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All Kinds of Whether
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All Kinds of Whether (suite for carillon)
Bells,Instrumental Solo - Level 4 - Digital Download SKU: A0.829120 Composed by Joe…
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Bells,Instrumental Solo - Level 4 - Digital Download SKU: A0.829120 Composed by Joey Brink. 20th Century,Contemporary. Individual part. 27 pages. Joey Brink #6657951. Published by Joey Brink (A0.829120). All Kinds of Whether by Joey Brink, for 4 or 4.5-octave carillon.- a suite for carillon by Joey Brink - DELUGEHAILLIGHTNINGRAINDROPSSHOWERSUNBURSTTHUNDERSTORMWINDCreate your own Storm!All Kinds of Whether is a suite of eight movements and fifty-six transitions. Each movement represents a Weather Pattern, and is an ingredient in your storm toolbox.Storms need not incorporate all eight weather patterns (though such a storm would indeed be epic). In fact, some storms may consist of just one movement, or two, or three, or four, or more. Storms may begin with any weather pattern and end with any weather pattern. Weather patterns can be combined in any order by taking the appropriate transition from one to another. No two storms are alike. With eight movements and fifty-six transitions, there are 109,600 possible storms to unleash on your listeners. And even more if you consider recurring weather patterns.ÂÂWhether you create one storm, or another, is entirely up to you. Intermediate to advanced level. Commissioned by the Yale University Guild of Carillonneurs for the 50th anniversary of the Yale Memorial Carillon. Originally published by Yale University in 2016.www.joeybrink.com
$20.00
18.46 €
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Joey Brink
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All Kinds of Whether
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Joey Brink
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SheetMusicPlus
Rondo Alla Turca (LEAD SHEET) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart] FULL SONG!
Instruments en Do
C Instrument - Digital Download SKU: A0.1258174 Composed by Wolfgang Amadeus Mozart…
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C Instrument - Digital Download SKU: A0.1258174 Composed by Wolfgang Amadeus Mozart. Arranged by Darek. Classical,March. Lead Sheet / Fake Book. 4 pages. Darek #851420. Published by Darek (A0.1258174). Rondo Alla Turca (LEAD SHEET) Sonata A-major No. 11, KV 331 [Wolfgang Amadeus Mozart]Lead Sheet arrangements of Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 by Wolfgang Amadeus Mozart for various instruments. FULL SONG! Experience the full brilliance of Mozart's Rondo Alla Turca (Turkish March / Turkish Rondo) from Sonata A-major No. 11, KV 331 with our comprehensive lead sheet. This versatile sheet music is designed for various instruments, allowing musicians of all kinds to revel in the captivating melodies and energetic rhythms of this iconic composition. Our lead sheet provides a complete musical roadmap, encompassing the melody, harmonies, and chord progressions, allowing you to explore and interpret Rondo Alla Turca in your unique musical style. Whether you play the piano, guitar, saxophone, or any other instrument, our lead sheet has you covered. Immerse yourself in the Classical era as you delve into the rich musical tapestry woven by Mozart. Rondo Alla Turca showcases the composer's genius and technical prowess, transporting listeners to a time of artistic innovation and musical grandeur. The lead sheet is suitable for musicians of varying skill levels, making it accessible for both novice players looking to delve into Mozart's masterpiece and experienced musicians seeking to add this timeless composition to their repertoire. Position yourself as a versatile musician by incorporating Rondo Alla Turca into your performances. Our lead sheet allows you to unleash your creativity and showcase your skill as you navigate the intricate melodies and explore the harmonic landscape of the composition. By offering a lead sheet for Rondo Alla Turca, we provide a valuable resource for musicians seeking to expand their repertoire and captivate audiences with this beloved composition. Whether you perform as a soloist or collaborate with other musicians, our lead sheet serves as a powerful tool for creating memorable musical experiences. With its broad appeal and timeless charm, Rondo Alla Turca remains a favorite among audiences around the world. By incorporating this masterpiece into your repertoire, you not only embrace the beauty of classical music but also showcase your musical versatility and expertise. Unlock the potential of your instrument and embark on a musical journey that transcends boundaries. Our lead sheet for Rondo Alla Turca offers a gateway to exploring the intricacies of Mozart's composition, allowing you to tap into the expressive possibilities and unleash your inner artist. Don't miss the opportunity to immerse yourself in the enchanting world of Mozart's Rondo Alla Turca. With our versatile lead sheet, you can breathe life into this timeless composition, showcasing your talent and passion for music. Begin your musical adventure today and let the power of Mozart's genius inspire your performances.
$4.00
3.69 €
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Instruments en Do
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offering a lead sheet for Rondo Alla Turca, we provide a valuable resource for musicians seeking to expand their repertoire and captivate audiences with this beloved composition
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Wolfgang Amadeus Mozart
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Darek
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Rondo Alla Turca
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Darek
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.68 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Apicius de re Coquinaria
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1228302 Composed by Thomas O…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1228302 Composed by Thomas Oboe Lee. 20th Century,21st Century,Classical,Contemporary. Score. 57 pages. Thomas Oboe Lee #824420. Published by Thomas Oboe Lee (A0.1228302). Program note. Â I am a foodie. Â I love all kinds of food. Â I especially relish the experience of trying new dishes found at cutting-edge restaurants. Â But I am also a fan of traditional cooking at a local trattoria or bistro. Â I also love to cook in my own kitchen, for family and friends. Â I used to make Chinese food, but after spending a year in Italy as a Fellow at the American Academy in Rome, 1986-87, I became a convert to Italian cuisine. Â These days I basically only cook Italian. Â My teachers are Marcella Hazan, Lidia Bastianich, and the ubiquitous 60-Minute Gourmet author, Pierre Franey. Â So when I recently came upon this ancient cookbook, De re coquinaria by Marcus Gavius Apicius, AD 14-37, I immediately thought I would set the recipes from the book into a song cycle for tenor and piano.There are ten chapters in the book. Â But there is a dispute as to whether Books IX and X were written by someone else other than Apicius. Â With that in mind, I am only setting recipes from the first eight books, or chapters.I. Epimeles - The Diligent Cook - Fine spiced wineII. Sarcoptes - The Butcher - Brain sausageIII. Cepuros - The Gardener - For digestion and inflammationIV. Pandectes - Miscellanea - Smelt pie or sprat custardV. Ospreon - Legumes - Peas, supreme styleVI. Aeropetes - The Fowl - Crane or duck with turnipsVII. Polyteles - The Sumptuous - Roasting, plainVIII. Tetrapus - The Quadruped - Stuffed boiled suckling pig.
$9.99
9.22 €
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Piano, Voix
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Thomas Oboe Lee
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Apicius de re Coquinaria
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Thomas Oboe Lee
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SheetMusicPlus
Master, the Tempest is Raging (SATB)
Chorale SATB
Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723296 Composed by Mary An…
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Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.723296 Composed by Mary Ann Baker, H.R. Palmer. Arranged by Garrett Breeze. Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Lagom Music #6093717. Published by Lagom Music (A0.723296). This arrangement by Garrett Breeze is easy to learn and fun to sing! The men and women sing the first and second verses respectively in unison, then come together on the third verse in familiar harmony. The piano part is full of movement, evoking the motion of the ocean as it ebbs and flows. An excited and accessible arrangement suitable for many different kinds of church services.Visit https://garrettbreeze.com to read my blog and discover new music!Check out my catalog of choral music at https://holidaychoirmusic.com!Subscribe to my YouTube channel at https://bit.ly/35HZC2d!Lyrics:Master the tempest is raging! The billows are tossing high! The sky is o'ershadowed with blackness. No shelter or help is nigh. Carest thou not that we perish? How canst thou lie asleep when each moment so madly is threat'ning a grave in the angry deep?Master with anguish of spirit I bow in my gried today. The depths of my sad heart are troubled. Oh, waken and save, I pray! Torrents of sin and of anguish sweep o'er my sinking soul, and I perish! I perish! dear Master. Oh hasten and take control!Master, the terror is over, the elements sweetly rest. Earth's sun in the calm lake is mirrored, and heaven's within my breast. Linger, o blessed Redeemer! Leave me alone no more, and with joy I shall make the blest harbor and rest on the blissful shore.The winds and the waves shall obey thy will: Peace, be still. Whether the wrath of the stormtossed sea or demons or men or whatever it be, no waters can swallow the ship where lies the Master of ocean and earth and skies. They all shall sweetly obey Thy will: Peace, be still. Peace, be still. They all shall sweetly obey Thy will: Peace, peace, be still.
$2.25
2.08 €
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Chorale SATB
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Mary Ann Baker, H
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Garrett Breeze
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Master, the Tempest is Raging
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Lagom Music
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SheetMusicPlus
A Different Drum (3-Part)
Chorale 3 parties
Choral Choir (3-Part Mixed) - Level 3 - Digital Download SKU: A0.727282 Composed by…
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Choral Choir (3-Part Mixed) - Level 3 - Digital Download SKU: A0.727282 Composed by Carol Troutman Wiggins. Multicultural,Standards,World. Octavo. 19 pages. Carol Troutman Wiggins #3434327. Published by Carol Troutman Wiggins (A0.727282). A DIFFERENT DRUM(w/Djembe, Congas, Cajon, Bucket Drums, or Other World Percussion)SSA/TTB or 3-Part Mixed VoicesNeed a high powered, driving beat song to bring the house down as an opener or closer? This is a SUPER piece of music!The message is . . . even though we are individuals and step to the beat of a different drum, we can still work together to make the world a better place. It promotes unity, harmony, diversity, peace, changing the world. This song makes an impact whether it is sung simply or if a production number is created using all kinds of drums. Afew drum types are suggested, but anthing you have on hand can be uaed, even hand claps or other body percussion.Excellent for middle school, high school and beyond. Great for adult choirs as well.Written in a key which can be used for SSA, TTB (lower the octaves as necessary), or mixed voices.Opportunity to teach accented notesDrum parts are included in score, however, the last page is the individual drumming score for practice or performance.The verse is semi-contemporary and can be used as as solo, then the chorus wows the audience with the rhythm of the lyrics and drumsEasy, repetitive lyricsContemporary harmoniesChords included for additional instruments, if desiredPiano Accompaniment Track available on this site
$2.50
2.31 €
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Chorale 3 parties
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Carol Troutman Wiggins
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A Different Drum
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Carol Troutman Wiggins
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SheetMusicPlus
A Different Drum (3-Part) Piano Accompaniment Track
Accompagnement Piano
Choir,Hand Percussion,Multi-Percussion,Piano - Digital Download SKU: A0.1065493 Com…
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Choir,Hand Percussion,Multi-Percussion,Piano - Digital Download SKU: A0.1065493 Composed by Carol Troutman Wiggins. Multicultural,Standards,World. Accompaniment. Duration 258. Carol Troutman Wiggins #3434329. Published by Carol Troutman Wiggins (A0.1065493). A DIFFERENT DRUM (Piano Accompaniment Track)(w/Djembe, Congas, Cajon, Bucket Drums, or Other World Percussion)SSA/TTB or 3-Part Mixed VoicesNeed a high powered, driving beat song to bring the house down as an opener or closer? This is a SUPER piece of music!The message is . . . even though we are individuals and step to the beat of a different drum, we can still work together to make the world a better place. It promotes unity, harmony, diversity, peace, changing the world. This song makes an impact whether it is sung simply or if a production number is created using all kinds of drums. Afew drum types are suggested, but anthing you have on hand can be uaed, even hand claps or other body percussion.Excellent for middle school, high school and beyond. Great for adult choirs as well.Written in a key which can be used for SSA, TTB (lower the octaves as necessary), or mixed voices.Opportunity to teach accented notesDrum parts are included in score, however, the last page is the individual drumming score for practice or performance.The verse is semi-contemporary and can be used as as solo, then the chorus wows the audience with the rhythm of the lyrics and drumsEasy, repetitive lyricsContemporary harmoniesChords included for additional instruments, if desired
$5.99
5.53 €
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Accompagnement Piano
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Carol Troutman Wiggins
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A Different Drum
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Carol Troutman Wiggins
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SheetMusicPlus
Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download
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Soprano voice, mezzo-soprano voice, or tenor voice and piano - Medium - Digital Download SKU: MQ.9229-E Composed by Juliana Hall. 7 pages. E. C. Schirmer Music Company - Digital #9229-E. Published by E. C. Schirmer Music Company - Digital (MQ.9229-E). English.Written for Jun Mo Yang, a young tenor studying in the graduate Vocal Arts Program at the Bard Conservatory of Bard College. He and his fellow students were working on a special project studying contemporary composers whose work engages with climate change, environmentalism, and the natural environment. The students had been asked to read a chapter from David Haskell’s Sounds Wild and Broken and had further been given the following direction to guide them: “we are assigning each of you to a project in which you will seek out song repertoire from a living composer whose work responds to climate change or the natural environment, heightening our connection to and awareness of the natural world. This topic has arisen from a call to Bard faculty to #MakeClimateAClass: Bard faculty are urged to use our collective power as educators to engage with the climate change crisis.â€Jun wrote to me that he was drawn to my music and asked whether any of my songs might fit within this subject area. At the time I had plenty of songs that spoke of the natural world, but none I could categorize as specifically dealing with the class’ more narrow focus, so I offered to write this song on a poem by one of my favorite poets, Carl Sandburg, who even by the early twentieth century was noting the degradation of the natural environment and its impact on life of all kinds trying to adjust to changed circumstances brought on in one way or another by man. I quickly found the poem Buffalo Dusk, seeing how strongly it speaks of the extinction of species and the loss that represents. Jun and his teachers remarked what a “beautiful and sad poem†it was, so in short order I was pleased to present this song to Jun, who gave Buffalo Dusk its first performance in April of 2023 at the Bard Conservatory.
$9.95
9.18 €
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Juliana Hall
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Buffalo Dusk: Song for Soprano, Mezzo-Soprano, or Tenor and Piano on a Poem by Carl Sandburg
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
It's Easy To Say (fr 10)
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1086474 By Doug Smith. By Henry Man…
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Piano Solo - Level 5 - Digital Download SKU: A0.1086474 By Doug Smith. By Henry Mancini and Robert Wells. Arranged by Uwe Roessler / Rössler / Rassler. 20th Century,Film/TV,Instructional,Pop,Wedding. Score. 4 pages. Uwe Roessler #690678. Published by Uwe Roessler (A0.1086474). “It´s Easy To Say†from Blake Edwards´ movie “Ten†(1979). A romantic ballad and another Mancini all time great. Whether you want to play it yourself, or just follow Dudley Moore´s magnificient interpretation: This is an “as close as you can possibly get†transcription of Moore´s version in the bar scene from the movie (hence the video link). Played like this, an instrumental version can tell a whole story. There is another, later version (from 1987, I think) in a Henry Mancini TV-show where Moore played it slightly differently. However, I prefer the movie version. I especially admire Dudley Moore for his articulate use of the middle voice played with the left hand. Duration: approx 04.00 min. Advanced level. I´ve listed quite a lot of songs: Mancini Classics, Movie Themes and classic Pop songs for several kinds of instrumentation. Browse ;-) Have fun with my arrangements!
$20.00
18.46 €
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Piano seul
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Doug Smith
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It's Easy To Say
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Uwe Roessler
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SheetMusicPlus
Four Canadian Sketches (Brass Band)
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Fl…
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 5 - Digital Download SKU: A0.767031 Composed by Mike Lyons. 20th Century,Contemporary,Multicultural,Patriotic,World. Brass Band. 185 pages. Lyons Music Services #46377. Published by Lyons Music Services (A0.767031). This is an arrangement for Brass Band of my Flute Octet of the same name. It will need at least a 1st section band to handle the last movement. This might be a good piece to use in an entertainments contest. There is quite a bit for the percussion to do which took some doing as the original had none. The four movements represent my thoughts about Canada and its people. 1. March for the Frontiersmen: Canada has a lot of wilderness that has not been spoiled by man. This movement represents the rugged frontiersmen pushing through the Canadian forests. 2. The Great White Cold: I imagined the bitter freezing cold and icy beauty of Canadian winters (not that I have ever experienced such) and I used some slightly unusual techniques to create the impression of a cold wind blowing across the arctic scenery. 3. Campfire Songs: I had this vision of the great outdoors with Canadian families going camping in the mountainous regions sitting round their campfire at night and singing songs. I had no idea at the time whether Canadians were campfire songsters or what kinds of songs they might choose, so I selected a number of ’folk’ songs from the Great Canadian Tune Book and incorporated them into this movement. 4. The New Found Land: This movement moves to Canada’s eastern seaboard and I imagined new emigrants to the country arriving at a busy harbour and seeing all the hustle and bustle of a lively community and sea port. With some difficulty the debarkees find their land legs but then become absorbed in the lively new world to which they have moved.
$40.00
36.92 €
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Mike Lyons
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Four Canadian Sketches
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Lyons Music Services
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SheetMusicPlus
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