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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
All of Me - Full Score
Non classifié
1 453
Piano & claviers
Piano seul
1 209
Piano, Voix et Guitare
662
Piano, Voix
330
Piano Facile
200
Orgue
35
1 Piano, 4 mains
34
2 Pianos, 4 mains
29
Accordéon
26
Piano Trio: piano, violon, violoncelle
20
Accompagnement Piano
18
Instruments en Do
16
Piano grosses notes
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
1
Orgue, Piano (duo)
1
+ 13 instrumentations
Retracter
Guitares
Basse electrique
263
Guitare notes et tablatures
109
Ligne De Mélodie, (Paroles) et Accords
73
Paroles et Accords
52
Ukulele
51
Guitare
42
Mandoline
7
Banjo
7
Piano, Guitare (duo)
6
Ensemble de guitares
5
4 Guitares (Quatuor)
3
2 Guitares (duo)
2
Guitare, Orchestre
1
3 Guitares (trio)
1
Orchestre à Plectres
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
100
Chorale 3 parties
39
Chorale 2 parties
23
Voix seule
21
Chorale TTBB
13
Chorale
13
Voix duo, Piano
7
Chorale Unison
7
Voix haute
7
Chorale SSAA
4
Voix Soprano, Piano
3
Voix Tenor, Piano
3
Chorale SSATTB
2
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix Baryton
1
Voix duo
1
Chorale SSAATTBB
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
100
Clarinette et Piano
77
Hautbois, Piano (duo)
75
Saxophone Alto et Piano
63
Saxophone Tenor et Piano
48
2 Saxophones (duo)
47
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
40
2 Flûtes traversières (duo)
38
Flûte traversière
33
Saxophone
31
2 Clarinettes (duo)
31
Clarinette
28
Quatuor de Clarinettes: 4 clarinettes
26
Quatuor de Saxophones: 4 saxophones
25
Saxophone Soprano et Piano
23
2 Flûte à bec (duo)
19
Ensemble de Flûtes
15
Saxophone Alto
12
Quatuor de Flûtes : 4 flûtes
12
Saxophone Baryton, Piano
12
Flûte, Hautbois, Clarinette, Basson
12
3 Clarinettes (trio)
11
Clarinette, Violon (duo)
11
Flûte et Guitare
10
Saxophone Tenor
9
Saxophone, Clarinette (duo)
8
Ensemble de Clarinettes
8
2 Hautbois (duo)
8
Trio de Flûtes: 3 flûtes
7
Cor anglais, Piano
7
Flûte, Clarinette (duo)
7
Flûte, Violon
6
Quintette de Saxophone: 5 saxophones
6
Clarinette, Guitare (duo)
5
Clarinette, Harpe (duo)
5
Flûte, Violon, Piano
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Ocarina
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Violon et Violoncelle
4
Hautbois, Basson (duo)
3
Clarinette et Alto
3
Flûte à Bec
3
Instruments en Mib
3
Flûte, Clarinette, Piano (trio)
3
Hautbois, Flûte
3
Hautbois, Guitare (duo)
3
Hautbois, Clarinette (duo)
3
Flûte, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
3 Saxophones (trio)
2
Clarinette Basse
2
Quatuor de Flûtes à bec
2
Flûte, Clarinette, Violon (trio)
2
3 Flûtes à bec (trio)
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Basson
2
Saxophone et Guitare
2
Flûte, Hautbois (duo)
2
2 Saxophones, Piano
2
Clarinette Basse, Piano
2
Hautbois
2
5 Flûtes à bec
2
Ensemble de saxophones
2
Flûte à bec Soprano
1
Harmonica
1
Saxophone et Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Soprano, Piano
1
Clarinette, Violoncelle (duo)
1
Saxophone (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
2 Cors Anglais Et Pianoforte
1
Flûte, trombone et piano
1
Clarinette, Trompette (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone et Orgue
1
Hautbois (partie séparée)
1
Flûte, Hautbois, Piano (trio)
1
Quintette de Flûte : 5 flûtes
1
Flute, harpe et violon
1
Flûte, Trompette (duo)
1
Flûte, Basson et Piano
1
2 Clarinettes, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trombone et Piano
61
Trompette, Piano
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Cor et Piano
41
Trompette
30
Tuba et Piano
22
Trombone
20
2 Trompettes (duo)
19
2 Trombones (duo)
17
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor
8
Euphonium, Piano (duo)
8
Cor anglais, Piano
7
Trio de Cuivres
7
2 Cors (duo)
7
Trompette, Saxophone (duo)
7
Instruments en Sib
5
Trombone basse et Piano
3
Bass Clef Instruments
3
Tuba
3
Quatuor de cuivres: 4 cors
3
3 Trombones (trio)
2
Quatuor de Cuivres
2
3 Trompettes (trio)
2
Cor anglais, Guitare (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 trompettes
2
4 Tubas
2
Ensemble de Tubas
1
Trompette, Harpe
1
Trompette, Trombone, Piano
1
Trombone, Orgue
1
2 Euphoniums et 2 Tubas
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Trompettes
1
Tuba et Orgue
1
Cor et Harpe
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
453
Violon, Violoncelle (duo)
274
Trio à Cordes: violon, alto, violoncelle
236
Violon
192
Quintette à cordes: 2 violons, alto, violoncelle, basse
85
Violoncelle, Piano
65
Alto, Piano
64
Harpe
48
Violon et Piano
47
2 Violoncelles (duo)
34
Violon, Alto (duo)
33
2 Violons (duo)
28
Alto seul
25
2 Altos (duo)
22
Alto, Violoncelle (duo)
19
Violoncelle
18
Contrebasse, Piano (duo)
17
Trio à Cordes: 2 violons, violoncelle
13
4 Violoncelles
11
Trio à cordes: 3 violins
10
Trio à cordes
8
Harpe, Flûte (duo)
5
Alto (partie séparée)
4
Violon, Guitare (duo)
4
2 Harpes (duo)
4
Violoncelle , Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
3
Alto et Harpe
3
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à Cordes: 3 violoncelles
2
Quatuor à cordes: 4 violons
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
1
Violon, Contrebasse (duo)
1
Violon (partie séparée)
1
Harpe et Piano
1
4 Contrebasses
1
3 Harpes
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Harpe, Violon, Violoncelle
1
Trio à cordes: 3 altos
1
2 Violons, Piano
1
Violoncelle (partie séparée)
1
Contre Basse
1
+ 41 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
173
Orchestre d'harmonie
163
Ensemble Jazz
114
Ensemble de cuivres
69
Orchestre de chambre
58
Cloches
42
Fanfare
40
Orchestre
34
Ensemble de Percussions
24
Jazz combo
22
Batterie
20
3 Marimbas
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
3
Marimba
1
Piano et Orchestre
1
Percussion (partie séparée)
1
Percussion
1
Quintette à Vent
1
Vibraphone
1
+ 14 instrumentations
Retracter
Autres
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ACCORDEON
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BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
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8926
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.85 €
#
Piano seul
#
Claude Debussy/Robert Orledge
#
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Piano seul
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Ro…
(+)
Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.Contains Le Roi Lear: Prélude,Première Fanfare, and La Mort de Cordélia,Toomai des éléphants, Rodrigue et Chimène: Prélude à l’acte 1p. Le Martyre de Saint Sébastien: La Passion , and No-ja-li ou Le Palais du Silence<br> <br> From Robert Orledge's notes:<br> <br> My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).<br> <br> For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.<br> <br> It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.<br> <br> So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
35.85 €
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Piano seul
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Claude Debussy/Robert Orledge
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Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
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Musik Fabrik Music Publishing
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SheetMusicPlus
Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
Saxophone Soprano et Piano
Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download
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Instrumental Duet Instrumental Duet,Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533210 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Folk,Holiday,Romantic Period. Score and parts. 17 pages. Musik Fabrik Music Publishing #1986205. Published by Musik Fabrik Music Publishing (A0.533210). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (c was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time). He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Divertissement sur Une Ballade Irlandaise begins with a lyric introduction in bel canto style. The Irish Ballade is named in the score as « My Lodging is on the Cold Ground », but is sometimes known as « Believe Me If All Those Endearing Young Charms » and is followed by a brilliant variation. After an ornamented modal passage in 6/8, the allemande theme is presented first in a moderate tempo, and then in a more rapid variant which uses « cross string » figerations similar to those used by fiddlers.
$11.95
11 €
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Saxophone Soprano et Piano
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Ali Ben Sou Alle
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Paul Wehage
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Ali Ben Sou Alle : Divertissement sur Une Ballade Irlandaise
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Musik Fabrik Music Publishing
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SheetMusicPlus
All of me - John Legend - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Horn in F - Intermediate - Digital Download By John…
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Flute, Oboe, Clarinet, Bassoon, Horn in F - Intermediate - Digital Download By John Legend. Arranged by Thomas Graf. Score, Set of Parts. 17 pages. Published by Thomas Graf - the-hit- factory.com
The beautiful piano ballad features all parts; some polyphonic elements are added to simulate the original piano comping to make it a great concert piece with high dynamic range which will attire maximum attraction – perfect must for your band book! <br> <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! The beautiful piano ballad features all parts; some polyphonic elements are added to simulate the original piano comping to make it a great concert piece with high dynamic range which will attire maximum attraction – perfect must for your band book! <br> <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$16.99
15.64 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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John Legend
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Thomas Graf
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All of me - John Legend - Wind Quintet
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Thomas Graf - the-hit- factory.com
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SheetMusicPlus
All Of Me
Piano, Voix
Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893247 Composed by Gerald Ma…
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Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.893247 Composed by Gerald Marks and Seymour Simons. Arranged by Rob Ames. Contemporary. Score. 3 pages. Rob Ames #6204853. Published by Rob Ames (A0.893247). Color-coded Lead Sheets for Jazz Combo. Separate lead sheets for Concert instruments and Bb instruments included with purchase. Color allows quick understanding of the sections and form of the tune, the rhythmic hits, and the counter-melodies. Special care has been taken to clearly indicate intros, sections, solos, and codas/outros. These form-based markings are in GREEN. Special care has also been taken to notate the rhythmic hits. Hits are often partially or completely missing from standard fake book versions of the tune. Hits are notated above the staff, in RED. Finally, any counter-melodies or harmonies appear in reduced size, in BLUE.
$4.99
4.59 €
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Piano, Voix
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Gerald Marks and Seymour Simons
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Rob Ames
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All Of Me
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Rob Ames
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SheetMusicPlus
All of me - Jazz Classic - Wind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital…
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Flute, Oboe, Clarinet, Bassoon, Woodwind Quintet, Horn in F - Intermediate - Digital Download By Gerard Marks, Seymour Simons. Arranged by Thomas Graf. Score, Set of Parts. 18 pages. Published by Thomas Graf - the-hit-factory.com
All Of Me has become one of the most recorded songs of its era including popular versions done by Frank Sinatra, Louis Armstrong, Billie Holiday and Ella Fitzgerald and many more. This arrangement has a polyphonic approach, shows a lot of interesting jazzy colors and will feature all parts. <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! All Of Me has become one of the most recorded songs of its era including popular versions done by Frank Sinatra, Louis Armstrong, Billie Holiday and Ella Fitzgerald and many more. This arrangement has a polyphonic approach, shows a lot of interesting jazzy colors and will feature all parts. <br> <br> Instrumentation: Flute, Oboe, Clarinet in Bb, Horn in F, Bassoon <br> <br> Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much!
$14.99
13.8 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Gerard Marks, Seymour Simons
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Thomas Graf
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All of me - Jazz Classic - Wind Quintet
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
All Of Me
Harpe, Voix
Harp, Voice - Intermediate - Digital Download By John Legend. Arranged by Janne-Minke…
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Harp, Voice - Intermediate - Digital Download By John Legend. Arranged by Janne-Minke. Score. 11 pages. Published by Janne-Minke Nijp
All of me Harp & Voice.<br> Also available in advanced harp solo and intermediate harp solo.<br> <br> Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.<br> <br> You can find all arrangements of Popsongs for harp on www.popharpsheetmusic.com. The complete audio is also available on the website. <br> <br> Like the Facebookpage www.facebook.com/popharpsheetmusic and you will get a notification when new songs are posted.All of me Harp & Voice.<br> Also available in advanced harp solo and intermediate harp solo.<br> <br> Janne-Minke is a Popharpist who plays the electrical DHC. She's taken lessons at Deborah Henson Conant and she has specialized herself in playing Popharp. She has made many arrangements of Popsongs.<br> <br> You can find all arrangements of Popsongs for harp on www.popharpsheetmusic.com. The complete audio is also available on the website. <br> <br> Like the Facebookpage www.facebook.com/popharpsheetmusic and you will get a notification when new songs are posted.
$4.99
4.59 €
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Harpe, Voix
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John Legend
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Janne-Minke
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All Of Me
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Janne-Minke Nijp
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SheetMusicPlus
All Of Me
Orchestre à Cordes
String Orchestra - Digital Download SKU: A0.506024 By John Legend. By John Stephens…
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String Orchestra - Digital Download SKU: A0.506024 By John Legend. By John Stephens and Toby Gad. Arranged by Thomas Graf. Pop. Score and parts. 18 pages. Published by Thomas Graf - the-hit-factory.com (A0.506024). What a wonderful Ballad by John Legend. Enjoy! Instrumentation: Violin 1/2, Viola 1/2, Cello 1/2 - 2 Viols, 2 Violas + Cello or 2 Viols, 1 Viola + 2 Cellos Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
46.02 €
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Orchestre à Cordes
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John Legend
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Thomas Graf
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All Of Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
All Of Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download …
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568992 By John Legend. By John Stephens and Toby Gad. Arranged by Thomas Graf. Hip-Hop,Pop,R & B. Score and parts. 17 pages. Thomas Graf - the-hit-factory.com #3493455. Published by Thomas Graf - the-hit-factory.com (A0.568992). The beautiful piano ballad features all parts; some polyphonic elements are added to simulate the original piano comping to make it a great concert piece with high dynamic range which will attire maximum attraction – perfect must for your band book! Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/nj8BVskbE64 2018 Chamber Music Contest Entry.
$18.99
17.48 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Legend
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Thomas Graf
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All Of Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Take Me Out to the Ball Game for 2 to 5 harps
2 Harpes (duo)
Harp, Harp Ensemble - Easy/Beginner - Digital Download Composed by Jack Norworth, A…
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Harp, Harp Ensemble - Easy/Beginner - Digital Download Composed by Jack Norworth, Albert Von Tilzer. Arranged by Stephanie Bennett. Fourth of July, Father's Day, Recital, Old-time, Americana. Score, Set of Parts. 26 pages. Published by Harpworld Music Co.
This All-American song in praise of baseball, “Take Me Out to the Ball Game,” is beloved by girls and boys, men and women, old and young. This easy-to-play arrangement is for two to five lever OR pedal harps. The set contains Score, Harp 1, Harp 2-3, and Harp 4-5. Harp 1 has the melody, and has five lever changes (only F sharp lever is needed). The Harp 2-3 part can be played by one person, or split into two even easier parts (treble clef / bass clef). The Harp 4-5 part is optional and can also be played by one person or split into two even easier parts. Bennett says: “My student ensemble plays this at a senior assisted-living home every summer, and the audience loves to sing along. We like to wear our baseball caps when we play it!”This All-American song in praise of baseball, “Take Me Out to the Ball Game,” is beloved by girls and boys, men and women, old and young. This easy-to-play arrangement is for two to five lever OR pedal harps. The set contains Score, Harp 1, Harp 2-3, and Harp 4-5. Harp 1 has the melody, and has five lever changes (only F sharp lever is needed). The Harp 2-3 part can be played by one person, or split into two even easier parts (treble clef / bass clef). The Harp 4-5 part is optional and can also be played by one person or split into two even easier parts. Bennett says: “My student ensemble plays this at a senior assisted-living home every summer, and the audience loves to sing along. We like to wear our baseball caps when we play it!”
$10.00
9.2 €
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2 Harpes (duo)
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Jack Norworth, Albert Von Tilzer
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Take Me Out to the Ball Game for 2 to 5 harps
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Harpworld Music Co.
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SheetMusicPlus
All Of Me
Piano Trio: piano, violon, violoncelle
Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.9238…
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 5 - Digital Download SKU: A0.923884 By John Legend. By John Stephens and Toby Gad. Arranged by Ron Ford. Hip-Hop,R & B. Score and parts. 45 pages. WWMaestro #6430291. Published by WWMaestro (A0.923884). Arranged for Piano Trio (Violin, Cello and Piano).Includes parts for Violin, Cello, Piano (with Violin and Cello parts smaller), Violin and Cello Together and a Score (with all parts the same size).Melody is passed equally between the Violin and Cello, and clearly marked with Melody and Harmony. Some tenor clef in the cello part, highest sections of violin part can be played in 3rd position.
$14.99
13.8 €
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Piano Trio: piano, violon, violoncelle
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John Legend
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Ron Ford
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All Of Me
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WWMaestro
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SheetMusicPlus
All Of Me
Piano Facile
Easy Piano - Level 1 - Digital Download SKU: A0.828310 By John Legend. By John Step…
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Easy Piano - Level 1 - Digital Download SKU: A0.828310 By John Legend. By John Stephens and Toby Gad. Arranged by Jessica Ranft. R & B,Soul. Score. 3 pages. Balladial #4895173. Published by Balladial (A0.828310). Easy piano solo version with a simple rhythmic pattern on the left hand. This is a good resource for teachers -- easy to sight-read and ideal for recitals!More easy/intermediate repertoire suggestions on Balladial channel: https://www.youtube.com/channel/UClCdpTIMAq9wqgt9wII32GQ/
$4.99
4.59 €
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Piano Facile
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John Legend
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Jessica Ranft
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All Of Me
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Balladial
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SheetMusicPlus
All Of Me
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1454807 By John Legen…
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Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1454807 By John Legend. By John Stephens and Toby Gad. Arranged by RIS. Contemporary,Pop,R & B,Singer/Songwriter,Soul. Score. 3 pages. RISsounds #1033876. Published by RISsounds (A0.1454807). 🎶 Download the Lead Sheet Music for All of Me by John Legend! 🎶We’re excited to share the lead sheet music for John Legend’s beautiful song All of Me. Perfect for both beginners and more advanced players, our sheet music makes learning this song easy and enjoyable.🎹 Why Our Lead Sheet Music is Perfect for You: Beginner-Friendly: The right hand is clearly written out on the staff for the melody, making it easy for beginners to follow along and learn. Advanced Flexibility: The left hand is open for improvisation, allowing more advanced players to add their own flair and creativity. Clear Notation: Our lead sheets are designed for easy reading and understanding, helping you to play confidently. Whether you're just starting out or looking to enhance your piano skills, our lead sheet music is the perfect tool to guide you. Combine it with our piano tutorial video and get ready to play All of Me with confidence and ease.📥 Get Your Copy Now! Download the lead sheet music and start playing today. Don't forget to watch our easy piano tutorial on YouTube for additional guidance and visual aid.👍 Don't Forget to Like and Subscribe! If you found this helpful, give it a thumbs up and subscribe to our channel for more easy piano tutorials and sheet music every week. Hit the bell icon to get notified of our latest uploads!Thank you for choosing Easy Piano Tutorials. Happy playing! 🥰#PianoSheetMusic #AllOfMeSheetMusic #JohnLegend #PianoTutorial #EasyPiano #BeginnerPiano #LearnPiano #PianoCover #PianoLessons #MusicSheet #PianoPractice #PianoForBeginners #PianoImprovisation #PianoMelody #PianoMusic #PianoPlayers #PianoLearning #SheetMusicDownload #MusicForBeginners #EasyPianoMusic #PianoLovers.
$4.99
4.59 €
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Piano, Voix et Guitare
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John Legend
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RIS
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All Of Me
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RISsounds
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SheetMusicPlus
All Of Me
String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.569099 Composed…
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String Ensemble,String Quintet - Level 3 - Digital Download SKU: A0.569099 Composed by Gerald Marks and Seymour Simons. Arranged by Thomas Graf. Jazz,Pop. Score and parts. 18 pages. Thomas Graf - the-hit-factory.com #3579015. Published by Thomas Graf - the-hit-factory.com (A0.569099). All Of Me has become one of the most recorded songs of its era including popular versions done by Frank Sinatra, Louis Armstrong, Billie Holiday and Ella Fitzgerald and many more. This arrangement has a polyphonic approach, shows a lot of interesting jazzy colors and will feature all parts. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/4RGMYIj7Z3A 2018 Instrumental Arranging Contest Entry.
$16.99
15.64 €
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Gerald Marks and Seymour Simons
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Thomas Graf
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All Of Me
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
All Of Me
Small Ensemble Alto Saxophone,Cello,Flute,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,…
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Small Ensemble Alto Saxophone,Cello,Flute,Piano,Soprano Saxophone,Tenor Saxophone,Trumpet,Violin - Level 2 - Digital Download SKU: A0.842902 By John Legend. By John Stephens and Toby Gad. Arranged by Dico. Hip-Hop,Pop,R & B,Wedding. Score and parts. 34 pages. Dico #6343791. Published by Dico (A0.842902). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.ALL OF ME - Beautiful success in the voice of John Legend. Here arranged for a flexible quintet- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Alto sax | Tenor sax)- Piano- Violin- Cello.A bass guitar can be added to play the chords symbols in piano part.
$20.00
18.41 €
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John Legend
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Dico
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All Of Me
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Dico
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SheetMusicPlus
All Of Me
Small Ensemble B-Flat Trumpet,Cello,Clarinet,E-Flat Alto Saxophone,Flugelhorn,Flute,Piano,…
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Small Ensemble B-Flat Trumpet,Cello,Clarinet,E-Flat Alto Saxophone,Flugelhorn,Flute,Piano,Soprano Saxophone,Tenor Saxophone,Violin - Level 2 - Digital Download SKU: A0.515562 By John Legend. By John Stephens and Toby Gad. Arranged by Dico. Hip-Hop,Pop,R & B,Wedding. Score and parts. 34 pages. Dico Ferreira #126314. Published by Dico Ferreira (A0.515562). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.ALL OF ME - Beautiful success in the voice of John Legend. Here arranged for a flexible quintet- Part 1: Flute (Oboe | Clarinet | Sop sax)- Part 2: Trumpet (Flugelhorn | Alto sax | Tenor sax)- Piano- Violin- Cello.A bass guitar can be added to play the chords symbols in piano part.
$20.00
18.41 €
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John Legend
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Dico
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All Of Me
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Dico Ferreira
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SheetMusicPlus
All Of Me
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.8…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 4 - Digital Download SKU: A0.847277 By John Legend. By John Stephens and Toby Gad. Arranged by Susie Winkworth winkmusic.co.uk. R & B,Soul. Score and parts. 11 pages. Winkmusic.co.uk #6511155. Published by winkmusic.co.uk (A0.847277). John Legend's huge hit, All of Me. The soulful and heartfelt ballad has become a romantic favourite, perfect for weddings, celebrations and performances. This version for string duo (violin and cello) brings the rhythmic and atmospheric feel of the original to life. Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.
$14.00
12.88 €
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Violon, Violoncelle (duo)
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John Legend
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Susie Winkworth winkmusic
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All Of Me
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winkmusic.co.uk
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SheetMusicPlus
Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Co…
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Small Ensemble Flute,Keyboard,Voice - Level 5 - Digital Download SKU: A0.1005681 Composed by Grace Joy Reid. 20th Century,Contemporary. Score and parts. 9 pages. Creating Music Joy #6197023. Published by Creating Music Joy (A0.1005681). My original song, Poe's Christmas Eve Carousel Ride, is a microtonal melody for Celesta and/or Flute/Voice, based on Edgar Allan Poe's Evening Star.I imagined Edgar Allan Poe sitting on one of the carousel horses as it was going around and around. While this was happening, he was looking up at the night sky and thought about how much he liked the evening star better than the moon's light. (The celesta is known for its recognized sound in Tchaikovsky's, The Nutcracker Suite, The Dance of the Sugar Plum Fairy.). I figured out how to put it in a quartal tone key in Finale, thanks to Google. I used quartal tones in the left hand, so it's a blend of a tonal melodic line in an atonal landscape. Edgar Allan Poe had a horrific life. His father abandoned his family when he was young. His mother died when he was a child. After he was adopted, although not legally, he had a falling out with his foster father, who alienated him and didn't let him know that his foster mother was dying. But, he did inform him after she died. Edgar married his cousin, Virginia Clem, who was 13 and he was 26. She died 11 years into their marriage due to tuberculosis. Thus, some writers say that all of his writings have a beautiful woman who died in his stories. He lost all of the women who loved him in his life. When you see his portrait, he has sad eyes, as someone who has suffered much. But, his writing has lived well beyond his lifetime of misery and heartache. My song symbolizes, not only Poe's poem, but his life, as very difficult, yet beautiful. With me poetry has not been a purpose, but a passion. Edgar Allan Poe. Warning: Before purchasing this music, make sure that you know how to use quartal tones in your keyboard.
$7.95
7.32 €
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Grace Joy Reid
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Poe's Evening Carousel Ride, based on Edgar Allan Poe's poem, "Evening Star."
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Creating Music Joy
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SheetMusicPlus
All of Me: from A Vision Unfolding (Choral Score)
Chorale SATB
SATB choir and piano, with optional violin - Moderately Difficult - Digital Download SK…
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SATB choir and piano, with optional violin - Moderately Difficult - Digital Download SKU: MQ.1.3685-E Composed by Kyle Pederson. 16 pages. Galaxy Music Corporation - Digital #1.3685-E. Published by Galaxy Music Corporation - Digital (MQ.1.3685-E). English.The third movement of Pederson’s powerful five movement work, A Vision Unfolding. This beautiful piece explores aspects of identity and inclusion and invites us to lay down our judgements of others. Musically, the piece reads as a blend of styles— pop ballad meets lovely choral, and will immediately resonate with choirs and listeners.
$2.85
2.62 €
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Chorale SATB
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Kyle Pederson
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All of Me: from A Vision Unfolding
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Galaxy Music Corporation - Digital
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SheetMusicPlus
All Of Me
Violon, Violoncelle (duo)
Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.7…
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 2 - Digital Download SKU: A0.743758 By John Legend. By John Stephens and Toby Gad. Arranged by DK Music. Contemporary,Hip-Hop,Pop,R & B,Wedding. Score and parts. 2 pages. DK Music #5731745. Published by DK Music (A0.743758). Violin/cello duet arrangement of All of Me by John Legend. Perfect for weddings, cocktail hours, or other events. Also great for teaching, learning and casually playing. This arrangement follows the general structure of the song - it's fun and straightforward!Duration: 2 min 2 sec.
$4.99
4.59 €
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Violon, Violoncelle (duo)
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John Legend
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DK Music
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All Of Me
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DK Music
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SheetMusicPlus
SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Quartet, Abridged, Intermediate Level fo
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521482 Composed by Ludwig van Beethoven. Arranged by Sherry Lewis. Classical,Holiday,Multicultural,Wedding,World. 25 pages. Sherry Lewis Publishing #6132895. Published by Sherry Lewis Publishing (A0.521482). Symphony No. 5, Mov. I, Allegro con brio (abridged), Beethoven, String Quartet of 2 violins, viola and celloScore: Score: 11 pagesThis was a really fun project. It's approx. 5 min. 30 seconds and I think that the cut I took after the repeat works really well. I think it's a fun listen too. I hope you like it! parts: 12 pages time: 5:30 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through stringquartet@hotmail.com and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Thank you for your purchase!
$9.50
8.74 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Ludwig van Beethoven
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Sherry Lewis
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https://www
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SYMPHONY NO. 5 OP. 67, BEETHOVEN - ALLEGRO CON BRIO, String Quartet, Abridged, Intermediate Level fo
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Sherry Lewis Publishing
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SheetMusicPlus
All Of Me
Small Ensemble Clarinet,Piano,Soprano Saxophone,Voice - Level 5 - Digital Download SKU:…
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Small Ensemble Clarinet,Piano,Soprano Saxophone,Voice - Level 5 - Digital Download SKU: A0.761655 Composed by Gerald Marks and Seymour Simons. Arranged by Debra E. Stempien, Gregory H. Turner. Contemporary. Score and parts. 13 pages. Standard Time #3573795. Published by Standard Time (A0.761655). This classic tune is arranged for vocal solo with soprano sax (optional clarinet) and piano accompaniment in an up-tempo swing style, including a soprano sax solo and a soli for the sax and piano. In addition to a score and individual parts, a combined vocal and piano part is provided for the singing pianist. The difficulty rating of advanced reflects the soprano sax solo and overall proper styling of the performers. View the score and complete performance at https://www.youtube.com/watch?v=mjfo362eI4I.
$19.99
18.4 €
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Gerald Marks and Seymour Simons
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Debra E
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All Of Me
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Standard Time
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SheetMusicPlus
All Of Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.5217…
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.521707 By John Legend. By John Stephens and Toby Gad. Arranged by Sherry Lewis. Hip-Hop,R & B. 21 pages. Sherry Lewis Publishing #6382531. Published by Sherry Lewis Publishing (A0.521707). ALL OF ME, John Legend, String Orchestra, Intermediate Level of 2 violins, viola, cello and string bass chords such as C, Gm, etc. Score 9 pages parts: 9 pages time: 4'35 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.95 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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John Legend
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Sherry Lewis
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All Of Me
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Sherry Lewis Publishing
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SheetMusicPlus
All Of Me
Violon, Alto (duo)
Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.521402 By John …
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Instrumental Duet,Viola,Violin - Level 3 - Digital Download SKU: A0.521402 By John Legend. By John Stephens and Toby Gad. Arranged by Sherry Lewis. Hip-Hop,R & B. 10 pages. Sherry Lewis Publishing #6047551. Published by Sherry Lewis Publishing (A0.521402). ALL OF ME, John Legend, Intermediate Level for Violin and Viola duet Score 4 pages parts: 4 pages time: 4'35 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$5.99
5.51 €
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Violon, Alto (duo)
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John Legend
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Sherry Lewis
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https://www
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All Of Me
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Sherry Lewis Publishing
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SheetMusicPlus
All Of Me
Quatuor de cuivres: 4 trombones
Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798737 Compose…
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Brass Ensemble,Trombone Quartet - Level 5 - Digital Download SKU: A0.798737 Composed by Gerald Marks and Seymour Simons. Arranged by Jörg Richter. 20th Century,Jazz,Standards. Score and parts. 15 pages. Jörg Richter #5730535. Published by Jörg Richter (A0.798737). Der bekannte Jazz Standart All of me von Gerald Marks in einem Arrangement für Posaunenquartett. (Bitte beachten: Die Bearbeitung enthält einen ausgeschriebenen Chorusteil, in dem sich alle Stimmen abwechseln.).
$17.99
16.56 €
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Quatuor de cuivres: 4 trombones
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Gerald Marks and Seymour Simons
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Jörg Richter
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All Of Me
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Jörg Richter
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SheetMusicPlus
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