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After You Get What You Want You Don't Want It - Flute
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ALTO
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Vous avez sélectionné:
After You Get What You Want You Don't Want It - Flute
Partitions à imprimer
31 partitions trouvées
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1
26
After You Get What You Want You Don't Want It
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Chorale SSAA
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FACILE
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Irving Berlin
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Lyndal Thorburn
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After You Get What You Want Yo
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Lyndal Thorburn
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1114127 Composed by Irving Berlin. Arranged by Lyndal Thorburn. 20th Century,A Cappella,Barbershop,Broadway,Film...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1114127 Composed by Irving Berlin. Arranged by Lyndal Thorburn. 20th Century,A Cappella,Barbershop,Broadway,Film/TV,Musical/Show. Octavo. 6 pages. Lyndal Thorburn #716055. Published by Lyndal Thorburn (A0.1114127). A classic, cheeky song by Irving Berlin, arranged by Lyndal Thorburn in women's a cappella style. Arrangement includes a key change and 8 bar tag. The Youtube clip is sung by Marilyn Munroe in the movie 'There's No Business Like Show Business' (1954).
$1.99
Irving Berlin-After You Get What You Want,You Don't Want It,in E flat Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
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Irving Berlin
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MSM
#
Irving Berlin-After You Get Wh
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670605 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745155...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670605 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745155. Published by Open Cloud (A0.670605). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in F Major
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Piano, Voix
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INTERMÉDIAIRE
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Classique
#
Irving Berlin
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MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670608 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745161...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670608 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745161. Published by Open Cloud (A0.670608). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in D flat Major
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Irving Berlin
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MSM
#
Irving Berlin-After You Get Wh
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670604 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745153...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670604 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745153. Published by Open Cloud (A0.670604). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in E Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Irving Berlin
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MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670606 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745157...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670606 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745157. Published by Open Cloud (A0.670606). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in B Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Irving Berlin
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MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670609 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745163...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670609 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745163. Published by Open Cloud (A0.670609). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in D Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Irving Berlin
#
MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670603 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745151...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670603 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745151. Published by Open Cloud (A0.670603). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in B flat Major
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Piano, Voix
#
INTERMÉDIAIRE
#
Classique
#
Irving Berlin
#
MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670607 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745159...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670607 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745159. Published by Open Cloud (A0.670607). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
Irving Berlin-After You Get What You Want,You Don't Want It,in A Major
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Piano, Voix
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INTERMÉDIAIRE
#
Classique
#
Irving Berlin
#
MSM
#
Irving Berlin-After You Get Wh
#
Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.670611 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745165...
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Piano,Vocal,Voice - Level 3 - SKU: A0.670611 Composed by Irving Berlin. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4745165. Published by Open Cloud (A0.670611). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Irving Berlin,for Voice and Piano, first published in 1920, arranged and published by More Sheet Music Press. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
After You Get What You Want (You Don't Want It)
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Chorale TTBB
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FACILE
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Folklorique/Traditionel
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. James W. Shubert #...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971237 Composed by Irving Berlin. Arranged by Jim Shubert. Folk,Traditional. Octavo. 3 pages. James W. Shubert #6065877. Published by James W. Shubert (A0.971237). 4 part Male Barbershop Arrangement. TTBB. Early Intermediate level. Circa 1920. Up-tempo song with clever lyrics.Learning tracks for all four parts; Tenor, Lead, Bari, Bass, are available. Item# S0.876969, S0.876965, S0.876963, S0.876959
$1.99
After You Get What You Want (You Don't Want It) - Bass Learning Track
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Contemporain
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
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SheetMusicPlus
Bass Voice,Choir - SKU: A0.1070934 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert #6065...
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Bass Voice,Choir - SKU: A0.1070934 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert #6065883. Published by James W. Shubert (A0.1070934). This is the Bass Learning Track for my arrangement Item# S0.876957.
$2.50
After You Get What You Want (You Don't Want It) - Tenor Learning Track
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Contemporain
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
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SheetMusicPlus
Choir,Tenor Voice - SKU: A0.1070936 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert #606...
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Choir,Tenor Voice - SKU: A0.1070936 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert #6065889. Published by James W. Shubert (A0.1070936). This is the tenor learning track for my arrangement Item# S0.876957.
$2.50
After You Get What You Want You Don't Want It
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Chorale SSAA
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FACILE
#
Irving Berlin
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Dawn Haggerty
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After You Get What You Want Yo
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Dawn Haggerty
#
SheetMusicPlus
Choral Choir (SSAA) - Level 2 - SKU: A0.1089760 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Contest,Festival,Jazz. Oct...
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Choral Choir (SSAA) - Level 2 - SKU: A0.1089760 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Contest,Festival,Jazz. Octavo. 4 pages. Dawn Haggerty #693968. Published by Dawn Haggerty (A0.1089760). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written.
$1.99
After You Get What You Want (You Don't Want It) - Lead Learning Track
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Contemporain
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
#
SheetMusicPlus
Choir,Voice - SKU: A0.1070935 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Full Performance. Duration 140. James W. Shubert #606588...
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Choir,Voice - SKU: A0.1070935 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Full Performance. Duration 140. James W. Shubert #6065885. Published by James W. Shubert (A0.1070935). This is the Lead Learning Track for my arrangement Item# S0.876957.
$2.50
After You Get What You Want (You Don't Want It) Baritone learning Track
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Contemporain
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Irving Berlin
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Jim Shubert
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After You Get What You Want
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James W. Shubert
#
SheetMusicPlus
Baritone Horn TC,Choir - SKU: A0.1070933 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert...
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Baritone Horn TC,Choir - SKU: A0.1070933 Composed by Irving Berlin. Arranged by Jim Shubert. Contemporary. Accompaniment. Duration 140. James W. Shubert #6065879. Published by James W. Shubert (A0.1070933). Baritone learning track for my arrangement Item#S0.876957.
$2.50
After You Get What You Want You Don't Want It
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Chorale SSAA
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DÉBUTANT
#
Irving Berlin
#
Dawn Haggerty
#
After You Get What You Want Yo
#
Dawn Haggerty
#
SheetMusicPlus
Voice (SSAA) - Level 1 - SKU: A0.1089761 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Barbershop,Contest,Festival,Jazz....
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Voice (SSAA) - Level 1 - SKU: A0.1089761 Composed by Irving Berlin. Arranged by Dawn Haggerty. 20th Century,A Cappella,Barbershop,Contest,Festival,Jazz. Barbershop Quartet. 4 pages. Dawn Haggerty #693971. Published by Dawn Haggerty (A0.1089761). 4 part contestable barbershop arrangement of this Irving Berlin Classic voiced for SSAA A cappella 4 part Notated in traditional barbershop style -- Treble clef for Tenor (Soprano 1-harmony part) and Lead (Soprano 2-melody); Octave Bass Clef for Baritone (Alto 1) and Bass (Alto 2). Bass clef parts are sung an octave higher than written. Purchase is for 4 (four) copies.
$1.99
After You Get What You Want You Don't Want It
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Contemporain
#
Irving Berlin
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Benjamin Neldner
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After You Get What You Want Yo
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Benjamin Neldner
#
SheetMusicPlus
Small Ensemble - SKU: A0.981161 Composed by Irving Berlin. Arranged by Benjamin Neldner. Contemporary. Score and parts. 5 pages. Benjamin Neldner #44136...
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Small Ensemble - SKU: A0.981161 Composed by Irving Berlin. Arranged by Benjamin Neldner. Contemporary. Score and parts. 5 pages. Benjamin Neldner #4413679. Published by Benjamin Neldner (A0.981161).
$1.99
After You Get What You Want You Don't Want It
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Contemporain
#
Irving Berlin
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Bill Wilson
#
After You Get What You Want Yo
#
Alexander Wilson
#
SheetMusicPlus
Composed by Irving Berlin. Arranged by Bill Wilson. Score, Set of Parts. 14 pages. Published by Alexander Wilson (S0.257271). - Score,Set of Parts - - Alexande...
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Composed by Irving Berlin. Arranged by Bill Wilson. Score, Set of Parts. 14 pages. Published by Alexander Wilson (S0.257271). - Score,Set of Parts - - Alexander Wilson
Master songwriter Irving Berlin's "After You Get What You Want You Don't Want It" is a cute Tin Pan Alley song. In this arrangement the trombone carries quite a bit of countermelodic interest. Arranged for brass quintet (two Bb trumpets, French horn, trombone, and tuba). Performance time is approximately 2:05. Visit our website, www.tootsuitebrasspublishing.com, for a catalog of our arrangements available through sheetmusicplus.com.
$4.00
After You Get What You Want You Don't Want It
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Piano, Voix
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Contemporain
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Comédie Musicale
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Irving Berlin
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After You Get What You Want Yo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Composed by Irving Berlin. Portraits, Hats, Courtship & love, Distress, Anger. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sherida...
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Composed by Irving Berlin. Portraits, Hats, Courtship & love, Distress, Anger. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21822). - - - Johns Hopkins University Sheridan Libraries
$5.99
After You Get What You Want You Don't Want It
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Saxophone Alto
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DÉBUTANT
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Contemporain
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Irving Berlin
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Avgusta Udartseva
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After You Get What You Want Yo
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Avgusta Udartseva
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SheetMusicPlus
Alto Saxophone Solo - Level 1 - SKU: A0.1420817 Composed by Irving Berlin. Arranged by Avgusta Udartseva. 20th Century. Individual part. 2 pages. Avgust...
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Alto Saxophone Solo - Level 1 - SKU: A0.1420817 Composed by Irving Berlin. Arranged by Avgusta Udartseva. 20th Century. Individual part. 2 pages. Avgusta Udartseva #1002256. Published by Avgusta Udartseva (A0.1420817).
$1.99
After You Get What You Want You Don't Want It - Piano
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Piano, Voix et Guitare
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DÉBUTANT
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Contemporain
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Irving Berlin
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Avgusta Udartseva
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After You Get What You Want Yo
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Avgusta Udartseva
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1420819 Composed by Irving Berlin. Arranged by Avgusta Udartseva. 20th Century. Score. 2 pages. Avgusta Uda...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1420819 Composed by Irving Berlin. Arranged by Avgusta Udartseva. 20th Century. Score. 2 pages. Avgusta Udartseva #1002258. Published by Avgusta Udartseva (A0.1420819).
$1.99
Gimme! Gimme! Gimme! (a Man After Midnight)
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1 Piano, 4 mains
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FACILE
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ABBA
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Maria João Maia
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Gimme! Gimme! Gimme!
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Maria João Maia
#
SheetMusicPlus
1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. ...
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1 Piano,4 Hands,Piano Duet - Level 2 - SKU: A0.1232192 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Maria João Maia. 20th Century,Pop. Score. 4 pages. Maria João Maia #827876. Published by Maria João Maia (A0.1232192). 4 Hands version, intermediate level, perfect to motivate teenagers in the piano lesson :) Personally tested with my own students! When you don't know what piece to give for 2 friends who want to play together, whose taste is more directed for pop music....why not some good oldies?Being a classical pianist, it's difficult to find good material for students who prefer to play pop music. So I decided to go for the amazing 70's and arrange some songs myself. They came out so good, that I needed to share them with the world!
$14.99
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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His Memory
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Robert Daniel
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His Memory
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RDMusicStudios
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published...
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Piano,Violin - Level 4 - SKU: A0.1261681 Composed by Robert Daniel. Broadway,Classical,Film/TV,Musical/Show. 25 pages. RDMusicStudios #854759. Published by RDMusicStudios (A0.1261681). On April 19, 2019, I started writing my first composition, His Memory, on my first album, Show Your Pride. The Show Your Pride album was influenced by my best friend, Nigel Shelby, who tragically passed away by suicide after experiencing bullying for being outed as gay. It has been a few years since his death turned a national spotlight on the issue of LGBTQIA+ mental health and bullying. He was 15 years old at the time of his passing. I feel like I've been stabbed in the heart when I found he was gone. It was the first time I had lost anybody that I was close to. I was in a lot of pain at the time. Losing my best friend is one of the most difficult and heartbreaking experiences I have had in my life. This album is telling a coming-out story about a bisexual musician going on a self-discovery journey to find his true authentic self. I first met Nigel in mid-2018 when I was nervous, struggling with depression, and coming out as bisexual, so I gathered enough strength and confidence to come out to him. He's very kind and supportive of me. He was brave enough to come out to me as well. He has been a really good friend and my spirit guide as long as I've known him. He was understanding, thoughtful, and had a maturity about him that I admired. I feel happy and honored to have known him and had the best friends with him. I truly believe he is watching over me every day. In this inspirational, heartbreaking piece, His Memory, I will share a coming-out story about two boys who came out to each other, spending their friendship together until one of them passes away. This piece is based on a true story of how I coped with grief, dealing with depression about my best friend's passing, and how I found happiness within myself after his memorial service. It drew inspiration from many compositions and soundtracks, including Where The Sky Has No Stars by Katahj Copley, Lose You Now by Lindsey Stirling (feat. Mako), You Will Be Found from Dear Evan Hansen by Benj Pasek & Justin Paul, April Sky by Lin Chin Cheng, and Avatar The Last Airbender by Jeremy Zuckerman. These compositions I mentioned express hope and spark memories of lost loved ones. This piece is in 3 Acts: Friendship, I Lost You. and His Memory Lives On. Each one was inspired by actual events. Act I: Friendship Act II: I Lost You Act III: His Memory Lives On While you are listening to this piece, I want you to think about someone you love who is no longer with you. If you're one of those people who lost someone special to you, I am so sorry for your loss. Just know that you are not alone. Don't try to run and hide from your grief. Whatever your grief experience, it's important to be patient with yourself and allow the process to naturally unfold. You will grieve for as long as you need to, but you are a strong person and will find your way through this. Life is so precious. Cherish every moment with your loved ones. Coming out is one of the most difficult things a person can do, but if you are having difficulty or are unsure about it, just know that there are people out there who do love you for who you are. Learn to embrace your authentic self. Don't let your sexual orientation define who you are. The right people will accept you and those are the only people who matter. Be yourself, be happy, and do what you feel. Don't care so much about what others think and enjoy your life! Keep following your heart and don't be afraid to stand out!
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