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Ukulele
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Guitare
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Guitare (partie séparée)
19
Mandoline
8
2 Guitares (duo)
8
Dulcimer
5
Banjo
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Piano, Guitare (duo)
2
Basse électrique (partie séparée)
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1
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1
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Ukulele Baryton
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VOIX
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619
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128
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89
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68
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43
Chorale
32
Voix seule
32
Voix duo, Piano
20
Voix duo
14
Voix haute
12
Voix Soprano, Piano
7
Voix, Guitare
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Chorale SSATB
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Voix moyenne, Piano
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Voix basse, Piano
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Voix Alto, Piano
2
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2
Voix basse
1
Voix Baryton, Piano
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1
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1
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1
Chorale SSAATTBB
1
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Clarinette
113
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102
Quatuor de Saxophones: 4 saxophones
98
Flûte traversière et Piano
97
Saxophone
74
Flûte, Hautbois, Clarinette, Basson
70
Saxophone Alto et Piano
70
Saxophone Alto
62
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Clarinette et Piano
43
Hautbois, Piano (duo)
42
Saxophone Tenor et Piano
42
Quatuor de Clarinettes: 4 clarinettes
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Hautbois (partie séparée)
33
Clarinette (partie séparée)
30
Saxophone Soprano et Piano
27
Saxophone Tenor
22
3 Clarinettes (trio)
19
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Saxophone Baryton, Piano
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Flute (partie séparée)
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Quatuor de Flûtes : 4 flûtes
16
2 Saxophones (duo)
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Ensemble de Clarinettes
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2 Flûtes traversières (duo)
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Cor anglais, Piano
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Clarinette Basse, Piano
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11
Ensemble de Flûtes
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Flûte et Guitare
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Quintette de Clarinettes: 5 clarinettes
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6
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6
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Hautbois, Basson (duo)
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4
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4
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Saxophone Soprano
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3
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Quatuor de Flûtes à bec
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Hautbois
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Harmonica
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Saxophone Baryton
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Piccolo, Piano
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5 Flûtes à bec
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Ocarina
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Flûte, Violoncelle, Piano (trio)
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Hautbois, Flûte
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Clarinette et Alto
1
Flûte à bec, Guitare (duo)
1
Saxophone et violoncelle
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3 Hautbois
1
Cor Anglais
1
Flûte, Violoncelle
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Saxophone et Guitare
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Clarinette Basse
1
Hautbois, Violoncelle
1
Flûte à Bec, Piano
1
Hautbois, Guitare (duo)
1
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CUIVRES
Trompette
93
Trombone
70
Trompette (partie séparée)
64
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
63
Trombone (partie séparée)
56
Quatuor de Cuivres : 2 trompettes, trombone, tuba
54
Trompette, Piano
49
Trombone et Piano
39
Cor
37
Cor et Piano
31
Euphonium, Piano (duo)
26
Quatuor de Cuivres
21
Cor (partie séparée)
21
Tuba
20
Ensemble de Trombones
17
Tuba (partie séparée)
15
Cor anglais, Piano
13
Tuba et Piano
13
Bass Clef Instruments
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Instruments en Sib
6
Quatuor de cuivres: 4 trombones
6
Quatuor de cuivres: 4 cors
5
Euphonium
4
2 Trombones (duo)
3
2 Cors (duo)
3
Trio de Cuivres
2
2 Trompettes (duo)
2
Trompette, Tuba (duo)
2
Cor et Harpe
2
Trombone basse
1
Trompette, Trombone (duo)
1
Ensemble de Cors
1
Ensemble de Trompettes
1
Euphonium, Tuba (duo)
1
Cor, Violoncelle (duo)
1
3 Euphoniums
1
Cor, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Trompette, Cor (duo)
1
Trombone, Tuba (duo)
1
Cor Anglais
1
Trombone, Orgue
1
4 Tubas
1
2 Euphoniums et 2 Tubas
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Trombone basse et Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
198
Violon et Piano
113
Violon
104
Violoncelle, Piano
58
Harpe
51
Violoncelle (partie séparée)
50
Alto, Piano
47
Violon (partie séparée)
38
2 Violoncelles (duo)
34
Alto (partie séparée)
32
Contrebasse (partie séparée)
32
Violoncelle
31
Alto seul
31
2 Harpes (duo)
23
Violon, Violoncelle (duo)
22
2 Violons (duo)
17
Trio à Cordes: violon, alto, violoncelle
16
Contre Basse
15
Violon, Alto (duo)
11
Contrebasse, Piano (duo)
9
Trio à Cordes: 2 violons, violoncelle
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Harpe, Voix
6
2 Altos (duo)
5
Trio à Cordes: 2 violons, alto
4
Alto, Violoncelle (duo)
4
Trio à cordes: 3 violins
3
Violon, Guitare (duo)
3
Harpe (partie séparée)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Violon (duo)
3
Trio à Cordes: 3 violoncelles
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
2 Violons, Piano
1
Harpe, Flûte (duo)
1
Alto et Harpe
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Ensemble de Violoncelles
1
Trio à cordes: 3 altos
1
Harpe et Piano
1
Ensemble de Violons
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Ensemble d'Altos
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orgue
1
Trio à cordes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
471
Orchestre
137
Batterie
85
Orchestre à Cordes
79
Ensemble Jazz
74
Ensemble de cuivres
69
Cloches
57
Jazz combo
31
Percussion (partie séparée)
30
Batterie (partie séparée)
27
Orchestre de chambre
26
Fanfare
15
Ensemble de Percussions
11
Xylophone, Piano
5
Vibraphone
4
Percussion
3
Marimba
2
Timbales (partie séparée)
1
Quatuor à Vent : 4 instruments à vents
1
Quintette de Cuivres: autres combinaisons
1
Big band
1
Caisse Claire
1
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AUTRES
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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, âAve Maris Stellaâ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â as both an important American composer and a significantcontributor to Americaâs contemporary musical life.The workâs basic source material is the plainchant Ave maris stella (âHail, star of the seaâ) âappropriate because of Duquesneâs standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâs tone â becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as âan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â as in a pentimento.At various points, one can begin to hear the original plainchant âpeek outâ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâbeginningâ â as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked âsinister.â After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâbeginningâ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâstransformations, and âmotetâ sections â using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
24.22 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually âexpandedoutwardâ â moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the workâs basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively â changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked âSlow, suspended.â Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening â but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive â consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices â representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda â with a sense ofunfettered joy.
$38.95
36.35 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Pearl (Downloadable Choral Score)
Orchestre de chambre
SSA choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.56-0040-E
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SSA choir and piano or chamber orchestra - Medium - Digital Download SKU: MQ.56-0040-E Composed by Howard Goodall. 15 pages. MorningStar Music Publishers - Digital Sheet Music #56-0040-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.56-0040-E). English.This George Herbert text is set for SSA voices and piano. The text is a veiled description of Herbertâs relationship to God as paramount and beyond price. The pearl is a symbol for something sought but not easily found. The poet describes key pursuits in life (learning, honor, pleasure) and concludes âYet I love thee.â Again and again the comparison is made between earthly and heavenly things, and the author concludes that the ultimate goal is âto climbe to thee.â There are various solo and small group opportunities marked in the music as well as âtutti choirsâ and âmassed voices.â Yet the music is not complex and is suitable for a variety of situations and ensembles.
$3.35
3.13 €
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Orchestre de chambre
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Howard Goodall
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The Pearl
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program NoteâDreamsâ is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Islandâs Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the âheartbeatâ played by the bass drum and timpani, then a more âstressfulâ section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a âorientalâ style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
149.33 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Concerto No.3 for Violin and Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.882393 Composed by David Che…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.882393 Composed by David Chesky. Contemporary,Jewish. Score and parts. 218 pages. Pamaluc Music #18835. Published by Pamaluc Music (A0.882393). From the composers Joy and Sorrow album. This three movement concerto uses the language of Eastern European Klezmer. The first movement is a lively and filled with virtuoso lines. The second movement is slow and haunting. The last movement once again is the classic virtuoso violin concerto at a very up tempo marking. Duration 18.00 min 1perc./ clar. / trpt. strings.
$34.98
32.65 €
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Orchestre de chambre
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David Chesky
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Concerto No.3 for Violin and Orchestra
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Pamaluc Music
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ËhændÉÓl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] â 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
28 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Ãlysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée DâOrsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at LâOpéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You canât beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozartâs Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 ⦠City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Ãlysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
9.32 €
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Orchestre de chambre
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Thomas Oboe Lee
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Symphony No. 8 ... City of Light
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Thomas Oboe Lee
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SheetMusicPlus
Christmas Eve 10PM for piccolo and chamber group
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Sha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.
$10.00
9.33 €
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Orchestre de chambre
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Nancy Shafer Rohar
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Christmas Eve 10PM for piccolo and chamber group
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Nancy Shafer Rohar
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
28 €
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Orchestre de chambre
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
A Love From Dusk
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1025294 Composed by Justine …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1025294 Composed by Justine Paolo C. Buenbrazo. Concert,Contemporary,Rock,Wedding. Score and parts. 22 pages. Justine Paolo C. Buenbrazo #4621205. Published by Justine Paolo C. Buenbrazo (A0.1025294). a story of two lovers who met again after a psychological adversity.
$22.00
20.53 €
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Orchestre de chambre
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Justine Paolo C
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A Love From Dusk
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Justine Paolo C. Buenbrazo
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SheetMusicPlus
(i'm Gonna) Love Me Again
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.624109 By Elton John And Tar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.624109 By Elton John And Taron Egerton. By Bernie Taupin and Elton John. Arranged by Stephen DeCesare. Contemporary. Score and parts. 25 pages. Exultet Music #4628457. Published by Exultet Music (A0.624109). The original single by Elton John that he sang with Taron Egerton from his 2019 musical biographical film: ROCKETMAN, has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello), optional Bb-Trumpet, and Piano accompaniment. Accessible and appropriate for any school or concert setting.
$12.99
12.12 €
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Orchestre de chambre
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Elton John And Taron Egerton
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Stephen DeCesare
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(i'm Gonna) Love Me Again
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Exultet Music
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SheetMusicPlus
The Hunt
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco E…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope yâall enjoy playing it as much as I did composing it.Donât forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
9.32 €
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Orchestre de chambre
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Serenade Rondo (2013) for violin solo and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 ⦠The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
9.32 €
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Orchestre de chambre
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.33 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score Only
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.8 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.8 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.8 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org:Â SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fireâan act of defiance against the pagan king Loegaire (fifth century)âled to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint. Â Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
70 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
ADAGIO from Brandenburg Concerto No. 1, BWV 1046
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597335 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Concert,Easter,Wedding. Score and parts. 19 pages. Flavio Regis Cunha #5722177. Published by Flavio Regis Cunha (A0.597335). The adagio of Brandenburg 1 features an obligato oboe and violino piccolo. They contrast each other, but play the same melody line, albeit simultaneously upon its recapitulation. The bass line picks up the melody, creating a dark tone, competing against the sighing oboes and strings. The hunting horns are silent, waiting to burst out after a climactic final dominant chord. The continuo used is the Neue Bach Ausgabe realization.
$8.49
7.92 €
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Orchestre de chambre
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Johann Sebastian Bach
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Flavio Regis Cunha
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ADAGIO from Brandenburg Concerto No. 1, BWV 1046
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Flavio Regis Cunha
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SheetMusicPlus
Entre le boeuf et l'âne gris
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.732092 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.732092 Composed by Traditional French. Arranged by Thomas Quigley. Christian,Christmas,Concert,Sacred. Score and parts. 43 pages. Thomas Quigley #4847221. Published by Thomas Quigley (A0.732092). For professional, amateur or student orchestras, this is indeed a fine arrangement. Against lush, rich, sensitive harmonies, the beautiful melody soars sweetly. The simplicity of the instrumental parts-mainly choral in style- enhances and enriches the overall effect. A truly high quality arrangement-perfect for a Christmas concert!
$45.00
42 €
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Orchestre de chambre
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Traditional French
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Thomas Quigley
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Entre le boeuf et l'âne gris
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Thomas Quigley
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SheetMusicPlus
First Noel - Prelude in G
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.829205 Composed by Cornish F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.829205 Composed by Cornish Folk Song, Bach. Arranged by Stefanie Fife. Baroque,Christmas,Classical,Sacred,Standards. Score and parts. 16 pages. Stefanie Fife #4968331. Published by Stefanie Fife (A0.829205). An elegant and charming mash-up up of the beloved Christmas carol, First Noel, set against the famous Bach Prelude in G for solo cello. Perfect for holiday parties, church services and concerts. .
$8.99
8.39 €
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Orchestre de chambre
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Cornish Folk Song, Bach
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Stefanie Fife
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First Noel - Prelude in G
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Stefanie Fife
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SheetMusicPlus
Deck the Halls in Winter
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.829210 Composed by Vivaldi, …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.829210 Composed by Vivaldi, Traditional. Arranged by Stefanie Fife. Baroque,Christmas,Classical,Sacred,Standards. Score and parts. 9 pages. Stefanie Fife #4968353. Published by Stefanie Fife (A0.829210). A wintery wonderful arrangement of Deck the Halls set against the slow movement of Vivaldi's Winter. Lowered to the key of D Major. Perfect for holiday parties, church services and concerts.
$8.99
8.39 €
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Orchestre de chambre
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Vivaldi, Traditional
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Stefanie Fife
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Deck the Halls in Winter
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Stefanie Fife
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SheetMusicPlus
Catherine's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.866478 Composed by Catherine…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.866478 Composed by Catherine Crawley. 20th Century,Concert,Romantic Period,Standards. Score and parts. 4 pages. Catherine Crawley #3134273. Published by Catherine Crawley (A0.866478). This is a delicate piano solo with optional flute and strings written in the key of G major with two against three rhythmic patterns, use of rubato and rich melodic phrases intended for the late intermediate pianist.
$5.50
5.13 €
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Orchestre de chambre
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Catherine Crawley
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Catherine's Dance
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Catherine Crawley
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SheetMusicPlus
Ever Forward
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber O…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last âJoeâ. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99
13.99 €
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Orchestre de chambre
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Trinity Chamber Orchestra of Bethesda, Maryland
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Ever Forward
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Elizabeth Ann Davis
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SheetMusicPlus
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