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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Vous avez sélectionné:
Another Day Going
Partitions à imprimer
33 partitions trouvées
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26
Another Day Going
Clarinette
Clarinet Solo - Level 3 - Digital Download SKU: A0.996871 Composed by Pétur SÅ
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Clarinet Solo - Level 3 - Digital Download SKU: A0.996871 Composed by Pétur Söebech Quinn. Broadway,Contemporary,Pop. Individual part. 3 pages. Petur Soebech Quinn #5347951. Published by Petur Soebech Quinn (A0.996871). Clarinet Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 3:55 - Performing Rights Organization, STEF Iceland.
$2.99
2.71 €
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Clarinette
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Pétur Söebech Quinn
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Another Day Going
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Petur Soebech Quinn
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SheetMusicPlus
Klezmer Dance # 3 for String Orchestra: "Holidays at Opatow (Apt):
Orchestre à Cordes
String Orchestra - Level 5 - Digital Download SKU: A0.950847 Composed by Moshe S. K…
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String Orchestra - Level 5 - Digital Download SKU: A0.950847 Composed by Moshe S. Knoll. Contemporary,Jewish. Score and parts. 43 pages. ArtsAhimsa #4351085. Published by ArtsAhimsa (A0.950847). This is another installement in the ongoing series of symphonic klezmer pieces by the author.In this composition, there are some places were Tonality is suspended, in favor of Modality.There is a Fugal passage, in which the different Modes are designated.The ending is dramatic, in the grand Russian tradition.
$20.00
18.15 €
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Orchestre à Cordes
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Moshe S
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Klezmer Dance # 3 for String Orchestra: "Holidays at Opatow
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ArtsAhimsa
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SheetMusicPlus
Festival
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
49.91 €
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Orchestre
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
THE FINAL WAVE for Violin & Piano
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU…
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 5 - Digital Download SKU: A0.1127398 Composed by ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Instructional,Multicultural,World. Score and parts. 26 pages. White Piano International Publishing #728022. Published by White Piano International Publishing (A0.1127398). THE FINAL WAVE for Violin & Piano Piano 22 pages / Violin 4 pages Approx. Time: 6:15 On Saturday afternoon, March 26, 2011, I was invited to a special meeting of Bay Area business people. Their purpose was wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that I compose a new song for the project that would let those afflicted in Japan know they would not be forgotten.I was so inspired by the dedication and volunteerism of all the people at the meeting that I went home and composed a new piece of music entitled: THERE IS HOPE THROUGH MUSIC. After a favorable response from the group, I began composing another piece for violin and piano entitled: THE FINAL WAVE. In this piece, I tried to paint the horror, destruction, uncertainty and sadness of the disaster while giving hope for a future for the people who witnessed this catastrophic event. Unfortunately, THE FINAL WAVE was never completed as planned back in 2011. However, eleven years later, I completed this memorable piano and violin duet. Even though it’s been many years since that terrible day of March 11, 2011, the music can still convey emotions of melancholy, discord, resilience and compassion for tragic and unforeseeable events of today. This timeless work is dedicated to remember and give hope to all those affected by disasters and catastrophic tragedies. This advanced level of music is clearly notated for piano and violin and can be an extraordinary supplemental selection for recitals and concerts. This musical recording of THE FINAL WAVE is an electronic representation available in the notation program. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$14.99
13.6 €
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Violon et Piano
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ROBERT VAN HORNE
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THE FINAL WAVE for Violin & Piano
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White Piano International Publishing
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SheetMusicPlus
Hymns from Childhood - Set 10 (solo)
Piano seul
Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. A…
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Vocal Solo,Voice - Level 1 - Digital Download SKU: A0.719770 Composed by Various. Arranged by Curtis Hanson. Sacred. 10 pages. Curtis Hanson #6069399. Published by Curtis Hanson (A0.719770). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (*See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The general concept of each medley is to present the hymn, often in its original chorale form, and then vary its harmony or texture. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. This collection of arrangements is also available for SATB voices and piano or piano solo.*A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This medley of hymns was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second hymn is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$5.99
5.44 €
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Piano seul
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Hymns from Childhood - Set 10 (SATB)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.719738 Composed by Various. Arranged by Curtis Hanson. Sacred. Octavo. 13 pages. Curtis Hanson #4573123. Published by Curtis Hanson (A0.719738). As years come and go, one increasingly recalls memories of earlier times. One of the most vivid and cherished memories I have while growing up is of Sunday mornings, going to church, sitting in the same pew each week with my grandmother, hearing and singing the beautiful hymns of our faith, and then returning home to the aroma of beef slowly roasting in the oven. My father directed the church choir, my mother and older brothers sang in the choir, so the wonderful music of our faith was instilled in me from an early age. This medley, and others in the series, are arrangements of many of my favorite hymns from those early years, many of which have been lost in more recent editions. For this series, I have mostly elected to use the older texts as that is the way they were first written and the way I first learned them. (See below for more comment on the texts in this set.) There is a reverence and beauty in the language enriching the vocal/choral tone which, I believe, is lost in contemporary, conversational, or politically correct syntax. I shudder to think of the day when a penitential phrase such as Hear thou my prayer, O Lord is rendered as Hey, God-dude, listen up - I'm talkin' atcha! I have also opted not to include the many wonderful hymns and carols which are associated with the major festivals of Christmas and Easter as those are commonly found in other collections. A caveat: I have no delusions, and I offer no pretenses, that these settings are great art. They are simply expressions of faith which I hope may bring a small measure of joy to other church musicians. The hymns in this set are Children of the Heavenly Father, Day by Day, Thy Holy Wings, and Beautiful Savior. A note on the texts in this set: Having grown up in a Swedish Lutheran church, the grandson of Swedish/Norwegian immigrants, and currently being choir director of another Swedish Lutheran church, these hymns have a special place for me. This set was originally arranged for my church choir with the first verse of each in Swedish. Being under copyright, permission was obtained to use the more familiar English translations of the first three songs for local use. For this edition, I have opted to create my own texts for the first and third hymns while the second is a translation in public domain. I have also provided a verse in English in lieu of the Swedish for those Nordically challenged. The fourth hymn is not a Swedish melody but for obvious reasons is a mainstay of the Lutheran hymnal. Like the other hymns, the first verse is in Swedish while the other traditional verses are also public domain.
$2.25
2.04 €
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Chorale SATB
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Various
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Curtis Hanson
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Hymns from Childhood - Set 10
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Curtis Hanson
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SheetMusicPlus
Christmas Makes Me Cry
Alto Saxophone,Double Bass,Drum Set,Glockenspiel,Piano - Level 3 - Digital Download SKU…
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Alto Saxophone,Double Bass,Drum Set,Glockenspiel,Piano - Level 3 - Digital Download SKU: A0.1301785 By Kacey Musgraves. By Brandy Clark, Kacey Musgraves, and Shane Mc Anally. Arranged by Scores by Ken. Christmas,Contemporary,Holiday. 21 pages. Scores by Ken #891377. Published by Scores by Ken (A0.1301785). Christmas Makes Me Cry | Kacey Musgraves About the PieceI cried when we wrote it, and I cried signing it, Musgraves said. Think about it. The day after Christmas is one of the saddest days of the year, she added. All the paper is on the floor, your family is going home. It's kind of like this big moment has dropped and then it's just cold winter until New Year's. About the ComposerFrom the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$24.99
22.68 €
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Kacey Musgraves
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Scores by Ken
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Christmas Makes Me Cry
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Scores by Ken
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SheetMusicPlus
THERE IS HOPE THROUGH MUSIC for Piano & Cello
2 Violoncelles (duo)
Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VA…
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Cello Duet Cello - Level 4 - Digital Download SKU: A0.1074344 Composed by ROBERT VAN HORNE. Arranged by ROBERT VAN HORNE. Classical,Historic,Instructional,Multicultural,New Age,World. Score. 13 pages. White Piano International Publishing #678631. Published by White Piano International Publishing (A0.1074344). THERE IS HOPE THROUGH MUSICFor Piano & Celloby ROBERT VAN HORNEPiano 10 pages / Cello 3 pagesApprox. Time: 5:10 On Saturday afternoon, March 26, 2011, Robert Van Horne, pianist and composer was invited to a special meeting of Bay Area business people. Their purpose - wanting to help the victims of the recent earthquake and tsunami that devastated parts of Japan on March 11th. The meeting was organized by Mr. Alex Kurosawa, president of KPMF and held in San Jose, CA. At the end of the meeting and after much discussion about holding a series of concerts with all funds going to the disaster victims, it was suggested that Robert compose a new song for the project that would let those afflicted in Japan, know they would not be forgotten. I was so inspired by the dedication and volunteerism of all the people at the meeting, Robert says, that I went home and composed a new piece of music with the title: THERE IS HOPE THROUGH MUSIC. A video of the first recorded vocal version was sent to Alex Kurosawa on Friday, April 8, 2011. https://www.youtube.com/watch?v=hrefmPk3lKE A choral arrangement premiered on December 10, 2011 in Sunnyvale, CA at a Benefit Concert for Japan Earthquake and Tsunami Relief: http://www.youtube.com/watch?v=B_oR23kPE0Q Mr. Shigeo Tachibana recorded a very special shakuhachi version: https://www.youtube.com/watch?v=BFcQfEzKCTk In addition, another unique performance by TMAP was presented with shakuhachi, koto, soprano and piano at the Zenkei Temple on April 1, 2012 in Japan: http://www.youtube.com/watch?v=-9ILnn8-EUk The music has been arranged for Piano/Vocal, Mixed Chorus: http://www.youtube.com/watch?v=-9ILnn8-EUk This cello and piano arrangement was featured on October 15, 2011 at the First Congregational Church of Berkeley by cellist Oleg Sendetsky and pianist Mutsuko Dohi and presented by the Kurosawa Piano Music Foundation. The music is dedicated to give hope to all those affected by the March 11, 2011. It is an emotionally sounding work of music. Robert Van Horne is a long standing member of ASCAP. Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com.
$11.99
10.88 €
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2 Violoncelles (duo)
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ROBERT VAN HORNE
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ROBERT VAN HORNE
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THERE IS HOPE THROUGH MUSIC for Piano & Cello
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White Piano International Publishing
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.62 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Letter to Lydia for alto voice, flute, cello and guitar (or just alto and guitar)
Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973…
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Small Ensemble Cello,Flute,Guitar,Voice - Level 3 - Digital Download SKU: A0.576973 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 15 pages. David Warin Solomons #553513. Published by David Warin Solomons (A0.576973). The poet, David Andrew, is writing as he considers the future his daughter will make for herself. The sound sample is a live vocal performance against electronic versions of the instruments The pdf file contains score and parts. The song can also be performed without the flute and cello. You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.08 €
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David Warin Solomons
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Letter to Lydia for alto voice, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for cor anglais, flute, cello and guitar
Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - Digital Download SKU: A0.576…
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Small Ensemble Cello,English Horn,Flute,Guitar - Level 2 - Digital Download SKU: A0.576975 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553517. Published by David Warin Solomons (A0.576975). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.08 €
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David Warin Solomons
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Letter to Lydia for cor anglais, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for viola, flute, cello and guitar
Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - Digital Download SKU: A0.576976…
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Small Ensemble Cello,Flute,Guitar,Viola - Level 2 - Digital Download SKU: A0.576976 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553519. Published by David Warin Solomons (A0.576976). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.08 €
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David Warin Solomons
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Letter to Lydia for viola, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Letter to Lydia for clarinet, flute, cello and guitar
Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - Digital Download SKU: A0.576974
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Small Ensemble Cello,Clarinet,Flute,Guitar - Level 2 - Digital Download SKU: A0.576974 Composed by David Warin Solomons. 20th Century,Contemporary,Folk. Score and parts. 16 pages. David Warin Solomons #553515. Published by David Warin Solomons (A0.576974). Instrumental version of my song based on a poem by David Andrew The sound sample is an electronic preview The pdf file contains score and parts The poem is as follows: You have your own dreaming, I cannot follow where another mind sums up the quiet arithmetic of the day. Growing there, where none can reach you, making of the going days the stuff of yourself. I can only watch, remembering in you the art of empty tomorrows, written all over with impulse. Nor can I tell how many times you will fall; only be there to help you survive your desires. Oh I will spend with you ev'ry wish as you go the long way through sorrow for you can only find for yourself how the magic arithmetic suddenly adds up. Now time will come for you soon enough ; the day wake in your eyes. So sleep as long as you can, gathering there the necessary and private ways of enduring. .
$10.00
9.08 €
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David Warin Solomons
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Letter to Lydia for clarinet, flute, cello and guitar
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David Warin Solomons
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SheetMusicPlus
Lembranças do Brasil (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158292 Compo…
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Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages. Https://gildedmusicpress.com/ #758480. Published by https://gildedmusicpress.com/ (A0.1158292). Commentary written by the composer, Dr. Daniel N. Thrower: In July 2018 I spent nine days in Barra Mansa, Brazil, which lies a couple hours west of Rio de Janeiro. The occasion of my visit was the second annual International Music Festival. The festival coordinator, Vantoil de Sousa, Jr. brought me there to be the resident trumpet professor for the week, and to premiere my three-movement Concerto for Trumpet and Orchestra at the Closing Concert. As I speak Portuguese somewhat fluently, many of the 20 trumpet students of all levels became great friends. Throughout the week I kept mentioning that my next composition was going to be “Lembranças do Brasil†as yet another musical journal entry in my life’s soundtrack. Truly, I had a lifetime of extraordinary experiences in Brazil during that week, from the outstanding food to my humorous self-introduction to capivaras! Overall, that week was supremely memorable and definitely a highlight of my life. One morning in early November 2018, a 'feel-good' cool melody woke me up and wouldn’t leave. It developed in my mind and I was in a spectacular mood all day long. It felt like Bobby McFarrin’s 'Don’t Worry, Be Happy' or Pharrell Williams’ 'Happy,' though in a vastly different style from either. This was my happy song. Long hours flowed quickly through the next few days as I worked out the form and details of the music, which screamed for the promised title 'Lembranças do Brasil'! Happy memories of my beautiful week in Brazil, some of which are captured on the front cover collage, now have the perfect soundtrack in my musical journal. This version was tweaked from the original five flugelhorns, and lends itself very well (perhaps even better) in the brass quintet setting.
$24.95
22.64 €
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Dr
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Lembranças do Brasil
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https://gildedmusicpress.com/
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SheetMusicPlus
Rosary Sonatas: The Resurrection
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081705 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Easter,Sacred. Score and parts. 151 pages. JMJ Arrangements #685830. Published by JMJ Arrangements (A0.1081705). [W]hen the sabbath was past, Mary Magdalene, and Mary the mother of James, and Salome, bought spices, so that they might go and anoint him. And very early on the first day of the week they went to the tomb when the sun had risen. And they were saying to one another, 'Who will roll away the stone for us from the door of the tomb?' And looking up, they saw that the stone was rolled back; for it was very large. And entering the tomb, they saw a young man sitting on the right side, dressed in a white robe; and they were amazed. And he said to them, 'Do not be amazed; you seek Jesus of Nazareth, who was crucified. He has risen, he is not here; see the place where they laid him. But go, tell his disciples and Peter that he is going before you to Galilee; there you will see him, as he told you.' And they went out and fled from the tomb; for trembling and astonishment had come upon them; and they said nothing to any one, for they were afraid. Now when [Christ] rose early on the first day of the week, he appeared first to Mary Magdalene, from whom he had cast out seven demons. She went out and told those who had been with him, as they mourned and wept. But when they heard that he was alive and had been seen by her, they would not believe it. --Mark 16:1-11 (RSV-CE).
$39.99
36.29 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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for it was very large
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Rosary Sonatas: The Resurrection
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JMJ Arrangements
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SheetMusicPlus
Volcán
Jazz combo
Jazz Combo - Level 4 - Digital Download SKU: A0.970739 Composed by Eduardo Arolas. …
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Jazz Combo - Level 4 - Digital Download SKU: A0.970739 Composed by Eduardo Arolas. Arranged by Mike Strand. Concert,Jazz,Latin,World. Score and parts. 3 pages. Michael M. Strand #4895835. Published by Michael M. Strand (A0.970739). Arranged by Mike Strand, ASCAPâ??This is a lead sheet for a jazz or Latin combo or ensemble. It may serve as the basis for a variety of arrangements, improvisations, or contrafacts.The audio sample is a jazz bossa nova iReal Pro accompaniment, combined with the lead sheet melody in Finale PrintMusic. In this arrangement, you will hear acoustic guitar and violin, often heard in tango ensembles in the early 20th century. This bossa nova is inspired by Eduardo Arolasâ??s never-published tango, Volcán (Volcano). At least itâ??s never been published according to the todotango.com web site. Eduardo Arolas is a famous tango composer who is well documented on that web site. Also on that web site, you can listen to Osvaldo Requenaâ??s piano performance of Volcán from Arolasâ??s original piano sheets (written circa 1917). Years ago, I developed and wrote a tango quintet arrangement of Volcán by listening carefully to Requenaâ??s recorded piano performance on the web site. My quintet arrangement, in turn, was my source for writing this bossa nova arrangement. So, now Volcán has finally been published, but as a bossa nova! Wherever Señor Arolas may be, I hope he understands. In this bossa nova arrangement, I believe I've preserved the spirit of Arolas's original tango.Without knowing exactly what was in Eduardo Arolas's mind when he wrote the original tango, this is my personal idea of the message behind the music:Introduction: Let me tell you a story about a volcano that happened long ago.Part A (bars 5-20): It's a sad tale about human helplessness and suffering in the face of natural catastrophe.Part B (bars 21-36): The people living in a town below a volcanic peak were going about business, leisure, and play, experiencing the ordinary cares and pleasures of life.Part C (bars 41-52): One day, without warning, the volcano erupted, with smoke, falling hot rocks and ash, and hot lava flows. Some folks got away, but others were killed, buried or injured, and all that was left of the town was devastation, suffering, and, eventually, calm.Part A' (bars 53-end): A sad tale, but may we learn from it, and may the souls of the poor victims rest in peace.If you listen to and read the lyrics of Arolas's great tango, La Cachila, or listen to another superb tango of his, El Marne, you will witness further his talent and skill in composing dramatic music. My piano arrangement of La Cachila is for sale on this web site.
$2.50
2.27 €
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Jazz combo
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Eduardo Arolas
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Mike Strand
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Volcán
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Michael M. Strand
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SheetMusicPlus
We'll Meet Again
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.791041 Composed by Hughie Charl…
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Brass Ensemble - Level 3 - Digital Download SKU: A0.791041 Composed by Hughie Charles and Ross Parker. Arranged by Kevin P Holdgate. Opera. Score and parts. 20 pages. Kevin P Holdgate #4966981. Published by Kevin P Holdgate (A0.791041). Versatile Brass Old Time CollectionThis is another arrangement from the concert I was asked to put together a few years ago to commemorate WW1 . I was asked to arrange a selection of music that was heard during the conflict, and to supplement that with songs from between the wars and from WW2... I arranged quite a few...Suitable for those summer small group jobs that are becoming ever more popular in the UK, particularly for lower section and non-competing bandsWe'll Meet Again is a 1939 British song made famous by singer Vera Lynn with music and lyrics composed and written by English songwriters Ross Parker and Hughie Charles. The song is one of the most famous of the Second World War era, and resonated with soldiers going off to fight as well as their families and sweethearts.The song gave its name to the 1943 musical film We'll Meet Again in which Dame Vera Lynn played the lead role. Lynn's recording is featured in the final scene of Stanley Kubrick's 1964 film Dr. Strangelove, and was also used in the closing scenes of the 1986 BBC television serial The Singing Detective. British director John Schlesinger used the song in his 1979 World War II film, Yanks, which is about British citizens and American soldiers during the military buildup in the UK as the Allies prepared for the D-Day Invasion.The obligato euphonium part can be omitted if required. The vocal line is also on the 1st Cornet line so this could be played as a standalone item.
$19.99
18.14 €
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Ensemble de cuivres
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Hughie Charles and Ross Parker
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Kevin P Holdgate
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We'll Meet Again
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Kevin P Holdgate
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SheetMusicPlus
4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim…
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Brass Ensemble Trombone - Level 5 - Digital Download SKU: A0.811134 Composed by Jim Pugh. 20th Century,Contemporary,Jazz. Score and parts. 43 pages. Gordon Cherry #5337657. Published by Gordon Cherry (A0.811134). Jim Pugh's 4 x 2 x 1 is written for Bass Trombone solo with a double Trombone Quartet accompaniment. It is appropriate for advanced performers and is about 8 1/2 minutes in length. Here is what Jim Pugh says about his composition 4 x 2 x 1: Dave Taylor and I have had a long musical association going back to my first recording sessions with him in New York in 1976 and continuing for 30+ years, including, among many things, two Pugh/Taylor Project recordings. When Dave was putting together the 1999 Manhattan School of Music Trombone Day, he asked me to write a piece featuring him along with his invited guest artists, the Four Of A Kind Trombone Quartet and the Vienna Trombone Quartet – hence the title: 4 (quartet) x 2 (two of them) x 1 (1 soloist). I enjoyed the opportunity to feature not only the bass trombone but, at times, the bass trombone trio that the orchestration provides. The piece is loosely in Rondo form. After an initial statement of the Theme, there follows three unrelated Vignettes separated by variations on the original Theme. A brief GP introduces an improvisation from the bass trombone soloist leading to the final statement of the Theme. The score reflects the correct positioning of the players, left to right, with the two quartet bass trombones on either end of the group and the two first tenor players in the middle, flanking the bass trombone soloist. A little aside here, the tenor trombone solo beginning in measure 77 was specifically written for another dear friend, colleague and collaborator, Joe Alessi. It was a great thrill and honor to have been asked to write music for not only Dave but also two of the best trombone quartets in existence at that time, knowing that anything I wrote would be so beautifully performed. This piece was recorded on the Signum Records CD: The Graham Ashton Brass Ensemble Plays The Music of James Pugh and Daniel Schnyder.
$35.00
31.76 €
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Jim Pugh
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4 x 2 x 1 Bass Trombone Solo with Double Trombone Quartet
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Gordon Cherry
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SheetMusicPlus
Summer Sunset
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.973001 Composed by Steve Martin, R…
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Solo Guitar - Level 4 - Digital Download SKU: A0.973001 Composed by Steve Martin, Rainy Night Music. 20th Century,Contemporary,Standards. Individual part. 2 pages. Steve Martin, Rainy Night Music #6436875. Published by Steve Martin, Rainy Night Music (A0.973001). This piece is evocative of those really chilled summer nights when the sun is going down, and you're reflecting on the day. It's composed specifically for classical guitar with a standard EADGBE tuning. The piece is approximately Grade 5 to 6 in standard (ABRSM), with plenty of barré and half-barré passages providing the technical challenge. As a gentle piece, it would work particularly well paired with Holly's Lullaby, another of my classical guitar compositions. Thank you for your interest in my music, and I hope you enjoy playing it - especially on those balmy summer evenings! .
$3.99
3.62 €
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Guitare
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Steve Martin, Rainy Night Music
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Summer Sunset
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Steve Martin, Rainy Night Music
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SheetMusicPlus
Obelisk: A Tribute to Ukraine
B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - Digital Download SKU: A…
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B-Flat Clarinet,Cello,Flute,Percussion,Piano,Violin - Level 5 - Digital Download SKU: A0.1283414 Composed by Eugene Astapov. 21st Century,Chamber,Contemporary. 49 pages. EAMUSIC #874599. Published by EAMUSIC (A0.1283414). Obelisk is a work that was built as a response to the atrocious events happening in the war between Russia and Ukraine. As a composer who was born in Ukraine, I felt very deeply for the hardships of the people of my country and this work is a direct emotional response to the images I see and stories I hear. The central part of the work features pre-recorded interviews with some of the Ukrainian civilians telling their harrowing stories of loss, struggles, and fight for survival.  When I was a child, my parents made the difficult decision to leave the country due to the beginning of another war Russia’s Putin started in Chechnya and my parents knew - one day he would be coming for Ukraine. As someone who immigrated to Canada at a young age, I experienced all the difficulties associated with finding new life in a new country. I saw the struggles of my parents and now I see the struggles being experienced by people fleeing Ukraine.  Throughout the work you will hear the sonic accompaniment to the pain and suffering that Ukrainians undergo on daily basis, you will hear their voices and see images of the brutality committed against the people of Ukraine. This is a heavy work to experience, but as an artist I feel it is only appropriate to raise awareness around the issue and show the people the horrors going on in the world.    The title of the work was inspired by the famous monument erected in 2001 to mark the occasion of the 10thanniversary of Ukraine’s Independence from the Soviet Union. At that point it appropriately replaced the monument of Vladimir Lenin. Towering on top of Kyiv’s Independence Square (famously known as Maidan) at 200 feet, this obelisk celebrates the nature of the Ukrainian independent spirit and directly reflects my ideas through this musical composition with the hope that the powerful Ukrainian nation will prevail over its enemy once again.  This PDF includes Score and Parts.
$50.00
45.38 €
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Eugene Astapov
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Obelisk: A Tribute to Ukraine
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EAMUSIC
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SheetMusicPlus
Guthrie: Elegy for Lili
Orgue
Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21…
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Organ - Level 3 - Digital Download SKU: A0.1307164 Composed by James M. Guthrie. 21st Century,Chamber,Contemporary,Contest,Festival,Historic. Score. 3 pages. Jmsgu3 #896418. Published by jmsgu3 (A0.1307164). Lili of St. Luke'sbyFran OlsenIn 1990, a small black and white spotted dog, who had been found wandering, abused and sick in Surry County, Virginia, was scheduled to be put down by the Surry SPCA as unadoptable. Â Three placements had failed because the young female was too afraid of the people. Â Her last chance was Richard Lee Austin, curator of Historic St. Luke's Church in Smithfield, Virginia. Â Austin had reluctantly agreed to look at the small spoodle. Â He had just lost a beloved Pekingese of 18 years and did not want to go through the pain of another loss. Â Lili, however, immediately seemed to know that this was her person, came directly to him and won his heart. Â It was a mutual love affair.Lili went eagerly to work with Dick at the Gift Shop of Historic St. Luke's Church in Smithfield, Virginia, for the next 11 years. Â She was gracious and never intrusive with the visitors. Â Small children were able to approach Lili without fear. Â She seemed to understand that she needed to be quite still with them.In 2000, Lili became the star of her own book, Lili of St. Luke's: Â The Blessing of the Animals. Â Written by Fran Olsen, a volunteer at the church, and illustrated by Buttons Boggs, the charming book tells the story of Lili's desire to go to church. Â The animals in the church yard scoff at her. Â She finally succeeds in going to church for the annual Blessing of the Animals service which commemorates the Feast Day of St. Francis of Assisi. Â Since the book was published many children have come to the church to have their picture taken with Lili.Mrs. Olsen, who is also the publisher, has donated a dollar from the sale of each book to be shared with Historic St. Luke's Church and three area humane societies with which Lili has been associated. Â Contributions in the first six months of publication were $1200.Lili died on June 7, 2001, from cancer. Â A week before she died, she made a personal appearance at a local elementary school. Â As always, she was gracious and gentle, even though later it was apparent that she was deathly ill. Â A bronze statute is planned to honor the gentle spoodle and will be placed at the church so children can continue to have their picture taken with her. Â This elegy was commissioned for performance at the annual Blessing service.
$32.95
29.9 €
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Orgue
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James M
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Guthrie: Elegy for Lili
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jmsgu3
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SheetMusicPlus
You Found Me
Instruments en Do
C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slad…
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C Instrument - Level 2 - Digital Download SKU: A0.842476 By The Fray. By Isaac Slade and Joseph King. Arranged by Ben Clapton. Rock. Lead Sheet / Fake Book. 3 pages. Ben Clapton #4597303. Published by Ben Clapton (A0.842476). You Found Me was released by American rock band The Fray in 2008. It was their third single to sell 2 million downloads in the US, and marked The Fray's first number one hit in Australia.This is a lead sheet for the song, which has the melody and lyrics, and guitar chords. The song is written in B, and it has capo chords at capo 4 to utilise open chords.From Wikipedia:In an interview, lead singer and pianist Isaac Slade expressed his meaning behind the lyrics of the song:'You Found Me' is such a great song you should really listen to it. I love it as if it were my own child. The heart ache, the let down that comes with life. Sometimes you're let down, sometimes you're the one who lets someone else down. It gets hard to know who you can trust, who you can count on. This song came out of a tough time, and I'm still right in the thick of it. There's some difficult circumstances my family and friends have been going through over the past year or so and it can be overwhelming. It wears on me. It demands so much of my faith to keep believing, keep hoping in the unseen. Sometimes the tunnel has a light at the end, but usually they just look black as night. This song is about that feeling, and the hope that I still have, buried deep in my chest.In another interview Isaac Slade declared that:I kept getting these phone calls from home – tragedy after tragedy... If there is some kind of Person in charge of this planet – are they sleeping? Smoking? Where are they? I just imagined running into God standing on a street corner like Bruce Springsteen, smoking a cigarette, and I'd have it out with Him.In a Reuters article about the album, Slade stated that the lyrics for You Found Me were written in 2007, and that the song asks about the problem of evil, why bad things happen to good people, after some of their friends and family went through very tough times.Many others say that the song represents the reason we cope with things and how abandonment plays a role in everyday life.
$4.99
4.53 €
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Instruments en Do
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The Fray
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Ben Clapton
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You Found Me
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Ben Clapton
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SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
20.86 €
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Orchestre d'harmonie
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Megalovania
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Do…
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.1147103 Composed by Toby Fox. Arranged by James Smith. Rock,Video Game. 26 pages. James Smith #747306. Published by James Smith (A0.1147103). Do you wanna have a bad time? 'Cause if you take another step forward. . . You are REALLY not going to like what happens next. From the video game Undertale. Woodwind quintet arrangements of other music from Undertale (Bonetrousle, Spear of Justice, and Reunited) are also available. Looking for a holiday selection? Get The Twelve Songs of Christmas (A Wacky Christmas Medley) for woodwind quintet here.View other selections in my catalog at linktr.ee/jamessmithmusic.
$15.99
14.51 €
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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Toby Fox
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James Smith
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Megalovania
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James Smith
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SheetMusicPlus
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