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After a Dream: 1st Violin
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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AUTOHARPE
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BASSE
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BOUZOUKI
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CLARINETTE
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Vous avez sélectionné:
After a Dream: 1st Violin
Partitions à imprimer
6 partitions trouvées
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Nightmares in Dreamland for Solo Violin
Violon
Violin Solo - Level 5 - Digital Download SKU: A0.1031376 Composed by Gordon F. Blan…
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Violin Solo - Level 5 - Digital Download SKU: A0.1031376 Composed by Gordon F. Blaney Jr. 20th Century,Contemporary,Instructional. 7 pages. Gordon Francis Blaney Jr. #4591993. Published by Gordon Francis Blaney Jr. (A0.1031376). Bio: Gordon Francis Blaney Jr. (b. 29 November 1982) is a composer of Classical and Jazz based in the United States of America. He attended Berklee College of Music (January 2004 – August 2008) where he earned a BM in Musical Composition. He, at present, resides in his home state of Massachusetts where he is a performer, writer, and private educator in music to students online and offline. Performance Notes: Ornamentation is to be performed in a free manner, except when otherwise stated in the score. Program Notes: Scherzo and Trio, Nightmares in Dreamland, for Solo Violin that follows the Classical period form of a Minuet and Trio. It has the Romantic period spirit of a Scherzo and Trio, hence the title. It has the Romantic period ideal, in it being programmatic, hence the subtitle. And, it has a melodic as well as implied harmonic language that is a fusion of Classical and Jazz of the 20th and 21st centuries. The work tells a definitive tale, despite being in a strict form. It answers the question of what dreamland would sound like for a person when infected with nightmares. Be prepared to toss and turn, as we enter the human mind after it has had a long and hard morning, afternoon, and evening.
$9.99
9.19 €
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Violon
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Gordon F
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Nightmares in Dreamland for Solo Violin
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Gordon Francis Blaney Jr.
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SheetMusicPlus
After a Dream: 1st Violin
Violon (partie séparée)
By Gabriel FaurÌ©. Arranged by Doris Preucil. For String Orchestra. Classical.…
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By Gabriel Faur̩. Arranged by Doris Preucil. For String Orchestra. Classical. Part. 1 pages. Published by Alfred Music. Digital Sheet Music
$5.99
5.51 €
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Violon (partie séparée)
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Gabriel Faur̩
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Doris Preucil
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After a Dream: 1st Violin
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
Après Un Rêve, After A Dream, Op. 7, No. 1
Composed by Gabriel Faure (1845-1924). Arranged by McCorkle, Dennis F.. For Flute,Violin,G…
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Composed by Gabriel Faure (1845-1924). Arranged by McCorkle, Dennis F.. For Flute,Violin,Guitar,Guitar Tab. 21st Century,Repertoire. Intermediate. Set of Parts,Tablature. Published by DF McCorkle Music and eBook Publications
$4.99
4.59 €
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Gabriel Faure
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McCorkle, Dennis F
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Après Un Rêve, After A Dream, Op. 7, No. 1
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
In Memoriam Shadowlight for solo flute
Flûte traversière
Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1510150 Composed by D…
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Flute Solo,Soprano Flute - Level 2 - Digital Download SKU: A0.1510150 Composed by David Gaines. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 1 pages. David Gaines #1085286. Published by David Gaines (A0.1510150). In Memoriam Shadowlight for solo flute is an homage to California electric violinist Jamie Shadowlight (1975-2024), who passed away in June 2024 after a long fight against cancer. The melodic material is based around a Korean pentatonic scale (Jamie was originally from South Korea). Flutist Devynne Lauchner performed the world premiere at the Fever Dream Theatre/Lustre Village at Burning Man in Black Rock City, Nevada in August 2024.
$5.99
5.51 €
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Flûte traversière
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David Gaines
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In Memoriam Shadowlight for solo flute
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David Gaines
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.19 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
Diasporic Dances
Quintette à cordes: 2 violons, alto, violoncelle, basse
String Quintet Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1317…
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String Quintet Cello,Double Bass,Viola,Violin - Level 5 - Digital Download SKU: A0.1317853 Composed by Patrick Prejean. 21st Century,Chamber,Classical. 215 pages. Patrick Prejean #906523. Published by Patrick Prejean (A0.1317853). These dances where written at the request of the executive director of CityMusic Cleveland. They are based and inspired by North and Sub-Saharan African Dances in addition to a reimagining of fairy tales. There are 8 movements making this the biggest project I've ever composed. This quintet may also be performed as a String Orchestra ensemble. I - There is a story about a man named Alexander Dynis (Deniz) who is believed to have ended up in Ruthenia (modern day Ukraine) as a PoW when the Ottomans invaded the Polish-Lithuanian Commonwealth. Not much is known about his early life but we do know is that eventually afterwards he was granted the position of Starosta (town mayor/landlord) of Kozieglowy (Poland) by the Bishop of Krakow. He is the only Black starosta that we know of to this day. His story is interesting and is the basis of this movement and was inspired by the soundtrack of a game called Hellish Quart. II - This movement is a dance of ritual which emphasizes the different pitch intonations of the human voices hence the dissonant harmonies. Imagine walking through the savannah and hearing these voices but you are unsure of their intentions. This dance is heavy and percussive. III - This movement is of a young woman who is kidnapped by the Vikings and dreams of escaping captivity. IV - There are 3 distinct motives for this movement which combine to create a battle - like scene, those being the 6 quarter note triplets, the rhythmic motive, and the driving 16th notes.  V - I wanted to create the sounding of the natural horns of the Ancient and Classical Eras and to combine them with a retelling of the Little Red Riding Hood. Her journey begins upon hearing these horns and prompted to ride out to begin her quest.VI/VII/VIII - These movements where edited from my Death Waltzes for the Living. There are hidden titles for number 6 and 7: Loss of Mind and Hospital. These waltzes are a reimagining of Cinderella's life but instead of her story playing out as we know it, she suffers a psychotic break and is transported into our world and rushed to the hospital. The final movement concludes the piece with a Dance of Death. I have had many close encounters with permanent oblivion and the result of this is what I call Hitchcock Horror harmonic language. These encounters supplimented with the dreams of the unconscious realm create an uneasy dance that ends almost as abruptly as they begin.
$100.00
92.03 €
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Patrick Prejean
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Diasporic Dances
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Patrick Prejean
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SheetMusicPlus
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