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Orchestre d'harmonie
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All Through The Night - Full Score
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Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.11 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
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Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.14 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Musik Fabrik Music Publishing
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SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
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Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18 €
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Piano Facile
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Claude Debussy/Robert Orledge
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Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
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Musik Fabrik Music Publishing
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SheetMusicPlus
The Best Hymns of All Time (Violin, Cello and Piano) Book 1
Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download …
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Piano Trio,String Ensemble Cello,Double Bass,Piano,Violin - Level 2 - Digital Download SKU: A0.522286 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 50 pages. Colin Kirkpatrick Publications #6596257. Published by Colin Kirkpatrick Publications (A0.522286). We’re really excited to present our collection of sixty of the best-loved hymns ever composed, presented in three books. Arranged for violin, cello and piano they are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. To make the music accessible to less experienced string players, the range of the notes has been kept fairly low so that many of the arrangements can be played in first position, though more experienced players would probably want to avoid open strings. The cello part does not follow the bass but instead plays an independent tenor line using to the mid to upper range of the instrument. The top note in the cello part is the F sharp above the bass clef. The piano part has been kept as straightforward as possible with the left hand playing the bass part. To extend the possible uses of this collection, there’s also a melody part printed in the bass clef, an octave lower than the violin part. This could of course be used for cello solo or indeed for any other bass clef instrument. Included in the 50-page PDF file is an optional bass part which follows the piano left hand and could be used for string bass or bass guitar. With such a small ensemble, a conductor is hardly necessary and to save on costs the pianist reads from the score. For this reason, the piano part in the score has been slightly enlarged. Book 1 contains the following twenty popular hymns: Abide with Me (Eventide); All Glory, Laud and Honor (St. Theodulph); All Hail the Power of Jesus' Name (Coronation); All Through the Night (Ar Hyd y Nos); City of God, How Broad and Far (Richmond - Haweis); Fairest Lord Jesus (Crusader’s Hymn); Fight the Good Fight (Duke Street); Forth in Thy Name (Angel's Song, Song 34); Guide Me, O Thou Great Redeemer (Cwm Rhondda); He who Would Valiant Be (Monk’s Gate); Holy, Holy, Holy! (Nicea); I Heard the Voice of Jesus Say (Kingsfold); Jesu, Lover of my Soul (Aberystwyth); Nearer my God to Thee (Bethany); Now Thank We All Our God (Nun Danket); O Worship the King (Hanover); Rejoice, the Lord is King (Darwall’s 148th); Soldiers of Christ, Arise (Diademata); The Lord’s my Shepherd (Crimmond); What a Friend we Have in Jesus (Converse). The music has been set in string-friendly keys so they are not compatible with the brass or wind publications of the same name. The audio samples include Abide with Me; All Through the Night; I Heard the Voice of Jesus Say; Nearer my God to Thee and What a Friend we Have in Jesus.
$15.99
14.43 €
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Various
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Colin Kirkpatrick
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The Best Hymns of All Time
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Colin Kirkpatrick Publications
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
144.34 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
String Quartet No. I, "The Mydnyte Sun".
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1006442 Composed…
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.1006442 Composed by David Jaedyn Conley. 20th Century,Classical,Contemporary,Film/TV,Romantic Period. Score and parts. 113 pages. Mydnyte Publishing #2016293. Published by Mydnyte Publishing (A0.1006442). This is a programmatic piece about nightfall, night, and the dawn. Having worked primarily nightshift for the past few years, my life began a somewhat alternative nature – my day time was illuminated by the moon, and I watched the sun rise every day for three and a half years…I saw the city through different eyes, and watched as various denizens of the night would emerge and cavort beneath The Midnight Sun. I was exposed to an entirely different culture and learned that the city really didn’t sleep after all. The piece starts with the decline of the sun as the shadows grow longer and the creatures of the night begin to emerge beneath the stars. Secondly, we observe the midnight moon which acts as our illumination in the dark of night. Continuing on, the piece begins its celestial dance among the stars of the Northern hemisphere and finally ends with the emergence of dawn – the night slipping away like fragile tendrils of fog, or the vague ether of a dream. David Jaedyn Conley, 2005 Composer David Jaedyn Conley moves easily between the stridency of the Moderns and the sweetness of the Romantics. He is equally adept at writing polyrhythmic ensemble percussion and lyrical contrapuntal melodies. The result is both lush and austere, always evocative. CNET.COM.
$50.00
45.11 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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David Jaedyn Conley
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String Quartet No. I, "The Mydnyte Sun".
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Mydnyte Publishing
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SheetMusicPlus
No Bears Out Tonight and Other Tunes for Beginner Piano
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.819475 Composed by Traditional. Arr…
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Easy Piano - Level 1 - Digital Download SKU: A0.819475 Composed by Traditional. Arranged by Sara Garrard. Children,Folk,Instructional. Score. 23 pages. Sara Garrard #6073949. Published by Sara Garrard (A0.819475). Over 20 tunes! A selection of well known traditional British and American children's songs (and a couple French), aimed at beginner piano learners. Large print, landscape format, with illustrations, this is a fun supplement to method books. Many pieces are in middle C position. Mostly only one hand at a time. A few pieces are longer and more challenging, with basic chords.Table of contents:No Bears Out TonightLightly RowAu Clair de la LuneOde to JoyMerrily we roll alongAll through the nightFrère JacquesRed River ValleyOld MacDonaldMy Bonnie Lies Over the OceanMichael, Row the Boat AshoreRow Row Row Your BoatDaisy Daisy (Daisy Bell)Down By The BayLong long agoHere we go round the mulberry bushThere’s a hole in my bucketDo your ears hang low?When the Saints go marching inLondon Bridge is falling downThe Farmer’s in the DellThe Bear went over the Mountain
$8.99
8.11 €
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Piano Facile
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The Bay
Long long ago
Here we go round the mulberry bush
There’s a hole in my bucket
Do your ears hang low?
When the Saints go marching in
London Bridge is falling down
The Farmer’s in the Dell
The Bear went over the Mountain
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Traditional
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Sara Garrard
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No Bears Out Tonight and Other Tunes for Beginner Piano
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Sara Garrard
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SheetMusicPlus
Rainbow After the Storm
Small Ensemble Flute,Harp,Piano Accompaniment,Voice - Level 3 - Digital Download SKU: A…
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Small Ensemble Flute,Harp,Piano Accompaniment,Voice - Level 3 - Digital Download SKU: A0.963934 Composed by Reba Lunsford. Celtic,Concert,Folk,Holiday. Score and parts. 46 pages. Reba Lunsford #4844795. Published by Reba Lunsford (A0.963934). A collection of original songs and traditional arrangements for folk harp. Fun to play! Great arrangements of standard Irish repertoire, whimsical and entertaining original tunes, some are free-form and contemplative. As the Doe Longs for Running Streams is for harp, voice, piano, and flute. All other titles are solo harp.Contains: All Through the Night, The Adventure, Annie Laurie, As the Doe Longs for Running Streams, Greensleeves, Leapfrog, Mary O' Neill, Mothers and Others, Moving On, Pretty Fairy Princess, Rainbow After the Storm, rapidly running rampant, Rights of Man, SadiSu Won't Marry You, Skye Boat Song, Tootie's Jig, Walking Through Dark Woods, The Water is Wide, What Wondrous Love is This.
$13.00
11.73 €
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Reba Lunsford
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Rainbow After the Storm
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Reba Lunsford
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.74 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Hear the Angels Sing medley - SATB, cello with parts included
Chorale SATB
Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. …
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Arranged by Connie Boss. Christian, Sacred, Celtic, Christmas. Score, Set of Parts. 22 pages. Published by Connie Boss
This is a medley of It Came Upon a Midnight Clear, Angels from the Realms of Glory, While Shepherds Watched Their Flocks by Night, Infant Holy. Some of the lyrics are changed and it is in SATB choir cello with parts included and piano. There is optional narration before each song change that can be sung with the intro. cdboss@cvalley.net See Lyrics below:<br> Hear the Angels Sing<br> <br> “God sent the angels from heaven down to earth to proclaim the message of His son’s birth”<br> <br> *It came upon the midnight clear<br> <br> That glorious song of old<br> <br> From angels bending near the earth<br> <br> To touch their harps of god<br> <br> Peace on the earth, good will to men<br> <br> From heaven’s all gracious king<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing<br> <br> “The angels proclaimed - Come and worship, Christ the newborn King!”<br> <br> *Angels from the realms of glory<br> <br> Wing your flight o’er all the earth<br> <br> You who sang creations story<br> <br> Now proclaim Messiah’s birth<br> <br> Come and worship, come and worship<br> <br> Worship Christ the newborn King<br> <br> “The angels spread God’s message all around; In the country and in the town. The sight of the angels sent fear in some of the people”<br> <br> *While shepherds watched their flocks by night<br> <br> All seated on the ground<br> <br> The angel of the Lord came down<br> <br> And glory shown around, and glory shown around<br> <br> “The angels and all of the people in the area followed a bright star. It shown it’s great light upon a stable. There they found Mary, Joseph and the newborn King”<br> <br> *Star is shining, in the night sky<br> <br> Lighting up the stable walls<br> <br> Baby’s lying in a manger<br> <br> Where His bed’s a cattle stall<br> <br> Mary’s rocking, Joseph’s walking<br> <br> Angels singing, Bells are ringing<br> <br> For the babe, was born for all.<br> <br> “You could hear the angels beautiful voices all over the land. Proclaiming songs about His birth”<br> <br> *Still through the cloven skies they come<br> <br> With peaceful wings unfurled<br> <br> And still their heav’nly music floats<br> <br> O’er all the weary world<br> <br> Peace on the earth good will to men<br> <br> From heaven’s all gracious King<br> <br> The world in solemn stillness lay<br> <br> To hear the angels sing……….
$5.50
4.96 €
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Chorale SATB
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Connie Boss
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Hear the Angels Sing medley - SATB, cello with parts included
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Connie Boss
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SheetMusicPlus
All Through the Night - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1402535 Composed by Old Welsh…
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String Orchestra - Level 4 - Digital Download SKU: A0.1402535 Composed by Old Welsh Song. Arranged by Christopher Kalstad. Christmas,Classical,Holiday,Traditional. 5 pages. Christopher Kalstad #985756. Published by Christopher Kalstad (A0.1402535). The old Welsh tune All Through the Night is now available in this beautiful arrangement for string orchestra. It's the perfect addition to any Christmas program that features a string orchestra. (Score only).
$4.99
4.5 €
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Orchestre à Cordes
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Old Welsh Song
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Christopher Kalstad
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All Through the Night - Score Only
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Christopher Kalstad
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SheetMusicPlus
All Through the Night (Ar Hyd a Nos)
Large Ensemble Clarinet,Flute,Guitar,Hand Percussion,Piano,Trumpet,Ukulele,Violin - Level …
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Large Ensemble Clarinet,Flute,Guitar,Hand Percussion,Piano,Trumpet,Ukulele,Violin - Level 2 - Digital Download SKU: A0.851206 Composed by Traditional (Wales, UK). Arranged by Dan Jones www.danjonesguitarist.com. Celtic,Instructional,World. Score and parts. 25 pages. DanJonesGuitarist #6671675. Published by DanJonesGuitarist (A0.851206). Ar Hyd a Nos (All Through the Night) is a beautiful yet simple Welsh, traditional song. This arrangement is part of a new series which is specially designed for classroom music teachers. The arrangement is very flexible to suit the abilities and resources available to each individual group and their teacher. The instrumentation is: (1) The melody for C instruments (such as flute) (2) An easy part for C instruments (3) The same melody for B flat instruments (4) The same easy part for B flat instruments (5) The same melody for E flat instruments (6) The same easy part for B flat instruments (7) A single-line percussion part (8) A piano part which could be played by a pupil (approximately ABRSM Grade 3) or teacher (9) A ukulele part with chords, the melody and TAB (10) A guitar part with chords, the melody and TAB (11) A bass part in notes and TAB. This part could also be played by a cello, bassoon or any low-range instrument (12) The melody written in a higher octave for more-advanced players (approx. ABRSM Grade 3-4). In the absence of some of the above, the arrangement is still effective due to the doubling of the melody. The bass part can also be omitted as the piano plays appropriate root notes, and the guitar plays chords. The piece is presented in in two sections with a modulation. If time is limited, just one section can be learned. A YouTube video with a demonstration video and audio track will be available at www.danjonesguitarist.com and on YouTube. The link will be published at sheetmusicplus.com. I hope that you find this arrangement useful. If you have suggestions for other pieces and melodies, please do contact me at www.danjonesguitarist.com.
$9.95
8.98 €
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Traditional
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Dan Jones www
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All Through the Night
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DanJonesGuitarist
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SheetMusicPlus
Songs from the British Isles Set 1
Piano, Voix
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1382205 Composed by Tim Knig…
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1382205 Composed by Tim Knight. Arranged by Tim Knight. Folk,Instructional,Traditional. Score. 15 pages. Tim Knight #966735. Published by Tim Knight (A0.1382205). New arrangements of Folk songs for solo singer ( written in keys for all voices)Â In this book The last rose of summer, all through the night, David of the white rock, Fown by the sally Gradens, Through Bushes and Briars.
$6.99
6.31 €
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Piano, Voix
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Tim Knight
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Tim Knight
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Songs from the British Isles Set 1
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Tim Knight
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SheetMusicPlus
Nearer My God To Thee (Titanic) for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1009325 C…
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Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1009325 Composed by Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Film/TV,Multicultural,Praise & Worship,Sacred,World. 9 pages. Keith Terrett #614983. Published by Keith Terrett (A0.1009325). Nearer, My God, to Thee arranged for Brass Quartet, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$10.99
9.92 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Sarah Flower Adams
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Nearer My God To Thee (Titanic) for Young Concert Band
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sara…
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Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
11.72 €
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Orchestre d'harmonie
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
All Through the Night
Harpe
Lever Harp - Level 3 - Digital Download SKU: A0.1470576 Composed by Trad. Welsh. Ar…
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Lever Harp - Level 3 - Digital Download SKU: A0.1470576 Composed by Trad. Welsh. Arranged by Aidan Iams. Celtic,Christmas,Folk,Irish. Score. 2 pages. Aidan Iams #1048239. Published by Aidan Iams (A0.1470576). All Through the Night, a traditional Welsh lullaby (Original: Ar Hyd y Nos), is often considered a standard Christmas carol. This version fits nicely on a small harp, with chords and suggested fingering provided for the right hand. The introduction can be played down an octave to fit even the smallest harp.Song SpecsKey: F (Set Bb)Level: Early Intermediate Harp Range: F3 to G6Chord Symbols: YesFingering: YesBrackets: NoLever changes: None.
$1.99
1.8 €
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Harpe
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Trad
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Aidan Iams
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All Through the Night
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Aidan Iams
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SheetMusicPlus
All Through The Night (Tenor Sax & Piano) - Tenor Sax part
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754508 Composed by Tradi…
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Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.754508 Composed by Traditional. Arranged by Nick Raspa. Celtic,Christmas,Holiday,Irish,Jazz. Score and part. 2 pages. NJR Music #5955677. Published by NJR Music (A0.754508). This is the Tenor Sax part for the arrangement, All Through The Night (a traditional Welsh song) set for Tenor Sax & Piano. It begins with a quiet rendition and then quickly ramps up to a lively swing version. This song is suitable for any occasion and is often heard during the Christmas season. The Piano part is available separately at: Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850948/Product.aspx Sheet Music Plus: https://www.sheetmusicplus.com/title/all-through-the-night-tenor-sax-piano-intermediate-piano-part-digital-sheet-music/21815826?ac=1 Therer is also a piano backing track available at: Sheet Music Plus https://www.sheetmusicplus.com/title/all-through-the-night-intermediate-jazz-piano-backing-track-digital-sheet-music/21815339?ac=1 ASCAP.
$4.95
4.47 €
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Saxophone Tenor et Piano
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Traditional
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Nick Raspa
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Piano
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All Through The Night
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NJR Music
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SheetMusicPlus
All Through the Night: Score
Orchestre d'harmonie
Concert Band - Digital Download SKU: AX.00-PR-0004149 Score. Arranged by Rol…
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Concert Band - Digital Download SKU: AX.00-PR-0004149 Score. Arranged by Roland Barrett. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004149. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004149). UPC: 038081452791.Although considered by many to be a traditional Christmas carol, this traditional Welsh folksong, known as Ar Hyd y Nos, has been translated to numerous languages worldwide, but remains popular with Welsh male choirs. Delightfully voiced with rich harmonic textures, this fresh arrangement reinforces unhurried and well-supported smooth, flowing phrases. Enchanting and musical! (3:00) This title is available in SmartMusic.
$10.00
9.02 €
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Orchestre d'harmonie
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Roland Barrett
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All Through the Night: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
All Through the Night (Ar Hyd Y Nos) - Welsh Christmas Carol, Hymn tune
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.955880 Composed by Tradition…
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Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.955880 Composed by Tradition Welsh Air. Arranged by Scott S. Stewart. Christmas,Concert,Contemporary,Holiday,Sacred. Score. 5 pages. Scott S. Stewart #6640733. Published by Scott S. Stewart (A0.955880). All Through the Night (Ar Hyd Y Nos): to some it’s a lullaby, to others it’s a hymn and yet to others still, it’s a Christmas carol. Originally a Welsh harp tune (pre 1700), this melody has evolved through many forms. Welsh Poet John Ceiriog Hughes contributed verses to the tune, as did the English poet Sir Harold Edwin Boulton. This arrangement is scored for solo voice with keyboard (piano or organ) accompaniment. Performance time: 5:22+-
$9.99
9.01 €
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Piano, Voix
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Tradition Welsh Air
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Scott S
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All Through the Night
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Scott S. Stewart
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
48.72 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
All Through The Night (Alto Sax & Piano) intermediate jazz - Alto Sax part
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.754505 Composed by Tradit…
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Alto Saxophone,Piano - Level 4 - Digital Download SKU: A0.754505 Composed by Traditional. Arranged by Nick Raspa. Celtic,Christmas,Holiday,Irish,Jazz. Score and part. 2 pages. NJR Music #5954699. Published by NJR Music (A0.754505). This is the Alto Sax part for the arrangement, All Through The Night (a traditional Welsh hymn) set for Alto Sax & Piano duet. Â It begins with a quiet rendition and then quickly ramps up to a lively swing version. This hymn is suitable for any occasion and is often heard during the Christmas season.The Piano part is sold separately: at Sheet Music Plus: https://www.sheetmusicplus.com/title/all-through-the-night-alto-sax-piano-intermediate-jazz-piano-part-digital-sheet-music/21815338at Sheet Music Direct: https://www.sheetmusicdirect.com/en-US/se/ID_No/850946/Product.aspxThere is also a piano backing track sold separately at: Sheet Music Plus: https://www.sheetmusicplus.com/title/all-through-the-night-intermediate-jazz-piano-backing-track-digital-sheet-music/21815339?ac=1 ASCAP.
$4.95
4.47 €
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Saxophone Alto et Piano
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Traditional
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Nick Raspa
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All Through The Night
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NJR Music
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SheetMusicPlus
All Through the Night (Ar Hyd Y Nos) - Welsh Christmas Carol Hymn tune
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955881 Composed by …
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.955881 Composed by Traditional Welsh Air. Arranged by Scott S. Stewart. Christmas,Contemporary,Holiday,Sacred. 11 pages. Scott S. Stewart #6640731. Published by Scott S. Stewart (A0.955881). All Through the Night (Ar Hyd Y Nos): to some it’s a lullaby, to others it’s a hymn and yet to others still, it’s a Christmas carol. Originally a Welsh harp tune (pre 1700), this melody has evolved through many forms. Welsh Poet John Ceiriog Hughes contributed verses to the tune, as did the English poet Sir Harold Edwin Boulton. This arrangement is scored for 4-part SATB ensemble and keyboard (piano or organ) accompaniment. Performance time: 5:22+-
$2.99
2.7 €
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Chorale SATB
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Traditional Welsh Air
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Scott S
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All Through the Night
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Scott S. Stewart
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SheetMusicPlus
All Through The Night
Trio à Cordes: violon, alto, violoncelle
String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.103…
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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1038881 By Old Welsh Melody. By Old Welsh Melody. Arranged by Eve C. Mailly. Celtic,Children,Folk,Irish,Sacred,Wedding. Score and parts. 11 pages. Zene Strings #643854. Published by Zene Strings (A0.1038881). All Through the Night is an old Welsh melody that can be sung as a love song, a lullaby, and is often used for traditional Christian worship services. This arrangement is for string trio, with each of the three verses arranged differently - from simple to more complex. The harmonies are beautiful and flowing, making this piece a great choice for any event. As with all of our trio arrangements, the middle part is included in both treble and alto clef, giving you the flexibility of performing it with either two violins and cello, or violin, viola and cello. From your friends at Zene Strings - enjoy! To see our other great arrangements visit: Zene Strings. Questions or comments? Email us at Music@ZeneSheetMusic.com. We're here to help!
$12.99
11.72 €
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Trio à Cordes: violon, alto, violoncelle
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Old Welsh Melody
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Eve C
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All Through The Night
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Zene Strings
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SheetMusicPlus
All Through the Night in G major for easy ensemble
Large Ensemble Cello,Clarinet,Double Bass,Flute,Guitar,Harp,Oboe,Organ,Piano Accompaniment…
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Guitar,Harp,Oboe,Organ,Piano Accompaniment,Soprano Saxophone,Tenor Saxophone,Trombone,Trumpet,Tuba,Viola,Violin - Level 1 - Digital Download SKU: A0.867210 Arranged by Julietta Rabens. Christian,Contemporary,Gospel,Sacred. Score and parts. 9 pages. Juliettamusic #2828149. Published by Juliettamusic (A0.867210). The Welsh hymn, All Through the Night for easy ensemble, includes the hymn melody for any C treble, or Bb treble instrument, any C bass instrument, guitar tablature, and simplified chord accompaniment for piano, organ, or harp. These are easier to read than from a hymnal, allowing everyone to participate in hymn playing. The simple chord accompaniment may be embellished with broken chord patterns at the discretion of the performer. Arranged in the key of G major.
$2.99
2.7 €
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Julietta Rabens
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All Through the Night in G major for easy ensemble
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Juliettamusic
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SheetMusicPlus
All through the Night (For String Quartet)
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.511638 Composed by English Traditional. Arranged by Han-Ki Kim. Children,Contemporary,Instructional,Standards. Score and parts. 15 pages. Han-Ki Kim #3638731. Published by Han-Ki Kim (A0.511638). 1. The arranger wrote this music while recalling the “Lullaby†he used to play when he put his child to sleep when he was studing at Michigan Stat University a long time ago. 2. This music is arranged with well known “Lullaby theme†for Children’s concert and also for Educational purpose.3. Shown Bowing sign and Fingering(Vn,Va part) will be very helpful to player.4. Optional Violin III (Instead of Viola)  part included.5. Arranger is Advisory Professor of the “Korea Suzuki Associationâ€. 6. Arranger is very experienced(with “I Musiciâ€), and his works are very loved world widely.
$9.90
8.93 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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English Traditional
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Han-Ki Kim
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All through the Night
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Han-Ki Kim
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SheetMusicPlus
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