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All These Things
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Jesus Shall Reign Where'er the Sun
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arr…
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99
4.59 €
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Piano seul
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John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the Sun
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Paul Thurmond
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SheetMusicPlus
All The Things You Are
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893248 By Jack Leonard with …
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893248 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Rob Ames. Contemporary. Score. 3 pages. Rob Ames #6204855. Published by Rob Ames (A0.893248). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.59 €
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Piano, Voix
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Jack Leonard with Tommy Dorsey Orchestra
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Rob Ames
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All The Things You Are
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Rob Ames
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SheetMusicPlus
The Killers : All These Things That I've Done (niveau facile/intermédiaire)
Violon
Téléchargez la partition Violon All These Things That I've Done (niveau…
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Téléchargez la partition Violon All These Things That I've Done (niveau facile/intermédiaire) de The Killers. Partition pour Violon avec accomp. orchestre -- Pop/rock
5.99 €
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Violon
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done (niveau facile)
Violon
Téléchargez la partition Violon All These Things That I've Done (niveau…
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Téléchargez la partition Violon All These Things That I've Done (niveau facile) de The Killers. Partition pour Violon avec accomp. orchestre -- Pop/rock
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Violon
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done (niveau intermédiaire)
Batterie
Téléchargez la partition Batterie All These Things That I've Done (nive…
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Téléchargez la partition Batterie All These Things That I've Done (niveau intermédiaire) de The Killers. Partition avec audio Play Along. -- Pop/rock
5.99 €
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Batterie
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done (niveau très facile)
Violon
Téléchargez la partition Violon All These Things That I've Done (niveau…
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Téléchargez la partition Violon All These Things That I've Done (niveau très facile) de The Killers. Partition pour Violon avec accomp. orchestre -- Pop/rock
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Violon
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done - Version originale (niveau difficile)
Batterie
Téléchargez la partition Batterie All These Things That I've Done - Ver…
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Téléchargez la partition Batterie All These Things That I've Done - Version originale (niveau difficile) de The Killers. Partition avec audio Play Along. -- Pop/rock
5.99 €
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Batterie
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done (niveau facile)
Batterie
Téléchargez la partition Batterie All These Things That I've Done (nive…
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Téléchargez la partition Batterie All These Things That I've Done (niveau facile) de The Killers. Partition avec audio Play Along. -- Pop/rock
5.99 €
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Batterie
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The Killers
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All These Things That I've Don
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Tomplay
The Killers : All These Things That I've Done (niveau débutant)
Batterie
Téléchargez la partition Batterie All These Things That I've Done (nive…
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Téléchargez la partition Batterie All These Things That I've Done (niveau débutant) de The Killers. Partition avec audio Play Along. -- Pop/rock
5.99 €
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Batterie
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The Killers
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All These Things That I've Don
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Tomplay
All These Things That I've Done
Chorale SATB
Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Down…
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Choral Alto Voice,Bass Voice,Soprano voice,Tenor Voice (SATB) - Level 3 - Interactive Download SKU: A0.479838 By The Killers. By Brandon Flowers, Dave Keuning, Mark Stoermer, and Ronnie Vannucci. Arranged by Deke Sharon. This edition: Interactive Download. Rock. Octavo. Duration 274. Deke Sharon #3nkJDGQsbs4238VUq1b4r3. Published by Deke Sharon (A0.479838). Key: F# major.I am excited to sell my music on Noteflight Marketplace and let ensembles adapt this arrangement for their needs. Please enjoy and perform this with all the passion in your heart!
$1.99
1.83 €
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Chorale SATB
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The Killers
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Deke Sharon
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All These Things That I've Done
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Deke Sharon
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.67 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
The Best Hymns of All Time (for Wind Instruments) Book 3
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arran…
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
29.4 €
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Orchestre d'harmonie
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
All The Things You Are
Flûte traversière et Piano
Flute,Piano - Level 4 - Digital Download SKU: A0.647782 By Jack Leonard with Tommy …
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Flute,Piano - Level 4 - Digital Download SKU: A0.647782 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2929289. Published by theupperstaff (A0.647782). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.26 €
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Flûte traversière et Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
All The Things You Are
Trompette, Piano
Piano,Trumpet - Level 4 - Digital Download SKU: A0.647787 By Jack Leonard with Tomm…
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Piano,Trumpet - Level 4 - Digital Download SKU: A0.647787 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 13 pages. Theupperstaff #2931555. Published by theupperstaff (A0.647787). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement. 
$8.99
8.26 €
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Trompette, Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
All The Things You Are
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.647786 By Jack Leonard w…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.647786 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2931537. Published by theupperstaff (A0.647786). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.26 €
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Saxophone Tenor et Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
All The Things You Are
Hautbois, Piano (duo)
Oboe,Piano - Level 4 - Digital Download SKU: A0.647783 By Jack Leonard with Tommy D…
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Oboe,Piano - Level 4 - Digital Download SKU: A0.647783 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2930681. Published by theupperstaff (A0.647783). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.26 €
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Hautbois, Piano (duo)
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
All The Things You Are
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.647790 By Jack Leonard with Tommy …
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Piano,Viola - Level 4 - Digital Download SKU: A0.647790 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Nick Lacanski. Musical/Show. Score and part. 14 pages. Theupperstaff #2937487. Published by theupperstaff (A0.647790). This arrangement from the musical, Very Warm for May, has two distinct sections. The first is in the style of a ballad. The second section is a classic swing which includes a walking bass line. These two sections are separated by an ad lib solo section. This section may be played in the tempo and style of the ballad or faster in the style of the upcoming swing section. Chord progressions are provided for this section. Thanks for taking a look at this arrangement.
$8.99
8.26 €
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Alto, Piano
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Jack Leonard with Tommy Dorsey Orchestra
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Nick Lacanski
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All The Things You Are
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theupperstaff
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SheetMusicPlus
Every Life Shall Be a Song (Downloadable Choral Score)
Chorale TTBB
TTBB choir and piano (Orchestra: 2 1 1 1 — 2 2 1 0 — 1 — 0 — S…
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TTBB choir and piano (Orchestra: 2 1 1 1 — 2 2 1 0 — 1 — 0 — Str — TTBB Chorus, Percussion (Timpani, Tenor Drum, Suspended Cymbal, Crash Cymbals)) - Moderately Easy - Digital Download SKU: MQ.8600-E Composed by Gwyneth W. Walker. Secular, 21st century. Downloadable choral score. 12 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8600-E. Published by E. C. Schirmer Music Company - Digital (MQ.8600-E). English.A celebration of life, unity, and music, this is a setting of a poem by the 19th-century British author John Addington Symonds (1840-1893). The text speaks of the future with hope: A loftier race then e'er the world has known shall rise. The healing and transforming power of music is essential to this hope. When every life shall be a song, then all the earth is a paradise. Throughout, the message is triumphant: These things shall be! The musical expression alternates between added-tone chords (representing building for the future) and melodic phrases for the more tender passages of the poem: we will be gentle, brave, and strong ). Commissioned and premiered by the Boston Gay Men's Chorus. Duration: 3:30.
$2.65
2.44 €
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Chorale TTBB
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Gwyneth W
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Every Life Shall Be a Song
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
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