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Vous avez sélectionné:
Alexander Scriabin
Partitions à imprimer
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Alexander Scriabin: Prelude in Eb minor, Opus 16 for Flugelhorn and Piano, No. 4: Lento
Composed by Alexander Scriabin (1872-1915). Arranged by Giuseppe Galante. For Piano,Trumpe…
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Composed by Alexander Scriabin (1872-1915). Arranged by Giuseppe Galante. For Piano,Trumpet,Flugelhorn. Romantic Period,Post-Romantic. Intermediate. Individual Part,Score,Set of Parts. 6 pages. Published by Giuseppe Galante
$25.00
23.08 €
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Alexander Scriabin
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Giuseppe Galante
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Alexander Scriabin: Prelude in Eb minor, Opus 16 for Flugelhorn and Piano, No. 4: Lento
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Giuseppe Galante
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SheetMusicPlus
Album Leaf
Piano seul
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet…
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By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Album Leaf
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Prelude, Op. 11, No. 4
Piano seul
By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet…
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By Alexander Scriabin. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Prelude, Op. 11, No. 4
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Canon in A minor
4 Guitares (Quatuor)
Composed by Alexander Scriabin (1872-1915). Arranged by Roberto García. 20th Century, Etu…
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Composed by Alexander Scriabin (1872-1915). Arranged by Roberto García. 20th Century, Etudes and Exercises, Repertoire, Classroom, Children's Music. Score, Set of Parts. 7 pages. Published by apt4guitar (S0.111599). - Score,Set of Parts - 20th Century,Etudes and Exercises,Repertoire,Classroom,Children's Music - apt4guitar
$4.50
4.15 €
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4 Guitares (Quatuor)
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Alexander Scriabin
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Roberto García
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Canon in A minor
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apt4guitar
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SheetMusicPlus
Prelude No.2, Op.11
Piano seul
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 3 p…
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By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Prelude No.2, Op.11
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Three Preludes
Guitare notes et tablatures
Composed by Alexander Scriabin (1872-1915). Arranged by Artem Krikunov. Romantic Period. I…
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Composed by Alexander Scriabin (1872-1915). Arranged by Artem Krikunov. Romantic Period. Individual Part. 6 pages. Published by Artem Krikunov (S0.50739). - Individual Part - Romantic Period - Artem Krikunov
$4.50
4.15 €
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Guitare notes et tablatures
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Alexander Scriabin
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Artem Krikunov
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Three Preludes
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Artem Krikunov
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SheetMusicPlus
Prelude for the Left Hand
Trompette, Piano
Composed by Alexander Scriabin (1872-1915). Arranged by Brandon Ridenour. For Piano, Trump…
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Composed by Alexander Scriabin (1872-1915). Arranged by Brandon Ridenour. For Piano, Trumpet. Romantic Period. Intermediate. Piano Reduction, Solo Part. Published by Brandon Ridenour
$5.99
5.53 €
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Trompette, Piano
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Alexander Scriabin
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Brandon Ridenour
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Prelude for the Left Hand
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Brandon Ridenour
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SheetMusicPlus
Etude C-sharp minor, Op. 2/1
Piano seul
(from Morceaux, Op. 2). Composed by Alexander Scriabin (1872-1915). Edited by Wilhelm Ohme…
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(from Morceaux, Op. 2). Composed by Alexander Scriabin (1872-1915). Edited by Wilhelm Ohmen. For piano. Copyright 1987 Schott Music GmbH & Co. KG, Mainz. Published by Schott Music - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Co
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Etude C-sharp minor, Op. 2/1
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Schott Music - Digital Sheet Music
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SheetMusicPlus
Etude, Op.2 No.1
Piano seul
By Alexander Scriabin. For piano. Classical. 3 pages. Published by Hal Leonard - Digital S…
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By Alexander Scriabin. For piano. Classical. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Etude, Op.2 No.1
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Alexander Scriabin for Begginer Pianist
Piano seul
Composed by Alexander Scriabin (1872-1915). Arranged by Nicholo Dela Pena. For Piano,Piano…
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Composed by Alexander Scriabin (1872-1915). Arranged by Nicholo Dela Pena. For Piano,Piano Solo. Classical Period,Baroque Period,General Instructional. Easy/Beginner. Piano Reduction. Published by Nicholo Dela Pena
$5.00
4.62 €
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Piano seul
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Alexander Scriabin
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Nicholo Dela Pena
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Alexander Scriabin for Begginer Pianist
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Nicholo Dela Pena
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SheetMusicPlus
Prelude No.1, Op.11
Piano seul
By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 2 p…
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By Alexander Scriabin. By Alexander Scriabin (1872-1915). For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Prelude No.1, Op.11
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Prelude In D Flat Major No. 15 Op. 11
Piano seul
By Alexander Scriabin. For piano. Classical. 2 pages. Published by Hal Leonard - Digital S…
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By Alexander Scriabin. For piano. Classical. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Prelude In D Flat Major No. 15 Op. 11
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Prelude No. 5, Op. 11
Piano seul
By Alexander Scriabin. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Di…
(+)
By Alexander Scriabin. For piano. Classical. Piano. 2 pages. Published by Hal Leonard - Digital Sheet Music
$4.99
4.61 €
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Piano seul
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Alexander Scriabin
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Prelude No. 5, Op. 11
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
A mazurka by Alexander Scriabin
Piano seul
Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Centu…
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Composed by Alexander Scriabin (1872-1915). Arranged by Museus. For Piano Solo. 20th Century, Romantic Period, Classical Period, World, Folk. Intermediate. Published by PianoSheetNow
$1.99
1.84 €
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Piano seul
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Alexander Scriabin
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Museus
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A mazurka by Alexander Scriabin
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PianoSheetNow
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SheetMusicPlus
Canon piano solo by Alexander Scriabin
Piano Facile
Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. For Piano Solo. 20t…
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Composed by Alexander Scriabin (1872-1915). Arranged by PianoSheetNow. For Piano Solo. 20th Century,Romantic Period,Classical Period. Early Intermediate. Sheet Music Single. Published by PianoSheetNow
$1.99
1.84 €
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Piano Facile
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Alexander Scriabin
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PianoSheetNow
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Canon piano solo by Alexander Scriabin
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PianoSheetNow
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SheetMusicPlus
Alexander Scriabin: Etude in D# minor Op.8 No.12 instantly for piano solo
Piano seul
Instantly downloadable sheet music by Alexander Scriabin for piano solo of HIGH skill leve…
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Instantly downloadable sheet music by Alexander Scriabin for piano solo of HIGH skill level. Contents: etude in d sharp minor, opus 8, number 12, no. 12,study, studies, etudes, exercises / classical,instructional
$4.75
4.39 €
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Piano seul
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Alexander Scriabin
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Virtualsheetmusic
Alexander Scriabin: Mazurka Op.3 No.7 for piano solo
Piano seul
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill le…
(+)
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. / classical
$4.75
4.39 €
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Piano seul
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Alexander Scriabin
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Virtualsheetmusic
Alexander Scriabin: Etude in C# major Op.8 No.1 for piano solo
Piano seul
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill le…
(+)
Instantly downloadable sheet music by Alexander Scriabin for piano solo of MEDIUM skill level. Contents: etude in c sharp major,study, studies, etudes, exercises / classical,instructional
$4.75
4.39 €
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Piano seul
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Alexander Scriabin
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Virtualsheetmusic
Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
Trompette, Piano
B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexan…
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B-Flat Trumpet,Piano - Level 3 - Digital Download SKU: A0.549478 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499993. Published by jmsgu3 (A0.549478). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Trompette, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Trumpet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexande…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.549472 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499777. Published by jmsgu3 (A0.549472). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
#
Cor anglais, Piano
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Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2 for English Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
#
Euphonium, Piano (duo)
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Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander S…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Euphonium, Piano (duo)
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
Clarinette Basse, Piano
Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexand…
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Bass Clarinet,Piano - Level 3 - Digital Download SKU: A0.549476 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499849. Published by jmsgu3 (A0.549476). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
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Clarinette Basse, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Bass Clarinet & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
Basson, Piano (duo)
Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.…
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Instrumental Duet Bassoon,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.549477 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and parts. 12 pages. Jmsgu3 #3499857. Published by jmsgu3 (A0.549477). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
#
Basson, Piano (duo)
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Alexander Scriabin
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James M
#
Scriabin: Prelude Op. 11 No. 2 for Bassoon & Piano
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jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scria…
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Flute,Piano - Level 3 - Digital Download SKU: A0.549473 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499833. Published by jmsgu3 (A0.549473). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.BackgroundOp.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt.FormsLikewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality.PhilosophyScriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys.SynesthesiaHe also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. MultimediaHence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain.Modern PerformancesIn modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.42 €
#
Flûte traversière et Piano
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Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Alto Flute & Piano
#
jmsgu3
#
SheetMusicPlus
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