, including bowed cymbals and super ball mallets on gongs and timpani. Your percussionists are sure to enjoy trying out these cool sounds.Every person on a melodic instrument gets the melody at some point in the piece. I just liked the idea of someone starting to play the melody as people were getting ready for rehearsal and anyone else being able to join in! Plus, I thought it might make it easier to teach the style of the melody if you could do it as a full group.This piece was originally written for 5 percussionists. After finishing the piece I was asked to add in more percussion, a task which I was very excited to do! The benefit of this is that this piece can be played by as few as 5 percussionists, or as many as 10 (or more)! InstrumentationFlute, Oboe, Bassoon, 2 Clarinet, Bass Clarinet,Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 2 Trumpet, French Horn, Trombone, Euphonium, Treble Clef Euphonium, Tuba5-10 Percussionists - Timpani, Snare Drum, Bass Drum, Concert Toms (2), Opt. Floor Tom,Maracas, Gong, Suspended Cymbal, Vibraslap, Glockenspiel, Vibraphone, Marimba
$60.00
Epilogue
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Ali Hanna, Madison Julius Cawe
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Epilogue
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Ali Hanna
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SheetMusicPlus
B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,...
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B-Flat Clarinet,Medium Voice,Piano Accompaniment - Level 3 - SKU: A0.1264319 Composed by Ali Hanna, Madison Julius Cawein, and Mark Twain. 21st Century,Contemporary. 6 pages. Ali Hanna #857172. Published by Ali Hanna (A0.1264319). I wrote this piece as an epilogue (pun definitely intended) to a traumatic religious event that took place in February 2023. I won't go into details so I don't risk triggering anyone, but let's just say it was a lot. This is also the first piece I've written where the text isn't my own because my composition professor at the time challenged me to do so.The text of the first half of the piece comes from Mark Twain's poem Warm Summer Sun. It's intended to be an acceptance of the fact that the singer isn't the same person they once were. As the poem repeats, the singer begins to say goodbye to their old self and lay them to rest.The text of the second half of the piece comes from Madison Julius Cawein's poem Take Heart. I see this part as someone in the singer's life giving them hope to keep on living, and who that entity is can be interpreted in a number of ways. For me, it was the friends and professors around me that helped me keep going. I didn't talk to many people about what happened, but just seeing everyone's faces every day taught me that if they can continue living their lives, then so can I.I ended up adding the clarinet part after a moment of inspiration during my trip to the ICA ClarinetFest 2023 in Denver, Colorado. Voice and clarinet are my two passions, so I thought I would use Epilogue to put them together. This piece has yet to be premiered in its current form, but I hope to someday. If you would like to premiere it, please email me at alisonhanna29@gmail.com.
$10.00
Everybody Wants To Rule The World
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Vibraphone
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INTERMÉDIAIRE
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Pop musique
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Tears For Fears
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Jeff Calissi
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Everybody Wants To Rule The Wo
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Garden State Publications
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SheetMusicPlus
Vibraphone Solo - Level 3 - SKU: A0.934981 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Jeff Calissi. Pop. In...
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Vibraphone Solo - Level 3 - SKU: A0.934981 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Jeff Calissi. Pop. Individual part. 5 pages. Garden State Publications #4785701. Published by Garden State Publications (A0.934981). Everybody Wants to Rule the World was somewhat of an afterthought during the 1985 recording of Songs from the Big Chair. Initially regarded as not fitting with the rest of the album, the song was written and recorded in two weeks and placed at the end of the track listing. After its release, however, the song went on to be awarded Best Single at the Brit Awards the following year and was awarded a 2015 BMI award for 6 million radio airplays. Not sure if anyone has an opinion of this song other than it will never get old. This arrangement for solo vibraphone is an up-tempo shuffle and based on the radio/MTV edit, and endeavors to capture the easy feeling of an enjoyable song from the 1980s.
$4.99
SILENT GIFTS (Early Intermediate Piano Solo For Christmas)
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Piano seul
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FACILE
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Noël
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ROBERT VAN HORNE
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SILENT GIFTS
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White Piano International Publishing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.914979 Composed by ROBERT VAN HORNE. Children,Christmas,Holiday,Instructional,Pop. Score. 5 pages. White Piano Internatio...
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Easy Piano - Level 2 - SKU: A0.914979 Composed by ROBERT VAN HORNE. Children,Christmas,Holiday,Instructional,Pop. Score. 5 pages. White Piano International Publishing #6623405. Published by White Piano International Publishing (A0.914979). SILENT GIFTSÂ Early Intermediate Piano Soloby ROBERT VAN HORNE 5 Pages Approx. Performance Time: 3:00 Minutes On the evening of November 9, 2009, while rehearsing some Christmas music at the piano, inspiration for composing a holiday piano solo came to me after playing the beautiful Christmas classic Silent Night. After a few minutes of creating a melody, I quickly wrote down some of the ideas for this song while imagining the anticipation of Christmas with family and friends and the traditional custom of giving gifts. What would be the most natural gift to give anyone, I thought. After finishing the song, the answer became apparent - the silent gift of a smile and thus the title Silent Gifts. This Early Intermediate arrangement of Robert's Christmas piano solo Silent Gifts is clearly and carefully notated with dynamic marks, phrasing, suggested fingerings, pedal indications, and appropriate musical terms for playing. Silent Gifts arranged as an Early Intermediate piano solo is a wonderful Holiday selection for students, ideal for teaching, recitals and enjoyment. Both Piano/Vocal and Chorus arrangements of Silent Gifts are also available. The Original Early Advanced edition is also available. A 2009 original YouTube video of Robert's premier performance is available at: http://www.youtube.com/watch?v=6nQWbgBNbwU Robert is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$4.99
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