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After The Silence
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.14 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
After The Silence (Bach-like solo Cello)
Violoncelle
Cello Solo - Level 4 - Digital Download SKU: A0.951182 Composed by Bob Good. Classi…
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Cello Solo - Level 4 - Digital Download SKU: A0.951182 Composed by Bob Good. Classical,Concert,Contemporary,Instructional,Standards. Individual part. 1 pages. Surrey Dance Music #3868891. Published by Surrey Dance Music (A0.951182). Slow, Bach-like piece for lone cello, about 2 minutes long.Full piece can be heard at http://www.cinephonix.com/our-music/tracks/after-the-silence.aspx
$3.99
3.6 €
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Violoncelle
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Bob Good
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After The Silence
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Surrey Dance Music
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SheetMusicPlus
In the Shade of an Acacia Tree
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1261764 Composed by Ayumi Okada. 21…
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Piano Solo - Level 3 - Digital Download SKU: A0.1261764 Composed by Ayumi Okada. 21st Century,Classical,Contemporary. Score. 5 pages. Abundant Silence #854840. Published by Abundant Silence (A0.1261764). In the Shade of an Acacia Tree, BY AYUMI OKADAFOR SOLO PIANO, LATE INTERMEDIATE, 3 PAGES..............................This piece is inspired by the way of life of a family living in the desert of UAE with various kinds of animals, whom I got to know through their photo book and then SNS. They are a family of a human couple and 200 animals including cats, dogs, a pigeon, a rabbit, gazelles, camels, horses, etc. They live in the middle of the desert, but they have a beautiful garden inside their house - I wished to portray the gentleness of the afternoon they share together. - Ayumi Okada.
$11.00
9.92 €
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Piano seul
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Ayumi Okada
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In the Shade of an Acacia Tree
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Abundant Silence
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SheetMusicPlus
Choral - "O Give Thanks to the Lord" with children's vocal part (children's choir)
Chorale 2 parties
Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sa…
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Choral Choir (2-Part) - Digital Download SKU: A0.844330 Composed by Dan Cutchen. Sacred. Octavo. 13 pages. Dan Cutchen Music #3121697. Published by Dan Cutchen Music (A0.844330). Easy to learn but fun to sing! For 2-part women/men choir with piano accompaniment and optional children's melody.The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.-------------------------------------------------------------------------------------------------------------This is a wonderful expression of praise based on an amazing story in the Bible.In II Chronicles 20, word comes to King Jehoshaphat that three nations are coming to attack Jerusalem and the people of Judah. After prayer, the Lord reveals to them what to do: Don’t be afraid and don’t panic because of this huge army! For the battle is not yours, but God’s...You will not fight in this battle. Take your positions, stand, and watch the Lord deliver you, O Judah and Jerusalem. Don’t be afraid and don’t panic! Tomorrow march out toward them; the Lord is with you!The people marched out the next day with choir of ministers leading the way ahead of the warriors. This is the song they sang, Give thanks to the Lord, for his loyal love endures.God caused the enemy to attack each other in confusion and they destroyed each other. The Israelites just picked up the plunder!The Scriptures tell us in II Chronicles 20, 22 When they began to shout and praise, the Lord suddenly attacked the Ammonites, Moabites, and men from Mount Seir who were invading Judah, and they were defeated. 23 The Ammonites and Moabites attacked the men from Mount Seir and annihilated them. When they had finished off the men of Seir, they attacked and destroyed one another. 24 When the men of Judah arrived at the observation post overlooking the desert and looked at the huge army, they saw dead bodies on the ground; there were no survivors! 25 Jehoshaphat and his men went to gather the plunder; they found a huge amount of supplies, clothing, and valuable items. They carried away everything they could. There was so much plunder, it took them three days to haul it off.
$1.99
1.8 €
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Chorale 2 parties
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Dan Cutchen
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Choral - "O Give Thanks to the Lord" with children's vocal part
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Dan Cutchen Music
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.14 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Captain's Apprentice
Flûte traversière et Piano
Fl. Pft. - Advanced - Digital Download SKU: F2.FM542 Composed by Helmuts Feldmanis.…
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Fl. Pft. - Advanced - Digital Download SKU: F2.FM542 Composed by Helmuts Feldmanis. Flute and Piano. Score and part. 12 pages. Forton Music - Digital #FM542. Published by Forton Music - Digital (F2.FM542). ISBN 9790570484416.This piece is based on an English folk song of the same name. After a short introduction, with fog rising over the sea, the flute introduces the theme, which is more embellished in the second statement. At the peak of the apogee the theme is taken over the piano, supported by a nice counter melody in the flute part. There is a nice conversation between the flute and the piano including several short piano solo sections, bringing in a contrasting colour and allowing the piano to shine. After reaching the peak of the drama the music dies out and vanishes into the silence. Both the melody and the arrangement together mirror the sorrowful life of a fisherman.
$7.95
7.17 €
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Flûte traversière et Piano
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Helmuts Feldmanis
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The Captain's Apprentice
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Forton Music - Digital
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SheetMusicPlus
Weekend in the Country
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1188487 Composed by Aaryn S. Ricucc…
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Piano Solo - Level 5 - Digital Download SKU: A0.1188487 Composed by Aaryn S. Ricucci-Hill. Classical. Score. 35 pages. Abundant Silence #788093. Published by Abundant Silence (A0.1188487). Weekend in the Country, by Aaryn S. Ricucci-HillFor Solo Piano, Advanced, 35 PagesWeekend in the Country (2020) started out as a set of three or four miniatures aimed at depicting a trip home to Troy, MO for Ricucci-Hill. Then, as lockdowns swept the nation, it became a much bigger project. The seven movements of this piece depict various aspects of a weekend with the family: breakfast, a party, a fire, a walk in the woods. The piece follows the structure of a day stretched over a weekend. Perhaps one afternoon there will be a party, but the next day a walk in the woods? In Weekend, Ricucci-Hill also shows their playful side in including various musical quotations from Bach to drinking songs to Pergolesi. In all, it's a love letter to a mood, a state of being, only felt when there are no responsibilities but to enjoy your time home.
$28.00
25.26 €
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Piano seul
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Aaryn S
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Weekend in the Country
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Abundant Silence
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SheetMusicPlus
Aries of the Zodiac: A Sketch for Small Harp
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1401640 Composed by Rachael Acheson…
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Lever Harp - Level 3 - Digital Download SKU: A0.1401640 Composed by Rachael Acheson. 21st Century,Contemporary,New Age,Spiritual. Score. 2 pages. TheHarpLibrarian #984816. Published by TheHarpLibrarian (A0.1401640). Aries are fiery, competitive, independent ... and also the most likely of all the zodiac signs to sing that school-yard na na na NA na song to your face when they win.This is a short, 1-page original sketch for small harp, with a range from the F below middle C to the second B above middle C. It is written in A minor (aka no sharps or flats) and includes no accidentals. As such, it should fit pretty much any standard model of small harp with zero modifications, including any model of Harpsicle Harp (even the ones without levers), Roosebeck Pakistani harps, Harp-E, Musicmakers Sonnet 29, or Dusty Strings Ravenna 26.Because you will need to silence each chord immediately after playing to get that sharp, abbrasive, almost staccato sound from my video (something I didn't have the tools to notate fully in the score), this song is trickier than it looks and is not really a new beginner piece, despite the simple notation. Beginners are, of course, welcome to try playing it exactly as written. But you should know that it will not sound exactly the same.Please note that the preview cuts off after the first line of score (as this composition is so short). When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$3.99
3.6 €
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Harpe
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Rachael Acheson
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Aries of the Zodiac: A Sketch for Small Harp
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TheHarpLibrarian
#
SheetMusicPlus
In the Silence
Cor et Piano
Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwi…
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Horn & piano - Grade 4 - Digital Download SKU: IZ.IMS1512 Composed by Daniel Baldwin. Score and Parts. 18 pages. Duration 10 minutes, 20 seconds. Imagine Music - Digital #IMS1512. Published by Imagine Music - Digital (IZ.IMS1512). 9 x 12 in inches.For Horn & Piano.By Daniel BaldwinIn the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band (Paul White, director) in the winter of 2010. It was commissioned after the death of a recent graduate, Tanner Born, a euphonium player who participated in the band for all four years of high school. Tanner's parents funded the commission in his memory and asked that I not just make it a memorial piece, but a celebration of his life. Tanner was an avid bowler (illustrated in the rhythmic and celebratory middle section), golfer, and band member.In the Silence is by turns beautiful and contemplative, as well as dark and dramatic, framing an enjoyable and rhythmic affirmation of life. The piece was premiered on Tuesday, May 10, 2011 by the Holcomb High School band, Jim Krohn conducting, with Travis Keller as the euphonium soloist. I had the distinct honor of sitting in Tanner's chair and playing euphonium with the band at the premiere.It was just around a year earlier that Tanner had started attending the church in Garden City where I was choir director in 2009. I was introduced to him and remember a kind face. It was a surreal experience when I was reminded of that introduction after the premiere.You never know where life will take you and how our lives can be intertwined with the lives of others without even being aware of it. It was a wonderful reminder to me that with just a simple twist of fate, the smallest of moments can lead to some of the most powerful moments in our lives.
$15.00
13.53 €
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Cor et Piano
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Daniel Baldwin
In the Silence for Euphonium and Band was commissioned by the Holcomb, KS, High School band
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Daniel Baldwin
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In the Silence
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Imagine Music - Digital
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SheetMusicPlus
The Sound Of Silence
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By P…
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Piano Solo - Level 1 - Digital Download SKU: A0.809406 By Simon And Garfunkel. By Paul Simon. Arranged by Academia Unimusica. Pop,Rock. Score. 1 pages. Unimusic Academy (Academia Unimusica) #6251769. Published by Unimusic Academy (Academia Unimusica) (A0.809406). The Sound of Silence, originally The Sounds of Silence, is a song by the American music duo Simon & Garfunkel. The song was written by Paul Simon over several months in 1963 and 1964. A studio audition led to the duo signing a record deal with Columbia Records, and the original 'acoustic' version of the song was recorded in March 1964 at Columbia Studios in New York City and included on their debut album, Wednesday Morning, 3 A.M.. Released on October 19, 1964,[2] the album was a commercial failure and led to the duo disbanding; Simon returned to England, and Art Garfunkel to his studies at Columbia University. In 1965, the song began to attract airplay at radio stations in Boston, Massachusetts, and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The song hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. It was featured in the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson 'EP' in 1968, along with three other songs from the film: Mrs. Robinson, April Come She Will and Scarborough Fair/Canticle. The song was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Generally considered a classic folk rock song, the song was added to the National Recording Registry in the Library of Congress for being culturally, historically, or aesthetically important in 2012, along with the rest of the Sounds of Silence album. Originally titled The Sounds of Silence on the album Wednesday Morning, 3 A.M., the song was shortened for later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.[3]
$8.00
7.22 €
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Piano seul
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Simon And Garfunkel
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Academia Unimusica
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Garfunkel
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The Sound Of Silence
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Unimusic Academy
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SheetMusicPlus
The Silence Of Sound
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.918287 By Lake Forest. By William W…
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Piano Solo - Level 3 - Digital Download SKU: A0.918287 By Lake Forest. By William Whitwham. Arranged by Brenda Dillon. Contemporary. Score. 3 pages. Dillon's Music Group #6115039. Published by Dillon's Music Group (A0.918287). The Sound of Silence was written by Paul Simon in 1963 and was recorded by Simon and Garfunkel in 1964. It became increasingly popular after it was remixed in 1965. It ultimately became a top-ten hit in many countries worldwide. In 2012, it was added to the National Recording Registry in the Library of Congress for being culturally, historically or aesthetically important.About the arranger: Brenda Dillon is best known for her contributions to the Recreational Music Making movement. In addition to her contributions to the RMM Track for MTNA's Pedagogy Saturday, she also presented group piano and RMM sessions throughout the U.S. She has publications with Hal Leonard and Alfred Music on her website (www.brendadillon.com).
$4.99
4.5 €
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Piano seul
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Lake Forest
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Brenda Dillon
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The Silence Of Sound
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Dillon's Music Group
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SheetMusicPlus
The Sound Of Silence
Harpe
Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Ch…
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Harp - Level 2 - Digital Download By Simon And Garfunkel. By Paul Simon. Arranged by Christy-Lyn Dosé. 20th Century, Contemporary, Rock. Score. 4 pages. Learning the Harp #647095. Published by Learning the Harp
Early-intermediate for big and small harps. The song was written by Simon and Garfunkel in 1964, but it's become a meme in recent years, so it?s still very relevant today! Christy-Lyn?s intermediate arrangement is reminiscent of the finger-picking guitar in the original version of the song, with broken chords and some harmonies in the left hand and a right hand melody that's been adapted to sound best on the harp. If you learn this piece from the Video Course, you?ll get essential practice tips on how to make the piece flow and sound musical, much faster than learning on your own!..........DIFFICULTY LEVEL and SKILLS REQUIRED: Early-intermediate. This piece has a simple melody in the right hand, with a left hand accompaniment that is a step up in complexity and variation from late-beginner pieces. There are parts of the piece where the two hands play the same notes straight after each other, which can be a challenge for placing without buzzing. There is quite a lot of syncopation ? a rhythmic challenge! The left hand jumps around a fair bit, and the right hand has to place some tricky 4 finger chords. ..........TYPE OF HARP: Big and small harps, including 22 string (C to C) and bigger. ..........RANGE: Lowest note is C an octave below middle C, highest note is B almost 2 octaves above middle C...........LEVERS/PEDALS: It is in the key of G major, with no lever changes. Harps without levers can tune their F strings to F sharps. ..........WHAT'S INCLUDED: PDF download of 4 pages. Fingering and bracketing are included. This product was created by a member of ArrangeMe, Hal Leonard?s global self-publishing community of independent composers, arrangers, and songwriters. ArrangeMe allows for the publication of unique arrangements of both popular titles and original compositions from a wide variety of voices and backgrounds.
$5.00
4.51 €
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Harpe
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Simon And Garfunkel
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Christy-Lyn Dosé
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The Sound Of Silence
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Learning the Harp
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SheetMusicPlus
Star Trek(R) - The Inner Light
Harpe
Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. …
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Lever Harp - Level 2 - Digital Download SKU: A0.1370432 Composed by Jay Chattaway. Arranged by Rachael Acheson. 20th Century,Celtic,Film/TV,Irish,Pop,Video Game. Score. 3 pages. TheHarpLibrarian #954803. Published by TheHarpLibrarian (A0.1370432). This arrangement of Captain Picard's Air from the Star Trek: The Next Generation episode The Inner Light is fitted specifically to the range of a 26-string lever harp, like Harpsicle Harps or Dusty String Ravenna. While there are some complex rhythms and silences to count through, the notation itself is relatively simple -- intended to reflect the sparse, lonely/hopeful nature of the original song, which was played on a solo pennywhistle.It is written in the key of G Major (one sharp), which means it can be played on Harpsicle models that are not fully levered (e.g. Sharpsicles, as well as Fullsicles), and there are no lever changes or accidentals. If the harmonics are omitted, and the dotted rhythms counted carefully, this piece could be accessible to a late-beginner, at least from a technique standpoint. Beginner harpists who have little or no prior background in reading sheet music might struggle with the leger lines, though.Please note that the preview cuts off after the first half-page of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
5.4 €
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Harpe
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Jay Chattaway
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Rachael Acheson
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Star Trek(R) - The Inner Light
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TheHarpLibrarian
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SheetMusicPlus
Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon …
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.821201 Composed by Gordon Thornett. Christian,Christmas,Praise & Worship,Sacred. Octavo. 14 pages. Gordon John Thornett #3861793. Published by Gordon John Thornett (A0.821201). Prelude and Cherubic Hymn was commissioned by the John F. Kennedy School in Berlin, to mark the 25th anniversary of their annual Advent services held in Berlin Cathedral. It was performed by joint choirs, drawn from students, parents and faculty, and choir members of the American Church in Berlin on 29 November 2017.The piece is built around the ancient hymn, Let all mortal flesh keep silence. I was asked to write an organ prelude, to serve as a processional as the choirs assembled. This may be ordered separately through SwirlyMusic.org - and now also through SheetMusicPlus.After an opening fanfare-like section, the hymn setting starts gently, with sopranos singing in unison, with successive verses using contrasting choral forces to reflect the words, and the music builds to a big climax, with a return of the fanfare opening, for the final verse, At his feet the six-winged seraph, ending with joyful Alleluias. Although originally conceived for a large chorus with orchestral accompaniment, the setting may be performed with just organ or piano.There's a youtube video at https://youtu.be/HQwYDJRdmcc - this is an extract from the first performance in the magnificent setting of Berlin Cathedral, which was packed to capacity. The quality of both sound and picture isn't great, but it will provide you with an idea of the atmosphere and impact of the piece. The sound recording covers the whole piece, using Sibelius sounds. (You may also like to hear a computer generated recording of the whole piece.)Dr. Joseph R. Curtis, Choral Director at the JFK School, writes:Prelude and Cherubic Hymn is a grand arrangement of the timeless carol 'Let All Mortal Flesh Keep Silence'. Utilizing choir, full orchestra and organ, it is sure to please and impress performers and audience alike. At a recent performance in the Berlin Cathedral, the piece received spontaneous applause (which was a first for this kind of event).NOTE - Although originally scored for orchestra, the piece would work well with just choir and organ - in which case the fanfare sections at the beginning and the first 6 measures at letter F could be omitted. If orchestral score and parts are needed, please go to https://www.swirlymusic.org/music/choral-music/gordon-thornett-cherubic-hymn/.]
$2.50
2.26 €
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Chorale SATB
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Gordon Thornett
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Prelude and Cherubic Hymn, incorporating "Let all mortal flesh keep silence"
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Gordon John Thornett
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SheetMusicPlus
Praise Now the Risen Christ (Choral Score)
Chorale SSATB
SSATB choir and organ with optional trumpet trio and handbells (3-5 octaves) - Medium - Di…
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SSATB choir and organ with optional trumpet trio and handbells (3-5 octaves) - Medium - Digital Download SKU: MQ.8844-E Composed by Fred Gramann. Easter. 10 pages. Duration 2 minutes, 45 seconds. E. C. Schirmer Music Company - Digital #8844-E. Published by E. C. Schirmer Music Company - Digital (MQ.8844-E). English. Job 19:25.The surprising joy of the Resurrection is conveyed through jubilant fanfares in the accompaniment and a shifting of the rhythm between 3/4 and implied 6/8 meters. As the mood softens, a more melodic section expresses the lyrics, I know that my Redeemer liveth. After the unaccompanied chorus sings All glorious Risen Christ and a brief moment of silence, the piece bursts forth again with fanfares and thicker choral textures that build in excitement to the end. A perfect Easter anthem! Duration: 2:45.
$2.65
2.39 €
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Chorale SSATB
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Fred Gramann
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Praise Now the Risen Christ
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
The Hammer and the Nail - in bass clef - A Good Friday Song
Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045…
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Small Ensemble Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.801045 Composed by Connie Boss. Easter,Sacred. Score and parts. 4 pages. Connie Boss #4285309. Published by Connie Boss (A0.801045). A song for Good Friday. I have one out there in treble clef. This one is in bass clef for men to sing it. It has piano accompaniment and guitar chords as well as written in duet. The ending is unique (my mp3 doesn't show it because I couldn't get it to play it right) but after Pound # 11 I'm no longer breathin', it ends in complete silence at that point.The attached video is in SA and cello. Questions or requests, email cdboss@cvalley.netLyrics:Refrain: How can it be, the pain that I feel, pounding through my hands be from the hammer and the nail? When as a child, so young, but aware, I watched Joseph use the hammer and the nail. To create things that were so beautiful. How can this pain be from the hammer and the nail? Verse Pound #1 What have I done Pound #2 They know not what they do Pound #3 I’m shaking in my knees Pound #4 Leads to many more Refrain: Verse Pound #5 I’m barely alive Pound #6 They poke me with a stick Pound #7 Soon I’ll be in heaven Pound #8 I’m feeling faint Refrain: Pound #9 I’m dying inside Pound #10 Father please forgive them Pound #11 I’m no longer breathin’.
$5.50
4.96 €
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Connie Boss
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The Hammer and the Nail - in bass clef - A Good Friday Song
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Connie Boss
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SheetMusicPlus
The Sound Of Silence
Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.1089453…
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Brass Ensemble,Trumpet Quartet Trumpet - Level 3 - Digital Download SKU: A0.1089453 By Simon And Garfunkel. By Paul Simon. Arranged by Dan R Casso. Contemporary,Film/TV,Rock,Standards. Score and parts. 17 pages. Dan R Casso #693654. Published by Dan R Casso (A0.1089453). A trumpet quartet setting Simon and Garfunkel's timeless The Sound of Silence. Modeled after the 2015 cover by American hard rock band Disturbed, this arrangement challenges the ensemble to explore the full timbral palate of the trumpet across all dynamics. Duration: Appx. 4'.
$25.00
22.56 €
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Simon And Garfunkel
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Dan R Casso
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The Sound Of Silence
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Dan R Casso
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solom…
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Alto Voice,Guitar - Level 4 - Digital Download SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
4.96 €
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Wari…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00
9.92 €
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Piano, Voix et Guitare
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David Warin Solomons
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Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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David Warin Solomons
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SheetMusicPlus
Hope Prevails
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christi…
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Brass Ensemble - Digital Download SKU: A0.1028133 Composed by Arwyn Bailey. Christian,Gospel,Jewish,Sacred,Spiritual. Score and parts. 113 pages. Galactic Publishers Limited #3382201. Published by Galactic Publishers Limited (A0.1028133). Hope PrevailsThe composition consists of six movements and is for a Brass Quintet with guest instrumentalists of Oboe, Violin, Viola and Soprano voice.The piece explores the moods that many encounter as they go through life from loneliness through to elation. the composers brother experienced these extreme emotions and it resulted in him taking his own life. This piece is dedicated to his memory.The MP3 contains a very short extract from each movement that is a direct download from computer composition software and is therefore not of great quality.The composer is looking for a group to record this piece. Please get in touch if you wish to be part fo a collaborative project perhaps as a school, college, university or other group.The Struggle of the night - 4:09 in length:The first movement commences with sonorous chord sequences and quickly moves to a lively section. The piece incorporates the tune of the Welsh National Anthem along with the hymn tune Cwm Rhondda. The movement moves between the despair and loneliness of the night that one can feel, even when sleeping next to a close partner, and the racing desperation of the mind, whereby patriotic affiliations will calm the soul at these times. the movement finishes with the tune of Land of my father's resonating but even this is of no comfort, and the troubled mind lies awake and the movement finishes with a flurry of discord.The Solitude - 5.34 in length:The movement begins with a haunting melody led by the Oboe. the Horn soon joins in as do other instruments of the quintet. A simple Gregorian type rhythm and chant passes through the quintet with the Oboe leading the movement.Crescendos and attacked notes give the piece a rise and fall showing the mood of the soul that alternates between a calm and a peak of mood as sleep is hard to come by and a restless state is invoked.It appears that the oboe will be leading the soul into peace yet, at the last moment, the quintet joins in with chords of attack and crescendo followed by a sharp diminuendo to end the piece.The soul has sought solace, yet, all they find is loneliness.Brad's Broadcast - 3:01 in length:The restless soul awakes after a restless night. The world is full of voices, advice, motivation and answers.In this lively movement, the soul searches for solace and finds sense from some sources, yet, the cacophony of contrary advice and the nature of some disciples of business and life coaches becomes confusing. there are some real gems of advice available, but, the noise of others drowns out the sense and sanity.The soul manages to find some humour in the forums and media, they smile, but the relief is short lived.The movement ends with all voices descending away in a glissando and silence is restored.By His Own Hand - 4:26 in length:This movement reflects the desperation of the soul. they have sought solace, humour has passed them by, they do not feel that they can continue to live.The piece starts with a cadenza played by a viola. A violin soon duets in this Jewish styled lament.Throughout the movement the brass are spartan, reflecting the confusion of the soul. The ability to cling onto the world and to continue living is a losing battle.The waves of the lament increase in their presence, but not velocity, for the depressed souul is reaching the point of no return and of no choice.They will soon depart from the world by their own hand. The end ofthe movement is a descent and a unifying discordant sound as the soul leaves.Dreaming of Heaven - 2:31 in length:The soul is now rising and an ancient Celtic tune accompanies the soul in the form of a Soprano voice singing words of hope and light.The soul's path is lit and the ancient bell of.
$5.00
4.51 €
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Ensemble de cuivres
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His Own Hand - 4:26 in length:
This movement reflects the desperation of the soul
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Arwyn Bailey
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Hope Prevails
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Galactic Publishers Limited
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SheetMusicPlus
Let All Mortal Flesh Keep Silence
Cloches
Handbells 2 octave handbell choir - Level 2 - Digital Download SKU: H1.2561DP Arran…
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Handbells 2 octave handbell choir - Level 2 - Digital Download SKU: H1.2561DP Arranged by Susan Geschke. 2-Octave Gem Series. Hymntune, General Worship. Handbell score. 8 pages. Hope Publishing - Digital #2561DP. Published by Hope Publishing - Digital (H1.2561DP). Acts 1:11 - Habakkuk 2:20 - Isaiah 6:1 - Isaiah 6:2 - Isaiah 6:3 - Isaiah 6:4 - Isaiah 6:5 - Isaiah 6:6 - Isaiah 6:7 - Isaiah 6:8 - John 1:14 - John 6:51 - Psalms 46:10 - Revelation 1:7 - Revelation 17:14 - Revelation 19:16 - Revelat.Traditional French Carol Susan Geschke captures the anticipation and longing of Advent with an expressive yet easily learned setting. Using only legato ringing and a sprinkling of mart lifts, this hauntingly beautiful piece will linger in your heart long after the last notes fade away. This is the seventh piece in Susan Geschke's popular and useful Two-Octave Gem Series.
$6.25
5.64 €
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Cloches
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Susan Geschke
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Let All Mortal Flesh Keep Silence
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Hope Publishing - Digital
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SheetMusicPlus
In Silence
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.994720 Composed by Darian Stavans. …
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Piano Solo - Level 3 - Digital Download SKU: A0.994720 Composed by Darian Stavans. 20th Century,Contemporary,Standards. Score. 32 pages. Music Studio #4321789. Published by Music Studio (A0.994720). In Silence.In Silence - Piano Music / Album In Silence by Darian Stavans.With In Silence / En Silencio, Darian Stavans returns to piano composition after several detours along various musical forms, genres and instrumental combinations. Back on the piano, he erects a minimalist work, in the musical vein of Erick Satie, the effect of which is to give listeners controlled passion, guarded enigmas, silent strolls; the discovery that the secret to being genuine can be found in the most profound intimacy. In Silence is an auditory musical experience. It captivates its listeners from the very beginning and for more than 45 minutes leads them along a cornerless, transparent and lucid, almost elementary road. Darian Stavans speaks to us about human silence, the interior moments experienced by every one of us, since it is only through minimalist silence that we can attain our truth. In this silence, our truth is revealed to us and in this silence our truth remains: inside ourselves because only we are to know such a truth in its broadest expression. Piano Music work.30 pagesDuration: 51:00Website: www.darianstavans.comemail: darianstavans@gmail.comYouTube Channel: https://www.youtube.com/user/darianstavans/Facebook: https://www.facebook.com/Darian.Stavans1.
$15.99
14.43 €
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Piano seul
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Darian Stavans
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In Silence
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Music Studio
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SheetMusicPlus
The Sound Of Silence
2 Altos (duo)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.587092 By Simon And Garfunkel…
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Viola Duet Viola - Level 3 - Digital Download SKU: A0.587092 By Simon And Garfunkel. By Paul Simon. Arranged by David McKeown. Film/TV,Folk,Pop,Rock. Score. 4 pages. David McKeown #3068455. Published by David McKeown (A0.587092). The Sound of Silence was the first of many hits for Simon and Garfunkel. It was first recorded in 1963 but the release was a commercial failure and the two musicians went their separate ways. However, after some local radio airplay the producer decided to remix the original with electric instruments. The song became a worldwide hit and Simon and Garfunkel hastily reformed as a duo. This version is arranged as a duet for two Violas. Musicians of an intermediate standard and above will find this ideal for formal and informal performances, with both parts enjoying melodic interest. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to approach ensemble skills and phrase shaping. The rhythms are quite straightforward. The short audio recording is from the Clarinet and Alto Saxophone version while the full length youtube performance is the Clarinet duet. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1
$5.99
5.4 €
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2 Altos (duo)
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Simon And Garfunkel
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David McKeown
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The Sound Of Silence
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David McKeown
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SheetMusicPlus
“The Farmer in the Dell” for 8-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565448 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Traditional. Score and parts. 8 pages. Sharon Wilson #4357233. Published by Sharon Wilson (A0.565448). This sheet music is notated for 8-note, C major diatonic scale (one octave) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 8-note, C major diatonic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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Sharon Wilson
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“The Farmer in the Dell” for 8-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
“Wheels on the Bus” for 13-note Bells and Boomwhackers® (with Color Coded Notes)
Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,…
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Large Ensemble Bells,Boomwhackers,Glockenspiel,Handbell,Handchime,Orff Instrument,Ukulele,Voice,Xylophone - Level 2 - Digital Download SKU: A0.565440 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Children,Folk,Instructional,Standards,Traditional. Score and parts. 9 pages. Sharon Wilson #4357211. Published by Sharon Wilson (A0.565440). This sheet music is notated for 13-note (one octave, C to C chromatic scale) instruments with Handbells on one staff and Boomwhackers® on a second staff creating an instrumental ensemble (requires one set of each instrument). Both parts play the melody for one verse beginning with part one (handbells) on the melody and part two (Boomwhackers®) on harmony. After a short interlude, part two plays the melody for the second verse while part one plays harmony. If you want to play only the first verse, an optional ending is provided or it can be skipped to perform the two verses together. Included in this set of scores is a combined score with both instrument parts on a grand staff plus a separate score for each instrument. A note and chord chart is also provided to aid in the learning and teaching of this song. Lyrics are provided as well for sing along enjoyment.  Though this sheet music is notated for Handbells and Boomwhackers®, this song is playable by any 13-note, C to C chromatic scale (one octave) instrument such as a xylophone or glockenspiel (though the color coding may not match). This set of scores uses colored noteheads corresponding to the Boomwhackers® color scheme. If you have a set of bells or tubes with a different color scheme, Chroma-Notes Stick Ons can be purchased and applied so the instruments match the Boomwhackers® color scheme. This set of scores is also available (separate purchase) in black and white which will print clearer if you do not have access to a color printer.Only filled noteheads (quarter and eighth notes) are used so the notes are full color and easier to see (this does not indicate the bells need to be silenced immediately before the next beat). Also, only quarter and eighth rests are used to help visualize the number of beats per measure. The number of ringers and whackers needed will vary depending on the skill level of the participants. For more advanced players, each person could be assigned two or three notes. For beginners, it is best to assign one or two notes to each person. Note assignment suggestions are included.Other suggestions and uses: * have both parts played by bells or both parts played using only Boomwhackers® * form a choir using multiple sets of bells and/or Boomwhackers® (this would amplify the sound and allow more people to participate)* use as part of the music education for children at school, home, or church* these colorful, inexpensive instruments can be enjoyed by all ages and add a fun, unique element to activities and programs: senior centers, family reunions, church retreats, home school groups, children’s ministriesThis song is one of the 20 arrangements in the collection Folk Songs for 13-note Bells and Boomwhackers® (with Color Coded Notes), VOL. 2. Boomwhackers® is a registered trademark of Rhythm Band Instruments, LLC. Used by permission.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
5.4 €
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Sharon Wilson
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Sharon Wilson
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“Wheels on the Bus” for 13-note Bells and Boomwhackers®
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Sharon Wilson
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SheetMusicPlus
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