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--INSTRUMENTS--
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All I Do Is Win - Snare Drum
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Crtitères actifs :
All I Do Is Win - Snare Drum
Partitions à imprimer
48 partitions trouvées
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1
26
All I Do Is Win - Multiple Bass Drums
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Batterie (partie séparée)
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INTERMÉDIAIRE
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Pop musique
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DJ Khaled
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Jay Bocook
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All I Do Is Win - Multiple Bas
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Hal Leonard - Digital
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SheetMusicPlus
Marching band Multiple Bass Drums - Level 3-4 - SKU: HX.176126 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, ...
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Marching band Multiple Bass Drums - Level 3-4 - SKU: HX.176126 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.176126).
$6.00
All I Do Is Win - Cymbals
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Batterie (partie séparée)
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INTERMÉDIAIRE
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Pop musique
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DJ Khaled
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Jay Bocook
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All I Do Is Win - Cymbals
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Hal Leonard - Digital
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SheetMusicPlus
Marching band Cymbals - Level 3-4 - SKU: HX.176124 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mol...
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Marching band Cymbals - Level 3-4 - SKU: HX.176124 By DJ Khaled. By Calvin Broadus, Christopher Bridges, Johnny Mollings, Khaled M. Khaled, Leonardo Mollings, T-Pain, and William Roberts. Arranged by Jay Bocook. Pop. Individual instrument part. 1 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.176124).
$6.00
All I Do Is Dream Of You
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Jazz combo
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INTERMÉDIAIRE
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Chico Marx
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Matt Amy
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All I Do Is Dream Of You
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Matt Amy Music
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SheetMusicPlus
Jazz Combo - Level 3 - SKU: A0.1415949 By Chico Marx. By Arthur Freed and Nacio Herb Brown. Arranged by Matt Amy. Contemporary,Jazz,Pop,Standards. 10 pa...
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Jazz Combo - Level 3 - SKU: A0.1415949 By Chico Marx. By Arthur Freed and Nacio Herb Brown. Arranged by Matt Amy. Contemporary,Jazz,Pop,Standards. 10 pages. Matt Amy Music #997643. Published by Matt Amy Music (A0.1415949). Key: F majorBPM: 126Style: SwingDuration: 3:22“ Ensemble type: Jazz ComboFull Recording (MIDI): All I Do Is Dream Of You (MIDI)This is a standard arrangement with an arranged intro and ending.Instrumentation- Voice- Guitar- Piano- Bass- DrumsClick the following link for more arrangements by Matt AmyContact Matt here
$25.00
An Omani Dance Suite - COMPLETE BUNDLE (Score and all parts)
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Chorale SATB
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INTERMÉDIAIRE
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Stuart Brown
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An Omani Dance Suite - COMPLET
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681...
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Choral Choir (SATB) - Level 3 - SKU: A0.835452 Composed by Stuart Brown. 20th Century,Contemporary,World. Octavo. 211 pages. Stuart Brown Music #5990681. Published by Stuart Brown Music (A0.835452). A fantastic offer price for the full score and all parts! ... Looking for something to add a sense of oriental exoticism to your amateur orchestral/choral concert? This may be what you're looking for! This charming little suite of six dances lasts about 15½ minutes. It consists of a Pavane, Bourée, Sarabande, Allemande, Basse Danse and Galliard, which vary widely in character. As a whole the suite provides some interesting challenges for both performers and listeners. Apart from conventional strings, flute and harp (which can be either pedal or lever) you will need:- One or maybe two Arabian ouds. The parts are playable also on a fretless acoustic guitar. (Needs to be fretless because of the quarter-tones in some of the Arabic modes used.)- A cimbalom (the part can be played on a piano also, with slight modification). You might get away with using a hammered dulcimer but you'd need to make a number of compromises.- A doumbek and a djembe. These beautiful drums are a must for Middle-Eastern or African music. They're fairly easy to find, though finding somebody who can play them properly may take a bit more doing!- Finger cymbals and a gong. These are regular western instruments.- A wind-chime. Anything that produces a nice shimmering spangle of sound will probably do!- A group of singers (SATB). Nothing particularly challenging but see below.The primary oud part, the strings and the singers need to have sufficiently good intonation to pitch quarter tones. These are the exception rather than the rule, but nevertheless play an important part in the character of the music. Apart from this, the music is relatively straightforward and probably playable by any reasonably competent amateur or high school orchestra.In the spring of 2020 I wrote a set of short music tracks for a charity of which I'm a trustee. In order to protect my intellectual property rights in the music, I decided to bring it together into an attractive if not intellectually challenging little suite, hence An Omani Dance Suite. Originally the dances were all in Arabic quarter-tone temperament, but obviously quarter-tones cannot be played easily (if at all) on the flute, harp and cimbalom. So I have made some adjustments but retained the Arabic temperament wherever reasonably possible. I had thought initially of using a santur instead of a cimbalom, but the santur lacks the range and the dynamic capability to be used with a string chamber orchestra. The cimbalom doesn't need to be a concert grand model; in fact it doesn't even need to have dampers.The Omani was something of an afterthought: a musician friend of mine had worked in Oman and commented on how authentically Omani the Basse Danse sounded. The period of composition coincided with a time when I was really missing friends in Vietnam and Romania, so somehow influences from those countries found their way into the music.I'm not bothering with performing rights for this - just go away and enjoy the music! ... but if it inspires you find out more about the charity work that inspires me, feel free to get in touch!https://www.facebook.com/stuartbrownmusic/
$30.00
Why do we Fall?
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Drew Morris
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Why do we Fall?
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Yellow Envelope Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1272785 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 70 pages. Yello...
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Concert Band - Level 3 - SKU: A0.1272785 Composed by Drew Morris. 21st Century,Classical,Contemporary,Contest,Festival. Score and Parts. 70 pages. Yellow Envelope Publications #864982. Published by Yellow Envelope Publications (A0.1272785). This piece is a slow, reflective piece, meant to capture the feeling of Autumn. I wrote it while watching the leaves change color and eventually fall from the trees through my office window, after all. (I miss that view).It has several solos and soli opportunities sprinkled throughout, especially in the flute. And because I always felt sad that percussionists often got left out of the slow emotional pieces, I did my best to write parts to include a few more of them than you see in typical slow band pieces.Instrumentation2 Flute, Oboe, 2 Bassoon (splits are doubled elsewhere), 3 Clarinet, Bass Clarinet, 2 Alto Saxophone, Tenor Saxophone, Baritone Saxophone, 3 Trumpet, 4 French Horn, 3 Trombone, Euphonium, Treble Clef Euphonium, TubaString BassTimpani, Bass drum, Suspended Cymbal, Tam-tamGlockenspiel, Vibraphone, Chimes, Marimba
$65.00
Sometimes In Winter
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Jazz
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Blood Sweat and Tears
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Mike Hyziak
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Sometimes In Winter
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Bells,Drum Set,Electric Bass Guitar,Euphonium,Flute,Horn,Multi-Percussion,Piano,Tenor Saxophone,Trombone...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Bells,Drum Set,Electric Bass Guitar,Euphonium,Flute,Horn,Multi-Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone - Level 4 - SKU: A0.846330 By Blood Sweat and Tears. By Steve Katz. Arranged by Mike Hyziak. Jazz. 53 pages. MPH Holding #5221939. Published by MPH Holding (A0.846330). (SLIGHTLY REDUCED) CONCERT BANDHello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html Â
$49.00
I'm Gonna Sit Right Down And Write Myself A Letter
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Ensemble Jazz
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INTERMÉDIAIRE
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Billy Williams
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John Hoesly
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I'm Gonna Sit Right Down And W
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PRS&B
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Music...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1453550 By Billy Williams. By Fred E. Ahlert and Joe Young. Arranged by John Hoesly. Broadway,Jazz,Musical/Show,Pop,Standards. 52 pages. PRS&B #1032775. Published by PRS&B (A0.1453550). I’m Gonna Sit Right Down And Write Myself A Letter- music by Fred E. Ahlert and lyrics by Joe Young. Arrangement for Little Big Band/ Jazz Ensemble. Written in 1935 and one of the most recorded songs ever. It seemed to work in all genres. Rock, Swing, Pop…on and on. Recorded by Frank Sinatra, Nat King Cole, Barry Manilow, Willie Nelson, Bill Haley and His Comets, Fats Waller and Count Basie. Even Paul McCartney.This arrangement is in the style of Basie’s LIL’ DARLIN’…a slow burn. Relaxed, but full of energy. Difficulty: Intermediate. A standard of the Great American Songbook.Little Big Band- The arrangement is playable with rhythm section (piano/guitar, bass, drums)and 3 to 6 horns. Horns in order of importance: 1st Trumpet (1st Part), Alto Saxophone (2nd Part), Trombone (3rd Part), Tenor Saxophone (4th Part), Baritone Saxophone (5th Part), 2nd Trumpet (6th Part). Includes an optional Vibraphone/Guitar part and alternate parts for the Baritone Saxophone (Trombone), the 2nd Trumpet (Alto Saxophone), and the Trombone (Tenor Saxophone).Also see: You’ve Lost That Lovin’ Feelin’, Stand By Me, Yesterday, All I Have To Do Is Dream, Killing Me Softly With His Song, Ease On Down The Road, Embraceable You, I’m Gonna Sit Right Down…, In The Mood, Jersey Bounce, Oh, Lady Be Good, Memories Of You, My Buckets Got A Hole In It, Ode To Billy Joe, Stride (based on a theme from Rhapsody In Blue), The Summer Knows, They Can’t Take That Away From Me, Where Or When. Arranged by John Hoesly.
$55.00
Highlands [2 violins]
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2 Violons (duo)
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FACILE
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John Winstead and Miguel Angel
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Highlands [2 violins]
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Juan Maria Solare
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SheetMusicPlus
Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Ir...
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Violin Duet Violin - Level 2 - SKU: A0.596615 By John Winstead and Miguel Angel Cotignola. By Juan MarÃa Solare. 20th Century,Celtic,Instructional,Irish. 5 pages. Juan Maria Solare #6208589. Published by Juan Maria Solare (A0.596615). Highlands for two violins About the genesis of my work Highlands: There was a composition competition in Scotland (The Gordon Stewart Memorial Competition), they asked to write a short march for Scottish bagpipes. I said to myself: I don't know anything about the bagpipes, this could be an opportunity to get to know the instrument better. So I began to investigate and discovered that there is a huge literature, many works. Of course: all the works are impressively similar, because it is a relatively limited instrument (with forgiveness of the pipers). But this is an unimportant detail for our story. So, with a collection of bagpipe sheet music at hand, I began to investigate the possibilities of the instrument. And I made a huge mistake: Bagpipe scores are written without accidentals, but they are actually in A major. Sharps are not written simply because there is NO alternative. They can't play anything else (at least the traditional bagpipes), so the sheet music ommits the superfluous sharps. In short: then I composed my melody for that contest in A minor ... which is impossible to play on bagpipes. The fact of having written the melody on board a train prevented me from listening to dozens of works for bagpipes as a reference (at that time - June 2015 - I did not have a mobile internet connection). When I realized the mistake (in time) I rewrote that melody in major mode (well, Mixolydian ...), added some typical bagpipe ornamentation and retitled it: Ballone Castle (the name of the castle of the organizers of the contest, the Stewart Society). And now what do I do with the original melody, in minor mode? Instead of throwing it away (which I never do) I titled it Highlands, and it is the work that you are about to hear, or whose score you are holding. I didn't win that contest in Scotland. But I recorded Ballone Castle and posted it on Spotify: Ballone Castle (for bagpipes) - on Spotify (there is a version with drums and another without them). As for Highlands, the saxophone version was recorded by my Chinese friend Yu Han for the album Images of Elsewhere (Images of Elsewhere (saxophone)). In this case, there are also two versions: solo saxophone and sax with electronic sounds. The electronic sounds here actually simulate the typical bagpipe pedal (drone) note. A version of Highands for oboe Solo was recorded by John Winstead (Highlands (oboe solo)) Comparing both pieces (Highlands and Ballone Castle) it is verified how the simple change of mode (major / minor), in addition to the change of instrument, can work wonders for musical perception. They are two related but independent works, each with its own defined character - like two twins. But the story continues. In October 2020 I began an intense dialogue with the violinist Miguel Ãngel Cotignola, from Mendoza (Argentina). I suggested him to film Highlands. He suggestd me to write a second violin part. I did it. He filmed it on the shore of Lake Potrerillos, in Mendoza (Argentina). This video can be seen here: Highlands (for two violins)Juan MarÃa Solare
$2.00
What I Wouldn't Do
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Chorale SSAA
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INTERMÉDIAIRE
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Serena Ryder
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Joanna Mills, Kathleen Mills
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What I Wouldn't Do
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Joanna Mills Music
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged...
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Choral Choir (SSAA) - Level 3 - SKU: A0.781341 By Serena Ryder. By Jerrod Bettis, Jerrod Michael Bettis, Serena Lauren Ryder, and Serena Ryder. Arranged by Joanna Mills, Kathleen Mills. A Cappella,Contemporary,Pop,Rock. Octavo. 17 pages. Joanna Mills Music #4729201. Published by Joanna Mills Music (A0.781341). This fast-paced pop song about falling in love, written and recorded by Serena Ryder, has been arranged for SSAA choir, and is perfect for high-school or community treble choirs looking for a fun challenge! The melody moves between all four parts, allowing every section a chance to shine, and notation is included for foot stomps (or bass drum) and hand claps (or wood block). Interest is added using counterpoint and canon harmonies as well as a beautiful chorale setting in the bridge. This piece has been arranged so that it can be sung a cappella by more experienced choirs, but piano accompaniment and guitar chords have been included for those choirs who wish to include instruments. Additionally, less experienced choirs may wish to have the foot stomps and hand claps played by percussionists.
$1.99
And I Love Her
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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The Beatles
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Mike Dana
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And I Love Her
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Mike Dana Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pag...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1472109 By The Beatles. By John Lennon and Paul McCartney. Arranged by Mike Dana. Jazz,Latin,Pop. 66 pages. Mike Dana Music #1049808. Published by Mike Dana Music (A0.1472109). About the piece: Welcome to the second chart I’ve done on a Beatles tune! I guess, because the first one (Can’t Buy Me Love) went so well, I had to keep it going (shameless plug alert: CBML is available from both sheetmusicdirect.com and sheetmusicplus.com.) And I Love Her is a great tune, and I tried to find some creative ways to expand on that. It features your most lyrical flugel player, and you’ll need woodwind doubles: 2 flutes, 2 clarinets, and bass clarinet. Ensemble: This is pretty straightforward: even 8th, bossa-ish vibe. Trumpets 1, 3, and 4 are on flugels full-time, except for the harmon trumpet bit in mm. 70-75. I feel the 5/4 bars as 2+3, and would conduct accordingly. Overall, think mellow, understated, warm/fuzzy on this. Rhythm Section: I really hear nylon string guitar on this, so please ask your guitarist to bring the extra axe. Piano, guitar, and bass: If there’s a notated paty without chord symbols, please play as written. If it’s chord symbols only, play/comp tastefully, as always. If there are both, you can do either. If the written part supports the ensemble, I’d suggest going that route. I LOVE having guitar and vibes in the rhythm section, but in general I’m not a big fan of having them play off of the same part. So, please observe the “play only if no guitar (or vibes etc.) indications. Drums, I’ve indicated some basic grooves (note the feel change in the bridge) but I trust you. Just keep things tasty and understated. Solo Section: Flugel solo…after the first read-through, you’ll know when it’s just you on the melody, and when your part is doubled. Feel free to play more expressively on the former. There are some short snippets of changes mixed in with the melodic statements; think of these more like fills than the official “solo section” which is mm. 50-80, the AAB of the form. Don’t swing for the fences in spots like mm. 44-48; instead, float on top of the ensemble sound. And, keep things simple from n. 91 out. As of this writing, I don’t have a recording of this, other than the MIDI demo. If you end up with a nice recording and would be OK sharing that with me, please reach out!
$70.00
September
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Soul/R&B
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Earth Wind and Fire
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Mike Hyziak
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September
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Clarinet,Drum Set,Electric Bass Guitar,Flute,Hand Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Vibraphone,Voice - Level 4...
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Alto Saxophone,Baritone Saxophone,Clarinet,Drum Set,Electric Bass Guitar,Flute,Hand Percussion,Piano,Tenor Saxophone,Trombone,Trumpet,Vibraphone,Voice - Level 4 - SKU: A0.846306 By Earth Wind and Fire. By Al McKay, Allee Willis, and Maurice White. Arranged by Mike Hyziak. R & B. 50 pages. MPH Holding #5008341. Published by MPH Holding (A0.846306). MIXED JAZZ ENSEMBLE. A vocal feature accompanied by mixed jazz ensemble.Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$38.00
Keep The Faith
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Pop musique
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Michael Jackson
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Mike Hyziak
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Keep The Faith
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vib...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 4 - SKU: A0.846343 By Michael Jackson. By Glen Ballard, Michael Jackson, and Siedah Garrett. Arranged by Mike Hyziak. Pop. 59 pages. MPH Holding #6025717. Published by MPH Holding (A0.846343). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html Â
$65.00
Friends
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Jazz
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Chick Corea
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John Fries
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Friends
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.500222 By Chick Corea. By Chick Corea. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Boo...
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C Instrument - Level 4 - SKU: A0.500222 By Chick Corea. By Chick Corea. Arranged by John Fries. 20th Century,Jazz,Latin,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #113407. Published by John Fries (A0.500222). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. An aptly titled album, Friends finds Chick in a beautifully relaxed setting with three jazz luminaries: Joe Farrell (Chick’s Return to Forever partner), Eddie Gomez (longtime Bill Evans bassist) and Steve Gadd (one of Chick’s favorite drummers). The mood might be relaxed, but the music is anything but laid-back: the quartet digs deep on eight of Chick’s originals, including the revelatory “Samba Song†and the supremely swinging “The One Step.â€.
$3.99
You Keep Coming Back Like A Song
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Chorale 3 parties
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FACILE
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Jazz
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Irving Berlin
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Laura Harrison
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You Keep Coming Back Like A So
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LauraHarrisonMusic
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.1273402 Composed by Irving Berlin. Arranged by Laura Harrison. Jazz. Octavo. 36 pages. LauraHarrisonMusic #865557...
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Choral Choir (SSA) - Level 2 - SKU: A0.1273402 Composed by Irving Berlin. Arranged by Laura Harrison. Jazz. Octavo. 36 pages. LauraHarrisonMusic #865557. Published by LauraHarrisonMusic (A0.1273402). This is a great arrangement for a budding SSA choir or a 2-part choir that wants to try something with a little more challenge.The Ella Fitzgerald solo (which I will link) is one of the best vocal improvisations of the era. The introduction on the recording is not featured here. Her solo is.Please contact me if it would be helpful for you to receive a written out bass part, piano part, guitar part, or drum part. Most people who buy my charts don't want it. That being said, I would love to do that for you (at no extra cost to you) if you would like. Just provide me with proof of purchase of the arrangement and I'll email those to you.For Printing (to save paper), you only need to print the full score for the director. You will only need two copies of each rhythm section part (one for the performer, one for the director) and 10 copies of your SSA charts for your students.If you would like a perpetual license for your school (so you don't have to buy more copies since that option isn't available at Hal Leonard). What you can do is the following: if you pay for 30 copies ($90 is how much I usually charge for arrangements), I will be happy to write you a letter giving you and your school a perpetual license to use my arrangement. It is perfectly legal since you will have paid for the arrangements.Please contact me at: DrLauraHarrison@gmail.com if you have any questions, would like written out rhythm section parts, or would like me to arrange something else for you.
$3.00
The Munsters Theme
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Orchestre d'harmonie
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FACILE
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Jack Marshall
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Kyle L
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2nd-year players
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 ...
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Concert Band - Level 2 - SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
Someday At Christmas
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Noël
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Bryan Wells and Ronald N
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Mike Hyziak
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Someday At Christmas
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Hand Percussion,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,V...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Hand Percussion,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Voice - Level 4 - SKU: A0.846292 Composed by Bryan Wells and Ronald N. Miller. Arranged by Mike Hyziak. Contemporary. 34 pages. MPH Holding #5000881. Published by MPH Holding (A0.846292). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra. Can also be performed as an instrumental.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$31.00
Music And Me
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Pop musique
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Michael Jackson
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Mike Hyziak
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Music And Me
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vio...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 4 - SKU: A0.846341 By Michael Jackson. By Don Fenceton, Jerry Marcellino, Mel Larson, and Michael R. Cannon. Arranged by Mike Hyziak. Pop. 29 pages. MPH Holding #6019221. Published by MPH Holding (A0.846341). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra. Can also be performed as an instrumental.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$36.00
Tomorrow
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Comédie Musicale
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Charles Strouse
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Mike Hyziak
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Tomorrow
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Voice - Level 5 - SKU: A0.846324 Composed by Charles Strouse. Arranged by Mike Hyziak. Broadway,Musical/Show. 52 pages. MPH Holding #5008485. Published by MPH Holding (A0.846324). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra. Can also be performed as an instrumental.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$50.00
We Are The World
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Contemporain
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USA For Africa
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Mike Hyziak
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We Are The World
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vib...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Cello,Drum Set,Euphonium,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 4 - SKU: A0.846340 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Mike Hyziak. Contemporary. 69 pages. MPH Holding #6019209. Published by MPH Holding (A0.846340). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$65.00
You Won't Be An Orphan For Long
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Contemporain
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Charles Strouse
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Mike Hyziak
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You Won't Be An Orphan For Lon
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bells,Cello,Double Bass,Drum Set,Flute,Guitar,Horn,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin,Voice - Level 4 - SKU: A0.846325 Composed by Charles Strouse. Arranged by Mike Hyziak. Contemporary. 31 pages. MPH Holding #5008487. Published by MPH Holding (A0.846325). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra. Can also be performed as an instrumental.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$31.00
Have Yourself A Merry Little Christmas
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Noël
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Colbie Caillat
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Mike Hyziak
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Have Yourself A Merry Little C
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MPH Holding
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SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Bells,Cello,Drum Set,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraph...
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Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bass Voice,Bells,Cello,Drum Set,Flute,Guitar,Horn,Piano,Tambourine,Tenor Saxophone,Trombone,Trumpet,Tuba,Vibraphone,Viola,Violin - Level 3 - SKU: A0.846363 By Colbie Caillat. By Hugh Martin and Ralph Blane. Arranged by Mike Hyziak. Contemporary. 28 pages. MPH Holding #6633423. Published by MPH Holding (A0.846363). SYMPHONIC ORCHESTRA. A vocal feature accompanied by symphonic orchestra.[NOTE: all wind parts are transposed- the key signatures have been removed and accidentals notated where necessary.]Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html.
$25.00
Mercy, Mercy, Mercy
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Contemporain
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The Buckinghams
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Mike Hyziak
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Mercy, Mercy, Mercy
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MPH Holding
#
SheetMusicPlus
Alto Saxophone,Baritone Saxophone,Bass Voice,Clarinet,Drums,Flute,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 3 - SKU: A0.846353 By...
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Alto Saxophone,Baritone Saxophone,Bass Voice,Clarinet,Drums,Flute,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 3 - SKU: A0.846353 By The Buckinghams. By Joe Zawinul. Arranged by Mike Hyziak. Contemporary. 35 pages. MPH Holding #6323701. Published by MPH Holding (A0.846353). MIXED JAZZ ENSEMBLE. Hello, and thank you very much for your interest in my works! With this purchase you will receive a full score & complete set of parts, along with a MIDI rendition with click count-off at 100% speed. MIDI renditions at 85% and 70% speeds are available by request, free of charge. Do you need an alternate part that is not in the score? One can be made for you, for a small fee. All inquiries can be made by contacting me via email at: mike.hyziak@yahoo.comFinally, I have many more works not yet listed here, available on my website:http://emmphmusic.com/EMMPH/Sheet_Music_Purchases.html
$36.00
Never Enough
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Boyce Avenue
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Jason Howard
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Never Enough
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Jason Howard
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Sc...
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Concert Band - Level 4 - SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
Rhythm Only - Book 1 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 1 - Eighths
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Hor...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drum Set,Drums,English Horn,Euphonium,Flute,Hand Percussion,Handbell,Harmonica,Harpsichord,Marimba,Multi-Percussion,Oboe,Orff Instrument,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.931835 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 137 pages. Dots and Beams #4776185. Published by Dots and Beams (A0.931835). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
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