English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
78
Partitions
Numériques
183
Librairie
Musicale
338
Matériel
de Musique
4
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
32
PIANO & CLAVIERS
Piano seul
19
Orgue
2
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
GUITARES
Guitare
4
VOIX
Chorale SATB
13
Chorale TTBB
2
Chorale SSATTB
2
Voix Soprano, Piano
1
Voix Tenor
1
Voix Baryton, Piano
1
Chorale 2 parties
1
Instrumentations suivantes
Retracter
VENTS
Quatuor de Saxophones: 4 saxophones
8
3 Saxophones (trio)
7
2 Saxophones (duo)
4
2 Clarinettes (duo)
3
Flûte, Clarinette (duo)
2
Trio de Flûtes: 3 flûtes
2
Hautbois, Piano (duo)
2
3 Clarinettes (trio)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte traversière et Piano
1
Saxophone Alto
1
Clarinette et Piano
1
2 Flûtes traversières (duo)
1
Flûte traversière
1
Quintette de Saxophone: 5 saxophones
1
Cor anglais, Piano
1
Flûte traversière, Orgue (duo)
1
Flûte à Bec
1
Flûte à bec Alto
1
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Saxophone Tenor et Piano
1
Saxophone Baryton, Piano
1
Flûte, Saxophone (duo)
1
2 Flûte à bec (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette
2
Cor anglais, Piano
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
4 Tubas
1
Trompette, Piano
1
Ensemble de Cors
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
3
Violoncelle, Piano
2
Violon, Alto (duo)
1
2 Violoncelles (duo)
1
Violon, Orgue
1
Violon
1
Alto, Piano
1
Trio à Cordes: violon, alto, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
4 Violoncelles
1
Violon, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
2 Violons (duo)
1
Trio à cordes: 3 altos
1
2 Altos (duo)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre
4
Orchestre d'harmonie
3
Ensemble de cuivres
2
Orchestre de chambre
2
Orchestre à Cordes
1
Cloches
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Allusion
Partitions à imprimer
183 partitions trouvées
<
1
26
51
....
176
Modal Allusions
2 Clarinettes (duo)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.765055 Composed by Lori…
(+)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.765055 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 7 pages. Lori Archer Sutherland #5314977. Published by Lori Archer Sutherland (A0.765055). A second copy of the performance score may be made so each player has a copy.Modal Allusions challenges players in tonality and independence. The movements are not in the standard major and minor keys that younger players are used to: the first and second movements are influenced by the Dorian mode, and the third movement is influenced by Lydian tonality. The second movement also requires players to internalize the beat, as the two parts do not often move together.
$7.50
6.91 €
#
2 Clarinettes (duo)
#
Lori Archer Sutherland
#
Modal Allusions
#
Lori Archer Sutherland
#
SheetMusicPlus
Modal Allusions
Flûte, Clarinette (duo)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0…
(+)
Instrumental Duet Clarinet,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.765054 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 7 pages. Lori Archer Sutherland #5317475. Published by Lori Archer Sutherland (A0.765054). A second copy of the performance score may be made so each player has a copy.Modal Allusions challenges players in tonality and independence. The movements are not in the standard major and minor keys that younger players are used to: the first and second movements are influenced by the Dorian mode, and the third movement is influenced by Lydian tonality. The second movement also requires players to internalize the beat, as the two parts do not often move together.
$7.50
6.91 €
#
Flûte, Clarinette (duo)
#
Lori Archer Sutherland
#
Modal Allusions
#
Lori Archer Sutherland
#
SheetMusicPlus
Modal Allusions
2 Clarinettes (duo)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.765084 Composed by Lori…
(+)
Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.765084 Composed by Lori Archer Sutherland. Contemporary,Standards. 2 scores. 7 pages. Lori Archer Sutherland #6202351. Published by Lori Archer Sutherland (A0.765084). A second copy of the performance score may be made so each player has a copy. For Bb and Alto Clarinet Modal Allusions challenges players in tonality and independence. The movements are not in the standard major and minor keys that younger players are used to: the first and second movements are influenced by the Dorian mode, and the third movement is influenced by Lydian tonality. The second movement also requires players to internalize the beat, as the two parts do not often move together.
$7.50
6.91 €
#
2 Clarinettes (duo)
#
Lori Archer Sutherland
#
Modal Allusions
#
Lori Archer Sutherland
#
SheetMusicPlus
Modal Allusions
Flûte, Saxophone (duo)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download S…
(+)
Instrumental Duet Alto Saxophone,Flute,Instrumental Duet - Level 3 - Digital Download SKU: A0.765063 Composed by Lori Archer Sutherland. Contemporary,Standards. Score and parts. 7 pages. Lori Archer Sutherland #5868935. Published by Lori Archer Sutherland (A0.765063). A second copy of the performance score may be made so each player has a copy. For flute/alto sax duet Modal Allusions challenges players in tonality and independence. The movements are not in the standard major and minor keys that younger players are used to: the first and second movements are influenced by the Dorian mode, and the third movement is influenced by Lydian tonality. The second movement also requires players to internalize the beat, as the two parts do not often move together.
$7.50
6.91 €
#
Flûte, Saxophone (duo)
#
Lori Archer Sutherland
#
Modal Allusions
#
Lori Archer Sutherland
#
SheetMusicPlus
Allusion
Hautbois, Piano (duo)
Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX…
(+)
Chamber Music & Piano Accompaniment Oboe, Piano - Grade 2 - Digital Download SKU: FX.FX073556 Composed by Rene Potrat. Original Composition. Classical, Educational. Score and Set of Parts. Duration 2 minutes, 30 seconds. FLEX Editions - Digital Sheet Music #FX073556. Published by FLEX Editions - Digital Sheet Music (FX.FX073556). Modal colors give a nostalgic and mysterious mood to this composition. The limited range between low D and E medium allows a oboist to play this piece from 2 years of practice. - Rene POTRAT ; Instruments: 1 Oboe 1 Piano.
$7.95
7.32 €
#
Hautbois, Piano (duo)
#
Rene Potrat
#
Instruments: 1 Oboe 1 Piano
#
Allusion
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
There Is A Redeemer
B-Flat instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1465449
(+)
B-Flat instrument,Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.1465449 By Keith Green. By Melody Green. Arranged by Naomi Postiff. Christian,Classical,Praise & Worship,Religious,Sacred. Score and individual part. 5 pages. Fellowship in Song #1044151. Published by Fellowship in Song (A0.1465449). A lovely arrangement for piano and a Bb Instrument with an allusion to Pachelbel's Canon. The solo instrument part is designed to be a fairly simple solo for an intermediate player.
$4.99
4.6 €
#
Keith Green
#
Naomi Postiff
#
There Is A Redeemer
#
Fellowship in Song
#
SheetMusicPlus
It Came Upon a Midnight Clear - CHOIR & ORCHESTRA
Chorale SATB
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1426511…
(+)
Choral Choir,Choral,SATB Chorus divisi - Level 4 - Digital Download SKU: A0.1426511 Composed by Edmund Sears. Arranged by Laura Intravia. Chamber,Christian,Christmas,Holiday,Religious. 76 pages. Laura Intravia #1007211. Published by Laura Intravia (A0.1426511). Inspired by the comforting and familiar Christmas arrangements of John Rutter, the classic carol It Came Upon a Midnight Clear has been arranged for orchestra and intermediate-level SATB choir. Several verses of the original hymn are featured, as well as an allusion to another favorite Christmas hymn towards the middle of the piece.This package includes the full score, all of the orchestral parts, a SATB choir with rehearsal piano part. This work was originally composed for and premiered by the St. Martin of Tours Christmas Choir & Orchestra, under the direction of Peter Schubart.
$80.00
73.7 €
#
Chorale SATB
#
Edmund Sears
#
Laura Intravia
#
It Came Upon a Midnight Clear - CHOIR & ORCHESTRA
#
Laura Intravia
#
SheetMusicPlus
Hommages and Prelude No. 1
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1383996 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 178 pages. David Fraser #968350. Published by David Fraser (A0.1383996). This volume contains five solo piano pieces expertly crafted and meticulously edited for accuracy. Advanced pianists will welcome the technical challenges and heights of musicality these works require. Music terminology for â??Le Cygne noirâ?? and â??L'océanâ?? are in French, with regard to the dedications of these pieces. All other works use conventional music terminology in Italian. 178 pages. ISMN 979-0-800277-00-9.David Fraser wrote the first 41 measures of â??Rhapsody No. 1â?? in 1997 and subsequently completed this piece and all other works in this volume over the course of six months in 2019. When playing the original 41 measures of â??Rhapsody No. 1â?? in 2019, Fraser noted that the music had some resemblance to works by Sergei Rachmaninoff. This encouraged Fraser to compose the remainder of this piece in a manner reminiscent of Rachmaninoff and, consequently, author a suite of solo piano pieces as homages to some of his favorite composers. In Rachmaninoffâ??s famous â??Rhapsody on a Theme of Paganini, Op. 43â??, variation 18, the composer uses an upside-down inversion of a small melody by Paganini. Similarly, Fraser uses a backwards inversion of a small melody from Rachmaninoffâ??s variation for the Rhapsodyâ??s â??Adagioâ? section, which starts on Page 3.Le Cynge noir {The Black Swan} is the second piece Fraser authored, dedicated to his beloved piano composer, Maurice Ravel. In this piece, Fraser wrote in his own style while evoking images such as a swan gliding on a lake, peering at its reflection in the water, and taking flight into the clouds with its wings rustling in the wind. Fraser gleaned inspiration for this piece from Ravelâ??s song for voice and piano â??Histoires naturelles - Le cygneâ??, set to a poem by Jules Renard. In addition, Fraser alternates between the keys of C-sharp major and A major as a depiction of the magical swanâ??s internal conflict in choosing to exist as a black or white swan.Fraserâ??s third composition is â??Sonata No.1 Gothicâ??, dedicated to Sergei Prokofiev, not as a representation of this genre of music, but in form. Specifically, Fraser uses a similar structure in Movement 1, starting at Measure 72 marked â??più mosso e con abbandonoâ?, to the notoriously difficult â??colossaleâ? section of Prokofievâ??s â??Piano Concerto No. 2, Op. 16â??, Movement 1. The sonataâ??s Movement 3 also follows a structure parallel to Movement 4 of Prokofievâ??s aforementioned piano concerto, employing fiendishly challenging syncopated jumps in both hands. Written in ternary form, Movements 1 and 3 of Fraserâ??s sonata are in C minor; Movement 2 is in E-flat minor, instead of the expected relative or dominant key. This work has explosive sentiments of rage that elicit a sense of immensity and darkness, touching on the macabre yet maintaining an alluring nature. The fourth piece of this suite, â??L'océan {The Ocean}â?? dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.Prelude No. 1 L'adieu {The Farewell} offers rich and lush harmonies with an enticing melody. This piece was written in memoriam to Fraser's mother.
$29.99
27.63 €
#
Piano seul
#
David Fraser
#
Hommages and Prelude No. 1
#
David Fraser
#
SheetMusicPlus
Hommages IV. L'océan {The Ocean}
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 2…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1384073 Composed by David Fraser. 20th Century,21st Century,Classical,Romantic Period. Score. 40 pages. David Fraser #968434. Published by David Fraser (A0.1384073). The fourth piece David Fraser wrote, â??L'océan' {The Ocean}, dedicated to Claude Debussy, uses whole-tone scales throughout as lyrical motifs. The composition unfolds with the allusion of the sun glimmering on ocean waves, followed by the playfulness of eddies and gusts of wind. These themes merge into one another as the wind increases in ferocity, culminating in the start of a storm with sudden strikes of lightning preceded by the reverberation of thunder. The pitter-patter of rain on the water steadily evolves into a full tempest that engulfs the middle section of the piece. As the storm subsides and the ocean calms, night has fallen and the twinkling of stars in the firmament are reflecting upon the water. The piece ends with the return of the opening theme as the sun swiftly rises above the ocean on the horizon.This is the full version of â??L'océan' which is the fourth piece from 'Hommages: Suite pour le Piano'. 40 pages. ISMN 979-0-800277-00-9.
$9.99
9.2 €
#
Piano seul
#
David Fraser
#
Hommages IV. L'océan {The Ocean}
#
David Fraser
#
SheetMusicPlus
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1381069 Composed by Todd Marchand. Christian,Easter,Lent,Sacred. 4 pages. Con Spirito Music #965787. Published by Con Spirito Music (A0.1381069). An allusion to Lamentations 1:12 (Is it nothing to you, all ye that pass by? Behold, and see if there be any sorrow like unto my sorrow....), Have, Have Ye No Regard is a setting for solo baritone, SATB voices, and organ of Robert Herrick's (1591-1674) poem, His Saviour's Words, Going to the Cross:Have, have ye no regard, all ye Who pass this way, to pity Me, Who am a man of misery? A man both bruis'd and broke, and one Who suffers not here for Mine own, But for My friends' transgression! Ah, Sion's daughters, do not fear The Cross, the Cords, the Nails, the Spear, The Myrrh, the Gall, the Vinegar, For Christ, your loving Saviour, hath Drunk up the wine of God's fierce wrath; Only there's left a little froth, Less for to taste than for to show What bitter cups had been your due, Had he not drank them up for you.©Copyright 2024 Todd Marchand / Con Spirito Music. All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
#
Chorale SATB
#
Todd Marchand
#
Have, Have Ye No Regard? — Good Friday anthem for baritone, SATB, organ
#
Con Spirito Music
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Recorder and Piano
Flûte à Bec
Recorder Solo - Level 1 - Digital Download SKU: A0.1076831 Composed by Martin Luthe…
(+)
Recorder Solo - Level 1 - Digital Download SKU: A0.1076831 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Individual part. 4 pages. Woods Only, Arrangements #680946. Published by Woods Only, Arrangements (A0.1076831). This easy arrangement for recorder and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.83 €
#
Flûte à Bec
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Recorder and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
Lorem Ipsum [mixed choir]
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by …
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00
4.61 €
#
Chorale SATB
#
Juan MarÃa Solare
#
Lorem Ipsum [mixed choir]
#
Juan Maria Solare
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Flute and Bassoon Duet
Flûte, Basson (duo)
Bassoon,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1074365 Compos…
(+)
Bassoon,Flute,Instrumental Duet - Level 1 - Digital Download SKU: A0.1074365 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 4 pages. Woods Only, Arrangements #678665. Published by Woods Only, Arrangements (A0.1074365). This easy arrangement for flute and bassoon duet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$3.99
3.68 €
#
Flûte, Basson (duo)
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Flute and Bassoon Duet
#
Woods Only, Arrangements
#
SheetMusicPlus
Gnossienne No. 1
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik …
(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.1199137 By Erik Satie. By Erik Satie. Arranged by Hans Rudolf. 19th Century,Classical,Romantic Period. Score and Parts. 37 pages. Hans Rudolf #798204. Published by Hans Rudolf (A0.1199137). Gnossienne No. 1 is a solo piano piece by French composer Erik Satie. It was written in 1890 and published in 1893. The piece is part of a series of six Gnossiennes and is perhaps Satie's best known and most frequently performed work.The piece is written in a slow tempo and is marked Lent (slow) and douloureux (painful). It has a simple and repetitive melody played over a slow, dreamy accompaniment. The harmonies are also very sparse, often consisting of only two or three chords.The title Gnossienne is thought to have been invented by Satie himself, and its meaning is not entirely clear. Some suggest that it is a reference to the ancient Greek city of Gnossos on the island of Crete, while others believe that it is an allusion to gnosis, a mystical knowledge in which Satie was interested. For me, I translate Gnossienne simply as knowledge.Overall, Gnossienne No. 1 is a beautiful and haunting piece of music that has captured the imagination of audiences and performers alike for over a century.My orchestration attempts to counter the painful character, at least in part, with a rebellion and triumph over pain. The most unusual detail is the rhythmization by the timpani, which can be perceived as a driving, an eternity of the same or also as a will to continue.
$19.99
18.42 €
#
Orchestre
#
Erik Satie
#
Hans Rudolf
#
Gnossienne No. 1
#
Hans Rudolf
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Flute Duet
2 Flûtes traversières (duo)
Flute Duet Flute - Level 1 - Digital Download SKU: A0.1074349 Composed by Martin Lu…
(+)
Flute Duet Flute - Level 1 - Digital Download SKU: A0.1074349 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score. 4 pages. Woods Only, Arrangements #678649. Published by Woods Only, Arrangements (A0.1074349). This easy arrangement for flute duet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$3.99
3.68 €
#
2 Flûtes traversières (duo)
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Flute Duet
#
Woods Only, Arrangements
#
SheetMusicPlus
Pippo Non Lo Sa
Chorale SATB
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1264987 Composed by…
(+)
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1264987 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels and Pasquale Amico. A Cappella,Jazz,Multicultural,World. Octavo. 8 pages. Bacco Baccanels #857827. Published by Bacco Baccanels (A0.1264987). SAATBB version of the great song by Gorni Kramer.STBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...SAA voices, (Soprano, the lead, Alto and Contralto the other), come from a Pasquale Amico (thank You!) arrangement and make a very good melody harmonisation.To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.68 €
#
Chorale SATB
#
Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
#
Pippo Non Lo Sa
#
Bacco Baccanels
#
SheetMusicPlus
Pippo Non Lo Sa
Chorale TTBB
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giusep…
(+)
Choral Choir (TTBB) - Level 3 - Digital Download SKU: A0.1264702 Composed by Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri. Arranged by Bacco Baccanels. 20th Century,A Cappella,Jazz. Octavo. 6 pages. Bacco Baccanels #857536. Published by Bacco Baccanels (A0.1264702). TTBB Version of the great song by Gorni Kramer.The arrangement is quite basic and is not barbershop like: there is one voice for the main melody (Tenor1) and three voices emulating the armonic infrastructure.(I made also a richer SAATTB version with additional staffs taken from a Pasquale Amico vocal arrangement).TTBB voices follow a simple arrangement: Soprano does the main melody and Tenor, Baritone and Bass do accompaniment: an easy bass line and two voices for the chords.Baritone and Bass often play upbeat in the first bars of most of the phrases (pretending to be guitars or trumpets) and turn to straight beat in the final measures.Tempo is fast, thus singing those upbeat at the right speed can be challenging: bear in mind slowing them down produces a global weakening of the entire song: I suggest Tenor2 and Baritone drink some coffee before singing...To add movement to an otherwise great and funny but simple structure, I added few bars to the original work, starting from bar 79 (F mark); here, pay attention to sing in sync, since the section is very rhythmic.Some background information about the song: written in 1939 under the fascist regime, Kramer was accused of making fun of the fascist hierarch Achille Starace, who used to walk upright in a black shirt, arousing the hilarity of the population. The song thus had to face the censorship of the regime, given that the allusion appeared quite clear.Many years after the composition, Gorni Kramer declared that the piece was inspired not by Starace but by the maestro Pippo Barzizza, with whom, in 1939, Kramer had had an argument during a performance at the Kursaal in Viareggio.
$4.00
3.68 €
#
Chorale TTBB
#
Giuseppe Rastelli, Gorni Kramer, and Mario Panzeri
#
Bacco Baccanels
#
Pippo Non Lo Sa
#
Bacco Baccanels
#
SheetMusicPlus
Ride On! Ride On in Majesty! — SATB voices, organ
Chorale SATB
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by…
(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1367409 Composed by English ballad. Arranged by Todd Marchand. Christian,Easter,Lent,Sacred. 5 pages. Con Spirito Music #951781. Published by Con Spirito Music (A0.1367409). Perhaps the most often-sung processional hymn on Palm Sunday, “Ride On, Ride On in Majesty†was written in 1820 by Anglican cleric, poet, and scholar Henry Hart Milman (1791-1868) and first  published in Reginald Heber’s Hymns Written and Adapted to the Weekly Church Service of the Year (1827). The hymn references Jesus’ entry into Jerusalem prior to his Passion, as recorded in Matthew 21:1-11.Writing for the Hymnology Archive of The Hymn Society in the US and Canada, editor Chris Fenner notes in his analysis of the text that:“This hymn ... is much less a narrative or paraphrase of the triumphal entry (Matt. 21, Mk. 11, Lk. 19, Jn. 12) than it is a forward-looking hymn pointing from the palms to the cross to [Jesus’] ascended position on the throne. The triumphal entry itself is a fulfillment of Zechariah 9:9 (‘Behold, your king is coming to you . . . humble and mounted on a donkey’). The recurring opening line is possibly an allusion to Psalm 45:4 (‘in thy majesty ride prosperously’). “Some hymnological commentators connect this hymn with the idea of the great reversal in Philippians 2:5-12, where we find the Christ who humbled himself in a crucified death, later to be exalted, name above all names, to which every knee will bow. As Canadian hymn scholar Stanley Osborne observed, this hymn’s poetic strength is in its exploration of that duality:'Objective, robust, confident, and stirring, it possesses that peculiar combination of tragedy and victory which draws the singer into the very centre of the drama. It is this which gives the hymn its power and its challenge.'In this arrangement for SATB voices and organ, Milman’s text is set to the 15th-century English ballad, “Deo Gratias†(aka The Agincourt Carol), with the refrain Ride on in majesty!†following each verse.©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, patriotic, folk, and holiday music for instruments and voices, visit www.conspiritomusic.com
$2.00
1.84 €
#
Chorale SATB
#
English ballad
#
Todd Marchand
#
Ride On! Ride On in Majesty! — SATB voices, organ
#
Con Spirito Music
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Bassoon and Piano
Basson, Piano (duo)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1076828 Composed by Martin Luthe…
(+)
Bassoon,Piano - Level 1 - Digital Download SKU: A0.1076828 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680943. Published by Woods Only, Arrangements (A0.1076828). This easy arrangement for bassoon and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.83 €
#
Basson, Piano (duo)
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Bassoon and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 1 - Digital Download SKU: A0.1076823 Composed by Martin Luth…
(+)
Clarinet,Piano - Level 1 - Digital Download SKU: A0.1076823 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. Score and part. 4 pages. Woods Only, Arrangements #680938. Published by Woods Only, Arrangements (A0.1076823). This easy arrangement for clarinet and piano has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$1.99
1.83 €
#
Clarinette et Piano
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Clarinet and Piano
#
Woods Only, Arrangements
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Bassoon Duet
2 Bassons (duo)
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1074385 Composed by …
(+)
Bassoon,Instrumental Duet - Level 1 - Digital Download SKU: A0.1074385 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 4 pages. Woods Only, Arrangements #678684. Published by Woods Only, Arrangements (A0.1074385). This easy arrangement for bassoon duet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$3.99
3.68 €
#
2 Bassons (duo)
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Bassoon Duet
#
Woods Only, Arrangements
#
SheetMusicPlus
A Mighty Fortress is Our God by Luther for Recorder Duet
Alto Recorder,Instrumental Duet,Soprano Recorder - Level 1 - Digital Download SKU: A0.1…
(+)
Alto Recorder,Instrumental Duet,Soprano Recorder - Level 1 - Digital Download SKU: A0.1074389 Composed by Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Traditional. 4 pages. Woods Only, Arrangements #678690. Published by Woods Only, Arrangements (A0.1074389). This easy arrangement for soprano and alto recorder duet has been adapted to be simple to perform and understand, adapted for various levels of musical knowledge; from beginners to music professionals. It can be played freely due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performances at Christian ceremonies and liturgical events in churches, it also serves as a study of the Renaissance repertoire. A Mighty Fortress Is Our God or Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism; where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.
$3.99
3.68 €
#
Martin Luther
#
Ander
#
A Mighty Fortress is Our God by Luther for Recorder Duet
#
Woods Only, Arrangements
#
SheetMusicPlus
Pifilka - for Guitar and String Quintet
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.897893 Composed by Rodrigo Guzmán. …
(+)
Chamber Orchestra - Digital Download SKU: A0.897893 Composed by Rodrigo Guzmán. Folk,World. Score and parts. 28 pages. Rodrigo Guzmán #6403201. Published by Rodrigo Guzmán (A0.897893). Pifilka is the name of a Mapuche musical instrument that imitates the sound of birds. It can produce a max. of 2 sounds and for this reason it has a rhythmic function in Mapuche music. In this piece allusion is made to this instrument in an attempt to reproduce sonorities of Mapuche rituals that make a contrast within a peaceful Chilean Tonada.
$12.00
11.05 €
#
Orchestre de chambre
#
Rodrigo Guzmán
#
Pifilka - for Guitar and String Quintet
#
Rodrigo Guzmán
#
SheetMusicPlus
Three Homages [piano solo]
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa So…
(+)
Piano Solo - Level 3 - Digital Download SKU: A0.596596 Composed by Juan MarÃa Solare. 20th Century,Contemporary,Standards. Score. 12 pages. Juan Maria Solare #5888527. Published by Juan Maria Solare (A0.596596). Three Homages for piano solo1 - Seduce us badly (to Claude Debussy)2 - Ave Verdi (to Giuseppe Verdi) 3 - Schubertango (to Franz Schubert)Three Homagesfor piano solo1) Seduce us badly is an anagram of Claude Debussy. Stephen Porter's project Re-Imagining Debussy required the work to interact in some way with the music or compositional spirit of Debussy. I answered by using some of his technical devices: chords parallelisms, whole-tone scales, brief melodic shapes, central notes and a broad multi-layered texture. 2) Ave VerdiA miniature composed on the death-day of Verdi (27th January 2013). The piece is based on the 7-tone scala enigmatica used by Giuseppe Verdi in his Ave Maria (1889, first from Quattro Pezzi Sacri) and its complement (the missing 5 notes), treated as twelve-tone field. The piece is dedicated to that other Giuseppe: Lupis. The scala enigmatica: [Do - Reb - Mi - Fa# - Sol# - La# - Si] Complement: [Re - Mib - Fa - Sol - La]Original Tone Row: 0 1 4 6 8 10 11 2 3 5 7 9 3) SchubertangoTango music has more to do with Franz Schubert than with any other classical composer. Harmonies and types of melody are extremely similar. Such similarities cease, at the latest, when we come to rhythm. This miniature shows how Schubert's melodies can be flawlessly integrated into the musical language of tango. If one doesn't know the original pieces, you will not even recognize at all that there is a quotation. In the score, the composer kindly tags the sources of the quotations; nevertheless, there is also a hidden quotation (or rather an allusion) that doesn't stem from Schubert: it is the chord progression (not the melody) of a very well known tango of the modern era. Do you find it? The Schubertango was composed in Bremen (Germany) on 28 November 2014 and has a duration of 1 minute. The piece is dedicated to pianist Stephen Porter, in the frame of his project Re-Imagining Schubert, hosted by Vox Novus (New York City) and their cycle Fifteen Minutes of Fame. Juan Maria Solare, born 1966 in Argentina, works currently in Germany as composer, pianist (contemporary & tango) and teaching at the University of Bremen and at the Hochschule fuer Kuenste Bremen. His music has been performed in five continents. Find his music on Spotify, Apple Music, Napster, etc. https://sptfy.com/jmsolare 
$3.00
2.76 €
#
Piano seul
#
Juan MarÃa Solare
#
Three Homages [piano solo]
#
Juan Maria Solare
#
SheetMusicPlus
2020
Piano seul
Piano Solo - Digital Download SKU: A0.818506 Composed by Thomas Ling Swee Chin. 20t…
(+)
Piano Solo - Digital Download SKU: A0.818506 Composed by Thomas Ling Swee Chin. 20th Century,Contemporary. Score. 3 pages. Thomas Swee Chin #6212083. Published by Thomas Swee Chin (A0.818506). A piece to remember the strange year 2020, when the whole world is brought to its knee by an invisible virus. It starts with slightly dissonant chords held for full bars. Hold the damper pedal for the intended effect - suspenseful and mysterious. The main body is tonal in nature with occasion interruptions of the opening dissonant chords. It ends in a major chord nonetheless with the allusion to the Hallelujah chorus at the end. All is not lost. We shall yet overcome. The almighty works his mysterious way through it all, as in the past. .
$4.99
4.6 €
#
Piano seul
#
Thomas Ling Swee Chin
#
2020
#
Thomas Swee Chin
#
SheetMusicPlus
<
1
26
51
....
176
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
