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Another First Time
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Alexander’s Ragtime Band
Ensemble de cuivres
Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berli…
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Brass Ensemble - Level 4 - Digital Download SKU: A0.808684 Composed by Irving Berlin (1888–1989). Arranged by F. Leslie Smith. Holiday,Jazz,Patriotic. Score and parts. 42 pages. Sweetwater Brass Press #3582931. Published by Sweetwater Brass Press (A0.808684). Irving Berlin’s composition Alexander’s Ragtime Band was not only his first hit, it was also one of the most popular songs ever. It first gained widespread recognition when Emma Carus sang it in Chicago in 1911, and then it really took off when Al Jolson performed it in New York. It’s no wonder the popularity of Alexander’s has been so long-lived. Both words and music are absolutely bouncy and upbeat. The lyrics proclaim the Ragtime Band to be the best . . . in the land and invite the listener to come on and hear the group, even to meet its leader! The tune is energetic and lively, a salute to the toe-tapping Dixieland style that even then was developing in New Orleans.  This arrangement takes the natural exuberance of the melody and raises it a couple of notches. Wide open and sprightly, it features the trombone, but also gives each of the other parts a chance to shine, too. In addition to several iterations of the well-known chorus, it also includes the seldom-heard verse and even throws in a few true ragtime licks, quotes from Scott Joplin and Percy Wenrich. The tempo is a bouncy, cut-time 76, with some fairly tricky rhythms and one ritardando near the middle. Trumpet 1 plays a couple of notes above its staff, one A and one B. Trombone plays F above its staff several times and one brief G. Tuba’s lowest note is F below the staff. This arrangement was completed in 2018, and performance time runs about 4 minutes, 33 seconds. The arranger, Les Smith, would be very interested in your comments; contact him at lessmith@ufl.edu or leave a review on the SheetMusicPlus website. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$9.95
9.08 €
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Ensemble de cuivres
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Irving Berlin
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F
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contact him at lessmith@ufl
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Alexander’s Ragtime Band
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Sweetwater Brass Press
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SheetMusicPlus
Do That To Me One More Time
Flûte et Guitare
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.7…
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.797812 By Captain & Tennille. By Toni Tennille. Arranged by Derek Hasted. Pop,Rock. Score and parts. 11 pages. Derek Hasted #6305233. Published by Derek Hasted (A0.797812). DO THAT TO ME ONE MORE TIME - FLUTE and GUITAR DUETFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This fantastic melody deserves more fame than it gets, though when it first came out it was Captain and Tennille’s second No 1 hit on the Billboard Hot 100 chart.My arrangement captures the three verses that feature in this piece, and also the instrumental break (originally on the lyricon), which has most of the ornamentation, except for the big bends that the lyricon can do electronically. This arrangement is set in the same keys as the original, and modulates from C to G (for the instrumental) and then to D.The accompaniment fits nicely on guitar, and it’s ideal for an intermediate duo. The guitar seldom comes out of first position and uses familiar chord shapes. The flute part has a top G, but it can easily be replaced by another top E if the G is not rock solid. By the same token, some of the repeated notes can be replaced by a sustained note if you feel that makes for a more relaxed articulation.This is one of those pieces that a concert audience will be humming all the way home...I hope you enjoy playing this piece!
$4.99
4.55 €
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Flûte et Guitare
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Captain & Tennille
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Derek Hasted
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Do That To Me One More Time
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Derek Hasted
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SheetMusicPlus
The Sundials: III; Tempus Fugit Velut Umbra (Time flees like a shadow)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004151 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 9 pages. Matthew Scott Phillips #3510887. Published by Matthew Scott Phillips (A0.1004151). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: III; Tempus Fugit Velut Umbra
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Matthew Scott Phillips
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SheetMusicPlus
The Sundials: I;Tempus Edax Rerum (Time devours things)
Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew S…
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Piano Trio,String Ensemble - Digital Download SKU: A0.1004148 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 16 pages. Matthew Scott Phillips #3510879. Published by Matthew Scott Phillips (A0.1004148). Throughout the centuries, sundials (a flat plate that marks the time of the day by the shadow of a gnomon which is cast onto it) have been used by civilizations to tell time. Unlike modern clocks and digital watches, in which every single second has its own momentary significance, telling time by sundial is more evolutionary. The seconds, and hours, melt into one another. It is perhaps for this reason that sundials have often been conceived not only as practical time pieces, but as works of art, metaphors, and creations that are inherent expressions of the personality of their creators. Etched in many sundials across the world, in Latin, English, German, and other languages are often found mottoes that reflect the thoughts of the sundial's creator. These mottoes can be fatalistic, humorous, transient, morbid, or serene, and almost always involve the subjects of time, the passing of the hours, life and its brevity, or metaphors involving shadows. Many times these mottoes feature some witticism, such as I only count the sunny hours (since a shadow must be present for a sundial to function). Other times, they can be revealingly existential (We are but shadow), and other times offer advice (Use the hours, don't count them).It is these statements of philosophy, etched in sundials throughout the centuries, that most interests me. I am currently composing a set of movements for piano trio (Piano, Violin, Cello) dedicated to the mottoes found on sundials, and their significance to me. The first movement, subtitled Tempus Edax Rerum (Time devours things) is expansive and attempts a feeling of eternity, into which all seemingly fast moving workings of human beings are inevitably subsumed. For the second movement I am considering the phrase Pereunt et Imputantur (They pass and are counted referring to the hours of the day), and its implication of the way in which time can slip away, whether we observe it or not.
$2.00
1.83 €
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Matthew Scott Phillips
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The Sundials: I;Tempus Edax Rerum
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Matthew Scott Phillips
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SheetMusicPlus
Scott Joplin The Ragtime Dance, - concert band by Paul Wehage - score only
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.533123 Composed by Scott Joplin. …
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Concert Band - Level 3 - Digital Download SKU: A0.533123 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 19 pages. Musik Fabrik Music Publishing #1750493. Published by Musik Fabrik Music Publishing (A0.533123). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score. The score plus the complete parts is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$14.95
13.64 €
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Orchestre d'harmonie
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Scott Joplin
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Paul Wehage
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Scott Joplin The Ragtime Dance, - concert band by Paul Wehage - score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Scott Joplin: The Ragtime Dance, - concert band by Paul Wehage, score and complete parts
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.533124 Composed by Scott Joplin. …
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Concert Band - Level 3 - Digital Download SKU: A0.533124 Composed by Scott Joplin. Arranged by Paul Wehage. 20th Century,Instructional,Ragtime. Score and parts. 86 pages. Musik Fabrik Music Publishing #1750495. Published by Musik Fabrik Music Publishing (A0.533124). “The Ragtime Dance†was first performed in Sedalia, Missouri in 1899 as a “folk ballet†set to ragtime music. The narrator describes a “dark town†ball which ends with a cakewalk. Tis version includes choreography for four couples. The piece was then published in this version in 1902. In 1906, a shorter version for piano solo was published, which uses fewer thems and omits the narration. This version uses the original 1902 version as a basis. This is the full score and complete parts. The full score by itself is available as another item. The individual parts are available as well. The work may be performed as a concert band number, or the orchestration may be used to perform the original ballet. The “stoptime†effects at the end of the piece are especially effective in the version with dancers. Instrumentation : Piccolo Flute I and II Oboe I and II Bassoon 1 and II Bb clarinet I, II and III Bass Clarinet Alto Saxophone I and II Tenor Saxophone Baritone Saxophone Bb Trumpet I and II F Horn I and II Trombone Baritone Tuba Percussion 1: snare drum Percussion II: bass drum, triangle.
$69.95
63.84 €
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Orchestre d'harmonie
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Scott Joplin
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Paul Wehage
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Scott Joplin: The Ragtime Dance, - concert band by Paul Wehage, score and complete parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.12 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Thou Hast Learned To Love Another. Ballad
Piano, Voix
Piano and voice - Digital Download SKU: LV.11991 Composed by Charles Slades. Music …
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Piano and voice - Digital Download SKU: LV.11991 Composed by Charles Slades. Music stores, Commercial buildings, Stores & shops, City & town life, Music publishing industry, Dogs, Carriages & coaches, Unrequited love, Sadness. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.11991). Thou Hast Learned To Love Another. Ballad. Arranged for the Piano Forte. Composed by Charles Slades. Published 1849 by Oliver Ditson & Co., 277 Washington St. in Boston. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Music stores, Commercial buildings, Stores & shops, City & town life, Music publishing industry, Dogs, Carriages & coaches, Unrequited love, Sadness. First line reads Thou hast learned to love another, thou hast broken ev'ry vow.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voix
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Charles Slades
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Thou Hast Learned To Love Another. Ballad
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Thou Art Another's
Piano, Voix
Piano and voice - Digital Download SKU: LV.17291 Composed by Edward Allan. Arranged…
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Piano and voice - Digital Download SKU: LV.17291 Composed by Edward Allan. Arranged by Edward Allan. Courtship & love, Good-byes. Lester S. Levy Collection. 2 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17291). Thou Art Another's. Written by W.H. Carpenter. Composed & Arranged for the Piano Forte by Edward Allan. Published 1839 by F.D. Benteen, sucr. to J. Cole in Baltimore. Composition of strophic with piano and voice instrumentation. Subject headings for this piece include Courtship & love, Good-byes. First line reads Farewell! thou art another's I dare not see thee now.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voix
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Edward Allan
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Edward Allan
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Thou Art Another's
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
The First Nowell
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.983262 Composed by English…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.983262 Composed by English traditional (Sandy's, 1833). Arranged by Pierre Massie. Christmas,Contemporary,Sacred. Octavo. 6 pages. Pierre Massie #2857553. Published by Pierre Massie (A0.983262). After years of singing traditional versions of The First Nowell, I felt it was a good time for a change. This arrangement has everything a choral director could want; lower voices singing a verse, upper voices singing another and a finale that ends with two choirs and a great descant. Have a listen and enjoy. You'll get a standing ovation every time with this one. Visit my choir's YouTube channel for videos of this and some other of my works: https://www.youtube.com/user/StairwellCarollers Contact info@Stairwellcarollers.com
$3.00
2.74 €
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Chorale SATB
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English traditional
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Pierre Massie
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The First Nowell
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Pierre Massie
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SheetMusicPlus
Another First Time
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1015133 Composed by Jennifer At…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015133 Composed by Jennifer Athena Galatis. Contemporary. Score and parts. 30 pages. StyloRouge #6430439. Published by StyloRouge (A0.1015133). Emotional Cinematic Music for Full Orchestra. Composer Jennifer Athena Galatis.
$9.99
9.12 €
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Orchestre
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Jennifer Athena Galatis
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Another First Time
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StyloRouge
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SheetMusicPlus
Another 4th of July. The Wedding-Day is Coming. Song and March
Piano, guitar, and voice - Digital Download SKU: LV.13953 Composed by Herman Fluege…
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Piano, guitar, and voice - Digital Download SKU: LV.13953 Composed by Herman Fluegel. Eagles, Clouds, Patriotism, Warfare, Liberty. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.13953). Another 4th of July. The Wedding-Day is Coming. Song and March. by Herman Fluegel in the U.S.A. Hospital Service. Published 1861 by Herman Fluegel in Evansville, Ind. Composition of In two parts, each part strophic, each part with different tune; alternating song and march with piano, guitar, and voice instrumentation. Subject headings for this piece include Eagles, Clouds, Patriotism, Warfare, Liberty. First line reads Oh my Dear your eyes look red was it weeping made them red?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Herman Fluegel
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Another 4th of July. The Wedding-Day is Coming. Song and March
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
When You See Another Sweetie Hanging Around
Piano, Voix
Piano and voice - Digital Download SKU: LV.8831 Composed by Walter Donaldson. Coupl…
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Piano and voice - Digital Download SKU: LV.8831 Composed by Walter Donaldson. Couples, Kissing, Bouquets, Roses, Silhouettes, Courtship, Love. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8831). When You See Another Sweetie Hanging Around. Words by Sam M. Lewis. Music by Walter Donaldson. Published 1919 by Waterson, Berlin & Snyder Co., Music Publishers, Strand Theatre Bldg., Broadway at 47th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Couples, Kissing, Bouquets, Roses, Silhouettes, Courtship, Love. First line reads You wanted to see my cry, the day that you said goodbye.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voix
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Walter Donaldson
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When You See Another Sweetie Hanging Around
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Willie's Got Another Girl Now
Piano, Voix
Piano and voice - Digital Download SKU: LV.7687 Composed by W.T. Francis & Jerome D…
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Piano and voice - Digital Download SKU: LV.7687 Composed by W.T. Francis & Jerome D. Kern. Portraits, Clothing & dress, Feathers, Courtship, Families. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7687). Willie's Got Another Girl Now. Music by W.T. Francis and Jerome D. Kern. Published 1907 by T.B. Harms Co., 1431 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Clothing & dress, Feathers, Courtship, Families. First line reads Lots of girls that I know, they've had love affairs.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voix
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W
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Willie's Got Another Girl Now
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Another Rag. Esrom & Morse's Sensation Rag
Piano, Voix
Piano and voice - Digital Download SKU: LV.7550 Composed by Theodore Morse. Portrai…
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Piano and voice - Digital Download SKU: LV.7550 Composed by Theodore Morse. Portraits, Fads, Dancing. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.7550). Another Rag. Esrom & Morse's Sensation Rag. Words by D.A. Esrom. Music by Theodore Morse. Published 1911 by Theodore Morse Music Co., 1367-9 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fads, Dancing. First line reads What's that tune I'm hearing ev'rywhere?.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
5.47 €
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Piano, Voix
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Theodore Morse
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Another Rag. Esrom & Morse's Sensation Rag
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent (Downloadable)
Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E…
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Soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8849-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8849-E. Published by E. C. Schirmer Music Company - Digital (MQ.8849-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer, creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget! Duration: 12:00.
$12.00
10.95 €
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Juliana Hall
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Sentiment: Monodrama for Soprano Solo unaccompanied on texts by Caitlin Vincent
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied (Downloadable)
Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991…
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Mezzo-soprano solo unaccompanied - Moderately Difficult - Digital Download SKU: MQ.8991-E Composed by Juliana Hall. 15 pages. E. C. Schirmer Music Company - Digital #8991-E. Published by E. C. Schirmer Music Company - Digital (MQ.8991-E). English.Juliana Hall decided to set poet Caitlin Vincent’s text—Sentiment—for a solo unaccompanied soprano singer (8849), creating a monodrama (her first), because she felt the raw emotions expressed in Vincent’s text required a more direct communication from singer to audience than a piece with piano or another instrument might allow. In describing her text, Vincent writes, “The general premise is emotions but also about the version of ourselves we try to present to the world. Each song leads into the next: giddy happiness followed by the inevitable plunge into depression, then anger and embarrassment for revealing too much to the audience, remorse for lashing out, and finally a plea for the world to see only the singer’s ‘best’ side.†Sentiment is a vocal and dramatic tour de force, a uniquely moving event your audience will not soon forget!
$12.00
10.95 €
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Juliana Hall
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Sentiment: Monodrama for Mezzo-Soprano Solo unaccompanied
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Auld Lang Syne - First Position Violin Solo with Piano Accompaniment
Violon et Piano
Piano,Violin - Level 2 - Digital Download SKU: A0.751851 Composed by Scottish Folk …
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Piano,Violin - Level 2 - Digital Download SKU: A0.751851 Composed by Scottish Folk Song. Arranged by K.L. Phillips. Contemporary,Graduation,Holiday. 6 pages. K L Phillips #6617205. Published by K L Phillips (A0.751851). Traditionally a song to say farewell to the old year (also played at funerals and graduations), this arrangement for violin solo with piano accompaniment captures the bittersweet feeling of another year gone by. The text to Auld Lang Syne is by Robert Burns. In this arrangement, the violin stays in the first position throughout.Performance time - 2:50A piano accompaniment track is available separately at Sheet Music Plus - Item ID#S0.1140811
$3.99
3.64 €
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Violon et Piano
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Scottish Folk Song
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K
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Auld Lang Syne - First Position Violin Solo with Piano Accompaniment
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K L Phillips
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SheetMusicPlus
Auld Lang Syne - first tune for easy harp
Harpe
Harp - Level 1 - Digital Download SKU: A0.849980 Composed by Traditional Scots tune…
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Harp - Level 1 - Digital Download SKU: A0.849980 Composed by Traditional Scots tune, 17th century. Arranged by Marilyn Rummel. Celtic,Classical,Contemporary,Holiday. Score. 4 pages. Demand Music #6247395. Published by Demand Music (A0.849980). This is the first tune published for the famous Robbie Burns song, which was substituted for another in a second publication. The second tune has become more well-known, but I think this one is the more beautiful, matching the sentiment of the words. It dates back to the earliest version of this song, in the early 1600's.
$3.99
3.64 €
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Harpe
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Traditional Scots tune, 17th century
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Marilyn Rummel
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Auld Lang Syne - first tune for easy harp
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Demand Music
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SheetMusicPlus
Music for First Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1025463 Composed by Alexandra Eddy.…
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Piano Solo - Level 5 - Digital Download SKU: A0.1025463 Composed by Alexandra Eddy. 20th Century,Contemporary. Score. 18 pages. Alexandra Eddy Project #4887035. Published by Alexandra Eddy Project (A0.1025463). The title of this 14-minute piece reflects the fact that it was commissioned by my dear late friend Edwin Good to perform on his beautiful Thomas and Barbara Wolf copy of the very first piano. (Cristofori, 1700). It is playable on the modern piano as well. The movements are as follows: 1. In Medias Res: Fanfare (begins at 0:00 in the mp3 file) is a showy, energetic, brief, humorous beginning.2. Ricercar (begins at 0:33 in the mp3 file) uses the imitative techniques of 16th century instrumental music, with modern harmonies.3. For JSB (begins at 3:25 in the mp3 file) was composed in loving homage to Johann Sebastian Bach.4. Burlesca (begins at 6:15 in the mp3 file) is another moment of humor and energy.5. Nocturne (begins at 8:04 in the mp3 file) is, of course, night music.6. Passacaglia (begins at 11:04 in the mp3 file) continues without break from the Nocturne. In the left hand, a pattern of several notes repeats many times, organizing the music. Simultaneously, the right hand quotes fragments from the other movements.NOTE: The mp3 file is automated, but gives a rough sense of the music.
$9.95
9.08 €
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Piano seul
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Alexandra Eddy
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Music for First Piano
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Alexandra Eddy Project
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SheetMusicPlus
Consciousness 2.0
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Con…
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Piano Solo - Level 3 - Digital Download SKU: A0.933947 Composed by Jasmine LAI. Concert,Contemporary. Score. 7 pages. Jasmine LAI #6565277. Published by Jasmine LAI (A0.933947). This is my first time I have written a piece that doesnot have a standard structure. It is also the first time that I have expressed my feelings about Australia through music, inspired by Lawson’s moving poem. The reason why I name my piece ‘Consciousness2.0’ is because it depicts a picture of how people rise and fall in life. An example of this is what happened during the Australian bushfires, which was a time when people were very aware of what was happening. Consciousness means to be aware and responsive to the surroundings, and it can also mean a person’s perspective of events. My piece begins with a soft introduction, which describes the life of Australia and its unique environment. From the bustling cities to the open country, there is always some life around Australia. Sometimes there is also some wild weather, which is represented in the arpeggiated left hand (bars 10-14). The story then shifts its focus to the animals, through short 2-part phrase in bars 23-26. The animals areenjoying their time in nature. The phrase is in Aeolian mode, so there is a bit of mystery instead of having an obvious key. Then, the parallel fifths depict the openness and vastness of the land. The transition is shown in bars 32-34 by a smooth 4-part phrase going downwards. The next fast section (bars 35-47) describes the rise of panic, just like a howling heat of the bushfire. The chromatic 7th chords (bars 36,38) make a sense of tension, and after 3 times, the chromaticism makes its way to a recent memory of the rushing semiquavers (bars 43-44) After the bushfires came closer, animals panicked as they rushed and left their precious homes. It was devastating to see how many people were affected, with houses destroyed, people and animals burning into the ashes (bars 48-54). Then there is another new section (bars 55-68) which describes the uncertainty, for example, the right-handquavers describe a flashback of nature planning itself to create a bushfire, or the times when people were planning a solution to this incident. The uncertainty was unfolded when the fast right hand semiquavers come back, (bars 69-82) creating a whoosh of destruction disappointment and adjustment. The last part is the ending of story (bars 84 to end). Though the fire has made a lot of destruction, with Aussie spirit, there is always hope that everyone can rebuild a new and better community in the future
$3.49
3.19 €
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Piano seul
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Jasmine LAI
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Consciousness 2.0
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Jasmine LAI
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SheetMusicPlus
Seek Ye First (Intermediate Sacred Piano Solo)
Piano seul
Piano Solo - Intermediate - Digital Download By Steve Green. Arranged by Sharon Wilso…
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Piano Solo - Intermediate - Digital Download By Steve Green. Arranged by Sharon Wilson. Sheet Music Single. 3 pages. Published by Sharon Wilson
Item Number: H0.553795-SC001292292<br> <br> Here is another praise chorus from the 1970’s that has stood the test of time: “Seek Ye First” by Karen Lafferty. The lyrics for this song are taken from Matthew 6:33: “But seek first God’s Kingdom, and his righteousness; and all these things will be given to you as well.” (WEB). Capturing the spirit of these lyrics, this quiet and reflective arrangement encourages contemplation and is a perfect choice for moments of meditation in any worship service or for private devotions.Item Number: H0.553795-SC001292292<br> <br> Here is another praise chorus from the 1970’s that has stood the test of time: “Seek Ye First” by Karen Lafferty. The lyrics for this song are taken from Matthew 6:33: “But seek first God’s Kingdom, and his righteousness; and all these things will be given to you as well.” (WEB). Capturing the spirit of these lyrics, this quiet and reflective arrangement encourages contemplation and is a perfect choice for moments of meditation in any worship service or for private devotions.
$4.99
4.55 €
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Piano seul
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Steve Green
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Sharon Wilson
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Seek Ye First
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Sharon Wilson
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SheetMusicPlus
The Flying Dutchman
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 2 Ventil-Hr. · 2 Natur-Hr. · 2 Ventil-Trp. · 3 Pos. · Basstb. - P. - Str. Auf der Bühne: 3 Picc. (womöglich mehrfach besetzt) - 6 Hr. - Tamtam - Windschleuder - Digital Download SKU: S9.Q25915 Romantic Opera in 3 Acts. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - Opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Duration 135' 0. Schott Music - Digital #Q25915. Published by Schott Music - Digital (S9.Q25915). German • English.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (Original version) With this edition, the original version of Wagner’s opera Der fliegende Holländer [The flying Dutchman] WWV 63 is made available to the public for the first time in piano score form. The score on which the edition is based was published in the Richard Wagner-Complete Edition 1983: Richard Wagner. Collected works Vol. 4, I-II, The Flying Dutchman. Romantic opera in three acts (original version 1841), edited by Isolde Vetter (Schott Music International, Mainz, RWA 104-10/RWA 104-20).†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).Les opéras de Richard Wagner paraissent pour la première fois sous forme de piano-chant chez Schott en version originale. Sont déjà publiés dans la série : L’Or du Rhin, Lohengrin, Parsifal et Le Vaisseau fantôme (première version de 1841 et version 1842-1880). Les autres opéras de Wagner représentés à Bayreuth paraîtront d'ici 2013, année anniversaire de la naissance du compositeur.
$42.99
39.24 €
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Richard Wagner
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The Flying Dutchman
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Schott Music - Digital
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SheetMusicPlus
Der fliegende Holländer
Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. …
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Picc. · 2 · 2 · Engl. Hr. · 2 · 2 - 4 · 2 · 3 · 1 - P. - Str. Auf dem Theater: 3 Picc. · 6 Hr. · Tamt. · Windschleuder - Digital Download SKU: S9.Q25918 Romantische Oper in drei Aufzügen. Composed by Richard Wagner. This edition: vocal/piano score. Initial release - opera - theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25918. Published by Schott Music - Digital (S9.Q25918). German.An important addition to our newly produced orchestral materials is the first publication of vocal scores of Wagner’s ten great operas, in every important version, based on the Complete Edition. * The score corresponds to the performance materials from the Complete Edition. * For practical use in rehearsal cues and bar numbers throughout. * The publisher has secured the services of renewed musicologists associated with the Richard Wagner Complete Edition who convey detailed information in critical forewords. * The forewords are given in three languages(German, English, French). * Uniform and attractive front cover designs with reproductions of paintings from the Wagner era underline the series design of the edition. DER FLIEGENDE HOLLÄNDER (1842-1880 version) This piano reduction is based on the edition of Der fliegende Holländer from the Critical Complete Edition of Richard Wagner’s works (Richard Wagner, Sämtliche Werke [Collected works], Vol. 4, III-VI, edited by Egon Voss, Mainz, 2000f.) The primary source for this edition was the first print of the score dating from 1845 which had however been augmented utilising the sources of additions undertaken after 1845, meaning that this edition is actually a compilation of the final versions of all individual sections or relevant details. The overture for example dates back to 1860 whereas No. 1 appears in the version from 1864. What is however most significant is that the versions from the Collected Editions based on new sources is without doubt closer to the original than the score from 1897 edited by Felix Weingartner which had previously formed the basis for all editions and logically also for all performances.†(Egon Voss, quoted from the foreword of the new Der fliegende Holländer vocal score) Original version and 1842-1880 version The original version of Der fliegende Holländer dates from 1841. Wagner, at the time a completely unknown Kapellmeister in France, trying to get a foothold in Paris, saw the opportunity for a stage work that would meet the fashion at the Paris Opera of performing several short works one after another. Der fliegende Holländer, conceived in 1840 and composed in 1841, seemed to him suited to the purpose. In 1841, even when Wagner no longer counted on a success in Paris, he still held to the conception of a one-act opera and offered the work to German opera houses under the title of “Romantic Opera in One Act and Three Scenesâ€. This version is set in Scotland, taking as the literary model for the opera Heinrich Heine’s novel fragment “From the Memoirs of Mr. Schnabelewopskiâ€, and the protagonists have English names. This version was never performed in Wagner’s lifetime. Beginning in 1842, the work went through a tale of constant revision: Even before the Dresden premiere (2nd January 1843) Wagner undertook fundamental alterations. He transposed the location from Scotland to Norway, changed character’s names as appropriate, divided the opera into three acts – not least due to considerations of scene changes – and transposed Senta’s Ballad from A minor to G minor. It was in this version that the score of the opera went to print in 1845. For a performance in 1860 he composed the later so-called ‘Tristan’ or ‘Redemption’ ending to the Overture. Until the very end of his life, Wagner contemplated a plan for a final score or a definitive vocal score: it never came to be, so that to this day, as with Tannhäuser, we still do not have Der fliegende Holländer in a final version. Based on the research conducted in the creation of the Complete Edition, our editions contain, in one case the original version of 1841, while the other essentially goes back to the first printing of the score of 1845, but with the addition of the source material for the retouchings dating from 1842 to 1889. VOCAL SCORES The original version of the opera was made available for the first time in a vocal score in 2005 (ED 8065). The completely revised new edition of the vocal score of the 1842-1880 version appeared in 2011 (ED 20531).
$47.99
43.8 €
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Richard Wagner
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Der fliegende Holländer
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Schott Music - Digital
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SheetMusicPlus
Ebony And Ivory
Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0…
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Small Ensemble Drum Set,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802681 By Paul Mccartney W/Stevie Wonder. By Paul McCartney. Arranged by Peet du Toit. Contemporary. Score and parts. 24 pages. Peet du Toit #6383615. Published by Peet du Toit (A0.802681). Ebony and Ivory is a song that was released in 1982 as a single by Paul McCartney and Stevie Wonder. It was issued on 29 March that year as the lead single from McCartney's album Tug of War. Written by McCartney, the song aligns the black and white keys of a piano keyboard with the theme of racial harmony. The single reached number one on both the UK and the US charts and was among the top-selling singles of 1982 in the US. During the apartheid era, the South African Broadcasting Corporation banned the song after Wonder dedicated his 1984 Academy Award for Best Original Song to Nelson Mandela.McCartney and Wonder began recording Ebony and Ivory in Montserrat in early 1981. The single marked the first time that McCartney had released a duet with another major artist, and anticipated his 1980s collaborations with Michael Jackson. While a major commercial hit, the song has received derision from music critics who view its message as overly simplistic and sentimental. The track also appears on McCartney's All the Best! compilation (1987) and on the two-disc version of Wonder's The Definitive Collection (2002). In 2013, Billboard ranked it as the 69th biggest hit of all-time on the Billboard Hot 100 charts.Here is an arrangement for Brass Quintet and Percussion, presented to you by a South African!
$22.00
20.08 €
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Paul Mccartney W/Stevie Wonder
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Peet du Toit
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Ebony And Ivory
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Peet du Toit
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SheetMusicPlus
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