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Ah, Paris!
Partitions à imprimer
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1
Ah mio cor ( Extract from Aria Antiche Vol.1 )
Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1355488
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Acoustic Guitar,Instrumental Duet,Voice - Level 4 - Digital Download SKU: A0.1355488 By Alessandro Parisotti. By Giorgio Federico Händel. Arranged by Terry Carpenter. Baroque. 17 pages. Terry Carpenter #940211. Published by Terry Carpenter (A0.1355488). For Voice and classical guitarTranscription for classical guitar of a lyrical aria extract from volume one of the famous Aria Antiche by Alessandro Parisotti. I have added a tablature of the guitar part and the chords. Thus, no need for a piano: you can sing and accompany yourself on the beach or near the campfire! If the guitar part seems sometimes difficult, play the chords - it works! I suggest you to play it at a lower tempo than Parisotti's tempo. Notice that Parisotti's version is in G minor and the orchestral version is in B minor, sounds great for strings. The guitar part is quite tricky : Handel's chiselled writing made the transcription for guitar a delicate affair, and I had to reverse sometimes melodic lines to to respect the constraint I set myself of transcribing in first position on the neck of the guitar, which makes it easier to read.Listen to The Arts Florissants orchestral version of Alcina (Opera de Paris) to get the right feeling, on the YouTube link belowOn the pdf, you will find the score, the voice part, the guitar part and a guitar and tablature part.The mp3 was made by musical software.Contact: carpentermusic@yahoo.com.
$4.99
4.54 €
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Alessandro Parisotti
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Terry Carpenter
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Ah mio cor
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Terry Carpenter
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SheetMusicPlus
12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for Clarinet Trio
3 Clarinettes (trio)
Clarinet Solo - Digital Download SKU: A0.778029 Composed by Wolfgang Amadeus Mozart…
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Clarinet Solo - Digital Download SKU: A0.778029 Composed by Wolfgang Amadeus Mozart. Arranged by Kamada, Mikio. Classical. Individual part. 25 pages. ACORDO Sheet Music #5722561. Published by ACORDO Sheet Music (A0.778029). This lovely piece was composed around 1781 in Paris. The theme Ah vous dirai-je, Maman is a French folk song which was very popular in Paris at that time. The title is the first phrase of the lyrics and dose not summarize the story. It is a love song. Nowadays, the other lyrics Twinkle, Twinkle Little Star is very popular, however, it appeared after Wozart's death.
$12.00
10.93 €
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3 Clarinettes (trio)
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Wolfgang Amadeus Mozart
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Kamada, Mikio
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12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for Clarinet Trio
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ACORDO Sheet Music
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SheetMusicPlus
12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for 2 Violins & Cello
Trio à Cordes: 2 violons, violoncelle
String Trio - Level 3 - Digital Download SKU: A0.1165765 Composed by Wolfgang Amade…
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String Trio - Level 3 - Digital Download SKU: A0.1165765 Composed by Wolfgang Amadeus Mozart. Arranged by Mikio Kamada. Chamber,Christmas,Classical. 25 pages. ACORDO Sheet Music #765751. Published by ACORDO Sheet Music (A0.1165765). This lovely piece was composed around 1781 in Paris. The theme Ah vous dirai-je, Maman is a French folk song which was very popular in Paris at that time. The title is the first phrase of the lyrics and dose not summarize the story. It is a love song. Nowadays, the other lyrics Twinkle, Twinkle Little Star is very popular, however, it appeared after Wozart's death.
$12.00
10.93 €
#
Trio à Cordes: 2 violons, violoncelle
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Wolfgang Amadeus Mozart
#
Mikio Kamada
#
12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for 2 Violins & Cello
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ACORDO Sheet Music
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SheetMusicPlus
12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for 2 Violins & Viola
String Trio - Level 3 - Digital Download SKU: A0.1165764 Composed by Wolfgang Amade…
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String Trio - Level 3 - Digital Download SKU: A0.1165764 Composed by Wolfgang Amadeus Mozart. Arranged by Miko Kamada. Chamber,Christmas,Classical. 25 pages. ACORDO Sheet Music #765742. Published by ACORDO Sheet Music (A0.1165764). This lovely piece was composed around 1781 in Paris. The theme Ah vous dirai-je, Maman is a French folk song which was very popular in Paris at that time. The title is the first phrase of the lyrics and dose not summarize the story. It is a love song. Nowadays, the other lyrics Twinkle, Twinkle Little Star is very popular, however, it appeared after Wozart's death.
$12.00
10.93 €
#
Wolfgang Amadeus Mozart
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Miko Kamada
#
12 Variations in C major KV265(300e) on the theme of "Ah vous dirai-je, Maman" for 2 Violins & Viola
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ACORDO Sheet Music
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SheetMusicPlus
Ah, vous dirai-je, Maman (variations on Twinkle, Twinkle, Little Star) (clarinet quartet version)
Quatuor de Clarinettes: 4 clarinettes
Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - Digital Download SKU: A0.7…
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Woodwind Ensemble,Woodwind Quartet Bass Clarinet - Level 4 - Digital Download SKU: A0.764666 Composed by Wolfgang Amadeus Mozart. Arranged by James Pybus. Classical. 50 pages. James Pybus #238457. Published by James Pybus (A0.764666). Ah! vous dirai-je, maman is a popular children’s song in France, which has had numerous lyrics on different themes since its composition in the 18th century. Mozart was inspired to write a set of 12 variations for piano on this theme sometime between 1781 and 1782 after an earlier stay in Paris in 1778. Many songs in various languages have been based on the Ah! vous dirai-je,maman melody. In English, Twinkle, Twinkle, Little Star, the Alphabet Song, and Baa, Baa, Black Sheep are all based on this melody. The melody also inspired the song What a Wonderful World. This arrangement written in August 2015 is for Clarinet Quartet (3 soprano clarinets and 1 bass clarinet). Each voice has its own interests and challenges. Duration: ca 14:00 You may contact me at james.pybus56@gmail.com.
$18.00
16.39 €
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Quatuor de Clarinettes: 4 clarinettes
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Wolfgang Amadeus Mozart
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James Pybus
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Ah, vous dirai-je, Maman
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James Pybus
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SheetMusicPlus
Ah! je sens que mon coeur
Voix haute
High Voice,Vocal Solo - Digital Download SKU: A0.1326572 Composed by Joseph Chabanc…
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High Voice,Vocal Solo - Digital Download SKU: A0.1326572 Composed by Joseph Chabanceau de La Barre. Arranged by Early Music Scores. Baroque. 2 pages. Early Music Scores #914720. Published by Early Music Scores (A0.1326572). Voice and continuoComposed by Joseph Chabanceau de La Barre (1633-1678). From Airs à deux parties, avec les seconds couplets en diminution... Publication : Paris : R. Ballard, 1669. Edited by Felipe Dias. 2 pages.
$6.99
6.36 €
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Voix haute
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Joseph Chabanceau de La Barre
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Early Music Scores
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Ah! je sens que mon coeur
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Early Music Scores
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SheetMusicPlus
Ah, Paris! (from Follies)
Piano, Voix
This edition: scorch. Broadway, Musical/Show. Score. 5 pages. Hal Leonard #7503. Pub…
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This edition: scorch. Broadway, Musical/Show. Score. 5 pages. Hal Leonard #7503. Published by Hal Leonard
$4.99
4.54 €
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Piano, Voix
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Ah, Paris!
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Hal Leonard
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SheetMusicPlus
Piano Praise and Worship #3
Piano seul
Piano SKU: HL.8738375 Arr. Fred Bock. Arranged by Fred Bock. Piano Solos. Fr…
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Piano SKU: HL.8738375 Arr. Fred Bock. Arranged by Fred Bock. Piano Solos. Fred Bock Publications. General Worship, Sacred. 40 pages. Fred Bock Music Company #BG0950. Published by Fred Bock Music Company (HL.8738375). ISBN 9781934596210. UPC: 073999383751. 9.0x12.0x0.109 inches.This collection of the newest CCLI choruses is sure to be a hot item. Titles include: Lord, I Life Your Name on High * More Precious Than Silver * Change My Heart, O God * Let There Be Praise! * Thy Word * Spirit Song * The Lord Is My Light * I Love the Lord * Ah, Lord God * and more.
Song List: Change My Heart, O God (Eddie Espinosa) He Who Began A Good Work in You (Jon Mohr) How Beautiful (Twila Paris) I Love the Lord (Richard Smallwood) It's A Happy Day (Gary Pfeiffer) Let There Be Praise! (Melodie & Dick Tunney) Lord, I Lift Your Name On High (Rick Founds) The Lord Is My Light (Pauline Michael Mills) My Desire (Lillian Plankenhorn) Spirit Song (John Wimber) There Is A Redeemer (Melody Green) Thy Word (Amy Grant & Michael W. Smith) We Are an Offering (Dwight Liles)
Song List
: Change My Heart, O God (Eddie Espinosa) He Who Began A Good Work in You (Jon Mohr) How Beautiful (Twila Paris) I Love the Lord (Richard Smallwood) It's A Happy Day (Gary Pfeiffer) Let There Be Praise! (Melodie & Dick Tunney) Lord, I Lift Your Name On High (Rick Founds) The Lord Is My Light (Pauline Michael Mills) My Desire (Lillian Plankenhorn) Spirit Song (John Wimber) There Is A Redeemer (Melody Green) Thy Word (Amy Grant & Michael W. Smith) We Are an Offering (Dwight Liles)
$12.95
11.79 €
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Piano seul
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Fred Bock
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Piano Praise and Worship #3
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Fred Bock Music Company
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SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
Flûte traversière et Piano
Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed …
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Flute,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.532807 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period. Score and individual part. 21 pages. Musik Fabrik Music Publishing #36919. Published by Musik Fabrik Music Publishing (A0.532807). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.52 €
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Flûte traversière et Piano
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Jules Demersseman
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Paul Wehage
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Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for flute and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533354 Composed by Ali Ben Sou Alle, Gioachino Rossini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #2363209. Published by Musik Fabrik Music Publishing (A0.533354). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Fantaisie sur Le Barbier de Séville begins with the Count's 1st act cavatina Ecco ridente in cielà This is followed by a seriesof variations sur Rosina's Cabaletta Io sono docile. The second act finale Fredda ed immobile is then presented in a number of variations. Finally, the second part of the Count and Figaros first act duo (Ah che d'amore) brings the work to a brilliant finish.
$19.95
18.17 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Gioachino Rossini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur le Barbier de Séville de Rossin for alto saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Be…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95
15.43 €
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Saxophone Alto et Piano
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Ali Ben Sou Alle, Vincenzo Bellini
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
Hautbois, Piano (duo)
Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532…
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Instrumental Duet Instrumental Duet,Oboe,Piano - Level 3 - Digital Download SKU: A0.532808 Composed by Jules Demersseman. Arranged by Paul Wehage. Romantic Period,Standards. Score and parts. 21 pages. Musik Fabrik Music Publishing #36921. Published by Musik Fabrik Music Publishing (A0.532808). Jules Demersseman was born on January 9, 1833 in Hondschoote, a small town in the north of France now near the border of Belgium. He entered the Paris Conservatory in 1844 in the class of Jean-Louis Tulou and won a first prize in flute in 1845. Demersseman had a career as a pedogogue and soloist, often performing his own compositions. A close friend of Adolphe Sax, he wrote some of the first works ever written for the saxophone, as well as for the saxhorn and for Sax‘s valved trombone, most of which were published by Sax himself.. Demersseman died in Paris on December 1, 1866 at the age of 33. The work is in the form of a Cavatina and Cabaletta, a vocal aria form used in Bel Canto operas during the life of Demersseman. In this form, a slow, expressive and ornamented melody (the cavatina), usually with solo cadenzas is followed by a faster, usually more dramatic but equally florid section (the cabaletta). Famous examples of this form include the aria Una voce poco fa in Rossini’s Il barbiere di Siviglia and Casta diva ... Ah! bello a me ritorno in Bellini‘s, Norma. It is important to listen to vocal performances in this style, especially in performing the solo cadenzas, which (in spite of the notation) are not necessarily meant to be performed as virtuoso effects., but rather as a means of displaying expression and beautiful tone. The piano part, obviously written to be quickly readable for a conservatory accompanist, has been modified to provide a fuller sound for the concert hall. If the work is used for examinations, these doublings may be changed back to single notes, if desired. Other dynamics, articulations, and expressive marks, absent in the first edition, have been added.
$11.55
10.52 €
#
Hautbois, Piano (duo)
#
Jules Demersseman
#
Paul Wehage
#
Jules Demersseman : Deuxième Solo : Cavatina et Cabaletta for oboe and piano
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Too Much For Our Thirst (Trombone and Piano)
Trombone et Piano
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexa…
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99
9.1 €
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Trombone et Piano
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Juliette's Waltz - Pedal Score & Parts
2 Harpes (duo)
Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.8038…
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Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803874 Composed by Charles Francois Gounod. Arranged by Serena O’Meara. Classical,Opera,Romantic Period,Standards,Wedding. Score and parts. 16 pages. O'Meara Music #5318401. Published by O'Meara Music (A0.803874). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her. The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams. This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.
$8.00
7.28 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O’Meara
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Juliette's Waltz - Pedal Score & Parts
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O'Meara Music
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SheetMusicPlus
Juliette's Waltz - Lever Harp II
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803875 Composed b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803875 Composed by Charles Francois Gounod. Arranged by Serena O’Meara. Classical,Opera,Romantic Period,Standards,Wedding. 5 pages. O'Meara Music #5318393. Published by O'Meara Music (A0.803875). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her.  The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams.  This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.
$5.00
4.55 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O’Meara
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Juliette's Waltz - Lever Harp II
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O'Meara Music
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SheetMusicPlus
Juliette's Waltz - Lever Harp I
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803873 Composed b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803873 Composed by Charles Francois Gounod. Arranged by Serena O’Meara. Classical,Opera,Romantic Period,Standards,Wedding. 5 pages. O'Meara Music #5318389. Published by O'Meara Music (A0.803873). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her.  The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams.  This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.Â
$5.00
4.55 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O’Meara
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Juliette's Waltz - Lever Harp I
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O'Meara Music
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SheetMusicPlus
Juliette's Waltz - Lever Harp Score & Parts
2 Harpes (duo)
Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803872 Composed b…
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Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803872 Composed by Charles Francois Gounod. Arranged by Serena O’Meara. Classical,Opera,Romantic Period,Standards,Wedding. 16 pages. O'Meara Music #5318385. Published by O'Meara Music (A0.803872). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her.  The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams.  This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.Â
$8.00
7.28 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O’Meara
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Juliette's Waltz - Lever Harp Score & Parts
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O'Meara Music
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SheetMusicPlus
Juliette's Waltz - Pedal Harp II
2 Harpes (duo)
Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.8038…
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Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803877 Composed by Charles Francois Gounod. Arranged by Serena O'Meara. Classical,Opera,Romantic Period,Standards,Wedding. Score and parts. 5 pages. O'Meara Music #5318411. Published by O'Meara Music (A0.803877). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her. The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams. This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.
$5.00
4.55 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O'Meara
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Juliette's Waltz - Pedal Harp II
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O'Meara Music
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SheetMusicPlus
Juliette's Waltz - Pedal Harp I
2 Harpes (duo)
Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.8038…
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Instrumental Duet Folk Harp,Instrumental Duet - Level 4 - Digital Download SKU: A0.803876 Composed by Charles Francois Gounod. Arranged by Serena O’Meara. Classical,Opera,Romantic Period,Standards,Wedding. Score and parts. 5 pages. O'Meara Music #5318405. Published by O'Meara Music (A0.803876). The premier of Charles Gounod’s new five act Opera, Romeo et Juliette, was in Paris on April 27, 1867.  It was an immediate success. In the first act, Juliette’s Nanny encourages her to marry the man her Father has chosen for her. Juliette responds with this famous arietta – singing of her hopes and dreams for her life and of the love she hopes to find. Romeo overhears her singing and falls in love with her. The original French title is Ah! Je Veux Vivre. Another English title to the arietta is Daydreams.  This uplifting arrangement has both pedal and lever harp versions that may be performed together. They only differ in the pedal/lever markings and occasional grace or harmony notes. There are numerous pedal and lever changes. The dynamics are clearly marked.
$5.00
4.55 €
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2 Harpes (duo)
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Charles Francois Gounod
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Serena O’Meara
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Juliette's Waltz - Pedal Harp I
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O'Meara Music
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SheetMusicPlus
Stephen Sondheim: Ah, Paris! (from Follies) - voice & piano
Piano, Voix
Instantly printable sheet music by Stephen Sondheim for voice & piano of MEDIUM skill …
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Instantly printable sheet music by Stephen Sondheim for voice & piano of MEDIUM skill level. / musical/show,broadway
$5.97
5.44 €
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Piano, Voix
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Stephen Sondheim
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Virtualsheetmusic
Selected Operatic Fantasies of Mertz
Guitare
By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published b…
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By Johann Kaspar Mertz (1806-1856). For Guitar (Classical). Classic. 56 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.ISBN 9781609743260. This collection is drawn from the Portefeuille Guitarre-Spieler series and is intended for intermediate to advanced guitarists.The works in this collection:Fantasy on themes from Don Giovanni, Op. 28Don Giovanni has long been famous among enthusiasts of fretted instruments for Mozart's sublime use of the mandolin in Don Juans' aria Deh, vieni alla finestra. Mertz himself took note of Mozart's 'mandolin serenade' for he employed as a catalyst a brief quote of the mandolin introduction in his Op. 28 for a modulatory transition based upon the theme. Mertz also included a simple arrangement of the aria as number 76 in his Kukuk, a 'musical panorama' of 136 short pieces.Martha, Op. 16Martha, oder Der Markt zu Richmond by German composer Friedrich Flotow (1812-1883) was first produced in Vienna in 1847. In the second act of Martha Flotow incorporates 'Tis the Last Rose of Summer (Qui sola, verginrosa), a traditional Irish melody to which the poet Thomas Moore wrote lyrics. It was one of the most popular songs of the nineteenth century. In addition to Beethoven, Mendelssohn, and Thalberg, guitar composers to produce works based upon the famous song include Giuliani, Ferranti, Holland, and Foden. Preceding Ah! che a voi perdoni Iddio in his Op. 16, Mertz quotes a brief passage from his Elegie.The Prophet, Op. 21Giacomo Meyerbeer was the leading composer of French grand opera during Mertz's professional career. Following studies in Italy, the German composer was chiefly active in Paris and Berlin, although he traveled Europe extensively producing his operas. Le prophete premiered in Paris in 1849 after a long delay due to casting problems. Mertz's Op. 21 was published shortly thereafter.Nabucco, Op. 62 and Rigoletto, Op. 63Giuseppe Verdi's first major triumph as an opera composer was with the biblical opera Nabucodonosor (more commonly known as Nabucco). The opera was premiered in Milan in 1842 and its subsequent revivals throughout Europe spread Verdi?s fame at an astounding rate. Consequently, Verdi was commissioned to compose 14 operas in the following decade. Among these operas was Rigoletto, first produced in Venice in 1851. Mertz frequently turned to the music of Verdi for his operatic fantasies, producing no fewer than four distinct works based on themes from Rigoletto alone.
$14.99
13.65 €
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Guitare
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Johann Kaspar Mertz
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Selected Operatic Fantasies of Mertz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
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