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Anchor and Star
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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Vous avez sélectionné:
Anchor and Star
Partitions à imprimer
55 partitions trouvées
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Anchor and Star
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Anchor and Star
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1393350 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1393350 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 30 pages. Matthew Nunes Music #976437. Published by Matthew Nunes Music (A0.1393350). Written while Sousa directed the Navy bands at the Great Lakes Naval Training Center during World War I, and dedicated “To the U.S. Navyâ€. This march showcases Sousa’s skillful layering in both the Trio and Final Strain. In this arrangement Trumpet 1 goes up to high concert C’s briefly in the trio, and was unavoidable for clarity. This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Anchor and Star was composed in 1918, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 81.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99
We Have an Anchor
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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One in Him
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Lyndell Leatherman
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some were not
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We Have an Anchor
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1389482 By One in Him. By Words: Priscilla J. Owens / Music: William J. Kirkpatrick. Arranged by Lyndell Le...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1389482 By One in Him. By Words: Priscilla J. Owens / Music: William J. Kirkpatrick. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #973067. Published by Leatherman Music Services (A0.1389482). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
Of Flag and Flute
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Flûte traversière
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Chris Cooke
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Of Flag and Flute
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Chris Cooke
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SheetMusicPlus
Flute Solo - SKU: A0.865252 Arranged by Chris Cooke. Holiday,Patriotic. Individual part. 22 pages. Chris Cooke #3580245. Published by Chris Cooke (A0.86...
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Flute Solo - SKU: A0.865252 Arranged by Chris Cooke. Holiday,Patriotic. Individual part. 22 pages. Chris Cooke #3580245. Published by Chris Cooke (A0.865252). Of Flag and Flute is an early intermediate collection of 13 patriotic songs that include all four military    branch songs and the main theme to the much-loved Stars and Stripes Forever. These engaging duets provide a look back to our rich history in patriotic American song. Since they are written in appropriate vocal ranges, they can be used as accompaniment for singers. The songs with their keys are: America the Beautiful, B-flat America (My Country ‘tis of Thee), E-flat Anchors Away, B-flat Battle Hymn of the Republic, the, B-flat Caissons Go Rolling (Army Song), E-flat Eternal Father, Strong to Save (Navy Hymn), C Halls of Montezuma, the (Marines Hymn), E-flat Onward Christian Soldiers, B-flat Stars and Stripes Forever (Main Theme), E-flat Star-Spangled Banner, the, B-flat Tenting on the Old Campground, C Yankee Doodle Dandy, E-flat You’re a Grand Old Flag, E-flat
$5.97
Anchor and Star March
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Orchestre d'harmonie
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AVANCÉ
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Classique
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John Philip Sousa
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Glen D Lienhart
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Anchor and Star March
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Glen D. Lienhart
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SheetMusicPlus
By John Philip Sousa (1854-1932). Arranged by Glen D Lienhart. For Concert Band, Marching Band. Romantic Period. Advanced. Set of Parts, Score. Published by Gle...
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By John Philip Sousa (1854-1932). Arranged by Glen D Lienhart. For Concert Band, Marching Band. Romantic Period. Advanced. Set of Parts, Score. Published by Glen D. Lienhart
$50.00
I’ve Anchored in Jesus
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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The Lindsey Family
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Lyndell Leatherman
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some were not
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I’ve Anchored in Jesus
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Leatherman Music Services
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1401544 By The Lindsey Family. By Words & Music: Lewis E. Jones. Arranged by Lyndell Leatherman. Christian,...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1401544 By The Lindsey Family. By Words & Music: Lewis E. Jones. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #984728. Published by Leatherman Music Services (A0.1401544). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano, electronic keyboard, or organ solos or duets.•Chord symbols included as a service to classical guitarists.•Smooth voice-leadings, making the arrangements ideal for solo/prelude use on electronic keyboards–for example, using the piano/strings setting•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I, available here: https://www.alfred.com/best-loved-hymns-i/p/98-FJH2023/************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.
$3.99
The Anchor's Weighed. Song
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Piano, Voix
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Braham
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The Anchor's Weighed. Song
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.11836 Composed by Braham. Farewells, Absences, Sadness, Love, Sailors. Lester S. Levy Collection. 3 pages. Published by Johns ...
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Piano and voice - SKU: LV.11836 Composed by Braham. Farewells, Absences, Sadness, Love, Sailors. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11836). New and Popular Music by Eminent Composers. The Anchor's Weighed. Song. by Braham. Published [n.d.] by Harding's Music for the Million Officer, No. 229 Bowery in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Farewells, Absences, Sadness, Love, Sailors. First line reads The tear fell gently from her eye, when last we parted on the shore.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Rhode Island Quick Step
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Piano seul
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Charles E
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Rhode Island Quick Step
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.21189 Composed by Charles E. Bennett. National Emblems, Symbols, Bodies of water, Anchors. Lester S. Levy Collection. 3 pages. Published...
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Piano - SKU: LV.21189 Composed by Charles E. Bennett. National Emblems, Symbols, Bodies of water, Anchors. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.21189). Rhode Island Quick Step. Composed and Arranged for the Piano Forte by Chas. E. Bennett. Published 1843 by C.H. Keith, 67 Court St. in Boston. Composition of da capo with piano instrumentation. Subject headings for this piece include National Emblems, Symbols, Bodies of water, Anchors. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Buds and Blossoms. Sadie Ray. Song & Chorus
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Chorale SATB
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J
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Buds and Blossoms. Sadie Ray.
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (solo and SATB chorus) - SKU: LV.4487 Composed by J. Tannenbaum. Waterfronts, Couples, Boats, Anchors, Aged persons, Families, Farewells...
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Piano and voice (solo and SATB chorus) - SKU: LV.4487 Composed by J. Tannenbaum. Waterfronts, Couples, Boats, Anchors, Aged persons, Families, Farewells, Courtship, Cemeteries, Fences, Love, Death, Grief. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.4487). Buds and Blossoms. Sadie Ray. Song & Chorus. Words by Samuel N. Mitchell. Music by J. Tannenbaum. Published 1870 by White, Smith & Co. in Boston. Composition of strophic with chorus with piano and voice (solo and satb chorus) instrumentation. Subject headings for this piece include Waterfronts, Couples, Boats, Anchors, Aged persons, Families, Farewells, Courtship, Cemetaries, Fences, Love, Death, Grief. First line reads Near a cool and shady woodland, where the rippling streamlets flow.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Anchor and Star March - Extra Score
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Orchestre d'harmonie
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Classique
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John Philip Sousa
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Glen D
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Anchor and Star March - Extra
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Glen D. Lienhart
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SheetMusicPlus
Composed by John Philip Sousa (1854-1932). Arranged by Glen D. Lienhart. 20th Century, Romantic Period. Score. 16 pages. Published by Glen D. Lienhart (S0.37605...
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Composed by John Philip Sousa (1854-1932). Arranged by Glen D. Lienhart. 20th Century, Romantic Period. Score. 16 pages. Published by Glen D. Lienhart (S0.37605). - Score - 20th Century,Romantic Period - Glen D. Lienhart
$12.00
Tribute to the Armed Forces and America - Piano Solo
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Piano seul
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FACILE
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Various
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Nancy Frese Tabb
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Tribute to the Armed Forces an
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Nancy Frese Tabb
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1044948 Composed by Various. Arranged by Nancy Frese Tabb. Patriotic,Praise & Worship,Traditional. Score. 5 pages. Nancy ...
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Piano Solo - Level 2 - SKU: A0.1044948 Composed by Various. Arranged by Nancy Frese Tabb. Patriotic,Praise & Worship,Traditional. Score. 5 pages. Nancy Frese Tabb #649563. Published by Nancy Frese Tabb (A0.1044948). This Tribute to the Armed Forces and America for solo piano includes 'Anchors Aweigh', the 'Army Song', the 'Marines Hymn' and the 'Star Spangled Banner'. Perfect for a patriotic gathering, concert or church service, this arrangement is easy to learn and perform.
$2.99
Trumpet Folio for Veterans' Day and Memorial Day
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Trompette
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INTERMÉDIAIRE
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Various
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Travis Hayman
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Trumpet Folio for Veterans' Da
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Travis Hayman
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.951554 Composed by Various. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 42 pages. Travis Hayman #611843...
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Trumpet Solo - Level 3 - SKU: A0.951554 Composed by Various. Arranged by Travis Hayman. Folk,Patriotic. Individual part. 42 pages. Travis Hayman #6118439. Published by Travis Hayman (A0.951554). A Collection of Songs for use on Memorial Day, or Veterans' day. Includes: The Star Spangled Banner, The Army Goes Rolling Along, Anchors Aweigh, Marines’ Hymn, Semper Paratus, U.S. Air Force Off Into the Wild Blue Yonder, Always Ready, Always There, Taps, Call to Assembly , To the Color.
$15.00
Wind Quintet - One Rule
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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AVANCÉ
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Mike Lyons
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Wind Quintet - One Rule
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Lyons Music Services
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. P...
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Woodwind Ensemble,Woodwind Quintet - Level 5 - SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
$35.00
Three Pieces for Beginner Guitarists (Acoustic or Electric)
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Guitare notes et tablatures
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DÉBUTANT
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Dan Jones
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Three Pieces for Beginner Guit
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DanJonesGuitarist
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SheetMusicPlus
Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJones...
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Easy Guitar (with TAB) - Level 1 - SKU: A0.1047465 By Dan Jones (www.danjonesguitarist.com). By Dan Jones. Blues,Folk,Rock. Tablature. 5 pages. DanJonesGuitarist #652027. Published by DanJonesGuitarist (A0.1047465). Three Pieces for Beginner Guitarists (Acoustic or Electric) by Dan Jones Presented in notes, TAB and easy chords (www.danjonesguitarist.com) As an active guitar teacher, I find that many beginner pupils want to learn either acoustic (steel string) guitar or electric guitar. I have also found a lack of quality resources in these styles which have musical interest, and which lay out some of the necessary technical and musical foundations for future learning. I composed these three little pieces for my own young students. They are played by those using their right-hand fingers, and a plectrum and I’ve found them to be very popular in both lessons and performance. The pieces can be learnt in any order (I have a slight preference for starting my pupils with D-Day Rock - the third in the collection). Below is an outline of the pedagogy behind them (1) Sore Finger Blues This is a simple twelve-bar blues which uses a combination of open strings and notes at the third and second frets. It can be played with a straight or swung rhythm. It is effective at a slow tempo for those needing time to place the fretting hand fingers. The main technical challenge is in bars 10 and 22 where the player moves the third finger between the G and A on string 1. Although this is traditionally an advanced technique, I’ve found my students find it comfortable, as long as the fingering outlined in the notes is followed. The chords are dominant (with major thirds). These clash against the minor pentatonic scale in a way which is typical of the style. The chords are quite simple for beginners. I have opted for a D5 power-chord in bars 9 & 21 which is easier than the usual D chord (which also works perfectly well). Plectrum players should be sure to anchor the plucking hand, either with the side of the hand resting on the bridge, or a finger against the scratch plate of the guitar. Fingerstyle players can anchor either with a finger touching the scratch plate of the guitar, or by resting the thumb on a bass string when the fingers are plucking, or vice versa. This is more typical of classical style. (2) Cross-String Traffic This piece was conceived as a fingerstyle piece, although it can be played using a plectrum. The challenge for plectrum players is to cross the strings smoothly. It is for this reason that the fretting hand is relatively simple so that learners can concentrate on the plucking hand. Players are also encouraged to press down the index finger on string 2 at the correct angle to allow the first string to resonate. Chords have once again been chosen to suit less-experienced fingers; therefore, I have opted for Dm6 instead of the more common Dm (a very tricky chord for beginners). Players should go for maximum resonance and notes played at fret 3 could be fretted with either fingers 3 or 4. (3) D-Day Rock This piece is made nearly entirely of open strings and third fret notes. Where there is string crossing, the music allows the player ‘thinking time’ to change accordingly. Teachers and learners can decide with which finger to press the third fret notes. The rhythmic complexities from bar 13 to the end pose no problems once players have the sound of the piece in their ear. Once again, chords have been selected for ease of playing. The Gm/D chord can be played with a 3-string barre (often quite easy for beginners where no fretted bass note is required) or using three separate fingers. The pedal D sounds effective musically. I have presented these pieces as ensemble works with large groups of beginners. Players and audiences alike have been very receptive! For a wealth of music for beginners, ensembles and advanced players, please visit www.danjonesguitarist.com. A YouTube link to a film of the pieces will be uploaded before the end of June 2022.
$4.95
The Fightin' 55th (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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The Fightin' 55th
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Http...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158199 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,March,Patriotic. 32 pages. Https://gildedmusicpress.com/ #758476. Published by https://gildedmusicpress.com/ (A0.1158199). There is nothing more quintessentially military than the grand sound of marches at special military events. Hundreds of marches have served their purposes through the many decades of military tradition in the United States of America. This 3.5-minute march was composed for the occasion of the change of command of the 55th Wing—“The Fightin’ 55thâ€â€”under Air Combat Command, located at Offutt Air Force Base in Nebraska. The ceremony took place on June 14, 2019, which was also Flag Day. The new march served as a grateful tribute to the outgoing Commander, Colonel Michael H. Manion, and a welcoming gesture to the new Commander, Colonel Gavin P. Marks. Printed copies of the score were presented to the Commanders before the ceremony, and the march was premiered as the final pre-ceremony musical selection. The opening motifs are strongly reminiscent of the introductory measures of the “Air Force Song†most commonly played by Air Force brass quintets. Keeping in tradition with the form of most marches, the “Trio†section presents new material in a new key (down a fifth), with a contrastingly quiet dynamic. The opening motif of the Trio strain is a mutation, or a paraphrase, of “Anchors Aweighâ€, emphasizing the joint-force nature of the 55th Wing. The melody is repeated with a louder dynamic and a countermelody in the horn, and then is repeated once more with increased excitement in the accompaniment, variety of dynamics, and even a temporary key shift. Straying from the form most used by the “March Kingâ€, John Philip Sousa, Dr. Thrower omitted a fourth or final strain, and instead he modulated the key back to the original B-flat major and brought back the melodic content from the first strain. This form predates Sousa, and was more commonly used in Europe and early America. It smacks of “sonata formâ€, and even the modern formal designation of “recapitulating march†alludes to sonata form. The final recapitulating strain repeats with an obbligato soaring above it in the first trumpet part, now on piccolo trumpet. The march ends with a short coda that brings back the opening motivic allusion to the Air Force Song. Due to the selected formal structure, this march, “The Fightin’ 55thâ€, is much more unified than most typical marches. The very nature of military marches (including America’s beloved “Stars and Stripes Foreverâ€) displays four or even five completely unrelated melodies, or strains, throughout. The incorporation of thematic structure similar to that found in sonata form indeed makes “The Fightin’ 55th†an appropriate and even artistic concert march.
$24.95
Armed Forces Medley
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Amy J
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Amy J
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Armed Forces Medley
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Amy J. Snyder
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1430734 By Amy J. Snyder. By Offenach, Van Boskerck, Gruber, and Zimmerman. Arranged by Amy J. Snyder. Holiday,Patriotic....
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Piano Solo - Level 4 - SKU: A0.1430734 By Amy J. Snyder. By Offenach, Van Boskerck, Gruber, and Zimmerman. Arranged by Amy J. Snyder. Holiday,Patriotic. Score. 6 pages. Amy J. Snyder #1011230. Published by Amy J. Snyder (A0.1430734). This arrangement of the Armed Forces Medley is written for piano solo, but includes the lyrics and is in a singable key. It iincludes: The Marines Hymn (by Jacques Offenbach), Semper Paratus (Coast Guard, by Capt. Francis Saltus Van Boskerck), The Caissons Go Rolling Along (Army, by Edmund Gruber), and Anchors Aweigh (Navy, by Charles Zimmermann). The first three are in the key of C Major, and the last in key of G Major for easy singing. The grand finale borrows the last line from our National Anthem. (My sincere apologies to the Air Force. I am not able to include Wild Blue Yonder due to copyright laws.) This arrangement is for advanced intermediate piano level. If you enjoy this arrangement, check out Amy's other Patriotic arrangements such as: America the Beautiful, O Say Can You See, God Bless America, God Bless the USA, Yankee Doodle Dandy, You're a Grand Old Flag, The Battle Hymn, The Star Spangled Banner, The Stars and Stripes Forever, If My People, This Land Is Your Land, This Is My COuntry, If My People, and American Trilogy.Visit Amy At https://www.facebook.com/amyjsnyder7
$5.99
Oscillation
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Contemporain
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contrast, the string quartet h
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Jeremy Hart
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Oscillation
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Jeremy Graham Hart
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pa...
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Small Ensemble B-Flat Clarinet,Cello,Viola,Violin - Level 5 - SKU: A0.1028192 Composed by Jeremy Hart. 20th Century,Contemporary. Score and parts. 37 pages. Jeremy Graham Hart #6590413. Published by Jeremy Graham Hart (A0.1028192). Oscillation began as an experiment in coordination of a melody and harmony which are based on different means of organization. To this end, the clarinet is treated separately from the string quartet. The clarinet melody is constructed by means of limited interval usage. In mm.1–3 it can be observed that the melodic intervals are strictly limited to the use of a major 2nd/minor 7th or a major 6th/minor 3rd. By contrast, the string quartet has no limitation on its intervallic usage but always strives towards triadic harmonies in its accompanimental capacity and tends to converge on harmonies diatonic to the key. In addition, despite the proliferation of non-chord tones and transitionary passages in the string quartets’ music, the stable harmonies are written to have fairly parsimonious motion between them (if one were to reduce out the NCTs etc.) The coordination of these two separate logics is done by the selection of anchor-pitches for the melodic phrases. For example, the melodic phrase in mm.4–7 oscillates around the pitch of G natural (transposed in the score), which it shares with the F major/minor 7th chord that is heard as the harmonic goal of the strings in m.7. The teleology of the work can largely be traced in its melodic construction. Its opening phrase of mm.1–3 is anchored on G natural and ends on a C sharp, a tritone above the anchor, to simulate a half-cadence effect. The second phrase of mm.4–7 is still written on G natural but it ends on G as well, forming the authentic cadence and establishing a basic period as well as the work’s first theme. This is followed by second period which represents a dominant relationship to the first. The phrase at mm.10–13.2 is a rather extended utterance in comparison to the first two and is anchored on D natural. This is followed by 4-stage call and response across the ensemble (excluding the second violin) that leads the first section to a close at m.16 on a C diminished triad. Melodically, the first section is characterised by its limited used of a major 2nd/minor 7th or a major 6th/minor 3rd interval. At m.17, the second section follows much the same process as the first, using anchor pitches as a means of coordination and formal definition, and alternating soloistic clarinet playing with activated harmonies in the strings. The primary difference is in the character of the second section’s theme with regards to its rhythmic profile as well as its intervallic content. Namely, these are limited to the use of a minor 3rd or minor 2nd and their inversions. The second section draws to a close at m.32, returning to the tonic harmony of the key. With the first and second sections complete, the work now proceeds into a developmental section. Mm.33–84 largely consists of development of the two themes by manipulation of intervallic content as well as adjusting the placement of the thematic material withing the accompanimental context. This does include juxtaposition of the two themes (though one typicall becomes integrated into to accompaniment) as can be seen between the violin and viola at m.39. Variety is heightened by the introduction of episodic material such as the secondary melody performed by the clarinet at mm.40–41. The Lento section starting at m.53 introduces further rhythmic and metric adjustment of the thematic content. A varied recapitulation occurs at mm.85–113 and is followed by a coda at mm.114–131.
$19.95
Under the American Flag. March of the Mariners. Unter Amerikanischer Flagge. (Marsch der Matrosen)
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1 Piano, 4 mains
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Eduard Holst
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Under the American Flag. March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano, 4-hands - SKU: LV.12125 Composed by Eduard Holst. Statue of Liberty, Clipper ships, Cannons, Anchors, Ship equipment & rigging, Patriotism. Leste...
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Piano, 4-hands - SKU: LV.12125 Composed by Eduard Holst. Statue of Liberty, Clipper ships, Cannons, Anchors, Ship equipment & rigging, Patriotism. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.12125). Under the American Flag. March of the Mariners. Unter Amerikanischer Flagge. (Marsch der Matrosen). by Eduard Holst. Published 1892 by Wm. Rohlfing & Sons in Milwaukee. Composition of da capo with trio with piano four-hand instrumentation. Subject headings for this piece include Statue of Liberty, Clipper ships, Cannons, Anchors, Ship equipment & rigging, Patriotism. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Shenandoah - Solo Baritone Sax
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Traditional
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Shenandoah - Solo Baritone Sax
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Music-Scores.com
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SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.1087484 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Jazz,Multicultura...
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Baritone Saxophone Solo - Level 3 - SKU: A0.1087484 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Jazz,Multicultural,Wedding,World. Individual part. 4 pages. Music-Scores.com #691692. Published by Music-Scores.com (A0.1087484). Shenandoah could have been a song of a fur trader who was in love with the daughter of a Native American chief named Shenandoah. Some people say it was a logging song. It later became a sea shanty, being the perfect tempo to sing whilst hauling in the anchor. This version is improvisational and should be seen as a starting point, just to fire the imagination and play whatever comes to mind. For Solo Baritone Sax. About 2 minutes, 30 seconds. Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
Shenandoah - Solo Soprano Sax
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Traditional
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Shenandoah - Solo Soprano Sax
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Music-Scores.com
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SheetMusicPlus
Soprano Saxophone Solo - Level 3 - SKU: A0.1087489 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Contest,Festival,J...
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Soprano Saxophone Solo - Level 3 - SKU: A0.1087489 Composed by Traditional. Arranged by Anne L Christopherson GRSM ARCM. Contemporary,Contest,Festival,Jazz,Multicultural,Wedding,World. Individual part. 4 pages. Music-Scores.com #691697. Published by Music-Scores.com (A0.1087489). Shenandoah could have been a song of a fur trader who was in love with the daughter of a Native American chief named Shenandoah. Some people say it was a logging song. It later became a sea shanty, being the perfect tempo to sing whilst hauling in the anchor. This version is improvisational and should be seen as a starting point, just to fire the imagination and play whatever comes to mind. For Solo Soprano Sax. About 2 minutes, 30 seconds. Arranged by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$6.95
The Journey For Percussion Ensemble
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Contemporain
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Sean Mallow
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The Journey For Percussion Ens
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Sean Mallow
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SheetMusicPlus
Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - SKU: A0.495112 By Sean Mallow. By Sean Mallow. 20th Century,C...
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Percussion Ensemble Bells,Chimes,Low Drum,Mallet Percussion,Snare Drum,Tom Tom - Level 2 - SKU: A0.495112 By Sean Mallow. By Sean Mallow. 20th Century,Classical. Score and parts. 65 pages. Sean Mallow #109675. Published by Sean Mallow (A0.495112). The Journey for Percussion Ensemble is for 8 percussionist. Written for early advanced High School or early college groups, the piece tells a story about taking a journey from light to dark, moving from good times and bad, and coming out a better person for it. The piece starts off with a quiet waltz, lullaby-esque, providing a tonal anchor and tranquility. As it moves into the next section, we hear the first main melodic idea. While still maintaining this idea of calm and ambient energy, the main theme should be reflective of an old spaghetti western film. The vibraphonist should play loud and proud.When the piece moves into the heavier 6/8 section, the battery should be sensitive to the melodic instruments. There should be a quiet forward energy weaving through the entire piece.
$25.00
The Leap For Life. Song and Quartette
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Chorale SATB
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Bernard Covert
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The Leap For Life. Song and Qu
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice (SATB quartet) - SKU: LV.11886 Composed by Bernard Covert. Clipper ships, Children misbehaving, Danger, Ship equipment and rigging, Fath...
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Piano and voice (SATB quartet) - SKU: LV.11886 Composed by Bernard Covert. Clipper ships, Children misbehaving, Danger, Ship equipment and rigging, Fathers and children, Prayer, Deception, Rescues, Distress, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11886). The Leap For Life. Song and Quartette. Poetry by G.P. Morris, Esq. Music Composed by Bernard Covert. Published 1850 by n.p. in n.p. Composition of strophic with piano and voice (satb quartet) instrumentation. Subject headings for this piece include Clipper ships, Children misbehaving, Danger, Ship equipment and rigging, Fathers and children, Prayer, Deception, Rescues, Distress, Love. First line reads Old Irsonsides at anchor lay in the harbor of Mahon.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Seven Serapés for Six Pianos (Parts only)
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at...
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Level 5 - SKU: A0.1124743 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 98 pages. Studio at the Post #725501. Published by Studio at the Post (A0.1124743). Parts only (see A725494 for Score). Duration: 22 – 24 minutes, Six Parts between 12 – 16 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$5.02
Seven Serapés for Six Pianos - Score Only
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Igor Korneitchouk
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Seven Serapés for Six P
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Studio at the Post
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SheetMusicPlus
Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio a...
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Level 5 - SKU: A0.1125661 Composed by Igor Korneitchouk. 20th Century,Chamber,Contemporary. 110 pages. Studio at the Post #725494. Published by Studio at the Post (A0.1125661). Score only (see A725501 for Parts). Duration: 22 – 24 minutes, 217 pp. reduced to 108 pp. Description: Each of the SerapeÌs has a programmatic subtitle that gives the listener a hint as to how to listen. SerapeÌs Nos. 1, 4 and 7 (subtitled Three Brothers) divide up the collection symmetrically as all three share variations of the same set of motivic layers. Nonetheless, despite their common genetic heritage, the three brothers all have radically different personalities. SerapeÌ No. 2 is called Burro for its loping cowboy-swing. Its seemingly infinite upward-spiraling progression through succeeding tonal centers reminds one of the mules on the switchbacks of the Grand Canyon. SerapeÌ No. 3, Starry Night, employs one of Korneitchouk's favorite devices of combing complex order out of chaos. Overlapping melodic patterns in 7/8, 8/8, 9/8, 10/8, 11/8, and 13/8 emerge -- three at a time -- out of constellations of apparently random notes. The brutal SerapeÌ No. 5, L.A. Smog, is rude. This SerapeÌ starts as a sonorous block of jackhammer intensity that later reveals itself to be in a very brisk 5/8 meter. In contrast, SerapeÌ No. 6 is the most peaceful and static SerapeÌ. It includes a musical portrait of the composer's refrigerator turning itself on and off in the dead of night. A drone, which suggests the 60-cycle hum of the refrigerator, anchors the subtle shifting and overlapping harmonies of the piece.
$9.03
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
Whole-Tone Scales & Exercises
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Guitare notes et tablatures
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FACILE
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Methodes
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Hayden Woods
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Whole-Tone Scales & Exerci
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Hayden Lee Woods
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods...
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Guitar - Level 2 - SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods (A0.901487). In working on concepts to break away from some of the more tonal aspects of music, I have been working on some exercises focused on scales that are not utilized in a classical sense, which brings us to this file.The whole-tone scale series uses the concept in the name: only whole steps, no half steps. For guitar, the best way to visualize the scale is by performing this scale by picking a string and playing only the even frets or odd frets on that string in order (0-2-4-6-8-10-12 or 1-3-5-7-9-11-13) to get that string's basic whole tone scale. This sheet music exercises the C and C# whole tone scales as they are the common anchors of whole tone scales, working all six strings and some techniques to maneuver appropriately. With this you get the two whole-tone scales and two exercises in each of the keys to get started on a less standard procedure! Enjoy!!!
$2.39
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