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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Always A Place For You
Non classifié
79
Piano & claviers
Piano seul
21
Piano, Voix
6
Piano Facile
3
Piano Trio: piano, violon, violoncelle
1
Orgue
1
Piano (partie séparée)
1
+ 1 instrumentations
Retracter
Guitares
Guitare (partie séparée)
2
Guitare
1
Guitare notes et tablatures
1
Ukulele
1
Piano, Guitare (duo)
1
Voix
Chorale SATB
12
Chorale TTBB
4
Chorale 3 parties
2
Chorale
2
Chorale 2 parties
1
Chorale Unison
1
Voix duo
1
Voix seule
1
+ 3 instrumentations
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Vents
Saxophone (partie séparée)
7
Saxophone Alto
3
Clarinette
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Saxophones (duo)
2
Flûte traversière
2
Saxophone Tenor
2
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1
Flute (partie séparée)
1
2 Clarinettes (duo)
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Clarinette (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
+ 11 instrumentations
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Cuivres
Trompette
4
Trombone (partie séparée)
4
Trompette (partie séparée)
4
Trombone
2
Quatuor de cuivres: 4 trombones
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Cor (partie séparée)
1
Trompette, Saxophone (duo)
1
+ 4 instrumentations
Retracter
Cordes
Harpe
6
Violon
5
Quatuor à cordes: 2 violons, alto, violoncelle
4
Violon et Piano
4
Violoncelle, Piano
1
Alto et Basson
1
Alto, Piano
1
Contrebasse (partie séparée)
1
Alto, Violoncelle (duo)
1
Contrebasse, Piano (duo)
1
Violon, Violoncelle (duo)
1
+ 6 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
11
Orchestre
3
Ensemble Jazz
2
Ensemble de cuivres
2
Orchestre à Cordes
2
Ensemble de Percussions
1
Vibraphone
1
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1
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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Vous avez sélectionné:
Always A Place For You
Partitions à imprimer
240 partitions trouvées
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Always a Place for You
(Full Performance) - Digital Download SKU: HX.452021 Composed by Philip Silvey. Con…
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(Full Performance) - Digital Download SKU: HX.452021 Composed by Philip Silvey. Concert,Inspirational. Choral. Duration 175. Published by Hal Leonard - Digital (HX.452021).
$1.99
1.83 €
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Philip Silvey
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Always a Place for You
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Hal Leonard - Digital
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SheetMusicPlus
Always a Place for You
(Full Performance) - Digital Download SKU: HX.452023 Composed by Philip Silvey. Con…
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(Full Performance) - Digital Download SKU: HX.452023 Composed by Philip Silvey. Concert,Inspirational. Choral. Duration 176. Published by Hal Leonard - Digital (HX.452023).
$1.99
1.83 €
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Philip Silvey
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Always a Place for You
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Hal Leonard - Digital
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SheetMusicPlus
Paul Wehage: To You for baritone, tenor saxophone and piano
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Downlo…
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - Digital Download SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
27.61 €
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Paul Wehage
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Paul Wehage: To You for baritone, tenor saxophone and piano
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Musik Fabrik Music Publishing
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SheetMusicPlus
You Can Always Say a Prayer - a sacred song for children or youth
Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.702247 Composed by Kevin G. P…
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Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.702247 Composed by Kevin G. Pace (ASCAP), Kathryn W. Hales. Children,Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #6009673. Published by Kevin G. Pace (A0.702247). A sacred song for children or youth about prayer. Music by Kevin G. Pace and text by Kathryn W. Hales. Text inspired by the Book of Mormon text found in Alma 35:4-11. See full text below:In your wilderness forlorn, When you wander far from home, In your fields where ‘ere you work, Wherever fearsome danger lurks, You can always say a prayer, For your God is always there. In your closet all alone, Keeping secrets all your own, With your family or friends, Places to pray never end. You can always say a prayer For your God is always there. Oppressed by your enemies, Those within or those you see, In the midst of congregations, Pray against all temptation. You can always say a prayer, For your God is always there.
$1.99
1.83 €
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Kevin G
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You Can Always Say a Prayer - a sacred song for children or youth
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Kevin G. Pace
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SheetMusicPlus
Air In D For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 2 - Digital Download SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00
13.83 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.86 €
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Silvano A
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Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Soundnotation
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SheetMusicPlus
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet i…
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95
12.86 €
#
Silvano A
#
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
#
Soundnotation
#
SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.8894…
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - Digital Download SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99
10.13 €
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Comp…
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Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.889437 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. 11 pages. Luis Anjos Teixeira #4741949. Published by Luis Anjos Teixeira (A0.889437). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of the Divi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern woodwind quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$9.94
9.16 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
#
Gottes Zeit ist die allerbeste Zeit - For Woodwind Quintet
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Luis Anjos Teixeira
#
SheetMusicPlus
There's A Place For Us
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.796692 By Carrie Underwood. By Carr…
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Piano Solo - Level 1 - Digital Download SKU: A0.796692 By Carrie Underwood. By Carrie Underwood, David Hodges, and Hillary Lindsey. Arranged by Gary D. Belshaw (ASCAP). Country,Pop. Score. 4 pages. DR GARY D BELSHAW #3579163. Published by DR GARY D BELSHAW (A0.796692). VERY EASY/BEGINNER From the motion picture The Chronicles of Narnia; The Voyage of the Dawn Treader. If you loved the story and the wonderful characters, you'll want to learn to play this inspiring music. Specifically arranged for the VERY Beginning pianist, this is a perfect solo for concert or recital. A treat for the diligent musician! Great for the talent show at church, school, or any social organization event. And, of course, wonderful just for your own amazement. Duration is a little over a minute.Follow Gary D. Belshaw Music on Facebook and Twitter. Your comments are very much appreciated.Take pride in your copy of this work. 1. Avoid cheap 20-lb office supply paper. Invest a couple extra bucks in some 22- or 24-lb. paper. 2. Avoid bright white sheets: look for beige, tan, or natural paper. 3. Always use a smooth finish product.
$4.99
4.6 €
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Piano seul
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Carrie Underwood
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Gary D
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There's A Place For Us
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DR GARY D BELSHAW
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by Da…
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739502 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 60 pages. Opus 3 Music #6052583. Published by Opus 3 Music (A0.739502). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Piano and vocal score (contains 7 songs plus overture and incidental music) plus Script - $9.50Duration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the Musical A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$9.50
8.76 €
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David Catherwood
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Guthrie: Elegy for Lili
Orgue
Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21…
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Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
30.38 €
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Orgue
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
Ravel: La Fille aux Cheveux de Lin for Flute Quartet
Quatuor de Flûtes : 4 flûtes
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.747411
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Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - Digital Download SKU: A0.747411 Composed by Maurice Ravel. Arranged by Darrell Goforth. Instructional,Romantic Period. 10 pages. Darrell Harrison Goforth #2991475. Published by Darrell Harrison Goforth (A0.747411). Ravel's iconic piano piece, La Fille aux Cheveux de Lin (The Girl with the Flaxen Hair) is presented here as a Quartet for flutes. I have included an optional cello part which reinforces or replaces the Bass Flute part.This is one of my personal favorite pieces. Offering a reflective mood, it is the epitome of French Romanticism. It lends itself especially well to the timbre of the flute.Comments and questions are always welcome at: dgoforth2@comcast.netLike me on Facebook at https://www.facebook.com/goforthmusic/ and visit my YouTube channel at https://www.youtube.com/user/dgoforth2
$19.99
18.43 €
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Quatuor de Flûtes : 4 flûtes
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Maurice Ravel
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Darrell Goforth
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Ravel: La Fille aux Cheveux de Lin for Flute Quartet
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Darrell Harrison Goforth
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SheetMusicPlus
Always A Place For You
Chorale 3 parties
(3-Part Mixed) - Digital Download SKU: HX.450187 Composed by Philip Silvey. Concert…
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(3-Part Mixed) - Digital Download SKU: HX.450187 Composed by Philip Silvey. Concert,Festival. Choral. 10 pages. Published by Hal Leonard - Digital (HX.450187).
$2.25
2.07 €
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Chorale 3 parties
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Philip Silvey
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Always A Place For You
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Hal Leonard - Digital
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SheetMusicPlus
Always A Place For You
Chorale SATB
(SATB) - Digital Download SKU: HX.450197 Composed by Philip Silvey. Concert,Festiva…
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(SATB) - Digital Download SKU: HX.450197 Composed by Philip Silvey. Concert,Festival. Choral. 9 pages. Published by Hal Leonard - Digital (HX.450197).
$2.25
2.07 €
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Chorale SATB
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Philip Silvey
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Always A Place For You
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Hal Leonard - Digital
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SheetMusicPlus
Always a Place for You
(Accompaniment Only) - Digital Download SKU: HX.452022 Composed by Philip Silvey. C…
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(Accompaniment Only) - Digital Download SKU: HX.452022 Composed by Philip Silvey. Concert,Inspirational. Choral. Duration 175. Published by Hal Leonard - Digital (HX.452022).
$24.99
23.04 €
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Philip Silvey
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Always a Place for You
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Hal Leonard - Digital
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SheetMusicPlus
Always a Place for You
(Accompaniment Only) - Digital Download SKU: HX.452024 Composed by Philip Silvey. C…
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(Accompaniment Only) - Digital Download SKU: HX.452024 Composed by Philip Silvey. Concert,Inspirational. Choral. Duration 176. Published by Hal Leonard - Digital (HX.452024).
$24.99
23.04 €
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Philip Silvey
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Always a Place for You
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Hal Leonard - Digital
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra and Violin solo)
Violon
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070248 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 227. Visionary Quest Records #4784007. Published by Visionary Quest Records (A0.1070248). STRING ORCHESTRA - Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 43 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInsta.
$2.99
2.76 €
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Violon
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Tito Abeleda
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Violin 1, 2, 3
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito …
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Cello,Double Bass,Viola,Violin - Digital Download SKU: A0.1070245 Composed by Tito Abeleda. Concert,Contemporary. Full Performance. Duration 404. Visionary Quest Records #4767765. Published by Visionary Quest Records (A0.1070245). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeleda
$2.99
2.76 €
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Orchestre à Cordes
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Tito Abeleda
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
#
SheetMusicPlus
All I Want For Christmas Is You
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.7…
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.749239 By Justin Bieber Duet With Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary. 39 pages. Helen Marple-Horvat #6196305. Published by Helen Marple-Horvat (A0.749239). https://www.youtube.com/watch?v=GSx1esb0D0wMariah Carey released this critically acclaimed song in 1994 and it has remained a popular snowy-season Christmas standard ever since. I originally arranged it for Voice with Quartet accompaniment in F, with my daughter, Alice Rose Wild, who sings on the live recording. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. More recently I have created this version for String Quartet in the key of G. At the moment I have only the Sibelius computer score, and hope to record it with Capriccio Quartet once the covid pandemic is at an end. Suspend your disbelief!Why choose my Arrangement?The arrangement is in a great key for strings and most of the double stopping includes an open string. In one or two places the double stopping is a bit more tricky, so for younger players it would be better perhaps to miss out one of the notes, or to play them consecutively.The Intro.For the first violinist I include two versions of the intro and recommend that the quartet listen to the original, or to Alice’s recording for speed and performance tips. It is quite difficult to get the computer to do it musically, so the video intro is only intended as a rough guide. One of the enclosed options is intended as a rehearsal version, and has the lyrics to help. I have bowed it to include lots of downbows, and recovery of bows, which will help the other members to follow. The tricky sextuplet and triplet ornament at bar 10 can be omitted altogether. Simply pause on the ‘C’ and then recover the downbow for the next bar.I also include two versions of the violin two and viola parts. One is on two pages as a smaller font, and one on three pages with a larger font.For cellists who are a bit daunted by the solo at letter A , simply play the fourth position semi breve Gs at bar 12 and at bars 13 and 14 too, and revert to the original score at bar 15. ie Six semibreve Gs. Perhaps a harmonic D at bar 15 would be easier than a shift at this point, and then join in unison with the rest of the band.The song moves between a straight crotchet pulse and lots of syncopated lines. This will be difficult to read on paper, but I always recommend listening to the song many times and then doing it by ear, using the notes on the page as a guide. Try not to play them too literally.PrintoutsPages 1 - 10 are for Look Inside Options only.Pages 11 - 28 includes all PartsPage 29 onwards is the optional Score for rehearsals. The vocal version is proving popular, but for a standard quartet Wedding and Events repertoire I hope that people will enjoy this arrangement. Send me recordings on facebook, even if they are phone rehearsals. I love to hear them, and to make contact with quartets around the world!
$20.00
18.44 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Justin Bieber Duet With Mariah Carey
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is You
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Helen Marple-Horvat
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SheetMusicPlus
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis (lyrics by Adeline Dinsmor
Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501
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Large Ensemble,Strings Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.739501 Composed by David Catherwood. Broadway,Children,Musical/Show. Score. 323 pages. Opus 3 Music #6051989. Published by Opus 3 Music (A0.739501). A great story about one of the 20th century’s greatest storytellers. Carefully researched, yet full of fun, this entertaining musical tells the story of the early part of CS Lewis' life from the time of his mother's death in 1908 until his arrival as a student at Oxford in 1916. (Throughout his life CS Lewis was always known as Jack) This new work was premiered at the end of 2019 at the annual CS Lewis Festival held in Ireland. (CS Lewis’ birthplace) It proved to be a great success and was very enthusiastically received. Synopsis Jack’s Journey is a whimsical re-imagining of the childhood journeys of CS Lewis - each of the seven songs representing a stop along the way to his eventual career as the writer of the Narnia Chronicles. The story is told through music relating his memories and significant episodes from his schooldays up to his entry into Oxford. Living almost entirely in his imagination as a small boy, the seeds of the world of Narnia are already beginning to grow in his writing and drawings. Little Lea, his childhood home, provides the setting for the early scenes. Following the death of his mother the young Jack has his first experience of school and England. He endures with fortitude the harsh regime of boarding school and begins to recognise the value of friendship, mutual support and the courage that children can show in adversity. He returns to Ireland and to Campbell College – a much more positive experience. Illness brings his attendance at Campbell to an end. Returning to Little Lea, Jack imagines the world of fairies and dwarves, a world beyond our own. He returns to school in England and comes under the influence of a variety of teachers. Expelled from Malvern, Jack next falls under the influence of his great mentor, Professor Kirkpatrick – the model for the Professor of The Lion, the Witch and the Wardrobe. Jack’s Journey concludes with the anticipated arrival of a great hero, the hero of the first of the Narnian Chronicles, Aslan, the lion. ‘Jack’s Journey’ gives opportunity for young actors, (supported if desired by adults, taking the parts of the grown-ups.) There are short dramatic scenes, plenty of chorus work, opportunity for choreography and many solo spots for vocalists in the songs which are milestones in the story. List of Songs (the sample pages and mp3 file gives a chance to see and hear the first page of most of the songs) 1 Soft through the window 2 Kingdom of Mourne 3 Little Lea 4 Campbell Days - Boy to the left, Boy to the right 5 The Dandy's song 6 The Scholar's song 7 Strength and honour As will be evident from the above, there is plenty of flexibility regarding the scale of the performance. ‘Jack’s Journey’ may be staged using relatively modest outlay – for example, the premiere did not have a set because the venue for the performance was an actual railway station! The piece certainly allows for imaginative approaches to design and staging. In terms of the additional challenges presented by 2020 the length of the musical at 40 minutes helps in delivering a shorter theatrical experience. Also, the fully digital download of all performing materials allows for distribution via email Indeed the whole show could be effectively recorded and presented online as well as in person.
$75.00
69.14 €
#
David Catherwood
#
Jack's Journey - A Musical inspired by the boyhood adventures of CS Lewis
#
Opus 3 Music
#
SheetMusicPlus
Tears from My Eyes: Onward and Upward (for String Orchestra with Cello and Violin solos)
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary …
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String Orchestra - Level 4 - Digital Download SKU: A0.984536 Composed by Visionary Quest Records. Concert,Contemporary. Score and parts. 75 pages. Visionary Quest Records #4767739. Published by Visionary Quest Records (A0.984536). STRING ORCHESTRA - Cello Solo; Violin Solo; Violin 1, 2, 3; Viola 1, 2, 3; Cello (non-solo) 1, 2; Contrabass 1, 2: Full Score plus parts = 75 pages. Composer: Tito Abeleda (1964 - ) Digital Download. HD CD Quality MP3 recorded at 48,000 hz 320 kbps also available. Level: IntermediateTears from My Eyes: First Movement: Remember Your Feelings (for Full Orchestra with Cello and Oboe solos) Second Movement: Reflection and Contemplation (for Flute Choir with Flute solo) Third Movement: Love Lost: Finding Your Fire Again Fourth Movement: Mourning in the Rain (for Clarinet Choir with Clarinet solo) Fifth Movement: Onward and Upward (for String Orchestra with Cello and Violin solo)A few months ago, I received a call from my parents. My Mother had some sad news to give me. Dad was very ill. My whole life flashed before me. My parents were always 200% supportive of all my artistic endeavors. None of my success would have been possible but for my Dad and Mom. My memories of my Dad and my Mom flooded my mind like a deluge. When I heard the news about how gravely ill he was I thought to myself that so often we give thanks, honor, or show our love when it is too late. Who wants to be that person? I was finally in the unique position to show my gratitude and love to my parents in the most special way that I could - through music from my heart and soul. I got the courage to look deeply within and then I began to write what was to become the first and second songs, respectively Tears from My Eyes: Remember Your Feelings and Tears from My Eyes: Reflection and Contemplation on my Tears from My Eyes: Songs from my Soul album.You will now be able to do just the same for your loved ones with this new music. Your intermediate level to advanced students and even professional musicians should find this to be a welcomed piece to learn and master. It looks deceptively simple but the learning and challenge comes from two smaller sub-ensembles playing together in their own collective units legato con moto while playing together as a whole music ensemble Everyone will enjoy and bathe in the beautiful harmonies that will resonate when the entire music ensemble begins to listen to each while playing together as a group. Your musicians will hone their skills in playing together with just the right balance that this song requires. Your musicians will also hone their skills for subdividing and maintaining an inner beat that is in sync with your conducting because there is no percussion and the notes are freely flowing on and off the down beat yet not sounding heavily syncopated when performed. When will you know when you have achieved the right balance and flow of the music? You will know when, because you will hear it and feel it when it comes into place. But I can help you with all of this with what I have to offer you today. I share with you now the final and 5th movement to Tears from my Eyes - Onward and Upward (for String Orchestra). This particular was created and produced after the Songs from My Soul album was sent for distribution. So, this song has yet to be officially released. All five movements will be released as an album Mourning in the Rain. This 5th movement Onward and Upward has a decisive emotional resolution and conviction in its pathos. The dynamics reflect accordingly ranging from mf to fff indicative of overcoming adversity and grief. Imagine overcoming despair, rising out of grief and depression and finally seeing the light of day - to join the ranks of the living and re-embracing life once again.Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter:
$44.99
41.48 €
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Orchestre à Cordes
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Visionary Quest Records
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Violin Solo
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Tears from My Eyes: Onward and Upward
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Visionary Quest Records
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SheetMusicPlus
12 Evocations (for Piano solo)
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionist…
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Piano Solo - Intermediate - Digital Download Composed by Tiago Videira. Impressionistic, Neo- Classical, Repertoire, Recital, New Age. Score. 62 pages. Published by Tiago Videira
“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.“Évocations” is a suite for Piano solo, impressionistic, contemplative much in the trail of Satie, Debussy or Mompou. Intimist and suitable for aesthetic pleasure. This is a series of works that will lead you into an exotic journey to far away places. Just letyourself be drift away to a better place where the sounds will healyour soul.<br> <br> These Evocations range all degrees of difficulty, from very easy to more challenging ones. Therefore, are suitable for the classrom, recitals or family gatherings and parties.<br> <br> Evocation I – The Harvest<br> <br> The harvest in Alentejo, Portugal, occurs when the fields become tanned and a soft, warm wind coming from the south blows. It is the time of the year when you grab your hat made of straw and you let yourself be sunk ina sea of rye.<br> <br> Evocation II – The Sepia photograph<br> <br> Memories. They can be happy, bittersweet or painful... Sometimes nostalgia gets the better out of us. And then we are dragged into the past, into a suspended, slow and hypnotic time. Old sepia colored pictures in a drawer orscattered around our bed.<br> <br> Evocation III – The dead soldier<br> <br> The battle is over. Amournful wife, the weeping children. An everlasting pain shutteringour heart. And the hope that wherever he is, he is in peace now. And we are all proud of him. Thank you for serving our country.<br> <br> Evocation IV – The composer<br> <br> The tragedy of the blank page. An everlasting winter in our soul. Snow is falling, thepath is difficult to trail. Being an artist involves an incommensurable amount of suffering because we have to give it all. And even giving it all it isn't enough, and we feel drained and exhausted in the end.<br> <br> Evocation V – The Glowing Sun<br> <br> The blond hair and the most radiant smile one could ever imagine. She is a glowing sun, like an everlasting shine in the sky. She doesn't walk, she floats with extreme elegance across the street, and in the corner, she doesn't turn – she spins and swirls with heavenly grace.<br> <br> Evocation VI – The Far<br> <br> Longing. Eternally. I hope you've read my letters. I hope you've heard my calls. I opened my heart to you. Why do you take so long? Why can't I hear your voice? Why do you keep me waiting here. Here, so close, yet... so far... alone... forever...<br> <br> Evocation VII – The Queen of Spades<br> <br> The dark lady is the strongest in the deck. Mystical, fantastic, she wanders like a shadow in your world. Across the garden, carrying a sickle, she's just waiting to chop a head on the next turn.<br> <br> Evocation VIII – The Poem<br> <br> A book, a sonnet. Fourteen verses with rigorous metric, with a defined purpose. A parlor game, a riddle. Can you guess what's hidden inside these wondrous sounds?<br> <br> Evocation IX – The Thinker<br> <br> A desk loaded with books. The glasses. A mind always working, methodic, cold, rigorous. Numbers, hidden relationships, an everlasting connection with the abstraction.<br> <br> Evocation X – The Island of the Hydrangeas.<br> <br> A paradise on earth, smooth rain, narrow and sinuous roads. Walking, then biking, then driving around. An adventure in one of the most beautiful places in the world.<br> <br> Evocation XI – The Near<br> <br> When you're here everything will be beautiful. I can see it already in my head, the endless, passionate love, a tender sweet kiss that will last forever. Your lips on mine, while holding hands, in the bench, in the garden, under the tree. You are the one.<br> <br> Evocation XII –Saffron rice<br> <br> The rice is golden like your hair and your class. The sweet taste of nobility, the craft ofwisdom, the delicacy of experience. Maturity is what time brings, it is not a curse, it is a gift that we should embrace and respect.
$25.99
23.96 €
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Piano seul
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Tiago Videira
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12 Evocations
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Tiago Videira
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SheetMusicPlus
Philip Silvey: Always A Place For You - choir (SATB: soprano, alto, tenor, bass)
Chorale SATB
Instantly printable sheet music by Philip Silvey for choir (SATB: soprano, alto, tenor, ba…
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Instantly printable sheet music by Philip Silvey for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / concert,festival
$6.23
5.74 €
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Chorale SATB
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Philip Silvey
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Virtualsheetmusic
Philip Silvey: Always A Place For You - choir (3-Part Mixed)
Chorale
Instantly printable sheet music by Philip Silvey for choir (3-Part Mixed) of MEDIUM skill …
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Instantly printable sheet music by Philip Silvey for choir (3-Part Mixed) of MEDIUM skill level. / concert,festival
$6.23
5.74 €
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Chorale
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Philip Silvey
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Virtualsheetmusic
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Always A Place For You
