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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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An American in Paris: Bassoon
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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FLUTE TRAVERSI…
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HARPE
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MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
An American in Paris: Bassoon
Partitions à imprimer
22 partitions trouvées
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1
An American in Paris: Bassoon
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Orchestre d'harmonie
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Classique
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George Gershwin
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Jerry Brubaker
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An American in Paris: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0002597_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Classical. Part. 8 pages. Alfred Music ...
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Concert Band - SKU: AX.00-PC-0002597_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Classical. Part. 8 pages. Alfred Music - Digital Sheet Music #00-PC-0002597_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002597_B1). ISBN 9780757933738. UPC: 029156111040.The honking of auto horns conjures up a vision of Parisian drivers careening and lurching around the streets of this fabulous city. We're off on a madcap whirl from the genius of George Gershwin. Close your eyes and listen to the colors---you'll know exactly where you are. A stunning setting!
$3.00
An American in Paris
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George Gershwin
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Andy Miles
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An American in Paris
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World of Clarinet
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SheetMusicPlus
Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1166168 Composed by George Gershwin. Arranged by Andy Miles. Classical,Jazz. 26 pages....
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Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.1166168 Composed by George Gershwin. Arranged by Andy Miles. Classical,Jazz. 26 pages. World of Clarinet #766547. Published by World of Clarinet (A0.1166168). A good sounding arrangement for 4 woodwinds (flute - oboe - clarinet in Bb - bassoon)Duration: 4:30Find more sheet music on https://www.worldofclarinet.com
$12.00
The Symphonic Gershwin: Bassoon
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Orchestre d'harmonie
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Classique
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George Gershwin
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Warren Barker
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The Symphonic Gershwin: Bassoo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016060_B1 Bassoon. Composed by George Gershwin. Arranged by Warren Barker. Classical. Part. 4 pages. Alfred Music -...
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Concert Band - SKU: AX.00-PC-0016060_B1 Bassoon. Composed by George Gershwin. Arranged by Warren Barker. Classical. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016060_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016060_B1). UPC: 029156201321.Mix one part world-class composer and one part super-skilled arranger and the result is a perfect medley of all-time Gershwin favorites. Our musician's musician, Warren Barker, blends his tasteful takes on An American in Paris, Cuban Overture, and Rhapsody in Blue into a mesmerizing presentation for your concert audiences. This runs at full throttle, from beginning to end! (7:25) The Symphonic Gershwin is a jewel in every sense of the word. Students should be exposed to the great American music of the past and George Gershwin's music certainly deserves hearing ---SBO Magazine.
$3.00
Gershwin by George!: Bassoon
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Orchestre d'harmonie
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George Gershwin
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Jerry Brubaker
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Masterwork Arrangement
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Gershwin by George!: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016800_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Classic Pop; Masterwork Arrangement; St...
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Concert Band - SKU: AX.00-PC-0016800_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Classic Pop; Masterwork Arrangement; Standard. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016800_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016800_B1). UPC: 038081501055.The name George Gershwin is legendary in the world of American music and has spanned both popular and classical genres. This medley includes I Got Rhythm, Embraceable You, some symphonic works such as An American in Paris, Rhapsody in Blue, Summertime from the opera Porgy and Bess, and the seldom heard Piano Prelude No. 2. Hey leader, Strike Up the Band! (6:15).
$3.00
Gershwin by George!: Bassoon
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Orchestre
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Jazz
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George Gershwin
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Jerry Brubaker
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Gershwin by George!: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016909_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Jazz. Part. 3 pages. Alfred Music - D...
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Full Orchestra - SKU: AX.00-PC-0016909_B1 Bassoon. Composed by George Gershwin. Arranged by Jerry Brubaker. Jazz. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016909_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016909_B1). UPC: 038081401284.Gershwin's legendary and well-known compositions span both popular and classical genres. Featured works in this beautiful medley include: Strike Up the Band!, I Got Rhythm, Embraceable You, An American in Paris, Prelude II, Summertime, and Rhapsody in Blue. (5:45).
$3.00
Love Is Here To Stay
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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George Gershwin and Ira Gershw
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Kenneth Abeling
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Love Is Here To Stay
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1469677 Composed by George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Broadway,Film/...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1469677 Composed by George Gershwin and Ira Gershwin. Arranged by Kenneth Abeling. Broadway,Film/TV,Musical/Show,Pop. 18 pages. LINCOLN MUSIC PUBLICATIONS #1047651. Published by LINCOLN MUSIC PUBLICATIONS (A0.1469677). Love is Here to Stay or Our Love is Here to Stay, by Ira and George Gershwin arranged for Woodwind Quintet. Originally performed in the Goldwyn Follies it was first popularized by Gene Kelly in in the film, An American in Paris. It has since been used in numerous films and recorded by dozens of prominent vocalists. This is an advanced intermediate level to easier advanced arrangement of the popular jazz standard/show tune. The playing time is approximately 3:30. To view and listen to this piece in its entirety as well as hundreds of other arrangements and transcriptions by Kenneth Abeling at the lowest prices available please visit https://lincolnmusicpublications.com.
$15.99
Gershwin Piano Prelude #2 (A Blues Lullaby)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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George Gershwin
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Michael V
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Gershwin Piano Prelude #2
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Michael V. Hindrichs
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1001612 Composed by George Gershwin. Arranged by Michael V. Hindrichs. 20th Century,Jazz. 8 pages...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1001612 Composed by George Gershwin. Arranged by Michael V. Hindrichs. 20th Century,Jazz. 8 pages. Michael V. Hindrichs #6236209. Published by Michael V. Hindrichs (A0.1001612). George Gershwin is best known for his orchestral pieces like Rhapsody in Blue, An American in Paris and the opera Porgy and Bess. He was also an accomplished piano player and this piece is from a suite of 3 short piano pieces initially performed by Gershwin in 1926. It has a jazz feel but is very subdued - Gershwin himself referred to this piece as a sort of blues lullaby.
$9.50
The Clock Tower and Square [concert band] - Score Only
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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The Clock Tower and Square [co
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1286193 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 27 pages. Motch Music #877268. Publi...
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Concert Band - Level 4 - SKU: A0.1286193 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 27 pages. Motch Music #877268. Published by Motch Music (A0.1286193). Original work by Masakazu Yamamoto.An impression at the square (Parlament Square) near Big Ben in London, which I visited in the spring of 2015.The bustling appearance near the square and the middle of the nostalgic atmosphere create a contrast. The melody of the clock tower appears impressively occasionally, including the tribute to Gershin's An American in Paris.Duration : 8 minutes around , Grade 3.5 [Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon (option) Eb Clarinet (option) Bb Clarinet 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1, 2, 3 F Horn 1, 2, 3, 4 (4th only option) Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Xylophone, Tubullar Bells, Vibraphone） 2（Tubullar Bells, Glockenspiel, Xylophone） 3（Tambourine, Triangle） 4（Crash Cymbals, Triangle, Sleigh Bells, Suspended Cymbal) Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$45.00
The Clock Tower and Square [concert band]
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Masakazu YAMAMOTO
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The Clock Tower and Square [co
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Motch Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1286188 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 128 pages. Motch Music #877259. Publ...
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Concert Band - Level 4 - SKU: A0.1286188 Composed by Masakazu YAMAMOTO. 21st Century,Contemporary,Contest,Festival. 128 pages. Motch Music #877259. Published by Motch Music (A0.1286188). Original work by Masakazu Yamamoto.An impression at the square (Parlament Square) near Big Ben in London, which I visited in the spring of 2015.The bustling appearance near the square and the middle of the nostalgic atmosphere create a contrast. The melody of the clock tower appears impressively occasionally, including the tribute to Gershin's An American in Paris.Duration : 8 minutes around , Grade 3.5[Instrumentation]Piccolo Flutes 1, 2 Oboe Bassoon (option) Eb Clarinet (option) Bb Clarinet 1, 2, 3 Bb Bass Clarinet Eb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone Saxophone Bb Trumpet 1, 2, 3 F Horn 1, 2, 3, 4 (4th only option) Trombones 1, 2, 3 Euphonium Tuba String Bass Timpani Percussion 1（Xylophone, Tubullar Bells, Vibraphone） 2（Tubullar Bells, Glockenspiel, Xylophone） 3（Tambourine, Triangle） 4（Crash Cymbals, Triangle, Sleigh Bells, Suspended Cymbal) Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english Â
$150.00
An American in Paris Suite: Bassoon
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Basson (partie séparée)
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Classique
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George Gershwin
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John Whitney
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An American in Paris Suite: Ba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By George Gershwin (1898-1937). Arranged by John Whitney. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By George Gershwin (1898-1937). Arranged by John Whitney. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Satie: Parade - II. Petite Fille Americaine - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - II. Petite Fil
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 p...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
$14.95
Satie: Parade I. Prestidigitateur chinois - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade I. Prestidigitat
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RayThompsonMusic
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SheetMusicPlus
A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thomp...
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A Clarinet,Bassoon,Double Bass,Flute,Oboe/English Horn,Percussion,Timpani,Tuba - Level 4 - SKU: A0.1300657 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 27 pages. RayThompsonMusic #890400. Published by RayThompsonMusic (A0.1300657). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Prestidigitateur chinois (Chinese Conjuror) is no 1 in the ballet, and includes some of the odd percussion : sirens in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade III.Acrobates (Acrobats) - wind dectet/bass (with optional percussion)
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade III.Acrobates
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by ...
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Bassoon,Clarinet,Double Bass,Flute,Mallet Percussion,Multi-Percussion,Oboe/English Horn - Level 4 - SKU: A0.1296860 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber,Comedy. 40 pages. RayThompsonMusic #887010. Published by RayThompsonMusic (A0.1296860). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Acrobates (Acrobats) is no 3 in the ballet, and includes some of the odd percussion : sirens and a bottle phone, in addition to normal orchestral perc.The piece can be performed without percussion....but the percussion gives it an extra something!!
$19.95
Satie: Parade - Final & Suite au Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Final & Su
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1335055 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 22 pages. RayThompsonMusic #920917. Published by RayThompsonMusic (A0.1335055). Satie: Parade - Final & Suite au Prélude de rideau rougeArranged wind dectet/bass (double wind quintet)The concluding music for Erik Satie's Ballet Parade.Other movements from Parade are available.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showI have omitted the  percussion in my arrangement of the finale.The premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.Arranged wind dectet/bass (double wind quintet).
$14.95
Satie: Parade - Choral & Prélude de rideau rouge - wind dectet
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Classique
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Contemporain
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Erik Satie
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Ray Thompson
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Satie: Parade - Choral & P
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 page...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1293743 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century,Chamber. 16 pages. RayThompsonMusic #884220. Published by RayThompsonMusic (A0.1293743). Arranged wind dectet/bass (double wind quintet)A taster of the opening music for Erik Satie's Ballet Parade.Choral and Prelude of the red curtainOther scores to follow.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of milk bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche.
$4.99
An American in Paris Suite: 2nd Bassoon
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Orchestre
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Classique
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George Gershwin
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John Whitney
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An American in Paris Suite: 2n
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
By George Gershwin (1898-1937). Arranged by John Whitney. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music ...
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By George Gershwin (1898-1937). Arranged by John Whitney. For Full Orchestra. Classical. Part. 4 pages. Published by Alfred Music - Digital Sheet Music
$3.00
Chamber Symphony
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David Diamond
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Chamber Symphony
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Imagine Music - Digital
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SheetMusicPlus
Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Publish...
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Clarinet, bassoon, trumpet, viola, piano - SKU: IZ.PDP100 Composed by David Diamond. Score and Parts. 97 pages. Imagine Music - Digital #PDP100. Published by Imagine Music - Digital (IZ.PDP100). 9 x 12 in inches.The Chamber Symphony dates from his New York period before he studied with the legendary Nadia Boulanger (1887-1979) at the American Conservatory outside of Paris. Like other works from his early 20s, this piece exhibits an extraordinary grasp of structure and overall design within a tonal harmonic language. The unusual scoring (clarinet, bassoon, viola, trumpet, and piano), like so many other chamber pieces written between the two World Wars, shows the influence of Igor Stravinsky (1882-1971), who would later become a close friend of the young American. The Chamber Symphony was premiered on 7 May 1937 at the Federal Theater in New York City. Jacques Gordon conducted the WP A Ensemble. Evidently the group was under-rehearsed and Diamond was not happy the performance. Thinking that the fault lay with the composition itself, he consigned the score and parts to a trunk in the attic of the family home in Rochester where it remained for over fifty years. I ran across a reference to the Chamber Symphony in the early 1990s and telephoned David Diamond to ask if I could get a copy of it. Thus began a sporadic exchange of telephone calls and postcards over the next five years. Among other things, we discovered that his parents and my paternal grandmother had come from the same region of Ukraine. Eventually he tottered up to the attic and sent me a copy of the score, with his penciled corrections, and his original parts, which I photocopied and returned to him. I performed the piece with colleagues at Kansas State University and sent Diamond a copy of the recording. He was ecstatic with our performance and told me I wonder why I've suppressed it for all these years? I got to meet David Diamond in June 2000 and we discussed the possibility of trying to get the Chamber Symphony published. He averred that his regular publishers wouldn't be interested owing to the limited market for such a work. A year after David Diamond's death I began my venture into music publishing and contacted Sam Elliott, a close friend of the composer's who serves as the executor for his estate. Mr. Elliott was happy to hear that I wanted to publish the Piece through Prairie Dawg Press and gave his kind permission to do so. I hope that my colleagues will enjoy this work as much as I have and that it will receive frequent performances.
$55.00
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An American in Paris: Bassoon
