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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
And They Were Gone
Non classifié
31
Piano & claviers
Piano seul
8
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3
Piano, Voix
3
Piano, Voix et Guitare
3
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 1 instrumentations
Retracter
Guitares
Guitare notes et tablatures
1
Voix
Chorale SATB
2
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1
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1
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1
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1
Vents
Quintette de Saxophone: 5 saxophones
4
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4
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2
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1
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1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
+ 1 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Trombones
2
2 Trompettes (duo)
1
Ensemble de Tubas
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
+ 1 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
2
Ensemble de Violons
1
Ensemble d'Altos
1
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1
Jazz combo
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1
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1
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ENFANTS : EVEIL - IN…
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Crtitères actifs :
And They Were Gone
Partitions à imprimer
94 partitions trouvées
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26
51
76
And They Were Gone
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Piano seul
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Adam Hutchins Ltd
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And They Were Gone
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Adam Hutchins Ltd
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SheetMusicPlus
Piano Solo - SKU: A0.942462 Composed by Adam Hutchins Ltd. Christian,Contemporary,Jazz,World. Score. 1 pages. Adam Hutchins Ltd #3539475. Published by A...
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Piano Solo - SKU: A0.942462 Composed by Adam Hutchins Ltd. Christian,Contemporary,Jazz,World. Score. 1 pages. Adam Hutchins Ltd #3539475. Published by Adam Hutchins Ltd (A0.942462). A wistful piano piece after a passing of grandparents.
$3.99
Khayaal, a lil fantasy: Full score : Band/Trio and Solo
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Jazz combo
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INTERMÉDIAIRE/AVANCÉ
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Suraj Synthesist
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Suraj Dinakar Shetty
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Khayaal, a lil fantasy: Full s
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Suraj Synthesist
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SheetMusicPlus
Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Mu...
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Jazz Combo - Level 4 - SKU: A0.1405714 By Suraj Synthesist. By Suraj Dinakar Shetty. Arranged by Suraj Dinakar Shetty. 21st Century,Contemporary,Jazz,Multicultural,Rock,World. 32 pages. Suraj Synthesist #988778. Published by Suraj Synthesist (A0.1405714). The instrumental song â??Khayaal, a lil Fantasyâ? merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version and a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler and BluesJazz/ Rock-n-Roll Bassline is also heard in the piece.This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions and directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them and how they were made to sound in the specific way.
$9.99
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
#
Contemporain
#
David Warin Solomons
#
Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Mysterious Moment for oboe and string trio
#
Contemporain
#
David Warin Solomons
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Mysterious Moment for oboe and
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David Warin Solomons
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SheetMusicPlus
Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages....
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Small Ensemble Cello,Oboe,Viola,Violin - Level 3 - SKU: A0.576733 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #90581. Published by David Warin Solomons (A0.576733). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00
Gone Too Soon
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Chorale TTBB
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INTERMÉDIAIRE
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Simple Plan
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Kathleen McGuire
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Gone Too Soon
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Kathleen McGuire
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McG...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1378737 By Simple Plan. By Charles Comeau, Emanuel Kiriakou, and Pierre Bouvier. Arranged by Kathleen McGuire. 21st Century,Pop,Punk,Rock. 12 pages. Kathleen McGuire #963445. Published by Kathleen McGuire (A0.1378737). This arrangement for men's choir (TTBB) was commissioned by the Buffalo Gay Men's Chorus in dedicated to a devoted member whom they lost far too soon. The ebb and flow of dynamics, constrasts of legato and marcato, a dramatic piano accompaniment, plus some unresolved vocal harmonies, allow for a series of emotions to be painted such as those experienced in the grief cycle. From Canadian band Simple Plan, ‘Gone Too Soon’ was first released in 2011. The inspiration for the song was the tragic loss of so many talented artists, actors and musicians to drug overdoses or suicide. On the Simple Plan website, drummer Chuck Corneau explained: “We thought it was so sad to see so much talent being wasted. Also there were people in our family and some great friends we lost. So the song is a combination of all that. Yes the song is about missing someone who is goneâ€. Singer Pierre Bouvier added: “Hopefully this song can help people that are going through similar situations where they feel like someone in their family or one of their friends has gone too soon.â€.
$2.50
Gone but not Fagotten
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4 Bassons
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INTERMÉDIAIRE
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Jill Elliott
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Gone but not Fagotten
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Daffiddle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - SKU: A0.925232 Composed by Jill Elliott. Concert,Contemporary,Standards. 13 pages. Daffiddle Musi...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 3 - SKU: A0.925232 Composed by Jill Elliott. Concert,Contemporary,Standards. 13 pages. Daffiddle Music #4632943. Published by Daffiddle Music (A0.925232). The third of three pieces collectively known as 'Bassoonery, arranged for three bassoons and one contra. In their original form, for four bassoons and one contrabassoon, they were written for the Oxfordshire Youth Bassoon Ensemble, with two of the parts designed for the less experienced players. In the four bassoon version here the pieces have been performed by ensembles in Britain, Italy and the US.
$2.99
Gone but not Fagotten
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4 Bassons
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Daffiddle Music
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Gone but not Fagotten
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Daffiddle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - SKU: A0.925229 Composed by Daffiddle Music. Concert,Contemporary,Standards. 13 pages. Daffiddle Music #4632...
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Woodwind Ensemble,Woodwind Quartet Bassoon - SKU: A0.925229 Composed by Daffiddle Music. Concert,Contemporary,Standards. 13 pages. Daffiddle Music #4632919. Published by Daffiddle Music (A0.925229). The third of three pieces collectively known as 'Bassoonery. In their original form, for four bassoons and one contrabassoon, they were written for the Oxfordshire Youth Bassoon Ensemble, with two of the parts designed for the less experienced players. In the four bassoon version here the pieces have been performed by ensembles in Britain, Italy and the US.
$2.99
And They Were Gone
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Orgue, Piano (duo)
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Adam Hutchins Ltd
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And They Were Gone
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Adam Hutchins Ltd
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SheetMusicPlus
Organ,Piano - SKU: A0.1071274 Composed by Adam Hutchins Ltd. Christian,Contemporary,Jazz,World. Full Performance. Duration 247. Adam Hutchins Ltd #35394...
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Organ,Piano - SKU: A0.1071274 Composed by Adam Hutchins Ltd. Christian,Contemporary,Jazz,World. Full Performance. Duration 247. Adam Hutchins Ltd #3539477. Published by Adam Hutchins Ltd (A0.1071274). Mp3 recording of piano solo track.
$1.99
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. ...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1402627 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Score. 10 pages. David Warin Solomons #985851. Published by David Warin Solomons (A0.1402627). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$11.00
The Heavens Declare ~ Psalm 19 (for Violin and Cello Duet with Piano accompaniment)
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Sharon Wilson
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Sharon Wilson
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CELLO – G2 to A3
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The Heavens Declare ~ Psalm 19
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Sharon Wilson
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Con...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 3 - SKU: A0.565137 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Contemporary,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. Sharon Wilson #3469886. Published by Sharon Wilson (A0.565137). This original Scripture song based on Psalm 19 verses 1-4 is arranged as an instrumental trio (for CELLO and VIOLIN Duet with PIANO Accompaniment). The CELLO and VIOLIN alternate leading with the melody throughout beginning with the CELLO on the first phrase. The PIANO accompaniment provides cascading eighth note runs creating a flowing harmony that alternates with bold, rhythmic chords on the more intense sections.String ranges are as follows: VIOLIN – G4 to A5; CELLO – G2 to A3.  All notes for both the VIOLIN and CELLO are playable in the first position making this an excellent selection for beginning string players. Duration 2:45.The purchase price includes these printing options: 1. a grand staff (11 pages) with all parts on each page2. separate scores for the CELLO and VIOLIN (2 pages each) and PIANO (4 pages)3. a combined CELLO and VIOLIN score (4 pages)To enhance the presentation of this song, a slide show featuring stars and space overlaid with the scripture verse could be displayed during the performance. The lyrics were adapted from the World English Bible (WEB) and are printed below:Lyrics:The heavens declare the glory of God.The skies proclaim his handiwork.Day after day they pour out their speech,And night after night God’s knowledge is displayed.There is no speech, nor is there a language where their voice is not heard.Their voice has gone out through all of the earth,Their words to the end of the world.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$5.99
When the World Drops In to Town
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.893864 Composed by David Kai. Celtic,Folk,Pop. Score. 5 pages. David Kai #6100233. Published by David Kai (A0.893864). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song is dedicated to my spouse Marly's parents, Isaac and Sybil who were a part of the crew who helped the plane people in Gander through their involvement in the Anglican church. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! Take it all to help the plane people, it’s the least that we can do! Aunt Winnie baked two dozen of her partridgeberry pies She said, I think those plane people will be in for some surprise! So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:
$3.00
Fragments des Fragments du Narcisse, after Paul Valéry, for alto and guitar (mp3)
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David Warin Solomons
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Fragments des Fragments du Nar
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David Warin Solomons
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SheetMusicPlus
Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performan...
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Alto Voice,Guitar - Level 4 - SKU: A0.1402629 By David Warin Solomons. By David Warin Solomons. Classical,Contemporary,Singer/Songwriter. Full Performance. Duration 300. David Warin Solomons #985853. Published by David Warin Solomons (A0.1402629). This song is based on parts of the poem by Paul Valéry Fragments du Narcisse which explains and ponders the idea of the origin of narcissism (self-love)The words are as followsMais moi, Narcisse aimé, je ne suis curieuxQue de ma seule essence ;Tout autre n’a pour moi qu’un cœur mystérieux,Tout autre n’est qu’absence.Ô mon bien souverain, cher corps, je n’ai que toi !Le plus beau des mortels ne peut chérir que soi... Douce et dorée, est-il une idole plus sainte,De toute une forêt qui se consume, ceinte,Et sise dans l’azur vivant par tant d’oiseaux ?Est-il don plus divin de la faveur des eaux,Et d’un jour qui se meurt plus adorable usageQue de rendre à mes yeux l’honneur de mon visage ?Quitte enfin le silence, ose enfin me répondre,Bel et cruel Narcisse, inaccessible enfant,Tout orné de mes biens que la nymphe défend...Formons, toi sur ma lèvre, et moi, dans mon silence,Une prière aux dieux qu’émus de tant d’amourSur sa pente de pourpre ils arrêtent le jour !...Dieux ! de l’auguste jour, le pâle et tendre resteVa des jours consumés joindre le sort funeste ;Il s’abîme aux enfers du profond souvenir !Hélas ! corps misérable, il est temps de s’unir...Penche-toi... Baise-toi. Tremble de tout ton être !L’insaisissable amour que tu me vins promettrePasse, et dans un frisson, brise Narcisse, et fuit..English translation by D W SolomonsBut I, beloved Narcissus, am curious onlyabout my very beingeverything else has nothing more than a heart of mysteryeverything else is nothing but absenceOnly what I own, my dear sovereign body, is what I haveThe most beautiful of mortals cannot cherish anything more than itselfSweet and golden, is there a more holy idolwithin an entire forest, self-consumed and heldand set in the living azure by so many birds?Is there a more divine gift than the favour of the watersand a more adorable use of the dying daythan to return to me the honour of my face?Please don't be silent, please dare to replyBeautiful and cruel Narcissus, unreachable child owning what I hold dear but guarded by the nymphLet the two of us, you on my lips and I in my silencemake a prayer to the gods that they should be moved by so much lovethat they would keep the day held in its purple sunsetGods! only the pale and tender parts remain of the august day,It joins the fate of other days that were consumedIt goes down into the hell of deep memoryAlas, miserable body, it is time to become as oneBend down - kiss yourself - tremble with all your beingThe intangible love that you promisedhas gone by, and in a shiver, shatters Narcissus and flees.
$5.50
Eight Melodic Tunes for Treble Clef Bb instruments with Piano Accompaniment
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Ensemble de cuivres
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INTERMÉDIAIRE
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Adam Hutchins
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Eight Melodic Tunes for Treble
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Adam Hutchins Ltd
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.942490 Composed by Adam Hutchins. Contemporary,Jazz,New Age,Pop,World. Score and parts. 22 pages. Adam Hutchins Ltd #...
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Brass Ensemble - Level 3 - SKU: A0.942490 Composed by Adam Hutchins. Contemporary,Jazz,New Age,Pop,World. Score and parts. 22 pages. Adam Hutchins Ltd #6168571. Published by Adam Hutchins Ltd (A0.942490). A book of refreshing, modern melodies with the chance to have a go at playing a solo if you’re feeling adventurous! Solo sections can be skipped if not. Intermediate to advanced level.From mellow ballads to blues via a couple of pop inspired tunes. Piano part included.Clearer SkiesHere’s To The New Year!A Big StickAnd They Were GoneChristmas WaltzRed SunsetSnow DayHometown Blues
$9.99
Eight Melodic Tunes, Treble Clef Concert Pitch with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Adam Hutchins
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Eight Melodic Tunes, Treble Cl
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Adam Hutchins Ltd
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SheetMusicPlus
Large Ensemble Banjo,Flute,Guitar,Harmonica,Trombone,Viola,Violin - Level 3 - SKU: A0.942488 Composed by Adam Hutchins. Contemporary,Jazz,Pop,World. Sco...
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Large Ensemble Banjo,Flute,Guitar,Harmonica,Trombone,Viola,Violin - Level 3 - SKU: A0.942488 Composed by Adam Hutchins. Contemporary,Jazz,Pop,World. Score and parts. 22 pages. Adam Hutchins Ltd #6168569. Published by Adam Hutchins Ltd (A0.942488). A book of refreshing, modern melodies with the chance to have a go at playing a solo if you’re feeling adventurous! Solo sections can be skipped if not. Intermediate to advanced level.From mellow ballads to blues via a couple of pop inspired tunes. Piano part included.Clearer SkiesHere’s To The New Year!A Big StickAnd They Were GoneChristmas WaltzRed SunsetSnow DayHometown Blues
$9.99
Abraham’s Daughter: March from the Civil War
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Stephen R Dalrymple
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but no daughters
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Abraham’s Daughter: Marc
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...
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Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Eight Melodic Tunes for Piano, Keyboards or Organ
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Piano seul
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INTERMÉDIAIRE
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Adam Hutchins
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Eight Melodic Tunes for Piano,
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Adam Hutchins Ltd
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.942491 Composed by Adam Hutchins. Classical,Contemporary,Jazz,Spiritual,World. Score. 14 pages. Adam Hutchins Ltd #616858...
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Piano Solo - Level 3 - SKU: A0.942491 Composed by Adam Hutchins. Classical,Contemporary,Jazz,Spiritual,World. Score. 14 pages. Adam Hutchins Ltd #6168583. Published by Adam Hutchins Ltd (A0.942491). A book of refreshing, modern melodies with the chance to have a go at playing a solo if you’re feeling adventurous! Solo sections can be skipped if not. Intermediate to advanced level.From mellow ballads to blues via a couple of pop inspired tunes. Piano part included.Clearer SkiesHere’s To The New Year!A Big StickAnd They Were GoneChristmas WaltzRed SunsetSnow DayHometown Blues
$8.99
Eight Melodic Tunes for Treble Clef Eb instruments with Piano Accompaniment
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Accompagnement Piano
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INTERMÉDIAIRE
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Adam Hutchins
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Eight Melodic Tunes for Treble
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Adam Hutchins Ltd
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SheetMusicPlus
Woodwind Ensemble - Level 3 - SKU: A0.942489 Composed by Adam Hutchins. Contemporary,Jazz,Pop,Spiritual,World. 24 pages. Adam Hutchins Ltd #6168575. Pub...
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Woodwind Ensemble - Level 3 - SKU: A0.942489 Composed by Adam Hutchins. Contemporary,Jazz,Pop,Spiritual,World. 24 pages. Adam Hutchins Ltd #6168575. Published by Adam Hutchins Ltd (A0.942489). A book of refreshing, modern melodies with the chance to have a go at playing a solo if you’re feeling adventurous! Solo sections can be skipped if not. Intermediate to advanced level.From mellow ballads to blues via a couple of pop inspired tunes. Piano part included.Clearer SkiesHere’s To The New Year!A Big StickAnd They Were GoneChristmas WaltzRed SunsetSnow DayHometown Blues
$9.99
Fire Dreams (for SATB Choir)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Carl Sandburg and Nathaniel Ho
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Fire Dreams
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TigerSong LLC
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SheetMusicPlus
Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503844 Composed by Carl Sandburg and Nathaniel Hontz. 20th Century,Contemporary,Holiday,Patriotic,S...
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Choral Choir,Choral,SATB Chorus - Level 4 - SKU: A0.1503844 Composed by Carl Sandburg and Nathaniel Hontz. 20th Century,Contemporary,Holiday,Patriotic,Sacred. 7 pages. TigerSong LLC #1079298. Published by TigerSong LLC (A0.1503844). Carl Sandburg's Thanksgiving poem Fire Dreams, set for SATB choir. The music follows the rhythms of the poem, as it meditates on pilgrims and gratitude, and their place in our modern consciousness. The poem was written to be read aloud on Thanksgiving Day. Piano accompaniment intended for rehearsal only (although it can accompany performance).I remember here by the fire,In the flickering reds and saffrons,They came in a ramshackle tub,Pilgrims in tall hats,Pilgrims of iron jaws,Drifting by weeks on beaten seas,And the random chapters sayThey were glad and sang to God.And soSince the iron-jawed men sat downAnd said, Thanks, O God,For life and soup and a little lessThan a handout to-day,Since gray winds blew gray patterns of sleet on Plymouth Rock,Since the iron-jawed [wo]men sang Thanks, O God,You and I, O Child of the West,Remember more than everNovember and the hunter's moon,November and the yellow-spotted hills.And soIn the name of the iron-jawed menI will stand up and say yes till the finish is come and gone.God of all broken hearts, empty hands, sleeping soldiers,God of all star-flung beaches of night sky,I and my love-child stand up together to-day and sing: Thanks, O God..
$2.99
When the World Drops In to Town
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David Kai
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David Kai
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When the World Drops In to Tow
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David Kai
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SheetMusicPlus
Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Ce...
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Mixed Percussion Accordion,Acoustic Guitar,Electric Bass Guitar,Violin - Level 3 - SKU: A0.1105258 By David Kai. By David Kai. Arranged by David Kai. Celtic,Country,Folk,Irish. Full Performance. Duration 233. David Kai #708518. Published by David Kai (A0.1105258). A song celebrating the people of Gander, Newfoundland & Labrador in Canada who helped close to 7,000 stranded airline passengers after September 11, 2001. The story of Gander and the surrounding towns has been immortalized in the Broadway show, Come From Away. The song is written in a Celtic/Newfoundland style. This song features the use of an Ugly Stick, a traditional Newfoundland percussion instrument. WHEN THE WORLD DROPS IN TO TOWN Words and music by David Kai ©2020 On the 11th of September, in a quiet little town In a place that they call Newfoundland, all the planes were coming down Just how many were arriving, it was hard to know or tell In a quiet town in Newfoundland on the day the towers fell. With ten thousand waiting on the ground, seven thousand on their way The schools and halls and churches were preparing for their stay And not only in Gander, but in places all around ‘Cause you’ve got to pull together when the world drops into town. Chorus: So raise a glass to them, let’s sing a song to cheer For all the workers, cooks and clerks, for all the volunteers Who showed such kindness, who stepped up when chips were down ‘Cause you’ve got to pull together when the world drops into town All the stores they opened up their doors, the supplies, how fast they flew! “Take it all to help the plane people, it’s the least that we can do!†Aunt Winnie baked two dozen of her partridgeberry pies She said, “I think those plane people will be in for some surprise!†So the people were all settled, and much to their delight There were home-cooked meals and showers in homes, even trips to see the sights Though they came from countries ‘round the world, they did seem to all fit in And in kitchen parties here and there, new found friends were being screeched in. Chorus: Soon the skies, they were reopened, just a week and they were gone Though the planes took off into the skies all the memories lingered on For what they all remember, and what’s talked of to this day Is how townsfolk cared for people who had come from far away. So let’s sing and let’s be thankful, for each and every one Who showed us how to live together in the year two-thousand one, Let’s celebrate their kindness, for we never will forget, That in Newfoundland a stranger’s just a friend you haven’t met. Chorus:.
$1.99
Boy Scout March
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Fanfare
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INTERMÉDIAIRE
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Colin G Dance
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Colin G Dance
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Boy Scout March
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Dance is With Music
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.1109969 By Colin G Dance. By Harry J Stafford. Arranged by Colin G Dance. 20th Century,March. Score and Parts. 11 page...
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Marching Band - Level 3 - SKU: A0.1109969 By Colin G Dance. By Harry J Stafford. Arranged by Colin G Dance. 20th Century,March. Score and Parts. 11 pages. Dance is With Music #712314. Published by Dance is With Music (A0.1109969). Arranged as a commission from the British Scouting movement several years ago, this march by Harry Stafford is dedicated to my Godfather Pete Johnson who sadly died a few years ago. He was a very senior figure in the scouting movement, and dedicated his later life to the movement. The Mortimer Scout Hut where he was based has gone from a ramshakle old shed to a purpose-built building commensurate with his commitment. Pete was a World War 2 Royal Marine veteran having being involved with the D-Day landings – of which he rarely spoke, and was a well-known figure in his home village – often maintaining the church grounds. He was presented with an award by Her Majesty the Queen for his work with the scouting movement. He was also one of those presented with the ‘Legion D’Honeur’ medal when they were issued.
$80.00
The First Vision TAB
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Musique Sacrée
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Steven H
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The First Vision TAB
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Boothe Publishing
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe ...
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Guitar - Level 3 - SKU: A0.984011 Composed by Steven H. Boothe. Christian,Sacred. Guitar Tab. 13 pages. Boothe Publishing #4360937. Published by Boothe Publishing (A0.984011). Fourteen year old Joseph Smith went into a grove of trees to pray and ask God for help to know which church was true, and which one he should join. God and His son Jesus Christ appeared to him and spoke to him face to face. With the appearance of God and His son to the boy Joseph Smith, there was once again a prophet on the earth. This event came to be called the first vision. This vision proved to Joseph Smith that God is not dead. God and His son Jesus Christ are alive and love us today. They have not left us alone here in the world to work out our own salvation. The greatest teachers and preachers of our times cannot save us for they are subject to death. Only Jesus Christ could and did break the bands of death. God talks to us today through His prophets. He does not speak to us through those who say He is gone and has left them in charge. The only way to find truth about God is to study His doctrine and then talk with Him. Ask Him if what you are learning is true. With 4,300 Christian religions on the earth today, we can know through revelation from God which is His true church. There can be only one. God told Joseph that He had a great work for him to do. God sent an angel who revealed to Joseph plates of gold. These plates of Gold were records kept by Israelite prophets in ancient America. God brought them to this land of promise before the Jews were carried away captive into Babylon. I know this is true. You can read the Book of Mormon. You can ask God for yourself if it is true. Then you too can know, for God will answer your prayer.
$3.99
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
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Piano, Voix et Guitare
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AVANCÉ
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An-lun Huang
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Ballet, “THE LITTLE MATC
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DoReMi Edition
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
Yesterday Once More
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Piano seul
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INTERMÉDIAIRE
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The Carpenters
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Timothy Stapay
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Then
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Yesterday Once More
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Song...
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Piano Solo - Level 3 - SKU: A0.1262310 By The Carpenters. By John Bettis and Richard Carpenter. Arranged by Timothy Stapay. Film/TV,Pop,Rock,Singer/Songwriter,Standards. Score. 2 pages. Timothy Stapay #855346. Published by Timothy Stapay (A0.1262310). A piano solo arrangement of Yesterday Once More; made famous by The Carpenters. Yesterday Once More, written by Richard Carpenter and John Bettis, is a hit song by the Carpenters from their 1973 album Now & Then. Thematically the song concerns reminiscing about songs of a generation gone by. It segues into a long medley, consisting of eight covers of 1960s tunes incorporated into a faux oldies radio program. The work takes up the entire B-side of the album.The single version of the song peaked at number 2 on the Billboard Hot 100 chart, kept from the number 1 spot by Bad, Bad Leroy Brown by Jim Croce. It was the duo's fifth number two hit and makes them the act with the second-most number two hits on the chart behind Madonna. The song also peaked at number 1 on the easy listening chart, becoming their eighth number 1 on that chart in four years.  It is the Carpenters' biggest-selling record worldwide and their best-selling single in the UK, peaking at number 2 Richard Carpenter stated, on a Japanese documentary, that it was his favorite of all the songs that he had written. He has performed an instrumental version at concerts.Lyrics:[Verse 1]When I was young, I'd listen to the radioWaitin' for my favorite songsWhen they played, I'd sing alongIt made me smile[Pre-Chorus 1]Those were such happy timesAnd not so long agoHow I wondered where they'd goneBut they're back againJust like a long-lost friendAll the songs I loved so well[Chorus 1]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineWhen they get to the partWhere he's breaking her heartIt can really make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang)(Shoobie-doo, lang, lang) [Verse 2]Lookin' back on how it was in years gone byAnd the good times that I hadMakes today seem rather sadSo much has changed[Pre-Chorus 2]It was songs of loveThat I would sing to themAnd I'd memorize each wordThose old melodiesStill sound so good to meAs they melt the years away[Chorus 2]Every sha-la-la-laEvery whoa, whoa-oh still shines(Only oldies, but goodies)Every shing-a-ling-a-lingThat they're starting to sing so fineAll my best memoriesCome back clearly to meSome can even make me cryJust like before, it's yesterday once more(Shoobie-doo, lang, lang) [Outro]Every sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fineEvery sha-la-la-laEvery whoa, whoa-oh still shinesEvery shing-a-ling-a-lingThat they're starting to sing so fine...
$6.99
Khayaal, a lil fantasy
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Suraj Synthesist
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Khayaal, a lil fantasy
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Suraj Synthesist
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SheetMusicPlus
Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interac...
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Double Bass,Drum Set,Piano - Level 3 - Interactive Download SKU: A0.1470882 By Suraj Synthesist. By Music by .Suraj Dinakar Shetty. This edition: Interactive Download. Blues,Jazz,Rock,World. 32 pages. Duration 222. Suraj Synthesist #6CfkCDFWkiGuZ3cxOxFJYw. Published by Suraj Synthesist (A0.1470882). Key: F major.The instrumental song Khayaal, a lil Fantasy merges Khayaal, a style of Hindustani Classical Music, with synonymity of the word to Fantasy , a Western classical music style. It has a solo Electric Piano version & a band/trio combining Electric piano, Drums, and Contrabass. Though the fusion is not limited to Hindustani or Western Classical, as Carnatic Raagas for filler & BluesJazz/ Rock-n-Roll Bassline is also heard in the piece. This Book is the sheet music for same. Apart from spelled out notes of what is been played, It explains the musical decisions & directions that have gone in the Solo/ Band( Trio) version. The piece explains things like the use of the C half-diminished (2nd Octatonic diminished) scale, allowing exotic movements and exploring various genres. The piece draws inspiration from Indian ragas like Nasikabhushani Ramapriya and others. You will find notes of Crossrhythms, Polyrhythms, the change of time-Sginature, as well as Instrument specific techniques like the Glissando , or Holding a centre note of chord in an arpeggio and a Half-open HiHat, cross stick Snare drumming. You will find an explanation on some of the complex Drum fills used here , what was the crossrhythm, how to count them & how they were made to sound in the specific way.
$20.00
Pregón - Score Only
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Contemporain
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Antonio Gervasoni
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Pregón - Score Only
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Antonio Gervasoni
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.1088412 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 11 pages. Antonio...
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Small Ensemble - Level 2 - SKU: A0.1088412 Composed by Antonio Gervasoni. Classical,Contemporary,Multicultural,World. Score and parts. 11 pages. Antonio Gervasoni #692677. Published by Antonio Gervasoni (A0.1088412). Single-movement work for flute, clarinet, 2 violins and cello. “Pregón†is a Spanish word that refers to the cries of the street vendors, known as “pregonerosâ€, to announce their arrival. They toured the streets of Lima until the first half of the 20th century. Their cries used to be short songs that described the products they sold. There were pregoneros for all kinds of goods, from fruit to potatoes, to drinks of all types. One of the most remembered pregones is the one that advertised a type of sweet roll known as hot revolution, made of sugar, cloves and cinnamon. This piece is based on this tune, mixed with some Peruvian rhythms, like the Marinera and the Peruvian Waltz. In a broader sense, a pregón is an announcement, a proclamation of something good that is coming. Therefore, it seemed very appropriate to me in these times of global pandemic. I hope its light, dance-like character invites people to think of better times to come.
$1.99
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And They Were Gone