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All to Him I Owe
Non classifié
236
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Vous avez sélectionné:
All to Him I Owe
Partitions à imprimer
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1251
Jesus Paid It All
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Instruments en Do
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DÉBUTANT
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Elvina Mable Hall
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Elvina Mable Hall
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Jesus Paid It All
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Steven See
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1500493 By Elvina Mable Hall. By Elvina Mable Hall. Arranged by Elvina Mable Hall. Christian,Praise & Worship,Religious...
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C Instrument - Level 1 - SKU: A0.1500493 By Elvina Mable Hall. By Elvina Mable Hall. Arranged by Elvina Mable Hall. Christian,Praise & Worship,Religious,Spiritual. Lead Sheet / Fake Book. 1 pages. Steven See #1076578. Published by Steven See (A0.1500493). I hear the Savior say,“Thy strength indeed is small.Child of weakness, watch and pray,Find in Me thine all in all.”REFRAINJesus paid it all, all to Him I owe;Sin had left a crimson stain,He washed it white as snow.VERSE 2Lord, now indeed I findThy pow’r, and Thine alone,Can change the leper’s spotsAnd melt the heart of stone.VERSE 3For nothing good have IWhereby Thy grace to claim;I’ll wash my garments whiteIn the blood of Calv’ry’s Lamb.VERSE 4And when, before the throne,I stand in Him complete,“Jesus died my soul to save,”My lips shall still repeat.
$3.99
罪債全還清 Jesus Paid It All
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Bella Wu
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罪債全還æ
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Bella Chia-Yu Wu
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1087173 Composed by Bella Wu. A Cappella,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Bella Chia-Y...
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Choral Choir (SATB) - Level 3 - SKU: A0.1087173 Composed by Bella Wu. A Cappella,Easter,Praise & Worship,Sacred,Spiritual. Octavo. 7 pages. Bella Chia-Yu Wu #691371. Published by Bella Chia-Yu Wu (A0.1087173). This a cappella SATB piece uses some of the text from Elvina M. Hall's Jesus Paid It All. It brings encouragement and is particularly suitable for Easter. The text is in Mandarin. Please note: The mp3 file here is a recording of singers as well as piano accompaniment. The music itself is a cappella. A version of this song with piano accompaniment is coming soon. Lyrics: I hear the Savior say, Thy strength indeed is small, Child of weakness, watch and pray, Find in Me thine all in all. Jesus paid it all, All to Him I owe. Jesus paid it all. Jesus paid it all. For nothing good have I Whereby Thy grace to claim; I'll wash my garments white In the blood of Calv'ry's Lamb. And when, before the throne, I stand in Him complete, Jesus died my soul to save, My lips shall still repeat. I thank you, Lord! I thank you, Lord! 這首四部清唱的詩æŒæŒè©žæ˜¯éƒ¨ä»½æŽ¡ç”¨ Jesus Paid It All （主替我æ¨èº«ï¼Œæˆ–罪債全還清）的ä¸æ–‡ç‰ˆæŒè©žã€‚è©©æŒæ¿€å‹µä¿¡å¿ƒï¼Œä¸”特別é©ç”¨æ–¼å—難節和復活節節期。請注æ„：在這網站上的mp3ä¸ï¼Œæ‚¨æœƒè½åˆ°é‹¼ç´ä¼´å¥ï¼Œä½†é€™é¦–è©©æŒæœ¬èº«æ˜¯æ¸…唱曲。 鋼ç´ä¼´å¥ç‰ˆè¿‘期將出版。æŒè©žå¦‚下： 我è½æ•‘主說é“ï¼Œä½ åŠ›é‡å¯¦å¾®å°ï¼Œ æ‡‰ç•¶å„†é†’ç¥ˆç¦±ï¼Œæœ‰æˆ‘ä½œä½ ä¸ä¿ã€‚ 主已替我æ¨èº«ï¼Œç½ªå‚µå…¨é‚„清， 罪債全還清， 罪債全還清。 我無嘉言懿行，藉æ¤å¯å¾—æ•‘æ©ï¼Œ 唯主所æµå¯¶è¡€ï¼Œèƒ½æ´—一切罪痕。 將來我立主å‰ï¼Œé 主è–潔完全， 主æ»æˆ‘乃得生，我å£å¸¸æ°¸é Œè®šï¼ 主已替我æ¨èº«ï¼Œç½ªå‚µå…¨é‚„清， 罪惡污穢心，主洗比雪白淨。 å•Šï¼æˆ‘æ„Ÿè¬ç¥¢ï¼Œä¸»å•Šæˆ‘æ„Ÿè¬ç¥¢ï¼ Bella Wu is a Toronto-based Christian composer. Listen to her other songs written for the church choir on SoundCloud: https://soundcloud.com/bella-wu-641794580 To contact the composer, email her at bellawumusic@gmail.com. 作曲家å³ä½³ç‘œçš„ Email 是 bellawumusic@gmail.com 她其它的創作在SoundCloudå¯ç·šä¸Šæ”¶è½ï¼šhttps://soundcloud.com/bella-wu-641794580.
$2.50
All to Him I Owe
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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All to Him I Owe
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Piano - Intermediate - SKU: LX.70-2160L Meditations for Lent and Holy Week. Composed by Various. Edited by Larry Shackley. Sacred, Holy Week, Len...
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Piano - Intermediate - SKU: LX.70-2160L Meditations for Lent and Holy Week. Composed by Various. Edited by Larry Shackley. Sacred, Holy Week, Lent. Church Piano. 48 pages. Lorenz Publishing - Digital Sheet Music #e70/2160L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2160L). ISBN 9780787764371.From Lent to Good Friday, the church pianist needs to prepare music for many quiet and thoughtful moments in worship services, including preludes, prayer times, and Communion. This volume brings together works from many favorite arrangers to provide you with a variety of hymns, classics, and original pieces for this special time in the church year.
$22.95
Ali Ben Sou Alle: Fantaisie sur Don Giovanni de Mozart for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Ali Ben Sou Alle, Wolfgang Ama
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic P...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533347 Composed by Ali Ben Sou Alle, Wolfgang Amadeus Mozart. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 22 pages. Musik Fabrik Music Publishing #2348197. Published by Musik Fabrik Music Publishing (A0.533347). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him. Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrote songs while he was in London. His opera fantasies are usually written for the Alto saxophone and are generally in the form of an introductory aria with cadenza, a theme with one or more variations and then a final waltz movement in rondo form with a final brillant variation. This specific work opens with motives from the Opera‘s overture, leading to Donna Anna’s 1st act aria Or sai, chi l'onore. The duet Là ci darem la mano is the subject of two variations followed by a brief interlude using Zerlina’s aria Batti, batti, o bel Masetto and then the final section is the duo Andiam’ Andiam ‘ Mio Bene between Don Giovanni and Zerlina which ends the Act I duet. The work ends with a brillant coda
$11.95
FOR IF WE DIED WITH HIM (SATB) w/Rehearsal Piano – 2 Timothy 2:11-13
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Chorale SATB
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FACILE
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Michael A
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FOR IF WE DIED WITH HIM
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Pub...
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Choral Choir (SATB) - Level 2 - SKU: A0.926665 Composed by Michael A. Morizio. A Cappella,Christian,Sacred. Octavo. 13 pages. M.A. Morizio #3588435. Published by M.A. Morizio (A0.926665). In the first chapter of Paul’s second letter to Timothy, verses 1-10, we observe the intimate relationship that exists, between a spiritual father and his son… I remember you constantly in my prayers night and day. As I remember your tears, I long to see you, that I may be filled with joy. In Chapter two we also witness Paul’s commissioning Timothy to entrust to faithful men all that he was taught by the Apostle, that they then may be able to teach others in the same way also. While the elder Paul is now in prison and bound in chains, he is nonetheless empowered by the Holy Spirit to encourage and exhort Timothy to share in suffering as a good soldier of Christ, for the sake of the Gospel. Though Paul is bound in chains, he declares to Timothy the word of God is not bound! Endurance for Paul serves only one purpose, the salvation that is in Christ Jesus with eternal glory.In verse 11, Paul supports his statements by inserting another known 1st century Hymn to Christ, which brings us to our fifth anthem, For If We Died with Him. The text-or lyrics-of this hymn are even bracketed (or indented) in the NKJV Bible, suggesting the hymnic setting. The proposition of the text is quite clear; if we died with Christ, then we shall also live eternally with Christ. If we endure in the faith, then we shall also reign eternally with Christ. However, there is an insertion of 'Law' here, with a dire warning that the opposite is also true: If we deny Christ, resist, and refuse His beckoning and free invitation to salvation, then He will also deny us. Not everyone who says to me ‘Lord, Lord,’ will enter the kingdom of heaven… I will declare to them, ‘I never knew you; depart from me, you workers of lawlessness.’ (Matthew 7:31-23). Thus, the stage has been set for the fifth anthem. The piece is composed for SATB a cappella. The key is F Major. The opening phrase, This is a trustworthy saying, is in ¾ time, where a series of triplets are sung three times each (the Trinitarian opening motif). The meter then shifts to 2/4 with a lovely, distinctive unison melody for the opening phrase, For if we died with Him, we shall also live with Him. Soon after, when the lyrics shift to the words, If we deny Him, He will also deny us, the song drops into the relative minor key (F minor). The melody in this passage is haunting, and sends a clear warning signal to the listener to pay heed to what is being sung. When the text then transitions from if we are faithless, He remains faithful, however, the key shifts back to F Major in a new (dance-like) rhythm for the final verse, He remains faithful, for He cannot deny Himself. A coda is inserted in the final phrase where the triplet pattern is recapitulated (This is a trustworthy saying) and the sopranos ascend to a high F singing the lyrics, we shall live, for He remains faithful! to triumphantly end the piece.
$1.99
Here to See Santa Claus (Jolly Old Saint Nicholas) solo and piano
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Piano, Voix et Guitare
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FACILE
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James R
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Connie Boss
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Here to See Santa Claus
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Connie Boss
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Bo...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1335072 Composed by James R. Murray. Arranged by Connie Boss. Children,Christmas. Score. 4 pages. Connie Boss #920918. Published by Connie Boss (A0.1335072). I put a twist on Jolly Old Saint Nicholas. I added verses and a different melody along with the familiar melody of Jolly Old Saint Nicholas. This song starts off with a child waiting patiently in line to see Santa so he can tell him what he wishes for him to bring him for Christmas. I started off with my own original melody and lyrics and then in the middle of the song, when the child finally reaches Santa, I switch to the melody of Jolly Old Saint Nicholas. However, to modernize it, I switched to Jolly Old Dear Santa Claus. I kept verse one lyrics the same except for that part. I changed the lyrics entirely for the second verse. The child tells Santa where he can put the presents and hopes one is for him. He also tells him he tries to wait up for him each year, but Santa is so quiet, he sleeps through the night. The last verse is back to my original melody and lyrics where Santa tells him it will be a surprise what he brings him this year. This brings the song all the way from waiting in line to see Santa to sitting on his knee and Santa telling him it will be a surprise. Let me know if you have any questions or request at cdboss@cvalley.net.Lyrics:Here to see Santa Claus “Jolly Old St Nicholasâ€Â I’m here to see Santa Claus But, it’s a long, long line, With lot’s of kids ahead of me, It will take some time I have with me my Christmas listTo tell dear Santa what I wish Now my time is finally hereTo sit up on his kneeHe asked me what I want this yearSo I whisper in his ear Jolly old dear Santa Claus, lean your ear this wayDon’t you tell a single soul what I’m going to sayChristmas eve is coming soon, now you dear old manWhisper what you’ll bring to me – tell me if you can Down the chimney you will comeRight next to the tree,You can put the presents thereI hope there’s one for me You never make any noiseI wait for you each yearBut I sleep all through the nightSo I can’t catch you here Then he looked and smiled at me and whispered in my earIt will be a big surprise what I bring to you this year.
$5.50
I Beseech More Earnestly, a sacred hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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I Beseech More Earnestly, a sa
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Kevin G. Pace
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religiou...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1472492 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Praise & Worship,Religious,Sacred,Spiritual. 2 pages. Kevin G. Pace #1050138. Published by Kevin G. Pace (A0.1472492). A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.Text:Like the fog in a storm and the sun who hides its face,Like pure shadows at noon, or a star out of place,Like the moon overhead in a dark and unclear night,I beseech more earnestly, seeking God’s pure light.Like bold sighs braving pain in Gethsemane’s lone space,Like the rock placed therein meant for grief’s leaning place,As blood dripping like rain for the pain is far too great,I beseech more earnestly, seeking God’s own traits.Like a child asking “How?” to his Father up above,Like each step to ascend on his ladder of love,Like each stretch sure to reach far beyond what I now know,I beseech more earnestly, trusting God to show.All at once I see light like a ray in shadowed sky,And it peers through each sphere as God’s voice in reply.Then more light, as if day, sheds its warmth into my soul . . .I still ask more earnestly, trusting to be whole.Perfect light comes from Him as He answers from his sky;From my bowed, lowered head, I can know Him on high.Perfect love shines below, from his ever-holy form,Right into my mended soul . . . his love to adorn.
$1.99
I Can See (Andorra, the Witch of Andor, King Saul & Samuel) from "The Kings"
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Voix Alto, Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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I Can See
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Musi...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.784838 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. 28 pages. DF McCorkle Music and eBook Publications #11767. Published by DF McCorkle Music and eBook Publications (A0.784838). CUT FROM SHOW: I Can See. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 28:7-18 - Then said Saul unto his servants, Seek me a woman that hath a familiar spirit, that I may go to her, and inquire of her. And his servants said to him, Behold, there is a woman that hath a familiar spirit at Endor. And Saul disguised himself, and put on other raiment, and he went, and two men with him, and they came to the woman by night: and he said, I pray thee, divine unto me by the familiar spirit, and bring me him up, whom I shall name unto thee. And the woman said unto him, Behold, thou knowest what Saul hath done, how he hath cut off those that have familiar spirits, and the wizards, out of the land: wherefore then layest thou a snare for my life, to cause me to die? And Saul sware to her by Yahweh, saying, As Yahweh liveth, there shall no punishment happen to thee for this thing. Then said the woman, Whom shall I bring up unto thee? And he said, Bring me up Samuel. And when the woman saw Samuel, she cried with a loud voice: and the woman spake to Saul, saying, Why hast thou deceived me? for thou art Saul. And the king said unto her, Be not afraid: for what sawest thou? And the woman said unto Saul, I saw gods ascending out of the earth. And he said unto her, What form is he of? And she said, An old man cometh up; and he is covered with a mantle. And Saul perceived that it was Samuel, and he stooped with his face to the ground, and bowed himself. And Samuel said to Saul, Why hast thou disquieted me, to bring me up? And Saul answered, I am sore distressed; for the Philistines make war against me, and God is departed from me, and answereth me no more, neither by prophets, nor by dreams: therefore I have called thee, that thou mayest make known unto me what I shall do. Then said Samuel, Wherefore then dost thou ask of me, seeing Yahweh is departed from thee, and is become thine enemy? And Yahweh hath done to him, as he spake by me: for Yahweh hath rent the kingdom out of thine hand, and given it to thy neighbor, even to David: Because thou obeyedst not the voice of Yahweh, nor executedst his fierce wrath upon Amalek, therefore hath Yahweh done this thing unto thee this day. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99
I Need Thee Every Hour - Piano and Organ Arrangement
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Orgue
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Musique Sacrée
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Annie S
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Jacob Hershberger
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I Need Thee Every Hour - Piano
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Jasberger Music
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SheetMusicPlus
Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasber...
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Organ,Piano - SKU: A0.1072082 Composed by Annie S. Hawks. Arranged by Jacob Hershberger. Christian,Sacred,Spiritual. Accompaniment. Duration 289. Jasberger Music #6009677. Published by Jasberger Music (A0.1072082). Jacob Hershberger performs his new arrangement of I Need Thee Every Hour on both the piano and organ.. Just not at the same time ;) http://www.youtube.com/watch?v=v3D8ACXhnyU&feature=youtu.beThe softness of the piano and it's marriage to the organ make this a powerful arrangement with a lot of hidden spiritual messages in the arrangement. One such message is the differences in time in some of the organ and piano parts. The organ represents the us in the different stages of our lives. The piano represents Heavenly Father and his constant presence in our lives. He is always there steady and available, all we have to do is sync up with him through prayer and he will lead us ever onward through our mortal sojourn on earth.At the end of the video is the following scripture: Yea, I know that God will give liberally to him that asketh. Yea, my God will give me, if I ask not amiss; therefore I will lift up my voice unto thee; yea, I will cry unto thee, my God, the rock of my righteousness. Behold, my voice shall forever ascend up unto thee, my rock and mine everlasting God. Amen. ~2 Nephi 4:35 I hope you enjoy this beautiful arrangement of I need thee every hour. www.JasbergerMusic.com 1. I need thee ev’ry hour, Most gracious Lord. No tender voice like thine Can peace afford. [Chorus] I need thee, oh, I need thee; Ev’ry hour I need thee! Oh, bless me now, my Savior; I come to thee! 2. I need thee ev’ry hour; Stay thou nearby. Temptations lose their pow’r When thou art nigh. 3. I need thee ev’ry hour, In joy or pain. Come quickly and abide, Or life is vain. 4. I need thee ev’ry hour, Most holy One. Oh, make me thine indeed, Thou blessed Son!
$1.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
When I Survey the Wondrous Cross
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pag...
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Choral Choir (SATB) - Level 3 - SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.
$2.50
Like a River Glorious with We Shall Walk Through the Valley in style of Chopin
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Piano seul
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AVANCÉ
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Musique Sacrée
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James Mountain and American Sp
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Heather Knezevich
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Like a River Glorious with We
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Songs of Praise
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacre...
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Piano Solo - Level 5 - SKU: A0.914315 Composed by James Mountain and American Spiritual. Arranged by Heather Knezevich. Christian,Praise & Worship,Sacred,Spiritual. Score. 4 pages. Songs of Praise #6273063. Published by Songs of Praise (A0.914315). This advanced piano arrangement features a hymn (Like a River Glorious) and an American Spiritual (We Shall Walk through the Valley in Peace) on the theme of God's Peace. Written in the style of Chopin's Nocturne in F Major, Op. 15, No. 1, it features a simple melodic line with a LH triplet bass. The middle section changes key and mood as the spiritual begins, with more intensity and motion. The opening section repeats and then continues to the final coda. The piece is suitable for piano solo, church prelude, or recital piece. It reflects on the reassuring peace of knowing God.Like a river glorious is God's perfect peace // Over all victorious in its bright increase;//Perfect, yet it floweth fuller ev'ry day;// Perfect, yet it groweth deeper all the way.//Stayed upon Jehovah, Hearts are fully blest // Finding as He promised, Perfect peace and rest.The spiritual gives the simple, but profound truth that Jesus will help us through the valleys of life.We shall walk through the valley in peace; we shall walk through the valley in peace.Refrain: If Jesus himself shall be our leader, we shall walk through the valley in peace.I am an independent composer, piano teacher, and church pianist. This is one of many arrangements I have written for church. I would love to hear your feedback on my arrangements!
$3.99
All to Jesus, I Surrender
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Chorale 3 parties
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Van de Venter and Weeden
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Bradley Vogel
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All to Jesus, I Surrender
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Imagine Music - Digital
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SheetMusicPlus
SAB chorus & Piano - SKU: IZ.VMS154 Composed by Van de Venter and Weeden. Arranged by Bradley Vogel. Score. 8 pages. Imagine Music - Digital #VMS154. Pu...
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SAB chorus & Piano - SKU: IZ.VMS154 Composed by Van de Venter and Weeden. Arranged by Bradley Vogel. Score. 8 pages. Imagine Music - Digital #VMS154. Published by Imagine Music - Digital (IZ.VMS154). 6.75 x 10.5 in inches.Judson Wheeler Van DeVenter was born near Dundee, Michigan, on December 5, 1855. Trained as an artist, he became an art teacher and later supervisor of art education in the public schools of Sharon, Pennsylvania. An active layman in the Methodist-Episcopal church, DeVenter showed particular skills during annual evangelistic meetings held by the church. Church members urged him to become an evangelist, and after five years of wavering between ministry and his desire to be recognized as an artist, he committed his life to one of evangelism.DeVenter travelled extensively throughout the United States, England, and Scotland, assisted by the singer Winfield Weeden. Although an active hymn-writer, only two hymns remain popular today, one of which is I Surrender All. Given the nature of his call and commitment to ministry, the text of this hymn gains deeper significance.
$2.05
He'll Have To Go
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Instruments en Do
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INTERMÉDIAIRE
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Jim Reeves
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John Fries
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He'll Have To Go
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Le...
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C Instrument - Level 3 - SKU: A0.518392 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #129085. Published by John Fries (A0.518392). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..
$3.99
He'll Have To Go
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Jim Reeves
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John Fries
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He'll Have To Go
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202380 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1202380 By Jim Reeves. By Audrey Allison and Joe Allison. Arranged by John Fries. 20th Century,Country,Pop,Standards. Score. 2 pages. John Fries #801070. Published by John Fries (A0.1202380). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Thanks, John. He'll Have to Go is an American country and pop hit recorded on October 15, 1959, by Jim Reeves. The song, released in the fall of 1959, went on to become a massive hit in both genres early in 1960. The song is about a man who's talking by telephone to the woman he loves, when he realizes that another man is with her. The recording features a small group of musicians: Floyd Cramer on piano, Marvin Hughes on the vibraphone, Bob Moore on bass, Buddy Harman on drums, Hank Garland on guitar, and the Anita Kerr Singers providing the background vocals. Country music historian Bill Malone noted that He'll Have to Go in most respects represented a conventional country song, but its arrangement and the vocal chorus put this recording in the country pop vein. In addition, Malone lauded Reeves' vocal styling - lowered to its natural resonant level to project the caressing style that became famous - as being why many people refer to him as the singer with the velvet touch..
$4.99
I Shall Know Him (LARGE PRINT Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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I Shall Know Him
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.565409 By Sharon Wilson. By Fanny J. Crosby and John R. Sweney. Arranged by Sharon Wilson. Easter,Praise & Worship,Romant...
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Piano Solo - Level 3 - SKU: A0.565409 By Sharon Wilson. By Fanny J. Crosby and John R. Sweney. Arranged by Sharon Wilson. Easter,Praise & Worship,Romantic Period,Sacred,Traditional. Score. 2 pages. Sharon Wilson #4320329. Published by Sharon Wilson (A0.565409). Designed for those times when a short, musical interlude is needed, here is a 2-page, LARGE PRINT piano solo arrangement of the bright and dynamic hymn I Shall Know Him. In some hymnals, this song is titled My Savior First of All. This upbeat, powerful arrangement will fill its listeners with hope and courage and is a valuable addition to your church worship service repertoire.This arrangement is one of the 7 songs in the collection Hymns of Heaven. Each song in this collection was chosen because the lyrics talk about the joys of heaven. Â Lyrics by Fanny Crosby:Verse 1:When my lifework is ended and I cross the swelling tide, When the bright and glorious morning I shall see; I shall know my Redeemer when I reach the other side, And His smile will be the first to welcome me.Chorus:I shall know Him, I shall know Him, And redeemed by His side I shall stand; I shall know Him, I shall know Him By the print of the nails in His hand.Verse 2:Oh, the soul-thrilling rapture when I view His blessed face, And the luster of His kindly beaming eye; How my full heart will praise Him for the mercy, love and grace,That prepared for me a mansion in the sky. Verse 3:Thro' the gates to the city in a robe of spotless white, He will lead me where no tears will ever fall; In the glad song of ages I shall mingle with delight, But I long to meet my Savior first of all. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$2.99
White As Snow (SAB, Full Orchestration)
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Jim Ailor
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Jim Ailor
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White As Snow
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SAB) - Level 3 - SKU: A0.1087755 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. Resurrection...
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Choral Choir (SAB) - Level 3 - SKU: A0.1087755 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. ResurrectionSong #691971. Published by ResurrectionSong (A0.1087755). An arrangement of Jesus Paid It All, titled White As Snow. The chorus captures the Gospel in a nutshell: “Jesus paid it all. All to Him I owe. Sin had a left a crimson stain. He washed it white as snow.†Appropriate any time of the year and especially meaningful during Lent. Fully orchestrated and also available in SATB and SSA. The recording & video are of the SATB voicing. For hard copies go to https://www.jwpepper.com/11410523.item#.YtjQ1nbMJD8.
$2.25
White As Snow INSTRUMENTAL PARTS (SATB, SAB, SSA, Full Orchestration)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jim Ailor
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Jim Ailor
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White As Snow INSTRUMENTAL PAR
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1190583 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 64 pages. Resurrectio...
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Choral Choir (SATB) - Level 4 - SKU: A0.1190583 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 64 pages. ResurrectionSong #691996. Published by ResurrectionSong (A0.1190583). INSTRUMENTAL PARTS. An arrangement of Jesus Paid It All, titled White As Snow. The chorus captures the Gospel in a nutshell: “Jesus paid it all. All to Him I owe. Sin had a left a crimson stain. He washed it white as snow.†Appropriate any time of the year and especially meaningful during Lent. Fully orchestrated and available in SATB, SAB and SSA. For hard copies go to https://www.jwpepper.com/11410523.item#.YtjQ1nbMJD8.
$30.00
White As Snow SCORE (SATB, SAB, SSA, Full Orchestration)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Jim Ailor
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Jim Ailor
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White As Snow SCORE
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1190582 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 23 pages. Resurrectio...
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Choral Choir (SATB) - Level 4 - SKU: A0.1190582 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 23 pages. ResurrectionSong #691983. Published by ResurrectionSong (A0.1190582). SCORE. An arrangement of Jesus Paid It All, titled White As Snow. The chorus captures the Gospel in a nutshell: “Jesus paid it all. All to Him I owe. Sin had a left a crimson stain. He washed it white as snow.†Appropriate any time of the year and especially meaningful during Lent. Fully orchestrated and available in SATB, SAB and SSA. For hard copies go to https://www.jwpepper.com/11410523.item#.YtjQ1nbMJD8.
$20.00
White As Snow (SSA, Full Orchestration)
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Chorale 3 parties
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INTERMÉDIAIRE
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Musique Sacrée
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Jim Ailor
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Jim Ailor
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White As Snow
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.1087759 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. Resurrection...
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Choral Choir (SSA) - Level 3 - SKU: A0.1087759 By Jim Ailor. By John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. ResurrectionSong #691976. Published by ResurrectionSong (A0.1087759). An arrangement of Jesus Paid It All, titled White As Snow. The chorus captures the Gospel in a nutshell: “Jesus paid it all. All to Him I owe. Sin had a left a crimson stain. He washed it white as snow.†Appropriate any time of the year and especially meaningful during Lent. Fully orchestrated. Also available in SATB and SAB. The recording and video are of the SATB voicing. For hard copies go to https://www.jwpepper.com/11410523.item#.YtjQ1nbMJD8.
$2.25
White As Snow (SATB, Full Orchestration)
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Chorale SATB
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INTERMÉDIAIRE
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Musique Sacrée
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John T
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Jim Ailor
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White As Snow
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ResurrectionSong
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1087749 Composed by John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. ResurrectionSong...
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Choral Choir (SATB) - Level 3 - SKU: A0.1087749 Composed by John T. Grape. Arranged by Jim Ailor. Sacred,Traditional. Octavo. 12 pages. ResurrectionSong #691966. Published by ResurrectionSong (A0.1087749). An arrangement of Jesus Paid It All, titled White As Snow. The chorus captures the Gospel in a nutshell: “Jesus paid it all. All to Him I owe. Sin had a left a crimson stain. He washed it white as snow.†Appropriate any time of the year and especially meaningful during Lent. Fully orchestrated. Also available in SAB and SSA. Hard copies available at https://www.jwpepper.com/11410523.item#.YtjQ1nbMJD8.
$2.25
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Towel and Basin - Holy Thursday - string duet and piano
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Connie Boss
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Towel and Basin - Holy Thursda
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Connie Boss
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SheetMusicPlus
Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - SKU: A0.801588 Composed by Connie Boss. Celtic,Christian,Easter,Spiritual. Score and parts. 3 pages...
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Small Ensemble Cello,Guitar,Piano,Violin - Level 2 - SKU: A0.801588 Composed by Connie Boss. Celtic,Christian,Easter,Spiritual. Score and parts. 3 pages. Connie Boss #6246921. Published by Connie Boss (A0.801588). This is and original song from the reading of John 13:1 1-15 - (Holy Thursday). One can only imagine what Jesus was going through this night. Having his friends over - fixing a feast for them and washing their feet. All while knowing His fate and that there was among them a traitor. This is for strings duet and Piano. cdboss@cvalley.net Lyrics below:Towel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandYou’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet
$5.00
Towel and Basin - Holy Thursday - duet, flute and piano
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Musique Sacrée
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Connie Boss
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Towel and Basin - Holy Thursda
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Connie Boss
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SheetMusicPlus
Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - SKU: A0.801589 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score and parts. 3 pages. Co...
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Small Ensemble Flute,Guitar,Piano,Voice - Level 2 - SKU: A0.801589 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score and parts. 3 pages. Connie Boss #6247255. Published by Connie Boss (A0.801589). This is and original song from the reading of John 13:1 1-15 - (Holy Thursday). One can only imagine what Jesus was going through this night. Having his friends over - fixing a feast for them and washing their feet. All while knowing His fate and that there was among them a traitor. This is for duet, flute and Piano. cdboss@cvalley.net Lyrics below:Towel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandYou’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet
$5.00
Towel and Basin - Holy Thursday - duet, violin and piano
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Musique Sacrée
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Connie Boss
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Towel and Basin - Holy Thursda
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Connie Boss
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SheetMusicPlus
Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801591 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score and parts. 3 pages. C...
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Small Ensemble Guitar,Piano,Violin,Voice - Level 2 - SKU: A0.801591 Composed by Connie Boss. Celtic,Christian,Easter,Sacred. Score and parts. 3 pages. Connie Boss #6247259. Published by Connie Boss (A0.801591). This is and original song from the reading of John 13:1 1-15 - (Holy Thursday). One can only imagine what Jesus was going through this night. Having his friends over - fixing a feast for them and washing their feet. All while knowing His fate and that there was among them a traitor. This is for duet, violin and Piano. cdboss@cvalley.net Lyrics below:Towel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandYou’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet
$5.00
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All to Him I Owe
