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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Flûte traversière
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9
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Cor et Piano
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4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
3
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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Trompette (partie séparée)
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Quatuor de Cuivres
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Euphonium, Piano (duo)
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Trompette
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
22
Violon et Piano
7
Violoncelle, Piano
6
Trio à cordes: 3 violins
5
Violon, Violoncelle (duo)
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Violon, Alto (duo)
4
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
3
2 Altos (duo)
2
2 Violoncelles (duo)
2
Violoncelle
2
2 Violons (duo)
2
Alto et Harpe
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe
1
Contrebasse (partie séparée)
1
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Ensemble Jazz
73
Orchestre d'harmonie
23
Fanfare
22
Orchestre
14
Orchestre de chambre
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Jazz combo
13
Ensemble de cuivres
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Orchestre à Cordes
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Big band
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Batterie
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Marimba
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AUTRES
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Another Part Of Me
SheetMusicPlus
Partitions à imprimer
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Jar Of Hearts
Chorale 2 parties
Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1128807 By Christina Perri. …
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Choral Choir (TB) - Level 2 - Digital Download SKU: A0.1128807 By Christina Perri. By Barrett Yeretsian, Christina Perri, and Drew Lawrence. Arranged by BK Riha / Brandy Kay Riha. A Cappella,Pop. Octavo. 6 pages. BK Riha #729335. Published by BK Riha (A0.1128807). Feel free to adapt the arrangement to suit the needs of your ensemble. If there is another arrangement of mine you'd like me to adapt for TTB/TTBB, please email me at bkriha17@gmail.com and I'll be glad to publish it! Find more arrangements at http://bkmakesmusic.
$3.50
3.19 €
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Chorale 2 parties
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Christina Perri
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BK Riha / Brandy Kay Riha
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Jar Of Hearts
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BK Riha
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SheetMusicPlus
Another Op'nin', Another Show
Chorale 2 parties
Chorus - Digital Download SKU: AX.00-PO-0002294 Another Op'nin', Another Show - …
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Chorus - Digital Download SKU: AX.00-PO-0002294 Another Op'nin', Another Show - 2-Part. Composed by Cole Porter. Arranged by Philip Kern. Choral. 14 pages. Alfred Music - Digital Sheet Music #00-PO-0002294. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002294). UPC: 038081311012.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today's choirs. It's a classic show-biz 2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the Hooray for Hollywood! movement DVD #28868.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.00
1.83 €
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Chorale 2 parties
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show
Chorale 3 parties
Chorus - Digital Download SKU: AX.00-PO-0002915 Another Op'nin', Another Show - …
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Chorus - Digital Download SKU: AX.00-PO-0002915 Another Op'nin', Another Show - SAB. Composed by Cole Porter. Arranged by Philip Kern. Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0002915. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002915). UPC: 038081310992.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today's choirs. It's a classic show-biz 2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the Hooray for Hollywood! movement DVD #28868.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.95
2.69 €
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Chorale 3 parties
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Cole Porter
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Philip Kern
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Movement and Staging
#
Another Op'nin', Another Show
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show
Chorale 3 parties
Chorus - Digital Download SKU: AX.00-PO-0002293 Another Op'nin', Another Show - …
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Chorus - Digital Download SKU: AX.00-PO-0002293 Another Op'nin', Another Show - SSA. Composed by Cole Porter. Arranged by Philip Kern. Choral. 15 pages. Alfred Music - Digital Sheet Music #00-PO-0002293. Published by Alfred Music - Digital Sheet Music (AX.00-PO-0002293). UPC: 038081311005.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today's choirs. It's a classic show-biz 2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the Hooray for Hollywood! movement DVD #28868.Inst. Parts Available (choral); Movement and Staging; Recorded Acc. Available.
$2.95
2.69 €
#
Chorale 3 parties
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show: 2nd Trombone
Trombone (partie séparée)
2nd Trombone - Digital Download SKU: AX.00-PC-0001335_TN2 2nd Trombone. Comp…
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2nd Trombone - Digital Download SKU: AX.00-PC-0001335_TN2 2nd Trombone. Composed by Cole Porter. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001335_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001335_TN2). UPC: 038081311036.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today’s choirs. It’s a classic “show-biz†2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the “Hooray for Hollywood!†movement DVD #28868.Other instrumental parts available separately; Movement and Staging; Recorded accompaniment available separately.
$3.00
2.74 €
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Trombone (partie séparée)
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show: 2nd B-flat Trumpet
Trompette (partie séparée)
2nd B-flat Trumpet - Digital Download SKU: AX.00-PC-0001335_T2 2nd B-flat Trumpe…
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2nd B-flat Trumpet - Digital Download SKU: AX.00-PC-0001335_T2 2nd B-flat Trumpet. Composed by Cole Porter. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001335_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001335_T2). UPC: 038081311036.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today’s choirs. It’s a classic “show-biz†2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the “Hooray for Hollywood!†movement DVD #28868.Other instrumental parts available separately; Movement and Staging; Recorded accompaniment available separately.
$3.00
2.74 €
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Trompette (partie séparée)
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show: 2nd B-flat Trumpet
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show: String Bass
Contrebasse (partie séparée)
String Bass - Digital Download SKU: AX.00-PC-0001335_SB String Bass. Compose…
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String Bass - Digital Download SKU: AX.00-PC-0001335_SB String Bass. Composed by Cole Porter. Arranged by Philip Kern. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001335_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001335_SB). UPC: 038081311036.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today’s choirs. It’s a classic “show-biz†2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the “Hooray for Hollywood!†movement DVD #28868.Other instrumental parts available separately; Movement and Staging; Recorded accompaniment available separately.
$3.00
2.74 €
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Contrebasse (partie séparée)
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show: String Bass
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show: B-flat Tenor Saxophone
Saxophone (partie séparée)
B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0001335_TX1 B-flat Tenor…
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B-flat Tenor Saxophone - Digital Download SKU: AX.00-PC-0001335_TX1 B-flat Tenor Saxophone. Composed by Cole Porter. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001335_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001335_TX1). UPC: 038081311036.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today’s choirs. It’s a classic “show-biz†2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the “Hooray for Hollywood!†movement DVD #28868.Other instrumental parts available separately; Movement and Staging; Recorded accompaniment available separately.
$3.00
2.74 €
#
Saxophone (partie séparée)
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show: B-flat Tenor Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Another Op'nin', Another Show: E-flat Alto Saxophone
Saxophone (partie séparée)
E-flat Alto Saxophone - Digital Download SKU: AX.00-PC-0001335_AX1 E-flat Alto S…
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E-flat Alto Saxophone - Digital Download SKU: AX.00-PC-0001335_AX1 E-flat Alto Saxophone. Composed by Cole Porter. Arranged by Philip Kern. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0001335_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001335_AX1). UPC: 038081311036.From the musical Kiss Me, Kate comes this quintessential Broadway opener, spectacularly arranged for today’s choirs. It’s a classic “show-biz†2-beat song, complete with unforgettable lyrics about the joys of life on the stage. Featured on the “Hooray for Hollywood!†movement DVD #28868.Other instrumental parts available separately; Movement and Staging; Recorded accompaniment available separately.
$3.00
2.74 €
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Saxophone (partie séparée)
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Cole Porter
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Philip Kern
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Movement and Staging
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Another Op'nin', Another Show: E-flat Alto Saxophone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
You Belong With Me
Chorale 3 parties
Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.945539 By Taylor Swift. By …
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Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.945539 By Taylor Swift. By Liz Rose and Taylor Swift. Arranged by Celine Durney. Pop. Octavo. 9 pages. Celine Mireille Durney #5970911. Published by Celine Mireille Durney (A0.945539). From Fearless (2008) by Taylor Swift~WONDERFUL piece for middle school/beginning high school treble-voice ensembles~Each vocal part takes a turn singing the melody in the midst of fun & tasteful 3-part harmonies with one another; balanced moments of homophony, background syncopation, & hollow textures that is aided by the piano accompanimentRanges:S1 - A3-E5S2 - A3-C#5A - A3-C#5.
$2.99
2.73 €
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Chorale 3 parties
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Taylor Swift
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Celine Durney
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You Belong With Me
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Celine Mireille Durney
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SheetMusicPlus
Don't Stop Me Now
Chorale 2 parties
Choral Choir (SA) - Level 1 - Digital Download SKU: A0.945540 By Queen. By Freddie …
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Choral Choir (SA) - Level 1 - Digital Download SKU: A0.945540 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Celine Durney. Rock. Octavo. 11 pages. Celine Mireille Durney #5971063. Published by Celine Mireille Durney (A0.945540). From Jazz (1978) by Queen~ROCKIN' piece for elementary, middle school AND high school treble-voice ensembles! (Also available in SATB)~Each vocal part takes a turn singing the melody in the midst of fun & tasteful harmonies with one another; balanced moments of homophony, background syncopation, & hollow textures that is aided by the piano accompaniment~Features an opening solo as well as short solos during the breakdown section in the middle of the piece~Chords provided for additional instrumentation such as bass, guitar, etc. - drums & choral-ography are ALSO encouraged!Ranges:S - C4-E5A - G3-A4
$2.99
2.73 €
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Chorale 2 parties
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Queen
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Celine Durney
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Don't Stop Me Now
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Celine Mireille Durney
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SheetMusicPlus
Count On Me
Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.820013
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Instrumental Duet Instrumental Duet,Piano - Level 2 - Digital Download SKU: A0.820013 By Bruno Mars. By Ari Levine, Bruno Mars, and Philip Lawrence. Arranged by Kathy Hirche. Pop,R & B. Score and parts. 11 pages. Kathy Hirche #4730193. Published by Kathy Hirche (A0.820013). The music of this popular song has been specially arranged to be suitable for Early Intermediate Level performers and for use as instructional repertoire. The written range is kept mostly within the staff and the appropriate performance range of pitches on the keyboard is achieved by octave displacement, i.e. the Primo part is performed an octave higher than written and the Secondo an octave lower. As the performance range extends beyond that of a 61-note keyboard, an acoustic piano or 88-note keyboard is required if both players are to perform on the same instrument. Another performance option is to use two 61-note keyboards and use the transpose function to displace the parts by an octave (up for Primo, down for Secondo). Both the score and separate parts are provided. kathysprintmusic.com ISMN 979-0-7201-801-4-4 Dueto de Piano/Teclado La música en esta canción popular ha sido. Arreglada especialmente para ejecutantes de Nivel Intermedio Temprano, asi como para formar parte del repertorio de enseñanza . El rango escrito se mantiene principalmente con el personal de enseñanza y el rango apropiado de tonos en el teclado se consigue por desplazamiento de octavos, o sea que la parte Prima se ejecuta en una octava mas alta que lo escrito; el Secondo se ejecuta en una octava mas baja. Ya que el rango de ejecución se extiende mas allá de un teclado de 61- notas, se requiere un piano acústico de 88 notas si ambos músicos van a tocar en un mismo instrumento. Otra opción de ejecución es usar dos teclados de 61 notas y usar la función de transposición para desplazar cada parte por una octava (hacia arriba para Primo y hacia abajo para Secondo). todas las partes separadas y la partitura se incluyen.
$5.99
5.47 €
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Bruno Mars
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Kathy Hirche
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Count On Me
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Kathy Hirche
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SheetMusicPlus
Killing Me Softly With His Song
Guitare
Guitar, Classical Guitar - Intermediate - Digital Download By Roberta Flack. Arranged…
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Guitar, Classical Guitar - Intermediate - Digital Download By Roberta Flack. Arranged by David Jaggs. Solo Part. 3 pages. Published by David Jaggs
Some songs fit onto the classical guitar so well it's as though they were written for it. Killing Me Softly is one of these songs, every section seems to work effortlessly with some very interesting textures. Fingerings are given in the trickier sections. There is another version of the same arrangement that includes tablature. Not too difficult to master but certainly not a beginners piece.Some songs fit onto the classical guitar so well it's as though they were written for it. Killing Me Softly is one of these songs, every section seems to work effortlessly with some very interesting textures. Fingerings are given in the trickier sections. There is another version of the same arrangement that includes tablature. Not too difficult to master but certainly not a beginners piece.
$7.99
7.29 €
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Guitare
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Roberta Flack
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David Jaggs
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Killing Me Softly With His Song
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David Jaggs
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SheetMusicPlus
Killing Me Softly With His Song (including tablature)
Guitare notes et tablatures
Guitar, Guitar Tab, Classical Guitar - Intermediate - Digital Download By Roberta Flack.…
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Guitar, Guitar Tab, Classical Guitar - Intermediate - Digital Download By Roberta Flack. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Some songs fit onto the classical guitar so well it's as though they were written for it. Killing Me Softly is one of these songs, every section seems to work effortlessly with some very interesting textures. Fingerings are given in the trickier sections. There is another version of the same arrangement without tablature. Not too difficult to master but certainly not a beginners piece.Some songs fit onto the classical guitar so well it's as though they were written for it. Killing Me Softly is one of these songs, every section seems to work effortlessly with some very interesting textures. Fingerings are given in the trickier sections. There is another version of the same arrangement without tablature. Not too difficult to master but certainly not a beginners piece.
$7.99
7.29 €
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Guitare notes et tablatures
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Roberta Flack
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David Jaggs
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Killing Me Softly With His Song
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David Jaggs
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SheetMusicPlus
The Tale Of The Slightly Miffed Dancing Bear
Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by Jame…
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Tba. pft. - Intermediate-Advanced - Digital Download SKU: F2.FM597 Composed by James Pickering. A piece for Tuba and piano. Score and part. 14 pages. Forton Music - Digital #FM597. Published by Forton Music - Digital (F2.FM597). ISBN 9790570484966.The story of this composition really begins with another composition entitled 'Play-Time' for solo piano. I showed the score for 'Play-Time' to a friend, Boryana Petkova a very talented pianist from Bulgaria, to whom I eventually dedicated 'the Dancing Bear'. After showing her 'Play-Time' she commented that part of it sounded like a Bulgarian folk dance. The potential of this intrigued me quite a lot so I sketched out a few bars intent on writing another piano piece based around this idea (the melodic line first heard in the Tuba part in the fifth bar after letter A). However, upon discussing these sketches with Boryana she mentioned they no longer sounded particularly Bulgarian. As this was the main aim of the sketches that eventually became 'The Dancing Bear' it is fair to say I was slightly miffed. Undeterred I decided to shift focus and write for the instrument I knew best, the Tuba. The 'Bear' part of the title refers to the tendency of composers to use Tubas to represent angry bears, most famously in Stravinsky's ballet 'Petrushka'. Musically it still contains quite a few elements of eastern European dance including the use of drones, some typical scales with flattened seconds and sevenths as well as the rhythmic oscillation between bars of 2,2,2,2 and 3,3,2 quaver (8th note) division. However, the goal for me was to writes a slightly humorous piece, with a technically demanding Tuba part, that could show off the musicians abilities and still retain the feel of a rhythmical dance.
$7.95
7.26 €
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James Pickering
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The Tale Of The Slightly Miffed Dancing Bear
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Forton Music - Digital
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SheetMusicPlus
The Story of a Leader
Chorale SATB
Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor K…
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Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04
13.73 €
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Chorale SATB
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Stabat Mater - string ensemble parts
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke L…
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00
17.34 €
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble parts
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Annemieke Lustenhouwer
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SheetMusicPlus
Another Day Of Sun
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU…
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.815167 Composed by Justin Hurwitz. Arranged by Pedreel's Music. Contemporary. Score and parts. 38 pages. Pedreel Christian Casilihan #6024057. Published by Pedreel Christian Casilihan (A0.815167). Another Day of Sun from La la LandArranged for String Quartet. I also added a Piano part. So it is optional with a Piano if you would like. Intermediate level for the difficulty.Score and set of parts included!I also do commissioned arrangements. You can find me on https://www.facebook.com/PedreelsMusicStudioOfficial/
$15.99
14.59 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Justin Hurwitz
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Pedreel's Music
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Another Day Of Sun
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Pedreel Christian Casilihan
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SheetMusicPlus
The Voice of the Shepherd - an original hymn for SATB voices
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G…
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.701460 Composed by Kevin G. Pace, Kathryn W. Hales. Christian,Praise & Worship,Sacred. Octavo. 3 pages. Kevin G. Pace #3125381. Published by Kevin G. Pace (A0.701460). An original hymn based on Alma chapter 5 from the Book of Mormon. See text by Kathryn Hales below.YouTube video: https://youtu.be/mDD-eZJ8PcIDo you hear the voice of the Shepherd Calling Come unto me, Partake of the fruit of the Tree of Life And drink living waters freely. Come unto me and bring forth works Of righteousness built on faith; Remember the deliverance of your fathers And the words the prophets saith. Strip yourselves of all pride and envy; Persecute not your brother; Be ready to help the needy and poor, Showing love to one another. Receive my image in your countenance; Sing the song of redeeming love; Humble yourselves and trust in my voice, That comes from the heavens above. Wash your garments in the blood of the Lamb; Steadfastly believe on my name; Have clean hands and a pure heart, Standing firm without guilt or shame. Come to the fold of the Good Shepherd, Repent, overcome every sin; I’m calling with a voice so gentle, Come to my fold and enter in.
$1.99
1.82 €
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Chorale SATB
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Kevin G
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The Voice of the Shepherd - an original hymn for SATB voices
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Kevin G. Pace
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SheetMusicPlus
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. B…
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
3.64 €
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Chorale TTBB
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & His Strange Daughter
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Edition Craig Hanson
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.12 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.12 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.12 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Another Day Of Sun
Small Ensemble High Voice,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: …
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Small Ensemble High Voice,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.937765 Composed by Benj Pasek, Justin Hurwitz, and Justin Paul. Arranged by Gia H. Broadway,Film/TV,Musical/Show,Pop. Score and parts. 23 pages. Gia H #543549. Published by Gia H (A0.937765). For brass quintet and high voice. A highly exciting arrangement of 'Another Day of Sun' from La La Land. Starting with a slow instrumental introduction section, which quotes a small section of Mia & Sebastian's Theme. This sorrow and unique tune is arranged in a slightly-fantasie manner, immediately bring the audience into the scenes from the movie. The main section of this arrangement, 'Another Day of Sun', is in the original key, designed for vocal and brass quintet. The brilliant sound of brass instrument will fit the musical style, and bring enjoyment both to performers and audience. (There's a live performance recording of the arrangement. However it lacks sound quality since it was recorded by mobile phone, thus I decided not to upload it. If you are still interested in that recording, please contact me.).
$49.99
45.62 €
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Benj Pasek, Justin Hurwitz, and Justin Paul
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Gia H
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Another Day Of Sun
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Gia H
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SheetMusicPlus
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