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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.08 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.08 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Love's Dream After the Ball
Piano seul
Piano - Digital Download SKU: LV.10424 Composed by A. Czibulka. Ballroom dancing, C…
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Piano - Digital Download SKU: LV.10424 Composed by A. Czibulka. Ballroom dancing, Cupids, Couples. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.10424). Love's Dream After the Ball. by A. Czibulka. Published [n.d.] by Victor Kremer Company in Chicago. Composition of sectional with piano instrumentation. Subject headings for this piece include Ballroom dancing, Cupids, Couples. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.39 €
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Piano seul
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A
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Love's Dream After the Ball
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
Saxophone Soprano et Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
10.76 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali…
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Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95
17.97 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Ali Ben Sou Alle: Souvenirs d'Irelande for soprano saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oh Wondrous Image, Vision Fair [Piano Accompaniment Only - A Minor]
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymn…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1354166 By Stacey Plays Hymns. By 15th Century English Ballad. Arranged by Anastace. Christian,Easter,Praise & Worship,Religious,Spiritual. Score. 4 pages. Anastace #938867. Published by Anastace (A0.1354166). Here is the full piano accompaniment version of my arrangement of Oh Wondrous Image, Vision Fair, as heard on my YouTube channel. This gorgeous, flowing piano arrangement features complex yet intuitive rhythms in 12/8, supporting the fluid energy of the piece. This song is often used in the time after Epiphany and around Christmas too, and most especially during the Sunday of the Transfiguration and Easter. It makes for a beautiful solo for church services all year long, or just playing for personal enjoyment. If you like soaring Celtic melodies woven around ancient hymn lyrics for a haunting yet uplifting mood, this is the perfect song. These are the lyrics as found in the Lutheran ELW hymnal, translated by John Mason Neale. Also available by searching my name or clicking on it below is a version in the higher key of C Minor to match most hymnals and suit a higher vocal range.For other formats including large print or simplified versions, please write me at staceyplayshymns@gmail.com and I'll be glad to make them especially for you. Purchase includes a free license for one church service with under 300 people, with proper attribution and credit in any printed or online materials. For a license to use this work on a larger scale, please contact me for permission and other usage details including lyrics formatted for printing in church bulletins or for powerpoint. Please let me know if there is any other way I can serve you as a congregation or fellow music/choir director as I endeavour to write several new choral anthems per year, along with my other recording work.Thank you for supporting modern hymnwriters and musicians!
$5.00
4.5 €
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Piano, Voix
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Stacey Plays Hymns
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Anastace
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Oh Wondrous Image, Vision Fair [Piano Accompaniment Only - A Minor]
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Anastace
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SheetMusicPlus
The Cat's Aria
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1486292 Composed by Rachel J…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1486292 Composed by Rachel J. Peters. 21st Century,Comedy,Opera. Score. 11 pages. Rachel J Peters #1063353. Published by Rachel J Peters (A0.1486292). Aria for dramatic soprano from the opera Three AmputatorsLibretto by Royce VavrekThree Amputators is an opera-in-progress after the story “The Three Army Surgeons” by the Brothers Grimm. The opera tells of three travelling doctors who seek lodging for a night, offering the establishment’s innkeeper a demonstration of their unbelievable skills: they can cut out parts of their own bodies only to reattach them later with the aid of a proprietary salve. After one removes a hand, another their heart, and the third their eyeballs, an enigmatic cat appears on the scene to dine on the flesh and throw the course of the story into disarray. This is a contemporary interpretation of one of the Grimm’s most eccentric of tales. The character of the insatiable Cat is inspired by our national hero, Fran Lebowitz.The aria premiered in Norway. If you are performing it in any other country, you can claim a national premiere! Full score and parts can also be made available upon request for performances with orchestra. Visit www.racheljpeters.com for more information.DURATION: 4:30WORLD PREMIERE: Oslo Chamber Music Festival, 2023.
$6.00
5.4 €
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Piano, Voix
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Rachel J
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The Cat's Aria
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Rachel J Peters
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SheetMusicPlus
Maggie After The Ball
Piano, Voix
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1478300 By A Popular Parody …
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1478300 By A Popular Parody of Charles K. Harris' After the Ball. By Unknown. Arranged by Jamie H. Whittier. 19th Century,Comedy,Historic. Score. 1 pages. Jamie H. Whittier #1055677. Published by Jamie H. Whittier (A0.1478300). Maggie After the Ball is a humorous parody of the popular 1891 song After the Ball, which was composed by Charles K. Harris. The parody version you mentioned, which includes lyrics about Maggie's false teeth and glass eye, is an example of how popular songs are often transformed into comedic versions by various artists and performers over time. The original song by Charles K. Harris was a huge hit in its time and became one of the best-selling sheet music of the 19th century. This version is the version my grandmother remembers!
$2.99
2.69 €
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Piano, Voix
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A Popular Parody of Charles K
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Jamie H
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Maggie After The Ball
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Jamie H. Whittier
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SheetMusicPlus
Charles K. Harris-After the Ball,in D Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669790 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669790 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573915. Published by Open Cloud (A0.669790). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in D Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in B Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669793 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669793 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573921. Published by Open Cloud (A0.669793). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in B Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in A flat Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669794 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669794 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573923. Published by Open Cloud (A0.669794). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in A flat Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in D flat Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669789 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669789 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573913. Published by Open Cloud (A0.669789). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in D flat Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in G flat Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669787 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669787 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573909. Published by Open Cloud (A0.669787). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in G flat Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in B flat Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669786 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669786 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573907. Published by Open Cloud (A0.669786). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in B flat Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in G Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669792 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669792 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573919. Published by Open Cloud (A0.669792). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in G Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in C Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669791 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669791 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573917. Published by Open Cloud (A0.669791). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in C Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
Charles K. Harris-After the Ball,in A Major,for Voice and Piano
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669788 Composed by Charles K…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.669788 Composed by Charles K.Harris. Arranged by MSM. Classical,Romantic Period. Score. 12 pages. Open Cloud #4573911. Published by Open Cloud (A0.669788). This product(include full and parts score) is a digital sheet music in PDF format. The popular song was composed by Charles K.Harris, for Voice and Piano, first published in 1892. *If this work was first published after 1923, we are sure it was in the public domain.We take copyright very seriously.
$4.99
4.49 €
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Piano, Voix
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Charles K
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MSM
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Charles K. Harris-After the Ball,in A Major,for Voice and Piano
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Open Cloud
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SheetMusicPlus
After The Ball (arr. Phillip Keveren)
Piano seul
Piano Solo,Piano and Keyboard - Digital Download SKU: HX.1078911 Arranged by Philli…
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Piano Solo,Piano and Keyboard - Digital Download SKU: HX.1078911 Arranged by Phillip Keveren. This edition: scorch. Jazz,Standards. Score. 3 pages. Duration 165. Hal Leonard - Digital #342602. Published by Hal Leonard - Digital (HX.1078911).
$4.99
4.49 €
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Piano seul
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Phillip Keveren
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After The Ball
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Hal Leonard - Digital
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SheetMusicPlus
Love's Dream After The Ball
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.1369871 Composed by A. CZIBULKA (…
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Piano,Violin - Level 2 - Digital Download SKU: A0.1369871 Composed by A. CZIBULKA (1842-1894). Arranged by Hugo Rodrigues. 19th Century,Classical. 9 pages. Hugo Rodrigues #954241. Published by Hugo Rodrigues (A0.1369871). My personal version of bows and fingerings of this lovelly piece.
$5.00
4.5 €
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Violon et Piano
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A
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Hugo Rodrigues
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Love's Dream After The Ball
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Hugo Rodrigues
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SheetMusicPlus
After The Ball
Piano, Voix et Guitare
Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1126181 This editi…
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Guitar,Piano and Keyboard,Vocal,Voice - Digital Download SKU: HX.1126181 This edition: scorch. Classical,Folk,Standards. Score. 3 pages. Hal Leonard - Digital #6460. Published by Hal Leonard - Digital (HX.1126181).
$4.99
4.49 €
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Piano, Voix et Guitare
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After The Ball
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Hal Leonard - Digital
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SheetMusicPlus
After The Ball
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.954210 Composed by Ch…
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.954210 Composed by Charles K. Harris. Arranged by F Turnbull. Folk,Multicultural,World. Score. 2 pages. Musicaliti Publishing #6563565. Published by Musicaliti Publishing (A0.954210). Group sing a long for guitar accompaniment, with rhythm indicated in rests.
$4.99
4.49 €
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Piano, Voix et Guitare
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Charles K
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F Turnbull
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After The Ball
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Musicaliti Publishing
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SheetMusicPlus
After The Ball/Million Miles
Piano, Voix et Guitare
By Wings. Pop, Rock, Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonar…
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By Wings. Pop, Rock, Standards. Piano/Vocal/Guitar. 5 pages. Published by Hal Leonard - Digital
$4.99
4.49 €
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Piano, Voix et Guitare
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Wings
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After The Ball/Million Miles
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Hal Leonard - Digital
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SheetMusicPlus
Perfect, piano cover
Piano seul
Piano Solo - Intermediate - Digital Download By Ed Sheeran. Arranged by Christine Bro…
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Piano Solo - Intermediate - Digital Download By Ed Sheeran. Arranged by Christine Brown. Sheet Music Single. 7 pages. Published by Christine Brown
A beautiful arrangement of the pop ballad by Ed Sheeran, blended classically with nuances of the Moonlight Sonata. This "Classical Pop" cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended "seamlessly" with other pop or classical songs, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
$7.99
7.2 €
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Piano seul
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Ed Sheeran
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Christine Brown
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Perfect, piano cover
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Christine Brown
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SheetMusicPlus
Open Arms, piano cover
Piano seul
Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. …
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Piano Solo - Advanced Intermediate - Digital Download By Steve Perry/Jonathan Cain. Arranged by Christine Brown. Sheet Music Single. 6 pages. Published by Christine Brown
A classical arrangement of the popular Journey ballad, "Open Arms", blended with classical phrases of a Debussy favorite, "Reverie". This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
$7.99
7.2 €
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Piano seul
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Steve Perry/Jonathan Cain
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Christine Brown
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Open Arms, piano cover
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Christine Brown
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SheetMusicPlus
The Sleeping Beauty Waltz by Tchaikovsky, for Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.587747 Composed by Peter Ilyich Tc…
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Flute,Piano - Level 4 - Digital Download SKU: A0.587747 Composed by Peter Ilyich Tchaikovsky. Arranged by David McKeown. Children,Concert,Film/TV,Romantic Period,Standards. Score and part. 14 pages. David McKeown #4839883. Published by David McKeown (A0.587747). Sleeping Beauty, is the second ballet of three composed by Pyotr Tchaikovsky. Here, the famous Waltz is arranged for Solo Flute and Piano, directly from the orchestral score. The first performance of the ballet was in St Petersburg in 1890. Like his other ballets, Sleeping Beauty was slow to gain popularity with the public and international recognition only came after Tchaikovsky’s death. Included in the single download are nine pages of piano score and an attached four-page part for the solo instrument. Musicians at an upper intermediate level and above will find this ideal for formal and informal performances. The melody is expressive and legato; the accompaniment is challenging in parts with a high tempo throughout. Both parts require dramatic dynamic contrasts and the solo part explores a wide range of the instrument. The overall performance time is around five minutes. The linked youtube performance is the clarinet version of this arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.14 €
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Flûte traversière et Piano
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Peter Ilyich Tchaikovsky
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David McKeown
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The Sleeping Beauty Waltz by Tchaikovsky, for Flute and Piano
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David McKeown
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SheetMusicPlus
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