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Quatuor de Saxophones: 4 saxophones
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All Of The Lights - Eb Alto Sax
Partitions à imprimer
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Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexan…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.549467 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499755. Published by jmsgu3 (A0.549467). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.87 €
#
Saxophone Alto et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Alto Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Saxophone Baryton, Piano
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Al…
(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.87 €
#
Saxophone Baryton, Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexa…
(+)
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.549469 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499759. Published by jmsgu3 (A0.549469). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.87 €
#
Saxophone Tenor et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Tenor Sax & Piano
#
jmsgu3
#
SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Ale…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.549466 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499743. Published by jmsgu3 (A0.549466). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
17.87 €
#
Saxophone Soprano et Piano
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2 for Soprano Sax & Piano
#
jmsgu3
#
SheetMusicPlus
All Of The Lights
Ensemble de saxophones
Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Digital Download …
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Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Digital Download SKU: A0.1305615 By Kanye West. By Jeffrey Bhasker, Kanye West, Malik Jones, Scott Mescudi, Stacy Ferguson, and Warren Trotter. Arranged by Naudia W. Hip-Hop,New Age,R & B,Singer/Songwriter. 5 pages. Naudia W #895068. Published by Naudia W (A0.1305615). Saxophone Fanfare.
$15.00
13.44 €
#
Ensemble de saxophones
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Kanye West
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Naudia W
#
All Of The Lights
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Naudia W
#
SheetMusicPlus
Blinding Lights
Saxophone Alto
Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1256076 By The Weeknd. By …
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Alto Saxophone Solo - Level 1 - Digital Download SKU: A0.1256076 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Douglas Cameron. 21st Century,Contemporary,Pop. Individual part. 3 pages. Darkstream Music #849543. Published by Darkstream Music (A0.1256076). Our Easy-Play series allows players of all abilities to play their favourite songs from big name artists, this chart is a simple arrangement for alto sax of the number 1 hit Blinding Lights by The Weeknd.
$4.99
4.47 €
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Saxophone Alto
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The Weeknd
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Douglas Cameron
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Blinding Lights
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Darkstream Music
#
SheetMusicPlus
All Of The Lights
Fanfare
Marching Band - Level 2 - Digital Download SKU: A0.1246680 By Kanye West. By Jeffre…
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Marching Band - Level 2 - Digital Download SKU: A0.1246680 By Kanye West. By Jeffrey Bhasker, Kanye West, Malik Jones, Scott Mescudi, Stacy Ferguson, and Warren Trotter. Arranged by Connor Moen. 21st Century,Contemporary,March,Pop,R and B. 27 pages. Connor J Moen #841311. Published by Connor J Moen (A0.1246680). An arrangement of All of the Lights by Kayne West for marching band. Instrumentation is: Piccolo, Flute, Clarinet 1and2, Bass Clarinet, Alto Sax, Tenor Sax, Bari Sax, Trumpet 1and2, Trombone 1and2, Baritone Horn, Tuba, Snare Drum, Tenor Drums, Bass Drum, and Cymbals.For specific instrument changes or custom arrangements of songs, please email me at moen.connor@gmail.com.
$60.00
53.75 €
#
Fanfare
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Kanye West
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Connor Moen
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All Of The Lights
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Connor J Moen
#
SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe …
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Small Ensemble - Level 4 - Digital Download SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
8.95 €
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto for jazz saxophone and orchestra
#
Thomas Oboe Lee
#
SheetMusicPlus
Bright Lights Bigger City
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.751989 By Cee Lo Green. By Ben Al…
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Concert Band - Level 4 - Digital Download SKU: A0.751989 By Cee Lo Green. By Ben Allen, Thomas Callaway, and Tony Reyes. Arranged by Jeffrey Bowen. Contest,Festival,Pop. Score and parts. 46 pages. Music Arrangement Services Inc. #359789. Published by Music Arrangement Services Inc. (A0.751989). Originally performed by Cee Lo Green. This Concert Band Score accompanies the SAB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about enjoying the weekend after a hard work week. The song refers to reward of hard work, weekends, kicking back, working class anthem. This arrangement is designed for high school or college show choir, concert choir or community choir. SAB/Piano Score also available. Performance time is approximately 2:55.
$49.99
44.79 €
#
Orchestre d'harmonie
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Cee Lo Green
#
Jeffrey Bowen
#
Bright Lights Bigger City
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Music Arrangement Services Inc.
#
SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
8.95 €
#
Orchestre
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto for jazz saxophone and orchestra
#
Thomas Oboe Lee
#
SheetMusicPlus
Lights
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: …
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Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Digital Download SKU: A0.930113 By Journey. By Neal Schon and Steve Perry. Arranged by Jeff Perholtz. Rock. Score and parts. 6 pages. Fab Forward Entertainment #5213879. Published by Fab Forward Entertainment (A0.930113). This arrangement of Journey's classic Lights is great for rock bands that want to perform with a 3 piece horn section. Note that the sax part has been transcribed for either Alto or Tenor. This arrangement should be used to accompany a band performing the song as it was originally recorded.
$12.99
11.64 €
#
Journey
#
Jeff Perholtz
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Lights
#
Fab Forward Entertainment
#
SheetMusicPlus
Joy
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - Digital Download SKU: A0.1357023 By For King & Country. By Ben Glover, Blake Kanicka, Joel Smallbone, Luke Smallbone, Matt Hales, Seth Mosley, and Tedd Tjornhom. Arranged by Jeff Tincher. Christian,Contemporary,Praise & Worship,Religious,Sacred. 17 pages. Jeff Tincher #941650. Published by Jeff Tincher (A0.1357023). It's a dark stage...For King & Country has just finished their concert. Or have they? All of a sudden you hear the lead marimba notes and lights flash...and you know they are back for their encore. This is a great song that is still a part of their concert. Duration = 3:54. Visit my websites: https://jtp.spread.name/, https://jefftincher.wixsite.com/sheetmusic, https://www.facebook.com/jefftincherpublishing/.
$12.99
11.64 €
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Quatuor de Saxophones: 4 saxophones
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For King & Country
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Jeff Tincher
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Joy
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Jeff Tincher
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SheetMusicPlus
Blinding Lights
Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4…
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Alto Saxophone,Baritone Saxophone,Drum Set,Tenor Saxophone,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1356982 By The Weeknd. By Abel Tesfaye, Ahmad Balshe, Jason Quenneville, Max Martin, and Oscar Holter. Arranged by Blake LaBarge. Blues,Jazz,Pop. 25 pages. Blake LaBarge #941609. Published by Blake LaBarge (A0.1356982). This is a 7-piece brass band cover of the top hit song Blinding Lights by the Canadian singer-songwriter the Weeknd. The chart is written with swing 8ths, but you can totally play it straight! Feel free to workshop this chart to fit your bands needs and wishes!
$25.00
22.4 €
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The Weeknd
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Blake LaBarge
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Blinding Lights
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Blake LaBarge
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SheetMusicPlus
Extinction Events for Band Woodwind Section
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor…
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Bass Clarinet,Bassoon,Flute,Oboe,Tenor Saxophone - Level 5 - Digital Download SKU: A0.582104 Composed by John Gibson. Contemporary. 134 pages. JB Linear #5298005. Published by JB Linear (A0.582104). Extinction Events by John Gibson Written for the woodwind choir of a concert band, it is a three movement work lasting about 8 minutes and is for advanced players. The movements are: Buzzy Delights (Honey Bees), It Isn't Easy Being a Cuckoo, and Jaguar Surprise.Each movement imagines a different animal or insect living in its habitat as it gradually deteriorates. One might think this would be sad, violent music, but each earthly creature is shown in its musical habitat where it happily does what it does best....bees buzzing around flowers, cuckoos gently calling in the forest, Jaguars quietly stalking their prey. The habitat changes are depicted by gradual use of unstable scales, and the sometimes hidden ancient tune of the Dies Irae, the Day of Wrath.The point I wish to make is how humans must be watchful of wildlife habitats because we are all in this limited world together. Where wild creatures go, so do we. It was best said by Jane Goodall: Only if we understand can we care. Only if we care will we help. Only if we help shall they be saved.The parts included are: Flute 1-2, Oboe 1-2, Bb Clarinet 1-3, Bass Clarinet, Bassoon 1-2, Alto Sax 1-2, Tenor Sax, and Baritone Sax.
$41.25
36.96 €
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John Gibson
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Extinction Events for Band Woodwind Section
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JB Linear
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SheetMusicPlus
Kid On Christmas
Choral Alto Saxophone,Piano and Keyboard,Soprano Saxophone (SSA) - Level 3 - Interactive D…
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Choral Alto Saxophone,Piano and Keyboard,Soprano Saxophone (SSA) - Level 3 - Interactive Download SKU: A0.1284709 By Pentatonix Featuring Meghan Trainor. By Jared Conrad, Kevin Olusola, Matt Sallee, Meghan Trainor, Scott Hoying, and Trannie Stevens. Arranged by Dan Garrett. This edition: Interactive Download. Christmas,Holiday,Pop,Rock. Octavo. 20 pages. Duration 188. Daniel Garrett #6MKEXmJ0AICuCwm1LgaDZU. Published by Daniel Garrett (A0.1284709). Key: G major.First performed in 2022 by Pentatonix and Meghan Trainor, Kid on Christmas is an up-tempo song in an early rock and roll style with a great message. This arrangement is suitable for high school and community choirs. Lyrics: May your holidays be jolly Your hallways filled with holly Your fireside stays burning brighter Than it did before May your string lights keep that twinkle May your silver bells all jingle And carolers sing carols at your door Chorus: And may your heart be evergreen Every December And a part of you believe And always remember That sugarplums dance and reindeer fly And Santa always reads your letters And may you stay a kid on Christmas forever May you're turning eighty-seven Be going on elеven You never grow too old for stockings Full of candy canеs May you stay up late and listen To hear, Comet, Cupid, Donner and Blitzen Prancing on the rooftop (Santa's down the chimney) Oh, dropping off your presents (for some milk and cookies) Chorus You know I hope you wake up eyes wide open A little love and joy in every moment Hope you never lose your wonder And every year you're growing younger And when the snowflakes fall Deck the halls And still feel the magic of it all.
$2.49
2.23 €
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Pentatonix Featuring Meghan Trainor
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Dan Garrett
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Kid On Christmas
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Daniel Garrett
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SheetMusicPlus
Kid On Christmas
Choral Alto Saxophone,Bass Voice,Piano and Keyboard,Soprano voice (SAB) - Level 3 - Intera…
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Choral Alto Saxophone,Bass Voice,Piano and Keyboard,Soprano voice (SAB) - Level 3 - Interactive Download SKU: A0.1284720 By Pentatonix Featuring Meghan Trainor. By Jared Conrad, Kevin Olusola, Matt Sallee, Meghan Trainor, Scott Hoying, and Trannie Stevens. Arranged by Dan Garrett. This edition: Interactive Download. Christmas,Holiday,Pop,Rock. Octavo. 20 pages. Duration 189. Daniel Garrett #7kjDv9c8fAbENYuZHl3dq8. Published by Daniel Garrett (A0.1284720). Key: G major.First performed in 2022 by Pentatonix and Meghan Trainor, Kid on Christmas is an up-tempo song in an early rock and roll style with a great message. This arrangement is suitable for high school and community choirs. Lyrics: May your holidays be jolly Your hallways filled with holly Your fireside stays burning brighter Than it did before May your string lights keep that twinkle May your silver bells all jingle And carolers sing carols at your door Chorus: And may your heart be evergreen Every December And a part of you believe And always remember That sugarplums dance and reindeer fly And Santa always reads your letters And may you stay a kid on Christmas forever May you're turning eighty-seven Be going on elеven You never grow too old for stockings Full of candy canеs May you stay up late and listen To hear, Comet, Cupid, Donner and Blitzen Prancing on the rooftop (Santa's down the chimney) Oh, dropping off your presents (for some milk and cookies) Chorus You know I hope you wake up eyes wide open A little love and joy in every moment Hope you never lose your wonder And every year you're growing younger And when the snowflakes fall Deck the halls And still feel the magic of it all Chorus.
$2.49
2.23 €
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Pentatonix Featuring Meghan Trainor
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Dan Garrett
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Kid On Christmas
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Daniel Garrett
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SheetMusicPlus
Light Switch
Fanfare
Marching Band - Level 4 - Digital Download SKU: A0.1347982 By Charlie Puth. By Char…
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Marching Band - Level 4 - Digital Download SKU: A0.1347982 By Charlie Puth. By Charlie Puth, Jacob Kasher Hindlin, and Jacob Torrey. Arranged by Ward Miller. Pop,Rock. 35 pages. Dr. Ward Miller, LLC #932796. Published by Dr. Ward Miller, LLC (A0.1347982). This arrangement of Charlie Puth's bright hit features brilliant recreations of the original rich harmonies and the use of lights out moments of silence. Your audience and band will love this chart! Like all arrangements in this series, this publication includes: Score (8.5x11 landscape) Parts (flip folder sized) Flute/Piccolo Clarinet 1-2 Bass Clarinet Alto Sax 1-2 Tenor Sax Bari Sax Trumpet 1-3 Mellophone 1-2 Trombone 1-2 Baritone (BC and TC) Tuba Electric Bass Snare Tenors Bass Drums (5-line) Cymbals
$99.99
89.58 €
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Fanfare
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Charlie Puth
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Ward Miller
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Light Switch
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Dr. Ward Miller, LLC
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SheetMusicPlus
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