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Aftermath Chamber Music
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Vous avez sélectionné:
Aftermath Chamber Music
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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Aftermath Chamber Music
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Orchestre de chambre
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INTERMÉDIAIRE
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Ronald J
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Aftermath Chamber Music
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Ronald J Karle
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.907708 Composed by Ronald J. Karle. Instructional,Sacred,Standards. Score and parts. 35 pages. Ronald J Karle #363...
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Chamber Orchestra - Level 3 - SKU: A0.907708 Composed by Ronald J. Karle. Instructional,Sacred,Standards. Score and parts. 35 pages. Ronald J Karle #3637907. Published by Ronald J Karle (A0.907708).
$3.95
The Aftermath
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Danny Elfman
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Patrick Sheehan
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rock selections
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The Aftermath
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Patrick Sheehan
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SheetMusicPlus
Level 4 - SKU: A0.1271616 By Danny Elfman. By Danny Elfman, Deborah Lurie, and Mark Isham. Arranged by Patrick Sheehan. Film/TV,Holiday. 45 pages. Patri...
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Level 4 - SKU: A0.1271616 By Danny Elfman. By Danny Elfman, Deborah Lurie, and Mark Isham. Arranged by Patrick Sheehan. Film/TV,Holiday. 45 pages. Patrick Sheehan #864005. Published by Patrick Sheehan (A0.1271616). Transcribed from the soundtrack of the 1989 Geffen Company film “Beetlejuiceâ€INSTRUMENTATION: Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Marimba, Harp, Piano, Violin IA, Violin IIA, Violin IB, Violin IIB, Viola, Cello, ContrabassABOUT THE ARRANGER:  Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections.  His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music.  For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$25.00
Waco: The Aftermath - Main Title Theme
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Piano Facile
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DÉBUTANT
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John Grush and Taylor Stewart
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SCMusic
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Waco: The Aftermath - Main Tit
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SCMusic
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1288844 Composed by John Grush and Taylor Stewart. Arranged by SCMusic. Chamber,Contemporary,Film/TV,Thriller. Score. 2 p...
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Easy Piano - Level 1 - SKU: A0.1288844 Composed by John Grush and Taylor Stewart. Arranged by SCMusic. Chamber,Contemporary,Film/TV,Thriller. Score. 2 pages. SCMusic #879697. Published by SCMusic (A0.1288844). An easy piano version of the title theme from the Showtime Premiere Series 'Waco: The Aftermath'.
$4.99
Waco: The Aftermath - Main Title Theme
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Piano seul
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INTERMÉDIAIRE
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Film/TV
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John Grush and Taylor Stewar
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SCMusic
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Waco: The Aftermath - Main Tit
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SCMusic
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SheetMusicPlus
Composed by John Grush and Taylor Stewart. Arranged by SCMusic. Chamber,Classical,Film/TV,Thri ller. Score. 2 pages. SCMusic #879690. Published by SCMu...
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Composed by John Grush and Taylor Stewart. Arranged by SCMusic. Chamber,Classical,Film/TV,Thri ller. Score. 2 pages. SCMusic #879690. Published by SCMusic
$4.99
Aftermath
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James Bersey
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Aftermath
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James Bersey
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SheetMusicPlus
Double Bass,Oboe,Piano,Voice - Level 3 - SKU: A0.1223167 Composed by James Bersey. 20th Century,Chamber,Contemporary. 24 pages. James Bersey #819374. Pu...
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Double Bass,Oboe,Piano,Voice - Level 3 - SKU: A0.1223167 Composed by James Bersey. 20th Century,Chamber,Contemporary. 24 pages. James Bersey #819374. Published by James Bersey (A0.1223167). This is a musical setting of Longfellow's poem Aftermathwhich depicts the cycle of life through the seasons.Includes:Full score Vocal piano scoreOboe partDouble Bass part
$2.00
All Will Be Well--Full score and Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Text: Mary Peters / Music: Tra
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Lyndell Leatherman
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All Will Be Well--Full score a
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Leatherman Music Services
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.829318 Composed by Text: Mary Peters / Music: Traditional Welsh Tune. Arranged by Lyndell Leatherman. Contemporary...
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Chamber Orchestra - Level 3 - SKU: A0.829318 Composed by Text: Mary Peters / Music: Traditional Welsh Tune. Arranged by Lyndell Leatherman. Contemporary. Score and parts. 36 pages. Leatherman Music Services #5732433. Published by Leatherman Music Services (A0.829318). All Will Be Well – the well-loved hymn of comfort and hope which is the basis for this new choral arrangement – is appropriate for church use almost year-round, but would be especially poignant in the midst of the 2020 Pandemic or its aftermath.
$24.99
Opera Scenes for Women
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Piano, Voix
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INTERMÉDIAIRE/AVANCÉ
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Philip Seward
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Opera Scenes for Women
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Music Anon
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SheetMusicPlus
Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages....
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Piano,Vocal,Voice - Level 4 - SKU: A0.1353635 Composed by Philip Seward. 21st Century,Broadway,Chamber,Contemporary,Musical/Show,Opera. Score. 79 pages. Music Anon #938378. Published by Music Anon (A0.1353635). Music by Philip Seward • Libretti by Joan Mazzonelli & Philip SewardThis volume offers four scenes for women singers for use in opera scene study and performance. There are a wide range of characters represented and various musical styles. The first is from High Fidelity which has been adapted from Anton Chekhov’s The Bear and George Bernard Shaw’s How He Lied to Her Husband. There are also references to Wolfgang Amadeus Mozart’s Cosà fan tutte later in the score. In this opening scene, Aurora Wentworth is practicing the mourning she believes society expects of her while her cousin, Georgina, from Milwaukee arrives to spice up the summer morning.The second scene from Dorabella’s Daughters finds Anabella trapped in a woodsman’s cottage the day after her wedding. The opera opens at the wedding reception for her stepsister Cinderella where Annabella is particularly spiteful. In a fury, she marries the next man who walks in the room — as it happens,  a woodsman — or so she thinks. In this scene she is mourning her fate. Her younger sister, Brendella comes to visit and the two are joined later by their very happy stepsister, Cinderella.The third scene from The Passion of John presents three women with their own perspectives on Jesus in this stylized presentation of the Gospel of John. The first singer offers the perspective of the gospel, the second presents a firsthand narrative of the Samaritan woman and the third is the woman who was accused of adultery. All three are accompanied by a women’s choral ensemble, flute, classical guitar and cello.The final scene in this collection comes from The Proposal. The opera is composed as two loosely joined acts where the first is sung by four women and the second by three men. The action concerns the aftermath of a proposal of marriage where the woman, Eve, asks for time to consider. The unexpected response sends Sam into a bit of a tailspin. In this scene, from the end of the first act Eve is arguing with three versions of herself in the middle of the night: the romantic, the maternal and the one focused on career. The scene opens right after Eve-Romantic has just waxed poetic about the perfect fairytale romance.
$45.00
Toasting Mother Earth
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Piano, Voix
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AVANCÉ
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Ross Fiddes
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dependent, fragile offspring
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Toasting Mother Earth
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Ross Fiddes
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1255098 Composed by Ross Fiddes. 21st Century,Chamber,Classical,Contemporary. Score. 25 pages. Ross Fiddes #848692. Published by Ross Fiddes (A0.1255098). It was in the aftermath of the 2020 summer bushfires in Australia that soprano Ayse Goknur Shanala rang me from Cyprus to suggest I compose a work about climate change, a subject of concern for me.  My research for lyrics did not elicit anything I considered suitable, so I turned to Derek Dowding, a local poet, singer, actor, raconteur, and a person vitally interested in the future of humanity and of the planet.Derek and I had worked together before – he brilliantly performed the role of Abelard in the workshopping and concert performances of my hybrid opera “Abelard and Heloiseâ€, which, in 1997, won the supreme CONDA (City of Newcastle Drama Award)  for ‘Outstanding Achievement in Newcastle Theatre’ against some 200 other stage productions in Newcastle’s bi-centenary year.Derek worked long and late on the lyrics for the work, producing an emotional document covering history, cause and effect.  His words produced musical responses from me which I consider react appropriately to both his words and the subject matter. I hope our listeners will agree.For the musical treatment I had to consider that the length of the work, through-sung, 20+ minutes, required a recurrent grounding to avoid too many thematic ideas getting in the way of the words.  To that end, I created a quasi-reflective section which appears, rondo-style, quite a few times during the length of the piece.  And, for further cohesion, I built an ABA (ternary) section early to address certain word structures.  Mostly, the various sections followed the stanza structure provided by Derek, with some combinations.  My musical style is essentially melodic, but with dramatic and other episodes, be they tonal, astringent, harmonically indecisive and so on.  In building the work I was principally influenced by the impact and flow of the words.The work is quite mammoth for both the singer and the pianist.  I was absolutely delighted that Anna Fraser again premiered a work of mine – in 2015 she marvellously premiered another major composition of mine, reviewed here:  http://soundslikesydney.com.au/reviews/concert-review-the-man-in-the-other-roomacacia-quartetanna-fraser/19830.htmlWe can only hope that the new work ultimately adds to the chorus of warnings and concern about the climactic future that awaits if we continue to ignore or postpone dramatic and urgent attention to addressing the causes of climate change.A living orb cloaked white and blue and greenRevolving and evolving, tight-hugged in orbit flightWe ride her back; dependent, fragile offspring.Suckling all the while …but have we bonded?A world unlike any other world we’ve seenGifted with Water, Air, Earth and perfect Light.The essentials of life. Freely, these gifts she brings.Free for all but how have we responded?                                   Poem© 2020 Derek DowdingRoss FiddesJanuary 2023.
$35.00
Written in the Stars
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sally Whitwell
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Written in the Stars
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1157142 Composed by Sally Whitwell. Classical,Contemporary. Octavo. 15 pages. Sally Whitwell #757469. Published by Sally Whitwell (A0.1157142). Written in the Stars -- text and music by Sally Whitwell Written in the Stars was originally conceived in the aftermath of the 2019-2020 bushfire season, the most destructive Australia has yet seen. At the time, we thought things couldn’t get worse, but then followed more extreme weather events, insect and rodent plagues, and a deadly pandemic that brought the world to its knees. All these things are connected, the result of humanity’s exploitative relationship with the planet and its other inhabitants. But we continue to deny the problems and to fail to act. As a species, in our more optimistic moments, we talk about having great opportunities to reinvent, that to live the status quo means that we will be faced with an untenable future. Talking about it is one thing but as far as I see it, we are not taking any opportunities to act. It is clear that we do not learn from our mistakes. As Spanish American writer George Santayana once said “Those who cannot remember the past are condemned to repeat it.†It is from this notion that this song was born. Written in the Stars is about society’s propensity to go through cycles of behaviour, never learning from the mistakes of the past. Written in the Stars was originally commissioned by Adelaide Chamber Singers, directed by Carl Crossin. Sally Whitwell January 2023.
$1.99
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Aftermath Chamber Music
