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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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4
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15
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7
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37
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AUTRES
Vous avez sélectionné:
Almost Over You
Partitions à imprimer
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I'd Rather Be Blue Over You Than Be Happy With
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose an…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewish,Standards. Score and parts. 38 pages. CHRIS HARRIS MUSIC #603763. Published by CHRIS HARRIS MUSIC (A0.1002654). I’D RATHER BE BLUE, THINKING OF YOU (than be happy with somebody else) was originally recorded by pioneering American songstress Fanny Brice in 1929. Since then it was featured in her biography “Funny Girl†when it was sung (and danced on roller-skates!) by Barbra Streisand. This is a FLEXIBLE ORCHESTRATION which implies that it is intended for community bands, bands in small schools, club bands etc. and can be played, not only by full bands or orchestras but by incomplete bands and bands that are made up of almost any mixture of instrument that you can imagine. To achieve this, the music is made up of five “Parts†or voices which are defined by pitch and key e.g. Part II Bb – Trumpet, Clarinet, Tenor saxophone etc. To those five are added additional parts for percussion, tuned percussion, piano and voice. I should mention here that, besides regular band or orchestral instruments, it is possible to include less used instruments such as harmonica, piano-accordion, ukulele, electric guitar – the list is endless! Lastly, it is possible to use flexible orchestrations for chamber groups of any size. They can be chosen by instrument family e.g. Woodwind quintet, or by particular instrument e.g. Clarinet Trio.
$49.99
45.09 €
#
Orchestre d'harmonie
#
Billy Rose and Fred Fisher
#
Chris Harris
#
I'd Rather Be Blue Over You Than Be Happy With
#
CHRIS HARRIS MUSIC
#
SheetMusicPlus
Overture for Strings No. 3 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183534 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 28 pages. ROBERT DEBBAUT #783207. Published by ROBERT DEBBAUT (A0.1183534). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.01 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 3 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 5 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183536 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 39 pages. ROBERT DEBBAUT #783209. Published by ROBERT DEBBAUT (A0.1183536). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.01 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 5 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 6 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183537 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 57 pages. ROBERT DEBBAUT #783210. Published by ROBERT DEBBAUT (A0.1183537). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.01 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 6 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 4 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bo…
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1183535 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 34 pages. ROBERT DEBBAUT #783208. Published by ROBERT DEBBAUT (A0.1183535). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.01 €
#
Orchestre à Cordes
#
Joseph Bologne, Chevalier de St
#
Robert Debbaut
#
Overture for Strings No. 4 - Score Only
#
ROBERT DEBBAUT
#
SheetMusicPlus
Overture for Strings No. 2 - Score Only
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bo…
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String Orchestra - Level 4 - Digital Download SKU: A0.1183533 Composed by Joseph Bologne, Chevalier de St. Georges. Arranged by Robert Debbaut. Classical,Contest,Festival,Historic,Multicultural,World. 43 pages. ROBERT DEBBAUT #783206. Published by ROBERT DEBBAUT (A0.1183533). How is it that one can be born a slave in French colonial Guadeloupe and rise to be among Paris’ musical giants, to become a colonel in the French Army as well as the frequent dinner guest of princes and potentates? The story of Joseph Bologne, Chevalier de Saint-Georges, is surely an interesting one, even the stuff of which movies are made.Joseph Bologne’s father, Georges Bologne de Saint-Georges was a French planter. Saint-Georges was the name of his plantation. He impregnated Anne, the Senegalese slave of his wife, who bore him a son in 1745. Uncharacteristic of many of these sort of relationships he acknowledged the child was his and gave him his family name. When he was seven Bologne’s father took him to Paris for his education, enrolling him in a boarding school. Two years later he and the child’s mother returned to France and set up housekeeping as a family in Paris’ Saint-Germain-des-Prés district.At age thirteen Joseph’s father enrolled him in the Royal Technical Academy of Fencing and Swordsmanship. He quickly became the finest swordsman in the academy, perhaps in all of Paris. Upon graduation he was made an Officer of the King’s Bodyguard and a chevalier (an honorary knighthood). He went on to serve tours of duty in the French Army during the Seven Years War (1756-1763) and later after the French Revolution, where he was Colonel and commander of an all-Black regiment of the Revolutionary Army. All this in spite of the fact that French law forbade him, a man of African heritage, to become a citizen, to retain his father’s royal title of “Gentleman of the King’s Chamber,†or to marry outside his class.There is limited information about Bologne’s musical training, but he was obviously so well-skilled that Italian violinist-composer Antonio Lolli (1725-1802) wrote two violin concertos for him and French composer François-Joseph Gossec (1734-1829) dedicated his set of String Trios, Op. 9 to Bologne. Lolli may have worked with him on violin technique and Gossec composition, but this may be apocryphal. Bologne played in Gossec’s orchestra, and was later both leader and conductor of the group.As a composer Joseph Bologne was quite prolific, composing six operas, fourteen violin concertos, four symphonies concertantes, and numerous chamber works and songs. His Six String Quartets, Op. 1, Nos. 1-6 date from 1770-1771 and were published by the Paris publishing house of Jean-Georges Sieber (1738-1822) in 1773 (There are a total of 18 quartets: Six Quartets “au goût du jour†[up-to-date] from 1779 and the Opus 14 set of six which date from 1785). The Opus 1 quartets are dedicated to Anne Louis Alexandre de Montmorency (1724-1812), 7th Prince of Robeck (Robecq) and Grand Duke of Spain.The Opus 1 quartets all display a similarity to the Italian opera overtures from earlier in the Eighteenth Century (often called “sinfoniaâ€) in that they have an overall “A-B-A†form with the ‘A’ sections being robust allegros and all ‘B’ sections marked “rondo.†As such, in arranging them for string orchestra it seemed quite natural to rename them “overtures.†Certain liberties were taken by the arranger in order to maintain the integrity of the classic Rondo formula. All six have been arranged in this manner for string orchestra. They vary in length from twelve to almost twenty minutes. If you wish to obtain parts, write to debbaut@gmail.com and pay $42 via venmo or $40 via personal check and they will be sent to you in pdf format.
$9.99
9.01 €
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Orchestre à Cordes
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Joseph Bologne, Chevalier de St
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Robert Debbaut
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Overture for Strings No. 2 - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
You Really Got Me
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.5…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.526265 By The Kinks. By Ray Davies. Arranged by Sarah Cellobat Chaffee. Pop,Rock. 16 pages. Sarah Cellobat Chaffee #6260161. Published by Sarah Cellobat Chaffee (A0.526265). You Really Got Me was released in 1964 as the third single by British rock band The Kinks. The song became the band's breakthrough hit, reaching number one on the UK singles chart and establishing them as one of the top British Invasion bands of the 60's. The song's style ended up being very influential for generations of rock and punk musicians afterward, and the song has lived on in the cultural canon and is still beloved to this day. This Cellobat arrangement of You Really Got Me for string quartet is true to the original Kinks recording, with its driving beat, punk-rock feel, and epic solo -- which violin 1 and 2 get to share! This chart will be readable for professionals and playable for advanced-intermediate students; overall it's more of an intermediate level, with fairly straightforward rhythms and almost entirely in 1st position, but it goes by pretty fast and it might be worth it for V2 to look at the guitar solo beforehand :) and most of all, have fun! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$16.99
15.33 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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The Kinks
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Sarah Cellobat Chaffee
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You Really Got Me
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Sarah Cellobat Chaffee
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SheetMusicPlus
Can't Take My Eyes Off Of You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1…
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1094911 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards,Wedding. 21 pages. Sarah Cellobat Chaffee #698980. Published by Sarah Cellobat Chaffee (A0.1094911). Originally released in May 1967, Can't Take My Eyes Off Of You was recorded as a single by Frankie Valli of the Four Seasons that ended up being among his biggest hits. Reaching number 2 on the Billboard charts after its release, the song became an instant classic and is now among the most widely requested wedding songs. This Cellobat arrangement for your string quartet was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, pop concerts, solo & ensemble contests, cocktail parties, and any other occasion you need to get your audience singing along! Rated intermediate -- all parts remain in 1st position almost the whole time, and there's nothing very tricky here except some syncopated rhythms and a key change in the middle. This chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$16.99
15.33 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Frankie Valli
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Sarah Cellobat Chaffee
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Can't Take My Eyes Off Of You
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Sarah Cellobat Chaffee
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SheetMusicPlus
Can't Take My Eyes Off Of You
Trio à Cordes: 2 violons, violoncelle
String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.733792 By Frankie Val…
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String Trio Cello,Violin - Level 3 - Digital Download SKU: A0.733792 By Frankie Valli. By Bob Crewe and Bob Gaudio. Arranged by Sarah Cellobat Chaffee. Film/TV,Jazz,Pop,Standards,Wedding. 17 pages. Sarah Cellobat Chaffee #342006. Published by Sarah Cellobat Chaffee (A0.733792). *INSTRUMENTATION: 2 VIOLINS & CELLO*Originally released in May 1967, Can't Take My Eyes Off Of You was recorded as a single by Frankie Valli of the Four Seasons that ended up being among his biggest hits. Reaching number 2 on the Billboard charts after its release, the song became an instant classic and is now among the most widely requested wedding songs. This arrangement for two-violin and cello trio was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, pop concerts, solo & ensemble contests, cocktail parties, and any other occasion you need to get your audience singing along! Rated intermediate -- all parts remain in 1st position almost the whole time, and there's nothing very tricky here except some syncopated rhythms and a key change in the middle. This chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99
13.52 €
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Trio à Cordes: 2 violons, violoncelle
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Frankie Valli
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Sarah Cellobat Chaffee
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Can't Take My Eyes Off Of You
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Sarah Cellobat Chaffee
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SheetMusicPlus
Almost May for Piano Solo
Piano seul
Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi S…
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Piano Solo - Level 2 - Digital Download SKU: A0.1376326 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Score. 1 pages. Heidi Savoie #960870. Published by Heidi Savoie (A0.1376326). This is a solo piano arrangement of Almost May, best suited for an early intermediate player. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax.
$3.99
3.6 €
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Piano seul
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Heidi Savoie
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Heidi Savoie
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Almost May for Piano Solo
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Heidi Savoie
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SheetMusicPlus
Almost May Lead Sheet
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi…
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C Instrument - Level 2 - Digital Download SKU: A0.1376331 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Instructional,Jazz,Singer/Songwriter. Lead Sheet / Fake Book. 1 pages. Heidi Savoie #960874. Published by Heidi Savoie (A0.1376331). This is a lead sheet for any instrument for the song Almost May. Almost May - Theme and VariationsBackstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$2.99
2.7 €
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Instruments en Do
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Heidi Savoie
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Heidi Savoie
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Almost May Lead Sheet
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Heidi Savoie
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SheetMusicPlus
Almost May Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Dow…
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String Quartet Cello,Double Bass,Piano,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1376321 By Heidi Savoie. By Heidi Savoie. Arranged by Heidi Savoie. Classical,Contemporary,Jazz,Pop,Singer/Songwriter. 15 pages. Heidi Savoie #960865. Published by Heidi Savoie (A0.1376321). This score is an arrangement for piano, violin I and II, viola, cello, bass with optional drums.Backstory: Years ago I wrote a simple piano piece for my students. As instrumental music can fully exist outside the confines of words, it can be difficult to find the right title for something that is pure sound and possibility. I took inspiration from the time of year in which I had composed it and stamped it, “Almost Mayâ€. Like springtime in the Northern Hemisphere, “Almost May†unfolds slowly and majestically, with ever-evolving layers for the senses to discover. What to listen for: ThemeThe main theme is first presented by the piano with minimal fanfare. This part was written to be easy enough for a child, which despite being sparing of notes, delivers rich harmonic content. Every note has been carefully curated for the optimal combination of accessibility and depth. Weaving chromatically into distantly-related keys, the melody takes small steps into contrasting musical spaces. In a wordless procession, the storyline plays out, as if the theme discovers that someone very different lives next door, and they slowly become inseparable. The piano is accompanied by an airy touch of brushes against a snare drum, like the pitter patter of soft feline steps. In the low frequency range, the upright bass supports and deepens the tonal palette with its earthy underpinnings. What to listen for: Variation I The unmistakable string section arrives like a breath of warm air. Lush, warm and reassuring like sunshine on your cheeks, the string parts begin with long tones. This broadness and stability will evolve into more layers of complexity throughout the section. While the role of the string section is background accompaniment, it undergoes textural changes which allow for some layers to briefly rise to the forefront as melody. Careful listening to the string parts will reveal an oceanic churning, a motion from background to foreground with expansions and contractions along the way. Floating overtop this density is the improvised piano solo, with ascending gestures that progress in detail and density. Each instrument enters a general unfolding and growth period in the first variation. The bass and drums include more fills than before, as the ensemble tends gradually toward more grandeur. What to listen for: Variation II The final variation opens with a decadent treatment of the melody. What was initially expressed by a soloist as a childlike plea is reimagined as a two-part conversation between the piano and lead viola. The obbligato voiced in the viola is a derivation of the melody that holds the space between phrases so the listener's attention is passed seamlessly between the piano and viola part. This dialogue features commentary on the original melody in the form of ornamentation and taking surprising pathways to expected destinations. The rhythm section (bass and drums) takes more liberties in creating a verdant soundscape as the ensemble rises to a final climax. Credits: I would like to thank Cole Canaday for the nuance, imagination and depth of understanding with which he brought this piece to life. I would also like to thank Blake Hamilton and Anastace for providing invaluable audio engineering feedback.
$24.99
22.54 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Heidi Savoie
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Heidi Savoie
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Almost May Score and Parts
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Heidi Savoie
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SheetMusicPlus
Almost Like Being In Love
Chorale 3 parties
Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1328088 By David Bro…
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Choral Choir,Choral (SAB) - Level 3 - Digital Download SKU: A0.1328088 By David Brooks And Marion Bell. By Alan Jay Lerner and Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 38 pages. Kathryn Sherman #916078. Published by Kathryn Sherman (A0.1328088). Challenge your ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes. For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.
$7.50
6.77 €
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Chorale 3 parties
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David Brooks And Marion Bell
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Kathryn Sherman
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Almost Like Being In Love
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Kathryn Sherman
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SheetMusicPlus
Almost Like Being In Love
Chorale SSAA
Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1014650 By David Br…
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Choral Choir,Choral (SSAA) - Level 3 - Digital Download SKU: A0.1014650 By David Brooks And Marion Bell. By Frederick Loewe. Arranged by Kathryn Sherman. Contemporary,Jazz. 35 pages. Kathryn Sherman #6453753. Published by Kathryn Sherman (A0.1014650). Challenge your treble ensemble to sing soft unisons and close harmony with this tender reharmonization and reinterpretation of Lerner & Loewe's classic, Almost Like Being in Love. The improvisation section can feature vocalists, instrumentalists, or both, challenging soloists to focus on creating melodies over these adapted chord changes.For more of Kathryn's music, you can find her at katsherman.com or on Instagram @katshermanmusic. You can also reach out via email at kat@katsherman.com.
$7.50
6.77 €
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Chorale SSAA
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David Brooks And Marion Bell
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Kathryn Sherman
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Almost Like Being In Love
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Kathryn Sherman
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SheetMusicPlus
Morango ... almost a tango, full score
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed …
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String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99
9.01 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Thomas Oboe Lee
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Morango ... almost a tango, full score
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Thomas Oboe Lee
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SheetMusicPlus
Almost Persuaded
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397935 By Marty Robb…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1397935 By Marty Robbins. By Words & Music: Philip P. Bliss. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #981209. Published by Leatherman Music Services (A0.1397935). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
3.6 €
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Piano, Voix et Guitare
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Marty Robbins
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Lyndell Leatherman
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some were not
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Almost Persuaded
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Leatherman Music Services
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SheetMusicPlus
Concert Overture
Orchestre de chambre
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - Digital Download SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
23.44 €
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
Concert Overture
Orchestre de chambre
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (…
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - Digital Download SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
23.44 €
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.802460 By Judy Garland. By Haro…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.802460 By Judy Garland. By Harold Arlen. Arranged by Peet du Toit. Film/TV. Score and parts. 11 pages. Peet du Toit #5720885. Published by Peet du Toit (A0.802460). You cannot go wrong to play this music at almost any of your performances. People will stop and listen to you.
$17.00
15.33 €
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Ensemble de cuivres
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Judy Garland
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Peet du Toit
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Over The Rainbow
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Peet du Toit
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SheetMusicPlus
Your Eyes
Chorale SATB
SATB choir a cappella - Digital Download SKU: MQ.15-94050-E Composed by Deen E. Ent…
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SATB choir a cappella - Digital Download SKU: MQ.15-94050-E Composed by Deen E. Entsminger. Octavo. 11 pages. Colla Voce Music - Digital #15-94050-E. Published by Colla Voce Music - Digital (MQ.15-94050-E). This piece was written to celebrate the life and legacy of Rebecca Tyree. Rebecca Tyree, Becky to her friends, was an accomplished choral conductor, a dedicated and caring music educator, patient and knowledgeable mentor, and a life-long learner who experienced life with a passion and zeal which endeared her to all who met her. Becky was a friend who would invite you over for dinner (she was a fabulous cook), offer you a place to stay, or lend you a listening and compassionate ear. She had an infectious laugh, almost a giggle, and her eyes lit up when she smiled. Though Becky took great pride in all of her professional accomplishments, her greatest joys were her son, Steve, his wife, Kalie, and their two daughters, Jade and Juniper. Her passing left a huge hole in countless people's hearts, but the joy of memories will sustain those who knew her, and her students will continue to pass on her passion for music for decades to come.
$2.10
1.89 €
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Chorale SATB
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Deen E
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Your Eyes
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Colla Voce Music - Digital
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SheetMusicPlus
Overture to Dardanus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1159545
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - Digital Download SKU: A0.1159545 Composed by Jean-Philippe Rameau. Arranged by Myrick Crampton. Classical. 22 pages. MDC Music LLC #759204. Published by MDC Music LLC (A0.1159545). 6 Flutes: F1-4/AF4/BF5/C6The Overature to one of Rameau's most famous works. Here's a little music history for you.Dacier's examination of contemporary newsletters (nouvelles a la main) allows us to follow the shifting opinions almost day by day. There was a solid body of Rameau supporters - they were nicknamed ramoneurs, a word which means chimney-sweep - determined to applaud the opera at all costs and turn its performance into a triumph. And there were the usual discontented reactionaries, with the old complaints of discordant harmony and no melody - the stock-in-trade of musical anti-modernists at all periods. The work was so stuffed with music, they declared, that for three whole hours no one in the orchestra had time even to sneeze.Excerpt fromJean-Phillipe RameauCuthbert GirdlestoneCount me a ramoneur!Tempo: 90/120Duration: 4 minutes 30 secondsFlute Choir.
$12.00
10.82 €
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Jean-Philippe Rameau
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Myrick Crampton
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Overture to Dardanus
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MDC Music LLC
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SheetMusicPlus
I've Gotta Get A Message To You
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802647 By Bee Gees. By Barry Gibb, Maurice Gibb, and Robin Gibb. Arranged by Peet du Toit. Dance,Disco. Score and parts. 23 pages. Peet du Toit #6197563. Published by Peet du Toit (A0.802647). I've Gotta Get a Message to You is a song by the Bee Gees. Released as a single on 7 September 1968, it was their second number-one single on the UK Singles Chart and their first US Top 10 hit.The song is about a man who, awaiting his execution in the electric chair, begs the prison chaplain to pass a final message on to his wife. Robin Gibb, who wrote the lyrics, said that the man's crime was the murder of his wife's lover, though the lyrics do not explicitly allude to the identity of the victim. Robin said, This is about a prisoner on Death Row who only has a few hours to live. He wants the prison chaplain to pass on a final message to his wife. There's a certain urgency about it. Myself and Barry wrote it. It's a bit like writing a script. Sometimes you can sit there for three hours with your guitar and nothing will happen. Then in the last ten minutes something will spark. The song was written with Percy Sledge in mind to record it. Sledge did record it in February 1970 but Atlantic did not issue his version in the United States at the time.Barry recalled, In those days, the lyrics were almost pretty well done on the spot. I don't remember the fundamentals on how the lyrics were formed, except that we were writing about a guy on death row. That was it.Robin adds:It was like acting, you see, we said, let's pretend that somebody, his life is on the line, somebody's going to the chair. What would be going through their mind? Let's not make it doom and gloom but sort of an appeal to the person he loves. Because right now that's all he cares about. Regardless of whether he's done a bad thing, he is a human being, and he's sending out this last message. There's someone out there whom he loves. It's a torch song, but within a very sort of theatrical sense. Not sort of abstract, but definitely somebody in a very bad situation whose life is going to end. What would they be saying, you know? This is it: 'Gotta get a message to you, hold on.Revive this hit on your brass instruments and enjoy!
$17.00
15.33 €
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Bee Gees
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Peet du Toit
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I've Gotta Get A Message To You
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Peet du Toit
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SheetMusicPlus
Over The Waves (Sobre Las Olas) - guitar duet
2 Guitares (duo)
Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By…
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Guitar,Instrumental Duet - Level 1 - Digital Download SKU: A0.850624 By Various. By Juventino Rosas. Arranged by Derek Hasted. Classical,Film/TV,Standards. 15 pages. Derek Hasted #457295. Published by Derek Hasted (A0.850624). OVER THE WAVES - GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.There is also a version for Flute and Guitar published separatelyThis is the tune that everyone has heard, and no-one knows its name... It makes it perfect for concerts!Derek Hasted writes It’s featured in Octopussy and Mary Poppins, it’s been on Sesame Street, it’s famous for being Trapeze Music in circus scenes. You might even recognise it from a Chet Atkins guitar record, on which this arrangement is styled.This arrangement is based on one I wrote for my Guitar Workshop - it's really easy to play...There are two versions of the Part Score in this edition...Version 1 is ideal for a Student/Teacher duet - the Teacher plays the chords, and the student takes the tune.Version 2 is great for a performance at any level between two players with comparable tone and volume - it’s written as a Call & Response version, which, just like the circus trapeze artists, move from left to right, crossing over in mid-air...I always keep fingering to a minimum, but skilled players will find the melody line fits almost perfectly into VII position.I hope you enjoy playing this piece
$2.99
2.7 €
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2 Guitares (duo)
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Various
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Derek Hasted
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Over The Waves
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Derek Hasted
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SheetMusicPlus
Almost Over You
Instruments en Do
C Instrument - Digital Download SKU: A0.486973 By Sheena Easton. By Cindy Richardso…
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C Instrument - Digital Download SKU: A0.486973 By Sheena Easton. By Cindy Richardson and Jennifer Kimball. Arranged by RWM. Pop. Lead Sheet / Fake Book. 4 pages. RWM #104976. Published by RWM (A0.486973). CHORD GUIDE ONLY.
$4.99
4.5 €
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Instruments en Do
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Sheena Easton
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RWM
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Almost Over You
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RWM
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SheetMusicPlus
Almost Over You
Small Ensemble - Level 2 - Digital Download SKU: A0.917939 By Sheena Easton. By Cin…
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Small Ensemble - Level 2 - Digital Download SKU: A0.917939 By Sheena Easton. By Cindy Richardson and Jennifer Kimball. Arranged by Ronn M. Contemporary. Score and parts. 4 pages. Ronn M #5766033. Published by Ronn M (A0.917939).
$4.99
4.5 €
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Sheena Easton
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Ronn M
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Almost Over You
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Ronn M
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SheetMusicPlus
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