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Ain't-a That Good News - 2-Part
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Vous avez sélectionné:
Ain't-a That Good News - 2-Part
Partitions à imprimer
11 partitions trouvées
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1
Ain't-a That Good, Good News!
Chorus - Digital Download SKU: AX.00-PO-0003630 Ain't-a That Good, Good News! - …
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Chorus - Digital Download SKU: AX.00-PO-0003630 Ain't-a That Good, Good News! - 3-Part Mixed. Arranged by Sally K. Albrecht. Secular Choral. 11 pages. Alfred Music - Digital Sheet Music #00-PO-0003630. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0003630). UPC: 038081511207.Three favorite spirituals are cleverly combined in this mini-medley. Call-and-response arranging makes for memorable interplay between voices, eventually leading to an innovative mash-up. Staging suggestions found on Step One! and at alfred.com/video. Fresh and fun!Recorded Acc. Available.
$1.90
1.75 €
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Sally K
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Ain't-a That Good, Good News!
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ain't Got Time to Die (Ain-a That Good News?)
Chorale 3 parties
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-179…
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-17947 Arranged by Philip Kern. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred Church Choral Series. Ascension; Sacred; Spiritual; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-17947. Published by Jubilate Music Group - Digital (JX.00-17947). English. 1 Corinthians 15:20-28; Matthew 25:31-46; Ezekiel 34:11-24; Psalm 23.Ain't Got Time to Die (Ain-a That Good News?) is an inventive pairing of two very popular spirituals, Ain't Got Time to Die and Ain't That Good News. Arranged by Philip Kern, Ain't Got Time to Die (Ain-a That Good News?) opens slowly with a grand, dramatic statement, then quickly shifts into a bright swing feel (be careful to swing the eighth notes!). Lively call-and-response in the voices and a playful accompaniment make this a joy to prepare and sing.
$2.25
2.07 €
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Chorale 3 parties
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Philip Kern
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Choral Octavo
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Ain't Got Time to Die
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Jubilate Music Group - Digital
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SheetMusicPlus
Anonymous: Ain't-a That Good, Good News! - choir (3-Part Mixed)
Chorale
Instantly printable sheet music by Anonymous for choir (3-Part Mixed) of MEDIUM skill leve…
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Instantly printable sheet music by Anonymous for choir (3-Part Mixed) of MEDIUM skill level. / secular choral
$5.88
5.42 €
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Chorale
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Anonymous
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Virtualsheetmusic
Deep River - Orchestra Score and Parts
Orchestre
Full Orchestra, Instrumental Parts - Digital Download SKU: LX.30-3623H Arranged by …
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Full Orchestra, Instrumental Parts - Digital Download SKU: LX.30-3623H Arranged by Mark Hayes. Spiritual. Orchestra Score and Parts. 49 pages. Heritage Music Press - Digital #e30/3623H. Published by Heritage Music Press - Digital (LX.30-3623H). Rich choral textures and a warm harmonic palette enhance the emotion and audience appeal of this popular spiritual arrangement. There are a few short sections with divisi, but singers should find the vocal parts quite easy and enjoyable to learn. Program Ainâ??t That Good News (15/3606H) to follow this title for an extended performance option.
$69.95
64.49 €
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Orchestre
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Mark Hayes
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Deep River - Orchestra Score and Parts
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Heritage Music Press - Digital
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SheetMusicPlus
The Raft of the Medusa
Orchestre d'harmonie
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and P…
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
55.31 €
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Orchestre d'harmonie
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Deep River
Chorale SATB
SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3607H
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SATB choir, Piano (With Optional Full Orchestra) - Digital Download SKU: LX.15-3607H Arranged by Mark Hayes. Spiritual. Octavo. 12 pages. Heritage Music Press #e15/3607H. Published by Heritage Music Press (LX.15-3607H). ISBN 9780787762599.Rich choral textures and a warm harmonic palette enhance the emotion and audience appeal of this popular spiritual arrangement. There are a few short sections with divisi, but singers should find the vocal parts quite easy and enjoyable to learn. Program Ain’t That Good News (15/3606H) to follow this title for an extended performance option.
$2.50
2.3 €
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Chorale SATB
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Mark Hayes
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Deep River
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Heritage Music Press
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SheetMusicPlus
alt.Callahans Reel
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Cel…
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Piano Solo - Level 4 - Digital Download SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50
6.91 €
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Piano seul
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Moro Lasso
Ensemble de cuivres
Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arrang…
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Brass Ensemble - Digital Download SKU: A0.999423 Composed by Carlo Gesualso. Arranged by Eric Wilson. Concert,Renaissance. Score and parts. 14 pages. Woodrow Edition #5798361. Published by Woodrow Edition (A0.999423). Carlo Gesualdo, Prince of Venosa, Musician and Murderer! That’s not a news headline (though it would be quite a good one) but the title of a book by composer Peter Warlock which I read avidly after first encountering the Italian composer in a lecture at the University of Liverpool in the 1980s. We were studying the Italian madrigal, which was not really my thing until our lecturer threw Moro Lasso into the mix. Its opening chords seemed so incongruous – unlike anything we had heard – and are as striking today as they must have been in 1611 when first published in Gesualdo’s 6th Book of Madrigals.More or less immediately after that lecture I arranged the piece for the Seras Brass Quintet which I had helped form. In those days the brass quintet repertoire was limited, and certainly didn’t include anything by Gesualdo!The arrangement really benefits from a church-like acoustic where you can make the most of the dramatic built-in silences. The tuba part lies quite high and is very playable on a trombone if need be. Even to modern ears there are some strange sounds and I trust that all the ‘wrong’ notes are Gesualdo’s rather than mine – do let me know if you think otherwise!
$9.95
9.17 €
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Ensemble de cuivres
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Carlo Gesualso
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Eric Wilson
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Moro Lasso
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Woodrow Edition
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SheetMusicPlus
Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone et Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.27 €
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Trombone et Piano
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Cherry Classics Music
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John, W
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
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