English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Alberto Costa
Non classifié
2
Piano & claviers
Piano seul
6
Guitares
Voix
Chorale SATB
1
Vents
Cuivres
Trombone et Piano
1
Cordes
Orchestre & Percussions
Orchestre d'harmonie
1
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
2
Partitions Numériques
11
Librairie Musicale
10
Matériel de Musique
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Alberto Costa
Partitions à imprimer
11 partitions trouvées
<
1
Canto da Saudade - Alberto Costa
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Double Bass,Euphonium,Fl…
(+)
Large Ensemble Alto Saxophone,Baritone Saxophone,Bassoon,Clarinet,Double Bass,Euphonium,Flute,Horn,Oboe,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Vibraphone,Voice - Digital Download SKU: A0.967514 Composed by Aberto Costa. Arranged by Gilson Silva. 20th Century. Score and parts. 45 pages. Gilson Silva #6620481. Published by Gilson Silva (A0.967514).
$26.00
23.97 €
#
Aberto Costa
#
Gilson Silva
#
Canto da Saudade - Alberto Costa
#
Gilson Silva
#
SheetMusicPlus
Quiéreme. Canción por Mario Jaime y Alberto De Acosta.
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.958768 Composed by Mario Jaime y Al…
(+)
Piano Solo - Level 2 - Digital Download SKU: A0.958768 Composed by Mario Jaime y Alberto De Acosta. Arranged by Juan Carlos Cortés A. Concert,Holiday,Love,Standards,Traditional,World. Score. 2 pages. Juan Carlos Cortés Aguirre #6513497. Published by Juan Carlos Cortés Aguirre (A0.958768). Transcripción para pequeño conjunto instrumental (Flauta, ViolÃn I y II, Piano y Contrabajo) por:JUAN CARLOS CORTÉS A.Basado en la versión vocalizada por el tenor colombiano VÃctor Hugo Ayala, con arreglo musical y acompañamiento instrumental raelizado por el conjunto del maestro Jaime Llano González. Del Autor Mario Jaime y compositor Alberto De Acosta, no existe información relevante o reseñas biográficas que pueda informar de sus actividades musicales.Jaime Llano González, organista, compositor y arreglista, nacido en Titiribà departamento de Antioquia el 5 de julio de 1932; fallecido en Bogotá, el 6 de noviembre de 2017.VÃctor Hugo Ayala, tenor lÃrico nacido en Bogotá, el 13 de junio de 1934.
$7.99
7.37 €
#
Piano seul
#
Mario Jaime y Alberto De Acosta
#
Juan Carlos Cortés A
#
Quiéreme. Canción por Mario Jaime y Alberto De Acosta.
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Dos dedos. Tango por: Lionel Félix Corbalán (Carlos Acosta)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.958788 Composed by Lionel Félix …
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.958788 Composed by Lionel Félix Corbalán (Carlos Acosta). Arranged by Juan Carlos Cortés A. 20th Century,Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6872661. Published by Juan Carlos Cortés Aguirre (A0.958788). Transcripción para Piano Solo por:JUAN CARLOS CORTÉS A.Basado en la versión grabada por la orquesta de Juan D´Arienzo con la voz de Alberto Echagüe.DOS DEDOSLetra y música: Carlos Acosta (Lionel Félix Corbalán)Grabado por la orquesta de Juan D´Arienzo con la voz de Alberto Echagüe.INTRODUCCIÓN:Te apodaron el dos dedos de purrete,Porque dicen los muchachos que al nacer, de inmediato rechazás…Ese chupete… Con dos dedos, te supiste entretener.Mi consejo es no confiar en este coso, Que también puede afanar a tu mujer,Si es capaz de sacarle a un circo un oso,Y batirte, que lo hace sin querer.¡Dos dedos!... Sos junao por el taquero, no sos un simple ratero,Sos un punga, que valés... Y dicen...Que hasta tiemblan las vitrolas, porque sacás las chirolas,Por las ranuras que ves. ¡Dos dedos!, Sos el rey de los afanos,si te cortaran las manos, Vos afanás con los pies...¡Huy, qué clase...! Tenés pa´ tirar la lanza, si con dos dedos te alcanza,¿Para qué querés los diez?INTERLUDIO:Has nacido con el arte del choreo Y tu record no lo pueden igualar.Porque pienso, que si esto no lo veo, Les dirÃa, que han querido exagerar.Y aunque crean que esto es pura fantasÃa, A cualquiera yo le puedo demostrar,Que este coso no se queda ya, en la vida, Si dos dedos, ha podido asegurar.
$7.99
7.37 €
#
Piano seul
#
Lionel Félix Corbalán
#
Juan Carlos Cortés A
#
Dos dedos. Tango por: Lionel Félix Corbalán
#
Juan Carlos Cortés Aguirre
#
SheetMusicPlus
Costa Rican Two-part Inventions (Invenciones ticas)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Manuel Matarrita. Neo-Classi…
(+)
Piano Solo - Intermediate - Digital Download Composed by Manuel Matarrita. Neo-Classical, Repertoire, General Instructional, World, Latin. 34 pages. Published by Manuel Matarrita
This is a collection of fifteen works for piano that usesa series of songs and dances that belong to the traditional Costa Ricanimaginary, as well as the Two-voice inventions (BWV 772-786) by JohannSebastian Bach. In a stricter sense, these pieces are parodies since they usefragments of existing works as the starting point for the creation of newcompositions. In this case it is a double parody process because they emulatenational melodies, and they are stylized in light of other compositions and musicalpatterns of the Baroque period. These inventions (understood essentially asnovel creations) do not follow a formal, harmonic or strictly scholasticcontrapuntal scheme and they are rather free reconstructions of the originalmelodies, with some fundamental features of the two-part Baroque works. As forthe thematic material, the original melodies correspond to anonymous works ofCosta Rican folklore and others whose authors are known -such as PasiónAcevedo, Rafael Chavez Torres, Julio Fonseca Alberto Gómez and Héctor Zúñiga,among others- all of them found in printed versions or sound recordings. Thetonal scheme of the compilation traces the order established by Bach in hiscollection of inventions. The purpose of the works does not go beyond offering anapproach for the pianists in training to different musical styles of theCentral European tradition from melodies of the Costa Rican own popularrepertoire.This is a collection of fifteen works for piano that usesa series of songs and dances that belong to the traditional Costa Ricanimaginary, as well as the Two-voice inventions (BWV 772-786) by JohannSebastian Bach. In a stricter sense, these pieces are parodies since they usefragments of existing works as the starting point for the creation of newcompositions. In this case it is a double parody process because they emulatenational melodies, and they are stylized in light of other compositions and musicalpatterns of the Baroque period. These inventions (understood essentially asnovel creations) do not follow a formal, harmonic or strictly scholasticcontrapuntal scheme and they are rather free reconstructions of the originalmelodies, with some fundamental features of the two-part Baroque works. As forthe thematic material, the original melodies correspond to anonymous works ofCosta Rican folklore and others whose authors are known -such as PasiónAcevedo, Rafael Chavez Torres, Julio Fonseca Alberto Gómez and Héctor Zúñiga,among others- all of them found in printed versions or sound recordings. Thetonal scheme of the compilation traces the order established by Bach in hiscollection of inventions. The purpose of the works does not go beyond offering anapproach for the pianists in training to different musical styles of theCentral European tradition from melodies of the Costa Rican own popularrepertoire.
$9.99
9.21 €
#
Piano seul
#
Manuel Matarrita
#
Costa Rican Two-part Inventions
#
Manuel Matarrita
#
SheetMusicPlus
Doric Ouverture in F for Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1032401 Composed by Alberto Costa…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1032401 Composed by Alberto Costa. Contemporary. Score and parts. 88 pages. Alberto Costa #4795993. Published by Alberto Costa (A0.1032401). Short sonata form ouverture for large concert band. Can be performed with less instruments as not all of them are essential. Single parts available on request.
$5.00
4.61 €
#
Orchestre d'harmonie
#
Alberto Costa
#
Doric Ouverture in F for Concert Band
#
Alberto Costa
#
SheetMusicPlus
E lucevan le stelle from "Tosca" (Puccini) - Cornet/Euphonium Duet and Brass Band
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
(+)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1510871 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Brass Band. 54 pages. Rob Bushnell #1086082. Published by Rob Bushnell (A0.1510871). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHY.Other searchable terms: Luciano Pavarotti.
$44.99
41.48 €
#
Giacomo Puccini
#
Rob Bushnell
#
E lucevan le stelle from "Tosca"
#
Rob Bushnell
#
SheetMusicPlus
E lucevan le stelle from "Tosca" (Puccini) - Solo Trombone or Euphonium and Piano
Trombone et Piano
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor …
(+)
B-Flat trombone,Baritone Horn BC,Baritone Horn TC/Euphonium,Instrumental Solo,Piano,Tenor Trombone,Trombone/Baritone B.C. - Level 3 - Digital Download SKU: A0.1490460 Composed by Giacomo Puccini. Arranged by Rob Bushnell. 19th Century,20th Century,Classical,Opera,Romantic Period. Score and individual part. 10 pages. Rob Bushnell #1067302. Published by Rob Bushnell (A0.1490460). Tosca is an opera in three acts by the Italian composer Giacomo Puccini. The opera is set in June 1800 in Rome, and tells the story of the Kingdom of Naples and the threat to its control of Rome by Napoleon’s invasion of Italy. Some of Puccini’s best-known arias can be found in Tosca.The opera is based on Victorien Sardou’s dramatic play of the same name (La Tosca). Puccini saw the play at least twice in 1889 and begged his publisher, Giulio Ricordi, to obtain the rights to turn it into an opera, which were secured in 1891 – although Puccini relinquished the rights to Alberto Franchetti before being recommissioned in 1895. Puccini wrote “I see in this Tosca the opera I need, with no overblown proportions, no elaborate spectacle, nor will it call for the usual excessive amount of music.” It took 4 years to write, with Puccini arguing with his librettists (Luigi Illica and Giuseppe Giacosa) and his publisher. Although the first performance was delayed by a day due to the unrest in Rome at the time, the opera was premiered on 14 January 1900 at the Teatro Costanzi in Rome. The critics reviews were indifferent, but it was an immediate success with the public. The opera is through-composed, with the different musical elements weaved from piece to piece. Puccini used the Wagner’s leitmotif concept to identity different parts of the opera.Taken from Act 3, E lucevan le stelle is sung by Cavaradossi, a painter, who has fallen for the singer Tosca. The corrupt Chief of Police, Baron Scarpia, longs for Tosca himself and, upon suspecting Cavaradossi of helping a political prisoner escape, he takes the opportunity to get rid of Cavaradossi and blackmail Tosca into being with him. The guards lead Cavaradossi to the roof of Castel Sant'Angelo, where he is told he has 1 hour to live before being executed. He asks to write a letter to Tosca, overcome by memories, he sings E lucevan le stelle (And the starts shone). It was selected by the tenor Wynne Evans as one of the most romantic songs for his top ten arias for Classic FM. He described it as “another tenor classic, both tragic and beautiful.”This arrangement (for solo euphonium and piano accompaniment) includes an alternative part for euphonium in treble clef. A recording of the original song can be found on YouTube: https://www.youtube.com/watch?v=EAqHQMX7GHYOther searchable terms: Luciano Pavarotti.
$19.99
18.43 €
#
Trombone et Piano
#
Giacomo Puccini
#
Rob Bushnell
#
E lucevan le stelle from "Tosca"
#
Rob Bushnell
#
SheetMusicPlus
Giuseppe Dogliani - Salve o Regina (1896)
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani…
(+)
Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età , come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.
$1.99
1.83 €
#
Chorale SATB
#
Giuseppe Dogliani
#
Guido Menestrina
#
prof
#
Giuseppe Dogliani - Salve o Regina
#
Guido Menestrina
#
SheetMusicPlus
Te Felicito
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1047231 By Shakira/rauw Alejandro. …
(+)
Piano Solo - Level 4 - Digital Download SKU: A0.1047231 By Shakira/rauw Alejandro. By Alberto Carlos Melendez, Andres Mauricio Acosta Echeverri, Andres Uribe Marin, Kevyn Cruz, Lenin Yorney Palacios Machado, Raul A. Ocasio, Santiago Minera Penagos, and Shakira Isabel Ripoll. Arranged by Ayoze Tornero. Contest,Festival,Latin,Pop. Score. 4 pages. Ayoze Tornero #651777. Published by Ayoze Tornero (A0.1047231). This is an intermediate arrangement of the moment song Te felicito by Shakira.
$4.99
4.6 €
#
Piano seul
#
Shakira/rauw Alejandro
#
Ayoze Tornero
#
Te Felicito
#
Ayoze Tornero
#
SheetMusicPlus
Te Felicito
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1093913 By Shakira/rauw Alejandro. …
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1093913 By Shakira/rauw Alejandro. By Alberto Carlos Melendez, Andres Mauricio Acosta Echeverri, Andres Uribe Marin, Kevyn Cruz, Lenin Yorney Palacios Machado, Raul A. Ocasio, Santiago Minera Penagos, and Shakira Isabel Ripoll. Arranged by Manuel Alejo Toledo. Latin,Pop. Score. 4 pages. M. Alejo Toledo #698009. Published by M. Alejo Toledo (A0.1093913).
$4.99
4.6 €
#
Piano seul
#
Shakira/rauw Alejandro
#
Manuel Alejo Toledo
#
Te Felicito
#
M. Alejo Toledo
#
SheetMusicPlus
Desvaríos sobre "La botijuela" (Variations on "La botijuela")
Piano seul
Piano Solo - Advanced - Digital Download Composed by Manuel Matarrita. 21st Century, …
(+)
Piano Solo - Advanced - Digital Download Composed by Manuel Matarrita. 21st Century, World, Folk, Latin. 18 pages. Published by Manuel Matarrita
Desvaríos sobre "La botijuela" - a set of variations of a Costa Rica song through Latin American dance rhythms.<br> Performance time: 13 mins aprox.<br> <br> Legend has it that the gamonales (landlords) used to keep their money in botijuelas (earthen jars) with the purpose of insuring it against the thieves. These jars were hidden in the thick walls or floors of the houses. As time went by, it so happened that the owners of the money usually forgot the place where they had hidden it and died without finding it. According to popular imagination, the soul of every person who dies having their money buried did not rest in peace until it was found. But on other occasions the owner of the money had been so greedy in life that, even after death, his spirit was still taking care of its capital, and lashed out against the person who dared to find it and take it away. To appease the spirit, it was necessary to invoke the sound of the dance "La botijuela", so that it would not take revenge and reveal the hiding place with the booty.<br> The work “Desvaríos sobre La botijuela" (Deliriums on “La Botijuela”) was inspired by this popular Costa Rican dance and legend. It is a really divertimento for solo piano, consisting of ten variations (or rather free reconstructions) of this Costa Rican folk dance. This musical theme is a danza criolla (creole dance), a rhythm that in Costa Rica is clearly related to other international dances such as habanera and contradanza. Some of the variations of this work make direct musical allusions to the style of composition of important figures of Latin American pianism, namely: Heitor Villa-Lobos, Manuel M. Ponce, Ignacio Cervantes, Astor Piazzolla, Ernesto Nazareth and Alberto Ginastera. Other variations, on the other hand, set rhythms present in the traditional musical imaginary of Costa Rica, even though they are not unique to the country. Such are the cases of rhythms such as pasillo, calypso, swing criollo (cumbia) and tambito. All these adaptations of the original theme are always made from a traditional tonal scheme. In this way, it demonstrates how a melody can be framed with extreme versatility in different rhythmic and stylistic patterns of the continent. That is why it is accurate to affirm that “Desvaríos on La botijuela" is a composition eminently Latin American.Desvaríos sobre "La botijuela" - a set of variations of a Costa Rica song through Latin American dance rhythms.<br> Performance time: 13 mins aprox.<br> <br> Legend has it that the gamonales (landlords) used to keep their money in botijuelas (earthen jars) with the purpose of insuring it against the thieves. These jars were hidden in the thick walls or floors of the houses. As time went by, it so happened that the owners of the money usually forgot the place where they had hidden it and died without finding it. According to popular imagination, the soul of every person who dies having their money buried did not rest in peace until it was found. But on other occasions the owner of the money had been so greedy in life that, even after death, his spirit was still taking care of its capital, and lashed out against the person who dared to find it and take it away. To appease the spirit, it was necessary to invoke the sound of the dance "La botijuela", so that it would not take revenge and reveal the hiding place with the booty.<br> The work “Desvaríos sobre La botijuela" (Deliriums on “La Botijuela”) was inspired by this popular Costa Rican dance and legend. It is a really divertimento for solo piano, consisting of ten variations (or rather free reconstructions) of this Costa Rican folk dance. This musical theme is a danza criolla (creole dance), a rhythm that in Costa Rica is clearly related to other international dances such as habanera and contradanza. Some of the variations of this work make direct musical allusions to the style of composition of important figures of Latin American pianism, namely: Heitor Villa-Lobos, Manuel M. Ponce, Ignacio Cervantes, Astor Piazzolla, Ernesto Nazareth and Alberto Ginastera. Other variations, on the other hand, set rhythms present in the traditional musical imaginary of Costa Rica, even though they are not unique to the country. Such are the cases of rhythms such as pasillo, calypso, swing criollo (cumbia) and tambito. All these adaptations of the original theme are always made from a traditional tonal scheme. In this way, it demonstrates how a melody can be framed with extreme versatility in different rhythmic and stylistic patterns of the continent. That is why it is accurate to affirm that “Desvaríos on La botijuela" is a composition eminently Latin American.
$10.95
10.09 €
#
Piano seul
#
Manuel Matarrita
#
Desvaríos sobre "La botijuela"
#
Manuel Matarrita
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Alberto Costa
