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Amen is number 27

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"Amen" - Piano Prelude 2016 #Piano seul #Contemporain #Don Freund #Amen is number 27 #"Amen" - Piano Prelu #Freundworks Publishing #SheetMusicPlus

Piano Solo - SKU: A0.1031368 Composed by Don Freund. Contemporary. Score. 4 pages. Freundworks Publishing #3135035. Published by Freundworks Publishing ...(+)

$5.99

Bartok - Jest in D Major - Intermediate #Piano seul #INTERMÉDIAIRE #Bela Bartok #Piacere Music Sheets #BB 53, Volume 1 - No #Bartok - Jest in D Major - Int #Piacere Music Sheets #SheetMusicPlus

Piano Solo - Level 3 - SKU: A0.1086594 Composed by Bela Bartok. Arranged by Piacere Music Sheets. 20th Century,Children,Instructional,Standards. Score. ...(+)

$2.95

Folk Mass (Vocal Choir, 7 Movements) #Chorale SATB #AVANCÉ #Mark Oâ€™Connor

#Mark O'Connor #Folk Mass #Mark O'Connor Musik International #SheetMusicPlus

Choral Choir (SATB) - Level 5 - SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'...(+)

Choral Choir (SATB) - Level 5 - SKU: A0.861757 Composed by Mark O'Connor. A Cappella,Christian,Contemporary,Jewish,Spiritual. Octavo. 113 pages. Mark O'Connor Musik International #6133105. Published by Mark O'Connor Musik International (A0.861757). Folk Mass for Vocal Choir (Soprano, Alto, Tenor, Baritone, and Bass)With solo parts from each sectionText is from the Books of the Old TestamentMusic by Mark Oâ€™Connor97-pages; 43:00 minutes in length I. INTRODUCTION â€“ 4:12 min - P. 1II. FOR YOUR ARE A PEOPLE HOLY TO THE LORD â€“ 10:44 min - P. 4III. LAND OF CANAAN â€“ 3:16 min - P. 33IV. EDIFICATION â€“ 2:56 min - P. 39V. BATTLE â€“ 6:27 min - P. 45VI. RECOMPENCE â€“ 6:36 min - P. 60VII. AFFIRMATION â€“ 8:15 min - P. 77 Oâ€™Connorâ€™s Folk Mass, an a cappella work that was composed in response to the 9/11 attacks on the United States in 2001. The Folk Mass text is taken from the books f The Old Testament and is composed in seven movements. Full of glorious melodies, harmonies and syncopated rhythms, set in a double choir configuration, Oâ€™Connor takes the stories of the Old Testament and brings them to music using the text as his artistic guide. Suitable for professional and university choral ensembles in both secular and religious performances. Individual movements can be performed separate from the entire work. Original music printed from the composerâ€™s manuscripts.Music editing, copying and engraving by Mark Oâ€™Connorusing Finale on Apple Macintosh 2002 Composed By Mark Oâ€™ConnorCommissioned by Gloriae Dei Cantores Can be heard on Folk Mass OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO162Copyright Â© 2003 by Mark Oâ€™Connor Music InternationalFor more information on violinist and composer Mark O'Connor, Oâ€™Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the Oâ€™Connor Method â€“ instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com

$37.50

Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio #Ensemble de cuivres #INTERMÉDIAIRE #Classique #Claudio Monteverdi #Mike Lyons #Monteverdi - The Sixth Book of #Lyons Music Services #SheetMusicPlus

Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons ...(+)

Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.

$5.99

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