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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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2 Altos (duo)
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All You Wanted
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Take Me Out To The Ball Game for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.72…
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Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.722757 Composed by Albert Von Tilzer. Arranged by Jari A. Villanueva. 20th Century,Folk,Holiday,Patriotic,Traditional. Score and parts. 9 pages. JV MUSIC #3484197. Published by JV MUSIC (A0.722757). Take Me Out To The Ball Game for Woodwind QuintetA delightful setting of the iconic baseball tune for Woodwind Quintet by Jari VillanuevaA young lady by the name of Katie was a devoted baseball fanatic. In fact almost every penny she had was spent on tickets to see her favorite team. Her boyfriend wanted to take her to see a show on a weekend afternoon but Katie declined instead insisting on going to the ballpark. This was not uncommon for her as she attended every home game sitting where she could call the players (usually by the first name) and let the umpires have it when an unfavorable ruling was made. In the heat of a game when the score was tied Katie would get other fans to cheer on the team by singing.https://www.youtube.com/watch?v=OWgCdUlmtpY
$12.00
11.08 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Albert Von Tilzer
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Jari A
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Take Me Out To The Ball Game for Woodwind Quintet
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JV MUSIC
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SheetMusicPlus
Nightfall
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.965557 Composed by Ron Anderson. Co…
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Piano Solo - Level 5 - Digital Download SKU: A0.965557 Composed by Ron Anderson. Contemporary. Score. 8 pages. Ron James Anderson #5994803. Published by Ron James Anderson (A0.965557). With Nightfall, I wanted to capture the time at night when one is alone with his thoughts. Silences between thoughts can become almost deafening in their volume. In this time of ambiguity between sleep and wakefulness, the mind is allowed to wander into many strange and sometimes frightening regions.Beyond the main motivic material--the minor 6th pattern and various harmonizations of the chromatic scale, I found that I was using combinations of A minor (actually octatonic) and B Lydian as dual tonal centers of this piece. Since it was written for solo piano, I decided to let the compositional process be open-ended; some of what is written here is the result of improvisation, followed by painstaking revision. You may notice a touch of Chopin in the Nocturne sections, although this nocturne is a bit creepier than the Chopin.
$5.00
4.61 €
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Piano seul
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Ron Anderson
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Nightfall
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Ron James Anderson
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SheetMusicPlus
Everything I Wanted
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.1457929 By Billie Eilish. By Billie…
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Easy Piano - Level 1 - Digital Download SKU: A0.1457929 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by RIS. 21st Century,Contemporary,Pop,R & B,Singer/Songwriter. Score. 3 pages. RISsounds #1036923. Published by RISsounds (A0.1457929). 🎹 Easy Piano Tutorials – Lead Sheet Music for Everything I Wanted by Billie Eilish 🎹Excited to play Billie Eilish's Everything I Wanted on the piano? We’ve got you covered with our specially designed lead sheet music, perfect for pianists of all levels!✨ Why Our Lead Sheet Music is Great for You: Beginner-Friendly: The right hand melody is clearly written out on the staff, making it easy for beginners to follow along and play the main tune. Advanced Practice: For those more experienced, the left hand is left for you to improvise, allowing for creativity and personal expression in your playing. Learning and Growing: This format helps beginners get comfortable with the melody while offering a platform for more advanced players to develop their improvisation skills. Using our lead sheet music alongside our video tutorial ensures you have all the tools you need to master this beautiful song. Follow along with the video, practice with the sheet music, and enjoy the process of making music!🔔 Subscribe for more easy piano tutorials and sheet music👍 Like and Comment: Let us know how you're enjoying the sheet music and what songs you want next!Happy playing and happy practicing! 🎶#howtoplay #easypianotutorial #pianotutorialeasyslowbeginner #pianotutorialeasybeginner #billieeilish #everythingiwanted #pianotutorial #pianocover #pianolessons #learnpiano #beginnerpiano #pianomusic #pianosheetmusic #pianolove #pianoplayer #musiclessons #easypiano #pianopractice #pianobeginner #pianoteacher #pianoplaying #pianosongs #pianotips #pianolearning #onlinepianolessons #pianoforbeginners #pianotutorials #musicforbeginners #learntoplaypiano #pianist #pianolife #beginnerpianotutorial.
$4.99
4.61 €
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Piano Facile
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Billie Eilish
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RIS
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Everything I Wanted
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RISsounds
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SheetMusicPlus
If You Could Go Back Piano Vocal Performance
Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arrang…
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Piano,Voice - Digital Download SKU: A0.1069977 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop. Full Performance. Duration 184. Boothe Publishing #4633725. Published by Boothe Publishing (A0.1069977). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.84 €
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Guitar Vocal Performance
Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. …
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Bass Guitar,Voice - Digital Download SKU: A0.1069976 Composed by Steven H. Boothe. Pop,Rock. Full Performance. Duration 187. Boothe Publishing #4633723. Published by Boothe Publishing (A0.1069976). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.84 €
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Steven H
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If You Could Go Back Guitar Vocal Performance
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Boothe Publishing
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SheetMusicPlus
If You Could Go Back Piano Minus Vocal
Piano seul
Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by …
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Piano - Digital Download SKU: A0.1069959 Composed by Steven H. Boothe. Arranged by Ashley Ivers. Pop,Rock. Accompaniment. Duration 184. Boothe Publishing #4633665. Published by Boothe Publishing (A0.1069959). Most of the mistakes I made in life were between the ages of 12-16 years. Somehow I felt that I was smarter than I was. I thought that my friends were smarter than they were. I felt invincible. I made many foolish mistakes during those years. About that time, my family was preparing to move from Oregon to Utah. I remember my mother talking with me and saying that I could start over again. We would be in a new place with new people. No one would know me. I could be the person I truly wanted to be. I thought about this a lot, and when we finally made the move I had decided what kind of person I really wanted to be. In fact, I felt bad for being the wrong kind of person and hurting other people physically and spiritually. I eventually felt so bad about my mistakes that I decided that I would write or call the people I had hurt and apologize to them. Over the period of a year I was able to find, call and apologize to each of them. To my great surprise none of them were still angry with me. I was forgiven. That was a great feeling. This day will be forever what you choose. Once you leave this life you won't be able to return and right any wrongs that you have committed. So when you make a mistake, choose to make it right today so that this day, this day of good choosing will be what will last forever. Never let yourself do something that you know inside is wrong. If your friends are trying to talk you into doing something you know is wrong, don't just sit there and listen to them. Get up and leave the room, or the party, or the situation. Be true. Be the one. Be the son or daughter of God. Do what He would do.
$1.99
1.84 €
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Piano seul
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Steven H
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Ashley Ivers
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If You Could Go Back Piano Minus Vocal
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Boothe Publishing
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SheetMusicPlus
The Unquiet Grave from American Death Ballads (Downloadable)
Voix haute
High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Comp…
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High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50
3.23 €
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Voix haute
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David Conte
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The Unquiet Grave from American Death Ballads
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.77 €
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Chorale SSATTB
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
All You Ever Wanted
Small Ensemble Acoustic Guitar,Bass Guitar,Drum Set,Organ - Interactive Download SKU: A…
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Small Ensemble Acoustic Guitar,Bass Guitar,Drum Set,Organ - Interactive Download SKU: A0.492799 By Black Keys. By Dan Auerbach and Patrick Carney. Arranged by Isaac Burdiss. This edition: Interactive Download. Rock. Score and parts. 34 pages. Duration 158. Published by Isaac Burdiss (A0.492799).
$9.91
9.15 €
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Black Keys
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Isaac Burdiss
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All You Ever Wanted
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Isaac Burdiss
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SheetMusicPlus
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
Piano seul
Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, A…
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Piano Solo - Digital Download SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99
20.3 €
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Piano seul
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Dr
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Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
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Deborah Rambo Sinn at The Underground Conservatory
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SheetMusicPlus
2023/4: 6. Falling Leaves
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1408311 Composed by Matthew Colson.…
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Piano Solo - Level 3 - Digital Download SKU: A0.1408311 Composed by Matthew Colson. 21st Century,Classical,Romantic Period. Score. 4 pages. Matthew Colson #990894. Published by Matthew Colson (A0.1408311). 2023/4 is a collection of 11 pieces for solo piano. They are all written in ¾ time and were composed throughout 2023.“Falling Leaves is the sixth piece from 2023/4. I started backwards with this one. I first wrote the final few measures during an improv, thinking of my recent walk through the autumn leaves. I then wanted to find out how to get to that spot, and started to write the rest.I generally do not put pedal markings in my music - please use pedals (sustain & una corda) at your discretion. About the composer:Matthew Colson is a hobby composer from New England. He began writing little piano pieces in 2003. Since then, he has written several pieces, ranging from piano to orchestral. His music has been performed live in the United States and Australia. To listen to his original compositions, please visit his YouTube page: EmceeMusic42If you perform my music, I’d love to hear it! For any business or personal correspondence: emceemusic42@gmail.com.
$2.50
2.31 €
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Piano seul
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Matthew Colson
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una corda) at your discretion
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2023/4: 6. Falling Leaves
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Matthew Colson
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SheetMusicPlus
How Many Ways Can I Play It? #6 All the Pretty Little Horses
Flûte traversière
Flute Solo - Level 2 - Digital Download SKU: A0.908167 Arranged by Rebecca Maughan …
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Flute Solo - Level 2 - Digital Download SKU: A0.908167 Arranged by Rebecca Maughan Cook. Children,Folk,Instructional. Individual part. 5 pages. Rebecca Maughan Cook #3379969. Published by Rebecca Maughan Cook (A0.908167). This is the 6th in the series of pretty, technical exercises for the emerging flutist. Letter A is the melody and letter B is a duet part for you to play with your friends. Letters C and D are technical exercises of arpeggios and scales. Letter E lets you practice double tonguing. Letter F is long phrases and if you wanted to treat them as long tones it is even better! Letter G lets you practice beginning trill fingering, particularly that tricky alternate fingering between middle d and e. I think this is a lovely song and I find that it stays in my ear and I 'hear' it in my mind's ear throughout the day. It's lovely.
$2.49
2.3 €
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Flûte traversière
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Rebecca Maughan Cook
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How Many Ways Can I Play It? #6 All the Pretty Little Horses
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Rebecca Maughan Cook
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SheetMusicPlus
Fallen Rocks, for saxophone quartet
Quatuor de Saxophones: 4 saxophones
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Te…
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1411673 Composed by Martin J. Van Klompenberg. 21st Century,Chamber,Classical. 33 pages. Martin J. Van Klompenberg #993923. Published by Martin J. Van Klompenberg (A0.1411673). I have always been fascinated by the walls of sheer rock left behind by the construction of theUnited States interstate highway system. To me, it represents both the majesty of nature and theaudacity and ingenuity of the human race. When you approach these sections of road, often youwill see the yellow sign, reading Fallen Rocks or Fallen Rock Zone, warning of the possibilitythat nature will try to reclaim the roadway.In this quartet, I wanted to show both the majesty of the mountains, told in the various choralesthroughout the piece, and the juxtaposition of the possible chaos below. Cars speeding past, notalways safely or politely. Construction zones. Semi trucks. All of these can be heard throughoutthis work. Despite all this activity, it is important to remember that the rocks remain.-.
$50.00
46.15 €
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Quatuor de Saxophones: 4 saxophones
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Martin J
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Fallen Rocks, for saxophone quartet
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Martin J. Van Klompenberg
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SheetMusicPlus
You Only Live Twice
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry an…
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Concert Band - Level 3 - Digital Download SKU: A0.1149127 Composed by John Barry and Leslie Bricusse. Arranged by Keith Terrett. Film/TV,Historic,Standards. 37 pages. Keith Terrett #749257. Published by Keith Terrett (A0.1149127). An arrangement for Concert/Wind Band of the classic Bond tune ''You Only Live Twice''. I made this chart back in the 1980's when I was studying orchestration & Arranging under the late and great Lt. Col. Trevor Sharpe. The soundtrack was the fourth of the series to be composed by John Barry. He tried to incorporate the elegance of the Oriental sound with Japanese music-inspired tracks. The theme song, You Only Live Twice, was composed by Barry and lyricist Leslie Bricusse, and sung by Nancy Sinatra after her father Frank Sinatra passed on the opportunity. Nancy Sinatra was reported to be very nervous while recording – first she wanted to leave the studio; then she claimed to sometimes sound like Minnie Mouse.[36] Barry declared that the final song uses 25 different takes. There are two versions of the song You Only Live Twice, sung by Nancy Sinatra, one directly from the movie soundtrack, and a second one for record release arranged by Billy Strange.[citation needed] The movie soundtrack song is widely recognised for its striking opening bars and oriental flavour, and was far more popular on radio. The record release reached No. 44 on the Billboard charts in the US, and No. 11 in the UK. Both versions of the title song are available on CD. A different title song was originally recorded by Julie Rogers, but eventually discarded. Only two lines from that version were kept in the final lyrics, and the orchestral part was changed to fit Sinatra's vocal range. Rogers' version only appeared in a James Bond 30th Anniversary CD, with no singer credit. In the 1990s, an alternative example of a possible theme song (also called You Only Live Twice and sung by Lorraine Chandler) was discovered in the vaults of RCA Records. It became a very popular track with followers of the Northern soul scene (Chandler was well known for her high-quality soul output on RCA) and can be found on several RCA soul compilations.
$49.99
46.14 €
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Orchestre d'harmonie
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John Barry and Leslie Bricusse
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Keith Terrett
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You Only Live Twice
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Keith Terrett
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SheetMusicPlus
Do You Really Love Me
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rh…
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Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.888082 Composed by Ruby Rhea/Ken Potter. Arranged by Ruby Rhea, Ken Potter. Pop. Octavo. 4 pages. Ken Potter #6460921. Published by Ken Potter (A0.888082). This arrangement originally for female quartet (SAI) was originally written by Ruby Rhea. This is a TTBB version of that song. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00
4.61 €
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Chorale TTBB
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Ruby Rhea/Ken Potter
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Ruby Rhea, Ken Potter
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Do You Really Love Me
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Ken Potter
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SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.84 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.77 €
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
When I Was Your Man
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1137543 By Bruno Mars. By Andrew …
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C Instrument - Level 2 - Digital Download SKU: A0.1137543 By Bruno Mars. By Andrew Wyatt, Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Sabrina Khuzaimi. Hip-Hop,Pop,R & B,Singer/Songwriter,Wedding. Lead Sheet / Fake Book. 2 pages. Sabrina Khuzaimi #737730. Published by Sabrina Khuzaimi (A0.1137543). This arrangement is actually a lead sheet for the vocals. It could also be use for any other instruments that wanted to use the melody part only for your show. I didn't follow the exact melody as it could be hard for the beginners to play it. I hope this piece could help you play the song that you always wanted to play! Copyright © 2012 BMG Gold Songs, Mars Force Music, Northside Independent Music Publishing, Thou Art The Hunger, Warner Geo Met Ric Music, Hipgnosis Side G, Universal Music Corp., Music Famamanem LP, Roc Nation Music and Concord Road c/o Concord Music Publishing All Rights for BMG Gold Songs and Mars Force Music Administered by BMG Rights Management (US) LLC All Rights for Thou Art The Hunger Administered by Northside Independent Music Publishing All Rights for Hipgnosis Side G Administered by Hipgnosis Songs Group All Rights for Music Famamanem LP and Roc Nation Music Administered by Universal Music Corp. All Rights Reserved Used by Permission.
$5.00
4.61 €
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Instruments en Do
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Bruno Mars
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Sabrina Khuzaimi
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When I Was Your Man
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Sabrina Khuzaimi
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SheetMusicPlus
The Night We Called It A Day
Chorale SSAA
Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.888079 By Frank Sinatra. B…
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Choral Choir (SSAA) - Level 4 - Digital Download SKU: A0.888079 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by Ruby Rhea, Ken Potter. Jazz. Octavo. 3 pages. Ken Potter #4794319. Published by Ken Potter (A0.888079). This arrangement for female quartet (SAI) was originally written by Ruby Rhea. I (Ken Potter) am acting on behalf of, with permission from the family, of the now deceased Ruby Rhea. As curator of her arrangements, I am posting to legally clear the chart for quartets and choruses to use. Please observe all copyright laws and contest rules for clearance. Ruby wanted her charts to be used by the public legally. Please note that I do not receive compensation for managing her charts. Contact me directly if you need to speak to me about Ruby Rhea's material. (310-702-5285). .
$5.00
4.61 €
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Chorale SSAA
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Frank Sinatra
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Ruby Rhea, Ken Potter
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The Night We Called It A Day
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Ken Potter
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SheetMusicPlus
I Will Be With You
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.782529 Composed by Tyler Merideth. C…
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Choral Choir (SATB) - Digital Download SKU: A0.782529 Composed by Tyler Merideth. Christian,Contemporary,Graduation,Sacred. Octavo. 7 pages. Tyler Merideth #4642055. Published by Tyler Merideth (A0.782529). This setting of Isaiah 43: 1-2 has a very special meaning to me. The first time I encountered this text in a piece of choral music was with the very first Youth Choir I directed. It was because of the great experience directing that choir I realized that my true calling was in music education. These words have always been on my heart and I knew one day I wanted to set it to music myself. During that time in my life I was very passionate about TaizeÌ worship music. This philosophy of worship is where a simple text is repeated numerous times with a possible descant appearing. The idea is that you allow God to speak to you in those repetitions rather than taking powerful texts for granted. I gently borrowed this concept as a starting point for this composition. Please feel free to stop by my website and check out other compositions at: tylermerideth.com June 24, 2019
$3.99
3.68 €
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Chorale SATB
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Tyler Merideth
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I Will Be With You
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Tyler Merideth
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SheetMusicPlus
Do you want to build a rocket?
Chorale 2 parties
Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sall…
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Choral Choir (2-Part) - Level 2 - Digital Download SKU: A0.1099392 Composed by Sally Whitwell. Children,Classical,Instructional. Octavo. 9 pages. Sally Whitwell #703279. Published by Sally Whitwell (A0.1099392). Do you want to build a rocket? was originally composed for a wonderful group of children I worked with at the Young Music Society Winter School in Canberra. The first day that I went in to meet them, I sat down with them on the floor and asked them what kind of performance they wanted to build. It was around the time that the Disney animated feature Frozen was very popular with kids. Or not, as it turns out, because one little boy’s hand shot up straight away and he said: “Tell you what I don’t wanna build: a stupid snowman!†He suggested we build a rocket instead. So that’s what we did. It’s a song about the wonder and curiosity we feel about the universe, of our desire to explore it, and of the determination and grit required to achieve that dream. It’s some very hard yards to build a rocket and to learn to fly it, but our dreams are always worth the work! I hope you have fun with this song. Teachers, I invite you to get as theatrical as you dare with it. In our original performance we had all these toy instruments, toy toolkits, and painted cardboard boxes. (So many boxes!). Let’s just say, if you think it’s gonna be ‘too much’, it’s probably exactly the right amount. Sally Whitwell August 2022.
$1.99
1.84 €
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Chorale 2 parties
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Sally Whitwell
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Do you want to build a rocket?
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Sally Whitwell
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SheetMusicPlus
Part Of Your World
2 Trombones (duo)
Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.593822 Composed by Alan…
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Trombone Duet Trombone - Level 3 - Digital Download SKU: A0.593822 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Score. 4 pages. David McKeown #6501961. Published by David McKeown (A0.593822). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a Duet for two Trombones. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetThere are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.53 €
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2 Trombones (duo)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
Part Of Your World
Flûte, Alto (duo)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.59…
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Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.593808 Composed by Alan Menken. Arranged by David McKeown. Contemporary,Film/TV,Pop. Score and parts. 4 pages. David McKeown #6501933. Published by David McKeown (A0.593808). Part of Your World is one of the best loved songs from the 1989 Disney film The Little Mermaid. This version is arranged as a Duet for one Flute and one Viola. Written by Howard Ashman and Alan Menken and sung by Jodi Benson, Disney executives initially wanted to drop the song from the film thinking it would bore young children. However the song’s positive reception at test screenings convinced them to change their minds. Part of Your World was an instant hit on the film’s release and has been one fo the most popular songs in the Disney canon ever since.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around three minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing. Click on the YouTube link above to listen to a full length performance of this arrangement played on ClarinetThere are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$5.99
5.53 €
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Flûte, Alto (duo)
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Alan Menken
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David McKeown
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Part Of Your World
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David McKeown
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SheetMusicPlus
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