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TRI ET FILTRES
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Tri et filtres :
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All I See Is You
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All I See Is You
Ligne De Mélodie, (Paroles) et Accords
C Instrument - Level 3 - Digital Download SKU: A0.1327982 By Shane Smith & The Sain…
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C Instrument - Level 3 - Digital Download SKU: A0.1327982 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Katsumi WF. Celtic,Country,Folk,Irish,Singer/Songwriter,Wedding. Lead Sheet / Fake Book. 1 pages. Katsumi WF #915987. Published by Katsumi WF (A0.1327982). The arrangement is for C instrument Original key, contains the chords and the melody, 1 page, works with the original soundtrack 0:00 to 1:50 mins, does not contain the lyrics and notations of the fiddle / guitar improvisations. YouTube Link : https://youtu.be/Gjak2LnYlrA?si=6x2g0VoxEDHaMAG8
$3.99
3.72 €
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Ligne De Mélodie, (Paroles) et Accords
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Shane Smith & The Saints
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Katsumi WF
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All I See Is You
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Katsumi WF
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SheetMusicPlus
Little Seeds
In Little Seeds you will find new hymns from my heart. My devotional life is given to you …
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In Little Seeds you will find new hymns from my heart. My devotional life is given to you in my hymnwriting. During the past three years I have been writing songs for the unity of the church - songs reminding us of our baptism. I have been writing biblical story hymns for lesser-known characters. I have written paperless songs that may be easily memorized. I set a Rumi poem. There are new hymns for Christian missions from everywhere to everywhere. You will find new texts and musical settings for folk songs from around the world. I hope I have treated these with the love and respect they deserve. You will find alternate arrangements of some songs that may be useful in different settings. Lim Swee Hong composed three tunes for this collection at my request. I am also pleased to include Lianne Tan's first published hymn tune in Little Seeds
Song List: A Babe Was Born A Blood Red Rose Reminds Us Still A Garden You Once Made A God of Surprises, Beyond Expectation A Man Lay Beaten, Left for Dead A Rabbi Sat Against a Wall A Woman Stood Accused Ain't No Grave All People Need a Home As at Pentecost You Came As Children, We May learn to Love As Colors in the Sky Beside the Great Cathedrals Can You See Christ Can You See the Living Christ Chill of the Nightfall Each Seeking Faith Is Seeking Light Elijah Bowed Down on the Earth Fair Wind and the Sky Is Clear God, Help the Weary Travelers God, Help Your Church to Learn God, You Are Like a Place Remembered Guide My Canoe, Spirit Wind He Is The Way He Will Never Let Go My Hand Hope of the Earth I Saw an Angel in the Road I Will Not Always Walk This Earth In Every Changing State of Mind In the Stillness of This Hour Jesus, Live in Us Jesus Lives! Jesus, Partner, Lover, Friend Jesus, We Come to the Table Justice Like a River Lead Us to Still Waters Let Flow Our Tears in Grief for This Lilies Of The Field Look: Such Horror, Torn, then Tortured Mother, Child, and Birthing Spirit Much Brighter than a Thousand Suns My Child Is a Flower New Every Morning Is Your Grace No Obvious Angels Our God Is a Rock Our Life in the Spirit Out of Joy and Out of Need Peace Child Planter of Gardens, Sender of Rain Prayer Is the Cry of the Heart Remember the Rock that Bore You Samuel, Samuel, I Am Calling Startle Us with Joy The Earth Is Like a Burning Bush The Grass Will Green Again The Road to Capernaum The Saints of Old Cry Out There Is No Smell Like Fresh-Baked Bread This Hurt Is Not the Final Word True Union Is a Gift of God We Are People, Made by God We Are Your Children We Are Your People We Give You Thanks for Every Faith When Human Life Is Bought and Sold When I See the Rain With the People We Have You Give Rest to All Who Come to You You Set Your Seal upon Each Heart You Walk This Earth
$11.95
11.15 €
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Little Seeds
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.94 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
All I See Is You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1182580
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1182580 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Emma Kelner. Country,Film/TV,Folk,Pop. Score and parts. 23 pages. Emma Kelner #782317. Published by Emma Kelner (A0.1182580). This amazing song - made popular by the TV Show Yellowstone - can now be played by a brass quintet! You can now add a drummer to your group by purchasing the optional drum part from Emma Kelner!
$15.00
13.99 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Shane Smith & The Saints
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Emma Kelner
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All I See Is You
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Emma Kelner
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SheetMusicPlus
All I See Is You
Batterie
Drum Set,Drums - Level 3 - Digital Download SKU: A0.1187491 By Shane Smith & The Sa…
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Drum Set,Drums - Level 3 - Digital Download SKU: A0.1187491 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Emma Kelner. Country,Film/TV,Pop,Rock. Score. 3 pages. Emma Kelner #787136. Published by Emma Kelner (A0.1187491). Play along to this amazing song on your drumset! You can also purchase an arrangement of this song for a brass quintet and/or a string quintet and play along with those groups on a drumset!
$4.99
4.66 €
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Batterie
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Shane Smith & The Saints
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Emma Kelner
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All I See Is You
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Emma Kelner
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SheetMusicPlus
All I See Is You
Quintette à cordes: 2 violons, alto, violoncelle, basse
String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download…
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String Ensemble,String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.1183372 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Emma Kelner. Country,Film/TV,Pop,Rock. Score and parts. 24 pages. Emma Kelner #783041. Published by Emma Kelner (A0.1183372). This amazing song - made popular by the TV Show Yellowstone - can now be played by a string quintet! You can now add a drummer to your group by purchasing the optional drum part from Emma Kelner!
$12.99
12.12 €
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Shane Smith & The Saints
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Emma Kelner
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All I See Is You
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Emma Kelner
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SheetMusicPlus
Three Lions (Football's Coming Home)
Piano, Voix
Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner an…
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Piano Solo, Piano/Vocal/Chords - Intermediate - Digital Download By Baddiel, Skinner and The Lightning Seeds. Arranged by Mario Stallbaumer. 5 pages. Published by Mario Stallbaumer
Here\'s how to play the famous English football anthem \"Three Lions\" on piano! With this piano sheet music, you can play \"Three Lions (Football\'s Coming Home)\" on piano. The full melody is included in the piano part, so it sounds great if it\'s just played instrumentally - but of course, you can use these sheets to accompany singers, or sing along yourself! It\'s an accurate piano arrangement of \"Three Lions\" which is not too hard to play, and sounds fantastic. \"Three Lions\" was recorded by The Lightning Seeds (whose lead singer Ian Broudie composed the music) and the comedians Frank Skinner and David Baddiel (who wrote the song\'s lyrics). \"Three Lions (Football\'s Coming Home)\" came out in 1996, when the UEFA European Football Championship (\"Euro 96\") took place in England. The lyrics (and title) refer to the three lions on the Royal Arms of England, which also appear on the England football team\'s emblem. The chorus (\"Football\'s coming home\") can regularly be heard as a chant at English football matches. \"Three Lions\" makes for a surprisingly good piano cover! Here are the song\'s full lyrics: It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (We\'ll go on getting bad results) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Verse 1: Frank Skinner] Everyone seems to know the score, they\'ve seen it all before They just know, they\'re so sure That England\'s gonna throw it away, gonna blow it away But I know they can play, \'cause I remember [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Verse 2: David Baddiel] So many jokes, so many sneers But all those \"Oh, so nears\", wear you down through the years But I still see that tackle by Moore and when Lineker scored Bobby belting the ball, and Nobby dancing [Chorus: All] Three lions on a shirt Jules Rimet still gleaming Thirty years of hurt Never stopped me dreaming [Bridge] England have done it, in the last minute of extra time! What a save, Gordon Banks! Good old England, England that couldn\'t play football! England have got it in the bag! I know that was then, but it could be again [Refrain] It\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home (England have done it) It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home It\'s coming home, it\'s coming home, it\'s coming Football\'s coming home [Chorus] (It\'s coming home) Three lions on a shirt (It\'s coming home, it\'s coming) Jules Rimet still gleaming (Football\'s coming home It\'s coming home) Thirty years of hurt (It\'s coming home, it\'s coming) Never stopped me dreaming (Football\'s coming home
$4.99
4.66 €
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Piano, Voix
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Baddiel, Skinner and The Lightning Seeds
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Mario Stallbaumer
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Three Lions
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Mario Stallbaumer
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SheetMusicPlus
All I See Is You
Violon
Violin Solo - Level 2 - Digital Download SKU: A0.1178557 By Shane Smith & The Saint…
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Violin Solo - Level 2 - Digital Download SKU: A0.1178557 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Joe Cox. Folk,Pop,Singer/Songwriter. 3 pages. Joe Cox #778520. Published by Joe Cox (A0.1178557). Transcription from the original recording.
$4.99
4.66 €
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Violon
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Shane Smith & The Saints
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Joe Cox
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All I See Is You
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Joe Cox
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SheetMusicPlus
All I See Is You
Piano Facile
Easy Piano - Level 2 - Digital Download SKU: A0.1178384 By Shane Smith & The Saints…
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Easy Piano - Level 2 - Digital Download SKU: A0.1178384 By Shane Smith & The Saints. By Bennett Brown, Shane Smith, and Timothy Allen. Arranged by Joe Cox. Folk,Pop,Singer/Songwriter. Score. 6 pages. Joe Cox #778343. Published by Joe Cox (A0.1178384). A playable arrangement of this popular song.
$4.99
4.66 €
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Piano Facile
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Shane Smith & The Saints
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Joe Cox
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All I See Is You
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Joe Cox
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SheetMusicPlus
Yesterday, When I Was Young (hier Encore)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Az…
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Piano Solo - Level 5 - Digital Download SKU: A0.1213917 By Roy Clark. By Charles Aznavour and Herbert Kretzmer. Arranged by Timothy Stapay. Film/TV,Jazz,Multicultural,Singer/Songwriter,Standards,World. Score. 8 pages. Timothy Stapay #811114. Published by Timothy Stapay (A0.1213917). Yesterday When I was Young is a song composed by Georges Garvarentz and written by Charles Aznavour and released in September 1964. The original French title translates to Just yesterday or Not so long ago.It is considered one of Aznavour's greatest hits.The English-language lyrics, written by Herbert Kretzmer, tell of someone reflecting on his life, recalling how he had wasted his younger years.Lyrics:[Verse 1]Yesterday when I was youngThe taste of life was sweet as rain upon my tongueI teased at life as if it were a foolish gameThe way the evening breeze may tease a candle flameThe thousand dreams I dreamed, the splendid things I plannedI always built, alas, on weak and shifting sandI lived by night and shunned the naked light of dayAnd only now I see how the years ran away[Verse 2]Yesterday, when I was youngSo many drinking songs were waiting to be sungSo many wayward pleasures lay in store for meAnd so much pain my dazzled eyes refused to seeI ran so fast that time and youth at last ran outI never stopped to think what life was all aboutAnd every conversation I can now recallConcerned itself with me, me and nothing else at all[Verse 3]Yesterday the moon was blueAnd every crazy day brought something new to doI used my magic age as if it were a wandAnd never saw the waste and emptiness beyondThe game of love I played with arrogance and prideAnd every flame I lit too quickly, quickly diedThe friends I made all seemed somehow to drift awayAnd only I am left on stage to end the play[Outro]There are so many songs in me that won't be sungI feel the bitter taste of tears upon my tongueThe time has come for me to pay for yesterdayWhen I was youngYoung, young...
$5.99
5.59 €
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Piano seul
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Roy Clark
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Timothy Stapay
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Yesterday, When I Was Young
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Timothy Stapay
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.72 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
I See You
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michell…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.887281 Composed by Michelle Willis. A Cappella,Contemporary. Octavo. 10 pages. Teton Music #5033147. Published by Teton Music (A0.887281). SATB, a cappellaWritten for the Early Light Academy Spotlight Singers (South Jordan, UT) and taken from actual responses from the students they were asked, when people look at you, what do you want them to see? This song is intended to be a very personal expression for the singers as well as for the audience.Text:I see: eyes and a face, hands and feetYou see: the sameI see: tears and a smile, working, movingYou see: the sameI see: pain, joy, strength, enduranceYou see, you think you see-but you can’t name it.I see you, please see me.When you look at me, see a person who isn’t afraid to be-- just be.I am tall or I am small, but I am happy to be me.I may be confident or meek, I may be really strong or weak,And if it changes week to week, it doesn’t matter.What matters is that you see me.When you listen, notice that my voice may sometimes raise the roofAnd other times it may seem aloof when I cannot find the proofOf what is truth and what is fair, but listen ‘til you hear me shareAnd know deep down I really care, because it matters.It matters that you see me.I see: someone who is strong and kind, someone who knows their mind, Someone who struggles just like me, but keeps fighting endlesslyI see you, please see me.I see: a soul who fin’ly knows I’m hereAnd doesn’t judge if I bow down to smallish fearsYou see me, and I see you, there’s nothing greater we can doThan to acknowledge we’re all trav’ling down this road,But not alone.It matters-That I see you-and you see me.
$2.49
2.32 €
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Chorale SATB
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Michelle Willis
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I See You
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Teton Music
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SheetMusicPlus
Loving You
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.518629 By GbÄ“rÄ“ Dodoh. By H…
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Jazz Combo - Level 4 - Digital Download SKU: A0.518629 By Gbērē Dodoh. By Holyone Tombari Dodoh. 20th Century,Contemporary,Contest,Festival,New Age,Pop. Score and parts. 81 pages. Holyone Tombari Dodoh #129339. Published by Holyone Tombari Dodoh (A0.518629). Lyrics performed by an Open Source Virtual Singer Software (bot). An Afro Music. Score and parts included. Lyrics Love, love, love, Loving you Love, love, love, Loving you Sweetie o Looking up to heaven All I see is me o Loving you. My Love o You may not believe me All my dream is me o Loving you. When I wake up in the morning I'm Love (Loving my Sweetheart), Love (Every time I am love) Love, Loving you. In the darkest moments all I see Love (Something whispering true love), Love (Within me is true love) Love, Loving you. Just looking at you Opens my mouth But nothing to say Than loving you. Love o Love sweet me well o Love makes me glad o Loving you. My love o I need to see you, Cos all I feel in me Is loving you. Sweetie o God sent love from heaven Love gave birth to me o Loving you. All I want to do Love, love, love, Loving you. The best thing to do is loving you Love (Love, love, Loving you), Love (Love, loving you), Love, loving you. What I feel within me Love, love, love, Loving you. Love, love, love, Loving you.
$6.50
6.06 €
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Jazz combo
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Gbērē Dodoh
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Loving You
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Holyone Tombari Dodoh
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SheetMusicPlus
The Seed
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and…
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.510167 Composed by words and music by Glyn Lehmann. R & B. Octavo. 7 pages. Glyn Lehmann #3507867. Published by Glyn Lehmann (A0.510167). What you plant is what you grow.The old saying says 'what you reap is what you sow'. This song turns it around in a way that makes it more accessible to children.A great way to get young minds thinking about how their words and actions affect the world and the people they encounter.SA - Early Intermediate, unison - Easy/BeginnerMy choir's performance of 'The Seed' at the official Grand Opening of the school where I teach was a resounding success! The children loved the song and learnt it quickly.D Taylor, Ontario, CanadaThe SeedWords and music by Glyn LehmannVerse 1There’s a saying that you might knowWhat you reap is what you sowTurn it around and so it goesWhat you plant is what you growMm (hum)ChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growVerse 2A seed of kindness and friendship sownSoon takes root and finds a homeInto the light now it has grownWhat you plant is what you growMmBridgeMeanness is a feral seedKept unchecked a choking weedShuts out the light from those in needWhat you plant is what you growMmChorusWhat you plant is what you growYou won’t get cherries from an apple treeIt’s so plain for all to seeWhat you plant is what you growWhat you plant is what you growSo take care what seed you sowCos what you plant is what you growTagGrow, growWhat you plant is what you grow© 2014 Glyn Lehmann. All rights reserved.
$2.25
2.1 €
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Chorale 2 parties
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words and music by Glyn Lehmann
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The Seed
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Glyn Lehmann
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SheetMusicPlus
Sinners, Turn: Why Will You Die?
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295724 Composed by W…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1295724 Composed by Words: Charles Wesley / Music: Joseph Parry. Arranged by Lyndell Leatherman. Christian,Lent,Religious,Sacred. Score. 2 pages. Leatherman Music Services #886022. Published by Leatherman Music Services (A0.1295724). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.Having spent most of my life in evangelical circles, I've experienced hundreds of altar calls. But I can't help observing that if one were to sing all 10 stanzas of this Wesley hymn, that would be an altar call on steroids! ;-)If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$2.99
2.79 €
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Piano, Voix et Guitare
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Words: Charles Wesley / Music: Joseph Parry
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Lyndell Leatherman
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some were not
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Sinners, Turn: Why Will You Die?
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Leatherman Music Services
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SheetMusicPlus
Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.66 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
Wrecking Ball
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.845973 By Miley Cyrus. By Henry Walter, Lukasz Gottwald, Maureen McDonald, Sacha Skarbek, and Stephan Richard Moccio. Arranged by Kyle Pudenz. Contemporary,Pop. Score and parts. 34 pages. ViolinVagabond Music #5310843. Published by ViolinVagabond Music (A0.845973). Why settle for a bland transcription of Hannah Montana when you can have an action-packed, thrill-filled arrangement that's ALMOST as crazy as Miley Cyrus!? (almost)You've heard the song. You've seen the video. Whether or not you're a Miley super fan, you get the hype and that's why you're here. So take that hype to the next level with a chart that will make your audience go what on earth just happened? the same way Miley does on at least a bi-annual basis. By the way, I'll tell you what just happened: your quartet just came in like a wrecking ball, and smashed every archaic stereotype about classical string players to PIECES!!Gone are the days of strings not being able to feel the groove. Silenced are the cynics who once called us boring and one-dimensional. A new era is upon us, where violins, violas, & cellos can get up, get out, and rock the faces off of the proletariat right alongside our guitar slinging, drumstick twirling brethren! And this chart is just what you need to usher in this oh so bright future for all who rosin the bow:Right from the start, this arrangement takes a unique spin on Miley's pop smash, with a lopsided groove that will have your listeners searching frantically for a downbeat. Their urges will finally be satisfied when the melody takes us back to that oh-so-familiar feeling of 4/4 security... but don't get too comfortable, because when that chorus drops you'd better hold on to your hats. That's right, the train is leaving the station for double-time town! Along this musical journey, you may also encounter glimpses of reggae, jazz, & bluegrass, culminating in a race to the finish that will wre-e-eck any musician who didn't come ready to hang. Oh, and just for funsies I threw in that classic showbiz' moment where the cellist steals the melody, so feel free to ham that up as much as possible, cello players!This arrangement also makes use of modern extended string techniques in order to create rhythmic grooves without the need for additional instruments, including chopping and strum bowing. If you are unfamiliar with these concepts, various resources exist all over the internet to aid you in your quest towards having better time. I recommend this series, for example: https://youtu.be/kfX3kxjC93sPerformance time - 4:20... and if that doesn't make Miley Cyrus proud I don't know what will.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$17.99
16.78 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Miley Cyrus
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Kyle Pudenz
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Wrecking Ball
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ViolinVagabond Music
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SheetMusicPlus
Hark! the Herald Angels Sing / O Come, All Ye Faithful
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitari…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1316979 By The Candlelight Guitarist. By Charles Wesley, George Whitefield, Felix Mendelssohn, Traditional. Arranged by Bradley Powell. Christmas,Classical,Holiday,Religious,Traditional. Individual part. 5 pages. Geofonica Artistworks #904941. Published by Geofonica Artistworks (A0.1316979). This two-song arrangement of Hark! the Herald Angels Sing and O Come, All Ye Faithful is an excerpt from Christmas Suite 1225 (Part 1) - a new album by The Candlelight Guitarist (aka Bradley Powell). It features fingerstyle classical guitar, with a fresh chordal interpretation, moving bass and internal lines, and other distinctive stylistic features. These two songs together can be seen and heard in the Candlelight Guitarist YouTube video of Christmas Suite 1225 (Part 1) beginning at 3:53 (see YouTube timeline). The entire Christmas Suite 1225 is available for pruchase, including 14 traditional carols and one original piece.ABOUT: Brad Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl. He was mentored in composition by David Rose (Little House on the Prairie), and has composed music Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. When not making music, Brad is often hiking with his four dogs. Brad has also played solo guitar for Disney's Princess Breakfast Adventure at Disney's Grand Californian Resort, playing for Belle, Tiana, Jasmine, Rapunzel, Mulan, Aurora, Ariel, Pocahontas, and Cinderella!COMMENTS FROM LONG-ESTABLISHED REVIEWERS (for this and other Candlelight Guitarist recordings)...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ...  Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Bob McKillop, founder and publisher, MaineFolkMusic.com(Brad's) music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender..
$2.99
2.79 €
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Guitare
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The Candlelight Guitarist
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Bradley Powell
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Hark! the Herald Angels Sing / O Come, All Ye Faithful
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Geofonica Artistworks
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SheetMusicPlus
Everybody Knows Your Name
Instruments en Do
C Instrument - Level 4 - Digital Download SKU: A0.546787 Composed by Jeremy Boyd, J…
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C Instrument - Level 4 - Digital Download SKU: A0.546787 Composed by Jeremy Boyd, Jermaine Dolly, and Tyrone Tribbett. Arranged by John Fries. 20th Century,Film/TV,Jazz,Pop,Standards. Lead Sheet / Fake Book. 2 pages. John Fries #156721. Published by John Fries (A0.546787). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$3.99
3.72 €
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Instruments en Do
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Jeremy Boyd, Jermaine Dolly, and Tyrone Tribbett
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John Fries
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Everybody Knows Your Name
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John Fries
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SheetMusicPlus
Where Everybody Knows Your Name
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1339566 Composed by Gary Portnoy an…
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Piano Solo - Level 4 - Digital Download SKU: A0.1339566 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #925265. Published by John Fries (A0.1339566). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$5.99
5.59 €
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Piano seul
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Gary Portnoy and Judy Hart Angelo
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John Fries
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Where Everybody Knows Your Name
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John Fries
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SheetMusicPlus
Where Everybody Knows Your Name
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201518 Composed by G…
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1201518 Composed by Gary Portnoy and Judy Hart Angelo. Arranged by John Fries. 20th Century,Film/TV,Pop,Standards. Score. 3 pages. John Fries #800139. Published by John Fries (A0.1201518). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. Where Everybody Knows Your Name, also credited as Theme from Cheers (Where Everybody Knows Your Name), is the theme song from the television sitcom Cheers, as well as the debut single for Gary Portnoy. He finally came up with a catchy intro followed by simple alternating chords on a piano. The opening verse lines, both musically and lyrically, were something of a lament. The verse then transitioned into a soaring refrain that seemed to capture the essence of why people might want to go to a place like Cheers—a place Where Everybody Knows Your Name.
$4.99
4.66 €
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Piano, Voix et Guitare
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Gary Portnoy and Judy Hart Angelo
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John Fries
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Where Everybody Knows Your Name
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John Fries
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SheetMusicPlus
Powder Your Face With Sunshine
Piano, Voix et Guitare
Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy…
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Piano/Vocal/Chords - Digital Download SKU: AX.00-XS-0000010 By Guy Lombardo. By Guy Lombardo and Stanley Rochinski. Nostalgia. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000010. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000010). ISBN 9780739068540. UPC: 038081386140.This songbook contains more than 50 of the biggest hits of the 1940s. Each song is sure to spark a memory or create a new one for pianists and vocalists of all ages. For practice, performance, or pleasure, play and sing your way through your favorite decade in pop music history! Titles: The Anniversary Waltz (Vera Lynn) * As Time Goes By (Dooley Wilson) * At Last (Glenn Miller) * Ballerina (Vaughn Monroe) * Blues in the Night (Woody Herman) * Chattanooga Choo Choo (Glenn Miller) * Don't Fence Me In (Bing Crosby and The Andrews Sisters) * Don't Sit Under the Apple Tree (The Andrews Sisters) * Elmer's Tune (Glenn Miller) * Enjoy Yourself (Guy Lombardo) * Fools Rush In (Glenn Miller) * A Gal in Calico (Johnny Mercer) * How About You? (Tommy Dorsey) * How Are Things in Glocca Morra? (Buddy Clark) * How High the Moon (Benny Goodman) * I Fall in Love Too Easily (Frank Sinatra) * I'll Walk Alone (Dinah Shore) * I'm in Love (Doris Day) * Imagination (Glenn Miller) * It's Magic (Doris Day) * I've Heard That Song Before (Harry James) * La Vie en Rose (Edith Piaf) * Laura (Woody Herman) * Mam'selle (Art Lund) * The More I See You (Dick Haymes) * Near You (Francis Craig) * New York, New York (Gene Kelly, Frank Sinatra, & Jules Munshin) * Oh! What It Seemed to Be (Frank Sinatra) * The Old Lamp-Lighter (Sammy Kaye) * Only Forever (Bing Crosby) * Paper Doll (The Mills Brothers) * Powder Your Face with Sunshine (Guy Lombardo) * Red Roses for a Blue Lady (Vaughn Monroe) * Serenade in Blue (Glenn Miller) * Speak Low (Guy Lombardo) * Straighten Up and Fly Right (Nat King Cole) * Swinging on a Star (Bing Crosby) * Take the A Train (Duke Ellington) * Taking a Chance on Love (Benny Goodman) * That Lucky Old Sun (Frankie Laine) * Too-Ra-Loo-Ra-Loo-Ral (That's an Irish Lullaby) (Bing Crosby) * The Trolley Song (Judy Garland) * You'd Be So Nice to Come Home To (Dinah Shore) * You'll Never Know (Dick Haymes) * Zip-a-Dee-Doo-Dah (James Baskett).
$3.99
3.72 €
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Piano, Voix et Guitare
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Guy Lombardo
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Powder Your Face With Sunshine
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Take My Yoke Upon You, a sacred hymn
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1157412 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 3 pages. Kevin G. Pace #757743. Published by Kevin G. Pace (A0.1157412). A delightful sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: My God, my very God, where is thy face today? All I see are clouds through rain; I cannot find my way. My vision is obscured, but my will I give to Thee. Now I sense thy sacred song lending sight to me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy tender voice? Thou has promised answering; help me to make each choice. I feel I’ve waited long, but my will I give to Thee. Now I hear thy sacred strains serenading me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole. My God, my very God, where is thy whisp’ring aid? Doubting faith and unbelief cause me to feel afraid. I cannot sense thy thoughts, but my will I give to Thee. Now I feel thy chords of trust reassuring me: Take my yoke upon you; find rest unto your soul. As you let Me guide your life, I will make you whole.
$1.99
1.86 €
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Chorale SATB
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Kevin G
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I cannot find my way
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Take My Yoke Upon You, a sacred hymn
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Kevin G. Pace
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SheetMusicPlus
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Ensemble de Percussions
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua …
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00
4.66 €
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Ensemble de Percussions
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Joshua Hauser
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Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion
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Slide Ride
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SheetMusicPlus
Ah, but shall I not long?
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by …
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.919010 Composed by Karen E. Peace (KE Peace). Contemporary,Holiday,Love. Octavo. 8 pages. Pax Multimedia #2894557. Published by Pax Multimedia (A0.919010). Love poem by the composer. SSAATTBB with piano for rehearsal only.Text: Ah, but shall i not long for you? Shall I, in obeisance to your scruples , then banish my love to a dark cell and express not its insistent call? It is you who have loved me and made me love -- Now I am as Prometheus, who, seeing fire, could never after forget its light and for that, submitted to burning pain for love of fire and love of human kind. And, captive to its eternally mesmerizing call, consented his liver to be consumed. And so my heart for you. Each ray of the setting sun that lures my essence outside its boundaries Each sparkle reflected on my solitary walls, each note that calls the soul to absent itself from form each subtle intimation of immortality -- at each my soul cries out for you, who has captured and entranced, plundered and bound, myself, in love, to you.
$1.99
1.86 €
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Chorale SATB
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Karen E
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Ah, but shall I not long?
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Pax Multimedia
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SheetMusicPlus
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