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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
After the Fire
Non classifié
32
Piano & claviers
Piano seul
23
Piano, Voix et Guitare
19
Piano, Voix
5
Instruments en Do
3
2 Pianos, 4 mains
2
Orgue
2
Piano grosses notes
2
Piano Facile
2
Piano Trio: piano, violon, violoncelle
1
Orgue, Trompette (duo)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
1 Piano, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
6
Basse electrique
4
Guitare
3
Paroles et Accords
1
Mandoline
1
Ukulele
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
12
Chorale TTBB
5
Voix Soprano, Piano
2
Chorale 3 parties
1
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Alto
2
Clarinette
2
Quatuor de Saxophones: 4 saxophones
2
Saxophone Soprano et Piano
2
Flûte traversière
2
Quatuor de Clarinettes: 4 clarinettes
2
2 Saxophones (duo)
2
Cor anglais, Piano
1
Flûte traversière et Piano
1
Flûte, Hautbois, Clarinette, Basson
1
Saxophone Tenor et Piano
1
Hautbois, Piano (duo)
1
Saxophone Baryton, Piano
1
Saxophone Alto et Piano
1
Clarinette Basse, Piano
1
+ 12 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Euphonium, Piano (duo)
2
Trombone et Piano
2
Cor anglais, Piano
1
Trompette, Piano
1
Tuba
1
Trompette
1
Cor et Piano
1
+ 3 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
6
Violon
4
Violon et Piano
4
Alto, Piano
2
2 Harpes (duo)
2
Harpe
1
Alto seul
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 3 instrumentations
Retracter
Orchestre & Percussions
Fanfare
27
Orchestre d'harmonie
9
Orchestre à Cordes
6
Orchestre
5
Ensemble de cuivres
4
Batterie
4
Ensemble Jazz
3
Orchestre de chambre
3
Jazz combo
1
+ 4 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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Vous avez sélectionné:
After the Fire
Partitions à imprimer
256 partitions trouvées
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Catching Fireflies
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Orchestre d'harmonie
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Daniel Burwasser
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Catching Fireflies
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Imagine Music - Digital
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SheetMusicPlus
Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ...
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Concert Band - SKU: IZ.HAS03-S Composed by Daniel Burwasser. Score. 31 pages. Imagine Music - Digital #HAS03-S. Published by Imagine Music - Digital (IZ.HAS03-S). Sometimes the composer may point us to the meaning of a piece, without actually providing it. Says Daniel Burwasser: “Catching Fireflies is an ode to the tender memories and joys of childhood. The thematic material and structure of the work reflects the immediacy and innocent fascination of a time when everything is new and exciting, and something as simple as the flashing of a firefly can capture the imagination. The opening indeed creates visions of sprightly fireflies. An animated seven-note figure, first introduced by the strings then taken up by the brass and woodwinds, suggests a dazzling nocturnal scene of children scurrying after the elusive insects. The theme rapidly transmogrifies, aided by echoing dialogues between instruments as well as abrupt percussive effects. Then, a placid lyrical interlude begins with contemplative strains. Have the catchers settled back to view the stars? Like youth itself, the segment doesn’t last and is pushed aside by a subdued version of the lead theme. This time, a lyrical melody pro- vides a whiff of melancholia, but one limned by kaleidoscopic xylophone notes. Then, a longer adagio theme develops, and while it reflects the original lyrical interlude, it soon assumes a nostalgic aura reminiscent of fifties film music. Perhaps it evokes the romantic theme from an old movie the composer attended as a youth. But the night is not over and as the tempo increases, the brass sounds a variation of the opening melody, there is a brief parenthesis of calm, then a crashing tutti puts an end to the evening activities.
$20.00
After The Fire - Christmas Cantata
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Chorale SATB
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INTERMÉDIAIRE
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Noël
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Byron Foxx, Glenn & Jan Christ
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After The Fire - Christmas Can
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Bible Truth Music
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.770865 Composed by Byron Foxx, Glenn & Jan Christianson, and Lydia Stewart. Christmas,Sacred. 73 pages. B...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.770865 Composed by Byron Foxx, Glenn & Jan Christianson, and Lydia Stewart. Christmas,Sacred. 73 pages. Bible Truth Music #3543907. Published by Bible Truth Music (A0.770865). Preview the entire program here: https://www.youtube.com/watch?v=_0Xol62r23UAfter the Fire is a Christmas musical written by Glenn & Jan Christianson along with Byron Foxx. The musical is written for SATB choirs. During a time of year when most people are celebrating the birth of Christ, we join a family who survived a house fire but lost everything. Mike & Sharon, along with their teenage on, Jacob, each respond differently to the tragedy. We see that, even though things look bleak from an earthly standpoint, God is still in control, and He uses even these difficulties to bring glory to Himself. This program has eleven songs for choir. Two of the songs have a female solo who can also be the same person who plays Sharon in the program. With a simple cast of four characters, the program can be done as a complete drama or in reader’s theater format. The program length is approximately 45 minutes.
$7.99
The Shelling
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Luis Bernal
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Luis Bernal
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The Shelling
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Luis Bernal
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1019813 Composed by Luis Bernal. Arranged by Luis Bernal. Contemporary,Film/TV,Patriotic,Video Game. Score and parts....
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Brass Ensemble - Level 4 - SKU: A0.1019813 Composed by Luis Bernal. Arranged by Luis Bernal. Contemporary,Film/TV,Patriotic,Video Game. Score and parts. 14 pages. Luis Bernal #5725875. Published by Luis Bernal (A0.1019813). Inspired in the script: 1. Act 1: The slaughter Oradour-sur-Glane, France, June 1944. Having been informed that a Waffen-SS commander has been captured by local members of the Resistance, an SS Panzer battalion is sent to the small village of Oradour in an alleged search for the kidnapped officer and Partisans’ weapons. At two o'clock on Saturday 10th, the midday calm is shattered by the appearance of German troops led by Major Diekmann at the southeastern entrance to the village. Soon after, all seven hundred villagers are assembled on the fairground. Women and children are herded and locked into the church, whereas men are marched in groups to nearby barns and crammed inside. While the village is being plundered, all men are machine-gunned by soldiers, and then the barns are set alight. A smoke bomb sets the church on fire too, and women and children trying to escape through the windows are mowed down as they make it outside. Marguerite is wounded on her way out, but she manages to hide in the bushes and stays there overnight until she is finally rescued the next afternoon. Then, she will face the aftermath: few of her fellow villagers have survived the slaughter… (Alfons Conde)
$7.99
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Voix Soprano, Piano
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AVANCÉ
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Opera
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Classique
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réch
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse...
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Soprano voice,Vocal Solo - Level 5 - SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
12. Ubhejane the Rhino
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Louise du Toit
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Louise du Toit
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12. Ubhejane the Rhino
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Louise du Toit
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #...
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Piano Solo - Level 4 - SKU: A0.1138739 By Louise du Toit. By Louise du Toit. Arranged by Louise du Toit. Contemporary. Score. 10 pages. Louise du Toit #739041. Published by Louise du Toit (A0.1138739). Ubhejane the Rhino is the twelfth in a series of fifteen original contemporary compositions for piano, titled 15 Animal Compositions for Piano and created to musically describe the movement and habits of specific wildlife creatures. From music notes to words: Ubhejane the rhino is fuming. A born fire-fighter, he is used to stamping out small fires with his huge feet, protecting his natural surroundings from careless humans who often leave their camping sites without extinguishing the campfires. Today he picked up the infuriating scent of black smoke from a fire in nearby Umfolozi and upon reaching the camp where the blaze is rapidly growing bigger, he storms right through it, angrily snorting while extinguishing the flames on his way. After running around in beautiful Zululand, he finally comes to rest at a waterhole where he quenches his thirst among a herd of waterbucks before wallowing in a mud pit to cool off. When the wind carries the smell of a female rhinoceros towards him, he runs off again in search of some company. On top of his back sits a small parasite bird, clinging to his thick, leathery skin and listening to the grunts, snorts and snuffs of the two white rhinos as they prepare their lunch, grasping and pulling plants from the ground..
$4.99
A Storm is Gathering PVG
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Piano, Voix
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INTERMÉDIAIRE
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Steven H
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Ashley Ivers
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A Storm is Gathering PVG
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Boothe Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4...
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Piano,Vocal,Voice - Level 3 - SKU: A0.983990 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop. Score. 7 pages. Boothe Publishing #4360789. Published by Boothe Publishing (A0.983990). 1st Kings 19: Verses 11 & 12When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$3.99
A Storm is Gathering Piano Vocal Performance
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Voc
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Boothe Publishing
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SheetMusicPlus
Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publi...
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Piano,Voice - SKU: A0.1069968 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Full Performance. Duration 236. Boothe Publishing #4633697. Published by Boothe Publishing (A0.1069968). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
A Storm is Gathering Piano Minus Vocal
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Piano seul
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Steven H
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Ashley Ivers
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A Storm is Gathering Piano Min
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Boothe Publishing
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SheetMusicPlus
Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #46...
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Piano - SKU: A0.1069947 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Christian,Pop,Sacred. Accompaniment. Duration 236. Boothe Publishing #4632021. Published by Boothe Publishing (A0.1069947). 1st Kings 19: Verses 11 & 12 When Elijah the Prophet of God killed all the false prophets of King Ahab and Queen Jezebel, the Queen promised to kill him by sundown the next day. He fled for his life and ran for 40 days and 40 nights all the way to Mount Horeb, the mount of God. When he arrived, the Lord asked him what he was doing there. When he explained it to the Lord, the Lord told him to go stand out upon the mountain before Him. And behold the Lord passed by and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord; But the Lord was not in the wind: And after the wind an earthquake; But the Lord was not in the earthquake: And after the earthquake a fire; But the Lord was not in the fire: And after the fire a still small voice. God wasn't in the mighty wind. God wasn't in the terrible earthquake. God wasn't in the fire. God was the still small voice. That is where I can find Him still. That is what makes me responsible for my actions. I have the still small voice telling me what is right and what is wrong. It is called, the light of Christ. It is revelation from God. I can try to drown it out and pretend I don't hear it. However, pretending doesn't alter the fact that God's still small voice is always there for those who will listen.
$1.99
Firebird Suite
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Igor Stravinsky
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Rob Bushnell
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Firebird Suite
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RBMusic
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Century,Classical,C...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.752437 Composed by Igor Stravinsky. Arranged by Rob Bushnell. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 12 pages. RBMusic #6294559. Published by RBMusic (A0.752437). The Firebird suite, by Russian-born composer Igor Stravinsky, is based on his 1910 ballet of the same name. It, in turn, is based on the Russian fairy tales of the Firebird and the blessing/curse it possesses for anyone who owns it. The ballet premiered at Opéra de Paris as part of Sergei Diaghilev's Ballets Russes company and was an immediate successful, bringing Stravinsky international fame. The ballet tells the story of the journey of Prince Ivan. He strays into the realm of the evil Koschei, whose immortality is preserved by keeping his soul in a magic egg. Ivan is about to kill the Firebird but is spared. As a token of thanks, she offers him a feather that can be used to summon her should Ivan be in dire need. Prince Ivan then meets princesses who are under Koschei’s spell, falling in love with one of them. After confronting the magician, Koschei sends his minions after Ivan, who summons the Firebird. She intervenes and bewitches the monsters. Exhausted, the creatures and Koschei then fall into a deep sleep. Ivan is then directed by the Firebird to the egg containing Koschei's soul, which Ivan destroys, freeing all those under his spell. Ivan and the princesses celebrate their victory. The music features in Disney’s Fantasia 2000. This arrangement of The Princesses’ Round Dance is for piano trio (violin, violoncello and piano). Great as background music or as a concert item in its own right. A recording of the music from the original soundtrack can be found on YouTube: https://www.youtube.com/watch?v=4U5xhOISyvA. Other searchable terms: L'Oiseau de feu, Жар-птица, The Princesses’ Round Dance, Rondo, Khorovod, Suite 1919, 1919 Version, Ronde, Khorovode, РОÐДО, ХОРОВОД, ПРИÐЦЕСС, ЛЮКС 1919 Г., ВЕРСИЯ 1919 Г., Rise of the Guardians, New York Philharmonic Young People's Concerts
$12.99
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
The Cowboy Waltz
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Orchestre à Cordes
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DÉBUTANT
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Ron Flintjer
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The Cowboy Waltz
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Ron Flintjer
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Publi...
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String Orchestra - Level 1 - SKU: A0.1153136 Composed by Ron Flintjer. Folk,Historic,Traditional. Score and Parts. 10 pages. Ron Flintjer #753377. Published by Ron Flintjer (A0.1153136). It's the end of a long day in the Old West. The cowboys have unsaddled their horses, lit the campfire, and can't wait for grub to be served! After chow, they lay on their bedrolls, reminiscing about their hometowns, their adventures, and maybe the gal they left behind. When it's time to settle in for the night, they watch the clear skies above and maybe point out a shooting star or two. Then it's time for sleep, before another hard day on the trail arrives too soon. Written it 3/4 time, The Cowboy Waltz is a relaxing, comfortable piece for Beginning String Orchestra. Watch out! You might just catch some of your audience snoozing - along with the cowboys - afterwards! This chart has three part harmony, as the second violin and viola play the same part as do the cello and string bass. Your first violin is on his or her own!
$14.00
Together We Are One
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Delta Goodrem
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Timothy Allen
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Together We Are One
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Timothy Allen Music Ltd
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.566037 By Delta Goodrem. By Brian McFadden, Delta Goodrem, and Guy Chambers. Arranged by Timothy Allen. Contempo...
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Choral Choir (SATB) - Level 4 - SKU: A0.566037 By Delta Goodrem. By Brian McFadden, Delta Goodrem, and Guy Chambers. Arranged by Timothy Allen. Contemporary,Pop. Octavo. 12 pages. Timothy Allen Music Ltd #175439. Published by Timothy Allen Music Ltd (A0.566037). Although this song is less well-known, it is an absolute powerhouse anthem for choirs. Originally written for the Commonwealth Games, the message of unity and support is hugely relevant to choirs, and the strong melodies will rapidly become lodged in singers' brains. There is an epic quality to the song, and this is brought out in this arrangement, as it builds to a momentous key-change. After the fireworks and bombast, everything boils down to a simple statement of the key phrase from the song - Together we are one. The backing track and learning tracks are available via www.timothyallenmusic.co.uk.
$2.49
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
After the Love Has Gone (arr. Paul Murtha) (24-Piece Digital Pack)
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Fanfare
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INTERMÉDIAIRE/AVANCÉ
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Soul/R&B
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Rock
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Earth Wind and Fire
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Paul Murtha and Will Rapp
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After the Love Has Gone
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Hal Leonard - Digital
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SheetMusicPlus
Marching Band - Level 4 - SKU: HX.463335 By Earth Wind and Fire. Arranged by Paul Murtha and Will Rapp. This edition: scorch. Jazz,Pop,Rock. 1 pages. Ha...
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Marching Band - Level 4 - SKU: HX.463335 By Earth Wind and Fire. Arranged by Paul Murtha and Will Rapp. This edition: scorch. Jazz,Pop,Rock. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.463335).
Digital Pack includes
:
After the Love Has Gone (arr. Paul Murtha) - Full Score
After the Love Has Gone (arr. Paul Murtha) - Bb Clarinet
After the Love Has Gone (arr. Paul Murtha) - Eb Alto Sax
After the Love Has Gone (arr. Paul Murtha) - Flute/Piccolo
After the Love Has Gone (arr. Paul Murtha) - Eb Baritone Sax
After the Love Has Gone (arr. Paul Murtha) - Bb Tenor Sax
After the Love Has Gone (arr. Paul Murtha) - 3rd Bb Trumpet
After the Love Has Gone (arr. Paul Murtha) - 1st Bb Trumpet
After the Love Has Gone (arr. Paul Murtha) - 2nd Bb Trumpet
After the Love Has Gone (arr. Paul Murtha) - 2nd Trombone
After the Love Has Gone (arr. Paul Murtha) - 1st Trombone
After the Love Has Gone (arr. Paul Murtha) - Baritone B.C.
After the Love Has Gone (arr. Paul Murtha) - Bb Horn/Flugelhorn
After the Love Has Gone (arr. Paul Murtha) - F Horn
After the Love Has Gone (arr. Paul Murtha) - Baritone T.C.
After the Love Has Gone (arr. Paul Murtha) - Tuba
After the Love Has Gone (arr. Paul Murtha) - Bells/Vibes
After the Love Has Gone (arr. Paul Murtha) - Snare Drum
After the Love Has Gone (arr. Paul Murtha) - Electric Bass
After the Love Has Gone (arr. Paul Murtha) - Xylophone
After the Love Has Gone (arr. Paul Murtha) - Quad Toms
After the Love Has Gone (arr. Paul Murtha) - Cymbals
After the Love Has Gone (arr. Paul Murtha) - Aux Percussion
After the Love Has Gone (arr. Paul Murtha) - Multiple Bass Drums
$65.00
Saints and Fireworks: The Music of Gordon Mizzi, Volume Two
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Guitare
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INTERMÉDIAIRE
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Classique
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Gordon Mizzi
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Saints and Fireworks: The Musi
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music ...
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Guitar (all) - Intermediate - SKU: M0.22170EB Composed by Gordon Mizzi. Adult Contemporary. Classic. E-book. Mel Bay Publications - Digital Sheet Music #22170EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22170EB). ISBN 9781619112094. 8.75x11.75 inches.This collection of the work of the Maltese composer, Gordon Mizzi, for solo guitar is being made available to the public for the first time. Saints and Fireworks, The Music of Gordon Mizzi Volume Two is the second of two albums of Gordon Mizzi's music, which are available from Mel Bay Publications. This album takes its title from the  CD, Gordon Mizzi, Saints and Fireworks that has been recorded by Carlos Bonell, one of today's most celebrated guitarists and which is available from Spearhead Music. The individual track recordings are also available as downloads from itunes, amazon.com and other sites.This album contains a diverse collection of original works as well as transcriptions of Renaissance and Maltese folk music by Gordon Mizzi. The Branles de Malte by Jean d'Estr+¬e were originally composed by the French Knights of St. John in Malta in 1551 for the Dauphin of France. Gordon Mizzi has made guitar transcriptions of these five dances and this is the first time that they are being published. The Branles de Malte by Adrian Le Roy are also included. There are a number of original compositions. Saints and Fireworks, a piece in two movements, vividly represents Malta's village festas. Island Scenes are six musical portraits of towns and villages dotting the landscape of Malta.They include Valletta- Barrakka Gardens, San Giljan-After the Feast, Mdina- Citt+á Notabile, the dreamy Comino-The Blue Lagoon, Sliema- The Tower, and the pulsatingly brash Paceville -Sin City. Three Love Poems : Hula, Lahaina and Hana are influences from Hawaii. There are also two cradle songs Child Don't Cry and Ninna Nanna as well as folk inspired melodies such as Night Crossing and il- Maltija. The guitarist will find a veritable pot pourri of scents and sounds in this album.
$17.99
Forever Anew (from "Rising from the Ashes: Stories of Lahaina")
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Chorale SATB
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INTERMÉDIAIRE
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Christopher Alexander
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Forever Anew
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Christopher Alexander
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SheetMusicPlus
Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1510473 By Christopher Alexander. By Cameron Henry and Christopher Alexander. A Cappella,Contest,F...
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Choral Choir,Choral (SATB Chorus) - Level 3 - SKU: A0.1510473 By Christopher Alexander. By Cameron Henry and Christopher Alexander. A Cappella,Contest,Festival,Multicultural,World. 12 pages. Christopher Alexander #1085670. Published by Christopher Alexander (A0.1510473). This is the second movement from the extended choral work Rising from the Ashes: Stories of Lahaina.After the horrific Maui wildfires, many residents of Lahaina (like many of us after a devastating event) became distraught and hopeless that their homeland was destroyed. This prayer gives solemness to this moment in the aftermath with the wish to bring their houses and livelihoods back again. A solo opportunity with an accompanying aleatoric choir creates a unique sound illustration that will astound your audience in performance. A closing statement gives renewed hope for a better tomorrow.Full score and other movements (On That Night, Finding Strength in Shadows, Kama'aina) also available for purchase.
$2.99
The Medieval Castle: A Composition for Small or Beginner Harp
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Harpe
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DÉBUTANT
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Rachael Acheson
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The Medieval Castle: A Composi
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TheHarpLibrarian
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SheetMusicPlus
Lever Harp - Level 1 - SKU: A0.1468124 Composed by Rachael Acheson. Celtic,Irish,Medieval,New Age,Renaissance,Video Game. Score. 3 pages. TheHarpLibrari...
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Lever Harp - Level 1 - SKU: A0.1468124 Composed by Rachael Acheson. Celtic,Irish,Medieval,New Age,Renaissance,Video Game. Score. 3 pages. TheHarpLibrarian #1046434. Published by TheHarpLibrarian (A0.1468124). This is an original composition for small or beginner harp. I wrote it on a 26-string lap harp, but the range (from the C below middle C to the C above middle C) would fit a harp as small as 22 strings. It is written in A minor, with no sharps, flats, or other lever changes. As such, this piece should be playable on pretty much any standard small or lap harp, regardless of whether it has levers.Suggested harp models include Harpsicle Harps, Dusty Strings Ravenna 26, Musicmakers Sonnet 29, Fireside Harps, Marini Made lap harp models, Roosebeck Pakistani harps, Heartland Harps Air Serenity, Harp-E harps, and so on.The piece was composed to cheer up a fellow harpist who is still at the beginning of their harp journey. It is meant to invoke a medieval castle, and, as such, could be the perfect piece to take to a renaissance fair, an outdoor wedding, a larp-ing event, or perhaps on vacation with you, if you plan on touring any old castles with your small/lap harp in tow and trying out the acoustics.The song is appropriate for beginner harpists. You may need to practice replacing in a few places to avoid buzzing. But the piece only ever requires you to place in one direction at a time and minimizes the amount of time both hands play simultaneously. You can play it slower than I do in the recording, if you choose, and it should still sound nice.Please note that the preview cuts off after the first few measures of score. When you download your purchase, you will recieve a pdf that contains both the preview and the full score.
$5.99
The Duality of Cats
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Nathan Grocholski
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The Duality of Cats
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Nathan Grocholski
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. ...
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Brass Ensemble - Level 4 - SKU: A0.1123447 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 65 pages. Nathan Grocholski #724258. Published by Nathan Grocholski (A0.1123447). The basis of this piece was centered around the complex emotions of cats in which we observe in our every day lives. With regards to this piece especially, there were three cats that I based this composition on, and their names are Storm, Zany and Tremor. Each miniature is a representation of a certain type of emotion that each of these cats is known for expressing. The first movement is for my favorite cat, Storm, and is titled, “Precious Storm.†Going back to my earliest memories of writing songs, I re-translated an old tune that I used to sing into a brass quintet miniature and dedicated to him, for he is the best cat. The second miniature is titled, “Mouse on a String,†and is supposed to portray the same energy that one would see from a cat in chase of a toy mouse being constantly propelled around the air from one end of a string, which is one of Storm’s favorite things to do. The third movement is called “Zany the Scaredy-Cat,†which is exactly the type of cat that Zany is. Always fearful and skittish, Zany sneaks around the house to avoid human contact at all costs. The fourth movement is titled “You Stuck, Zany?†This is named after a short video clip in which Zany finds herself stuck in the fireplace and struggling to get out. Once she frees herself, she runs away as fast as she can. The fifth movement is called “Passive-Aggressive Tremor†for the final cat, Tremor. Tremor likes to instigate conflicts with the other cats, but once the tension arises, he backs away, which can also be heard within the intense build ups and anti-climatic drops within the music as well. Finally, the sixth movement is called, “King Tremor,†in which is the boldest sounding of all the pieces, for when it does come to conflict, it is usually Tremor who comes out on top, outsmarting the other two cats.
$5.00
THE PRINCE and the FIREBIRD for Baritone and instruments.
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Alan Edgar
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THE PRINCE and the FIREBIRD fo
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Alan Edgar Ted Moon
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted ...
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Chamber Orchestra - Level 3 - SKU: A0.1470457 Composed by Alan Edgar. 20th Century. 94 pages. Alan Edgar Ted Moon #1048177. Published by Alan Edgar Ted Moon (A0.1470457). The PRINCE & the FIREBIRD: Baritone, with String Quartet, optional Flute, Oboe, Clarinet, Bassoon, Horn, Double Bass. My version of the Slavic fairy tale which exists in many forms. Ogor, an immortal, evil Czar-wizard, stole children, pretended they were his princes and princesses but controlled and punished them with spells. He sent our hero Prince Ivan to capture the firebird which had been pecking at the Castle's golden apples. He faced many challenges, but he was helped by a wolf who turns out to be Princess Lenka under a spell. When the firebird was captured, it made a deal with Ivan and with its magic helped him deal with the Czar. Ivan, Lenka and the Kingdom are happy ever after.I attempted to create an exotic sound-world by using throughout the Hungarian Gypsy scale.
$32.00
Weekend in the Country
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Piano seul
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AVANCÉ
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Classique
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Aaryn S
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Weekend in the Country
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Abundant Silence
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1188487 Composed by Aaryn S. Ricucci-Hill. Classical. Score. 35 pages. Abundant Silence #788093. Published by Abundant Si...
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Piano Solo - Level 5 - SKU: A0.1188487 Composed by Aaryn S. Ricucci-Hill. Classical. Score. 35 pages. Abundant Silence #788093. Published by Abundant Silence (A0.1188487). Weekend in the Country, by Aaryn S. Ricucci-HillFor Solo Piano, Advanced, 35 PagesWeekend in the Country (2020) started out as a set of three or four miniatures aimed at depicting a trip home to Troy, MO for Ricucci-Hill. Then, as lockdowns swept the nation, it became a much bigger project. The seven movements of this piece depict various aspects of a weekend with the family: breakfast, a party, a fire, a walk in the woods. The piece follows the structure of a day stretched over a weekend. Perhaps one afternoon there will be a party, but the next day a walk in the woods? In Weekend, Ricucci-Hill also shows their playful side in including various musical quotations from Bach to drinking songs to Pergolesi. In all, it's a love letter to a mood, a state of being, only felt when there are no responsibilities but to enjoy your time home.
$28.00
In the Waters Shimmering
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Quatuor de Flûtes : 4 flûtes
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Daniel Baldwin
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In the Waters Shimmering
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF188 Composed by Daniel Baldwin. Score and Parts. 16 pages. Imagine Music - Digital #IMF188. Published by Imagine Music - Digital (IZ.IMF188). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$12.00
Within the Flame
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Quatuor de Flûtes : 4 flûtes
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Daniel Baldwin
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Within the Flame
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF187 Composed by Daniel Baldwin. Score and Parts. 24 pages. Imagine Music - Digital #IMF187. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF187 Composed by Daniel Baldwin. Score and Parts. 24 pages. Imagine Music - Digital #IMF187. Published by Imagine Music - Digital (IZ.IMF187). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$16.00
To the Land Beyond
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Quatuor de Flûtes : 4 flûtes
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Daniel Baldwin
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To the Land Beyond
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Imagine Music - Digital
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SheetMusicPlus
Flute quartet - SKU: IZ.IMF186 Composed by Daniel Baldwin. Score and Parts. 32 pages. Imagine Music - Digital #IMF186. Published by Imagine Music - Digi...
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Flute quartet - SKU: IZ.IMF186 Composed by Daniel Baldwin. Score and Parts. 32 pages. Imagine Music - Digital #IMF186. Published by Imagine Music - Digital (IZ.IMF186). 9 x 12 in inches.Centuries ago, the elements (earth, water, wind, fire) were proposed to explain the nature and complexity of all matter. It was believe that all of existence sprang from these elements. This quartet in four movements is a music depiction of this philosophical idea long since rejected by modern science.Of Wind and Wings begins with rapid-fire rhythmic chord progressions that lead into a kaleidoscope of colors. Each part is featured at some point. Of Wind and Wings portrays the beauty of what it must be like to soar across the skies and feel the wind beneath your wings.Within the Flame is a soulful representation of the fire element. After an opening chorale depicting a look into a small, calm flame, the movement takes off with the flames reaching ever higher and higher. The movement ends as it began, with a calm, soulful chorale.In the Waters Shimmering looks directly into the shimmering reflection of the sunlight in water. A beautiful lyrical theme is passed around the quartet surrounded by various chorales and duets. One last lovely chorale moment brings the movement to its conclusion.To the Land Beyond, a depiction of the earth element, is full of sparking flourishes and rhythmic interest. This movement is a joyous celebration of nature, life, and all its beauty.Originally written as four individual pieces, but always intended to be a set, The Elements can be performed as individual movements or can be performed as a full four movement presentation.
$20.00
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After the Fire
