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Alla Argentina
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Vous avez sélectionné:
Alla Argentina
Partitions à imprimer
8 partitions trouvées
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Allá en la sierra - Fado argentino por Juan Carlos Patrón y Froilán Aguilar
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Piano seul
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INTERMÉDIAIRE
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Juan Carlos Patrón y FroilÃ
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Juan Carlos Cortés A
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Allá en la sierra - Fad
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Juan Carlos Cortés Aguirre
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.958803 Composed by Juan Carlos Patrón y Froilán Aguilar. Arranged by Juan Carlos Cortés A. Concert,Standards,Tra...
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Piano Solo - Level 3 - SKU: A0.958803 Composed by Juan Carlos Patrón y Froilán Aguilar. Arranged by Juan Carlos Cortés A. Concert,Standards,Traditional,World. Score. 3 pages. Juan Carlos Cortés Aguirre #6873183. Published by Juan Carlos Cortés Aguirre (A0.958803). Transcripción para piano solo por:JUAN CARLOS CORTÉS A.Basado en la versión grabada por el dúo Gómez - Vila, integrado por los cantores argentinos Alberto Gómez (Egidio Alberto Aducci) y Augusto Tito Vila para la RCA VÃÂctor de Buenos Aires, Argentina.Allá en la sierraFado por: Juan Carlos Patrón y Froilán AguilarIntroducción:Besada por la brisa de la sierra, vive en la tierra de mis amores,la moza más bonita y seductora, que me enamora con sus primores.Por ella en las serenas noches claras, lloran guitarras quejas de amores,por ella se cruzaron los aceros de valientes que quisieron conquistar su corazón.Dueto:Este fado que le canto lo inspiró el encanto de la que yo adoro.Quisiera que la brisa lo llevara, al rancho donde vive mi querer.Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mÃÂa, no pedirÃÂa nada más mi corazón.Interludio:Calandria que en los aires de mi tierra, canta en la sierra por la mañana,florcita que en los campos engalana, es la paisana que adoro yo.Rayito que en la sierra alzó la Virgen, dejó prendido para que alumbre,quisiera que este fado hasta su oÃÂdo le llevara mi pedido que me de su corazón.Dueto:Este fado que le canto lo inspiró el encanto de la que yo adoro.Quisiera que la brisa lo llevara, al rancho donde vive mi querer.Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mÃÂa, no pedirÃÂa nada más mi corazón.¡Aah, a, ah, a, a, ah!Interludio breve:Esta canción es el rezo del que esclavo vive hoy de su embeleso.Si supiera que esa flor ha de ser mÃÂa, no pedirÃÂa nada más mi corazón.
$7.99
Uwe Korn - Alla Argentina - (based on Op. 149 No. 26 by Anton Diabelli) - (Digital Download)
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1 Piano, 4 mains
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Anton Diabelli)
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Uwe Korn - Alla Argentina - (b
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Musicnotes
Uwe Korn - Alla Argentina - (based on Op. 149 No. 26 by Anton Diabelli) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadabl...
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Uwe Korn - Alla Argentina - (based on Op. 149 No. 26 by Anton Diabelli) Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: 1 Piano 4-Hands;Instrumental Duet, instruments: Piano/4 Hands; 2 pages --
$3.99
Giuseppe Dogliani - Salve o Regina (1896)
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Chorale SATB
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Giuseppe Dogliani
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Guido Menestrina
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prof
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Giuseppe Dogliani - Salve o Re
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestr...
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Choral Choir (SATB) - SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, giàcantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre cittàd'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.
$1.99
Plena [piano 4 hands]
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1 Piano, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Juan MarÃÂa Solare and Selma
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Plena [piano 4 hands]
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Juan Maria Solare
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.596571 By Juan MarÃÂa Solare and Selma Hande Gade. By Juan MarÃÂa Solare. 20th Century,Blues...
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Instrumental Duet Instrumental Duet - Level 4 - SKU: A0.596571 By Juan MarÃÂa Solare and Selma Hande Gade. By Juan MarÃÂa Solare. 20th Century,Blues,Contemporary,Standards. Score and parts. 11 pages. Juan Maria Solare #4782389. Published by Juan Maria Solare (A0.596571). Juan MarÃÂa Solare - Plena Plena (piano 4 hands) - by Juan MarÃÂa Solare - on Spotify Plena is a slow and expressive ballade for piano four hands. Duration: 5:15The piece is dedicated to Maria Grazia Mazzone (who also suggested Plena as title - in clear allusion to the Latin expression Ave Maria gratia plena).The first version (as a simple melody, even conceived as second theme of another future piece) was sketched in Bremen, Germany, on 20 August 2013. Much more material written on 1 July 2016. Corrections and precisions in different occasions. In theory it is also possible to perform Plena as a ballad for piano two hands. In planning, I have in mind a version for cello and piano. Premiere by Juan MarÃÂa Solare and Selma Hande Gade, 28 October 2018, Messiaskirken, Charlottenlund, Denmark. The piece was recorded by both pianists on 18th April 2019 at Pür Studio, Istanbul, and will be released on 10th January 2020 (label Janus Music & Sound, Germany). ISWC: T-803.289.240-4 * GEMA-Nr.: 13.981.995 Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (neoclassical/contemporary music & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Thirty CDs of different performers include at least one piece of him. Find his music on Spotify: https://play.spotify.com/artist/0sr00YxbHKRAruzYrJ6PEg Juan MarÃÂa Solare's music on Spotify Official Website: www.JuanMariaSolare.com
$4.40
Uwe Korn: Alla Argentina, based on Op. 149 No. 26 by Anton Diabelli - piano four hands
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1 Piano, 4 mains
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FACILE
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Jazz
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Uwe Korn
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Virtualsheetmusic
Instantly printable sheet music by Uwe Korn for piano four hands of EASY skill level. Contents: Let's Swing, Mr. Diabelli!, 14 Jazzy Pieces for Piano Duet / jazz,children...
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Instantly printable sheet music by Uwe Korn for piano four hands of EASY skill level. Contents: Let's Swing, Mr. Diabelli!, 14 Jazzy Pieces for Piano Duet / jazz,children
$4.99
Second TROMBONANZA Suite for 5-part Trombone Ensemble
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Trombone basse
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INTERMÉDIAIRE
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Frith, John
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Second TROMBONANZA Suite for 5
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Gordon Cherry
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SheetMusicPlus
Bass Trombone - Level 3 - SKU: A0.792093 Composed by Frith, John. Contemporary,Jazz,Latin,Rock. 43 pages. Gordon Cherry #3423375. Published by Gordon Ch...
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Bass Trombone - Level 3 - SKU: A0.792093 Composed by Frith, John. Contemporary,Jazz,Latin,Rock. 43 pages. Gordon Cherry #3423375. Published by Gordon Cherry (A0.792093). These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of ‘TROMBONANZA 2017’. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players. The SECOND SUITE has five movements and is intended for a quartet of younger tenor trombonists working with a teacher on the fifth part on bass trombone who will add richness and depth to the ensemble sound. It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument. John Frith - 2017 This work is appropriate for younger performers at an intermediate level all in bass clef. The five movements total about 9 minutes in length and have the following titles: 1. Latin Dance 2. Ballad 3. Give Me a Break! 4. Bass Waltz 5. Cruisin’ Along (swing)
$35.00
Love Of My Life
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Queen
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Willian Ciriaco
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Love Of My Life
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Willian Ciriaco
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SheetMusicPlus
Strings Alto Saxophone,Cello,Viola,Violin - Level 3 - SKU: A0.1121140 By Queen. By Freddie Mercury. Arranged by Willian Ciriaco. 19th Century,Broadway,C...
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Strings Alto Saxophone,Cello,Viola,Violin - Level 3 - SKU: A0.1121140 By Queen. By Freddie Mercury. Arranged by Willian Ciriaco. 19th Century,Broadway,Classical,Musical/Show,Pop,Rock. 20 pages. Willian Ciriaco #722000. Published by Willian Ciriaco (A0.1121140). This Arrange is for Alto Saxophone and Strings quartet., by Willian Ciriaco Key: F Love of My Life is a song by the British rock band Queen from their 1975 album A Night at the Opera.[1] A sentimental ballad featuring a harp. After Queen performed the song in South America in 1981, the version from their live album Live Killers reached number 1 in the singles chart in Argentina and Brazil, and stayed in the charts in both countries for an entire year Mercury wrote it on the piano and guitar first, and Brian May rearranged the song for acoustic 12-string guitar for live performances, also lowering the key by a minor third. May contributed occasional guitar phrases to the original recording and played the swooping harp glissandos by pasting together multiple takes of single chords.
$12.99
Love Of My Life
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Queen
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Willian Ciriaco
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Love Of My Life
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Willian Ciriaco
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SheetMusicPlus
Strings Cello,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1121118 By Queen. By Freddie Mercury. Arranged by Willian Ciriaco. 19th Century,Broadway,...
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Strings Cello,Tenor Saxophone,Viola,Violin - Level 3 - SKU: A0.1121118 By Queen. By Freddie Mercury. Arranged by Willian Ciriaco. 19th Century,Broadway,Classical,Multicultural,Musical/Show,Rock,World. 22 pages. Willian Ciriaco #722025. Published by Willian Ciriaco (A0.1121118). This Arrange is for Tenor Saxophone and Strings quartet., by Willian Ciriaco Key: F Love of My Life is a song by the British rock band Queen from their 1975 album A Night at the Opera.[1] A sentimental ballad featuring a harp. After Queen performed the song in South America in 1981, the version from their live album Live Killers reached number 1 in the singles chart in Argentina and Brazil, and stayed in the charts in both countries for an entire year Mercury wrote it on the piano and guitar first, and Brian May rearranged the song for acoustic 12-string guitar for live performances, also lowering the key by a minor third. May contributed occasional guitar phrases to the original recording and played the swooping harp glissandos by pasting together multiple takes of single chords.
$12.99
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Alla Argentina
