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Vous avez sélectionné:
Antiphon For Easter
Partitions à imprimer
97 partitions trouvées
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Stretch Forth Your Hand [version for solo voice and piano]
Chorale Unison
Choral Choir (Unison) - Digital Download SKU: A0.1017483 Composed by Todd Tarantino…
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Choral Choir (Unison) - Digital Download SKU: A0.1017483 Composed by Todd Tarantino. Christian,Contemporary,Easter,Sacred. Octavo. 8 pages. Todd Tarantino / Desmar Music #6536299. Published by Todd Tarantino / Desmar Music (A0.1017483). Todd Tarantino: Stretch Forth Your Hand (2021) from Gradualia[version for solo voice and piano] Gradualia is a collection of works for a variety of forces - solo voice with accompaniment, chorus to large ensemble - setting the English proper antiphon texts of the Catholic Mass. Using a simplified harmonic language and the traditional alternation of Antiphon - Psalm verse form, the works from the series ennoble a liturgical service and are accessible to professional and semi-professional ensembles and soloists. Stretch Forth Your Hand is the Communion Antiphon for the Second Sunday of Easter and dramatizes the meeting of Thomas with the risen Jesus. Text from John 20 and Psalm 118. This setting exists in three versions: 1) solo voice and organ; 2) solo voice and piano; 3) solo voice and strings
$4.99
4.56 €
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Chorale Unison
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Todd Tarantino
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2) solo voice and piano
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Stretch Forth Your Hand [version for solo voice and piano]
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Todd Tarantino / Desmar Music
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SheetMusicPlus
Christ Has Become Our Paschal Sacrifice: Communion Antiphon for Easter (Downloadable)
Chorale SATB
SATB choir, congregation, cantor - Moderately Easy - Digital Download SKU: MQ.80-410-E
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SATB choir, congregation, cantor - Moderately Easy - Digital Download SKU: MQ.80-410-E Composed by Normand Gouin. Easter, Easter Vigil. 11 pages. MorningStar Music Publishers - Digital Sheet Music #80-410-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-410-E). Psalms 118.This communion piece is appropriate for Easter Vigil, Easter Day, and the entire Easter season. Both antiphon and verses use melodic material from the original Gregorian chant Communion Antiphon for Easter Sunday from the Graduale Romanum. The antiphon is accessible for congregations, while the verses feature more substantial writing for cantor or choir and nicely idiomatic writing for organ.
$2.65
2.42 €
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Chorale SATB
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Normand Gouin
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Christ Has Become Our Paschal Sacrifice: Communion Antiphon for Easter
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Haec Dies (Antiphon for Easter Sunday)
Cornet,Euphonium - Level 3 - Digital Download SKU: A0.1001542 Composed by William B…
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Cornet,Euphonium - Level 3 - Digital Download SKU: A0.1001542 Composed by William Byrd (ca. 1540 - 1623). Arranged by Rita Arendz. Easter,Renaissance,Sacred. 9 pages. Rita Arendz #6215927. Published by Rita Arendz (A0.1001542). Byrd's Haec Dies a3 setting is for a brass trio based on British Brass Band Instruments - Cornet, Tenor Horn, and Bb Euphonium. This antiphon is challenging from the perspective of its contrapuntal style. The parts are independent of each other, except for measures 13/14. The ranges are not wide - Cornet C4-D5, Tenor Horn Bb3-Eb5, Euphonium Eb3-Eb4. Originally for Cantus/Tenor/Bassus voices, this arrangement captures the quiet joy of Easter morning with brass's rich sounds. There are alternate parts for French Horn and bass clef Euphonium. Purchase includes transposed Score and parts.
$14.99
13.7 €
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William Byrd
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Rita Arendz
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Haec Dies
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Rita Arendz
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SheetMusicPlus
Four Marion Antiphons
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1024689 Composed by Jennif…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.1024689 Composed by Jennifer Ricciardi. A Cappella,Christmas,Classical,Contemporary,Easter,Sacred. Octavo. 35 pages. Jennifer Ricciardi #3435379. Published by Jennifer Ricciardi (A0.1024689). Four Marion Antiphons complete set Alma Redemptoris Mater SATB Ave Regina Coelorum SATB Regina Coeli Laetare SA Salve Regina SATB A cappella with divisi (includes piano reduction for rehearsal) Total run time approximately 11:30 The work, Four Marion Antiphons, reflects the traditions of plainsong as well as early liturgical choral polyphony, while embracing 21rst century harmonies and styles. The Marion Antiphons have a long monastic tradition in the Roman and Franciscan Church. Each antiphon was sung daily during one of the four main divisions of the church year: Alma Redemptoris Mater from advent to February 1, Ave Regina Coelorum from February 2 till Wednesday before Easter, Regina Coeli Laetare from Easter to Trinity, and Salve Regina from Trinity to Advent.
$6.99
6.39 €
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Chorale SATB
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Jennifer Ricciardi
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Four Marion Antiphons
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Jennifer Ricciardi
#
SheetMusicPlus
Antiphon For Easter
Chorale SATB
SATB choir - Easy SKU: LO.S553 Composed by Dale Grotenhuis. Choral. Sacred Anthem, …
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SATB choir - Easy SKU: LO.S553 Composed by Dale Grotenhuis. Choral. Sacred Anthem, Eastertide. Octavo. Sacred Music Press #S553. Published by Sacred Music Press (LO.S553). UPC: 000308017182.A highly functional anthem, especially for smaller choirs, featuring a lively four-part refrain which is repeated many times in contrast to unison verses. The organ provides a solid accompaniment and the optional Trumpet part is very easy.
$2.75
2.51 €
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Chorale SATB
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Dale Grotenhuis
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Antiphon For Easter
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Sacred Music Press
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SheetMusicPlus
Antiphons for 7th Sunday in Easter, Year C
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1034156 By Bill Hayes…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1034156 By Bill Hayes. By Bill Hayes. Arranged by Bill Hayes. Praise & Worship,Sacred,Spiritual. Score. 2 pages. Www.HayesMusicPublishing.com #639487. Published by www.HayesMusicPublishing.com (A0.1034156). Antiphons for 7th Sunday in Easter, Year C (Entrance Antiphon and Communion Antiphon) Written for a 3 voice treble clef choir and piano Available through www.HayesMusicPublishing.com.
$1.99
1.82 €
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Piano, Voix et Guitare
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Bill Hayes
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Bill Hayes
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Antiphons for 7th Sunday in Easter, Year C
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www.HayesMusicPublishing.com
#
SheetMusicPlus
Easter Antiphon
Chorale SATB
Choral Choir (SATB) - Digital Download SKU: A0.901726 Composed by David Thompson. C…
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Choral Choir (SATB) - Digital Download SKU: A0.901726 Composed by David Thompson. Christian,Easter,Sacred. Octavo. 3 pages. David M Thompson #6746731. Published by David M Thompson (A0.901726). Easter Antiphon, for SATB choir. Soprano and alto respond to tenor and bass. This may be done in teh choir loft, or can be done antiphonally from two spatially separate points in the church. Piano part included for rehearsal.
$1.99
1.82 €
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Chorale SATB
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David Thompson
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Easter Antiphon
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David M Thompson
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SheetMusicPlus
Antiphons for Easter Sunday
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1035825 By Bill Hayes…
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1035825 By Bill Hayes. By Bill Hayes. Arranged by Bill Hayes. Sacred,Spiritual. Score. 2 pages. Www.HayesMusicPublishing.com #640960. Published by www.HayesMusicPublishing.com (A0.1035825). Entrance and communion antiphons for Easter Sunday Written for a 3 voice treble clef choir and piano Available through www.HayesMusicPublishing.com.
$1.99
1.82 €
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Piano, Voix et Guitare
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Bill Hayes
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Bill Hayes
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Antiphons for Easter Sunday
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www.HayesMusicPublishing.com
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SheetMusicPlus
Stretch Forth Your Hand [version for solo voice and organ]
Chorale Unison
Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1017481 Composed by Todd…
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Choral Choir (Unison) - Level 3 - Digital Download SKU: A0.1017481 Composed by Todd Tarantino. Christian,Contemporary,Easter,Sacred. Octavo. 10 pages. Todd Tarantino / Desmar Music #6534049. Published by Todd Tarantino / Desmar Music (A0.1017481). Todd Tarantino: Stretch Forth Your Hand (2021) from Gradualia[version for solo voice and organ] Gradualia is a collection of works for a variety of forces - solo voice with accompaniment, chorus to large ensemble - setting the English proper antiphon texts of the Catholic Mass. Using a simplified harmonic language and the traditional alternation of Antiphon - Psalm verse form, the works from the series ennoble a liturgical service and are accessible to professional and semi-professional ensembles and soloists.
$4.99
4.56 €
#
Chorale Unison
#
Todd Tarantino
#
Stretch Forth Your Hand [version for solo voice and organ]
#
Todd Tarantino / Desmar Music
#
SheetMusicPlus
Seasonal Antiphons
Chorale 2 parties
Two-part chorus - Digital Download SKU: C7.CGA1417 Composed by Dan Edwards. Advent,…
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Two-part chorus - Digital Download SKU: C7.CGA1417 Composed by Dan Edwards. Advent, Christmas, Epiphany, Lent, Easter, General. Voices with Orff. With Orff, percussion. Sacred Anthem. Octavo. 12 pages. Chorister's Guild - Digital #CGA1417. Published by Chorister's Guild - Digital (C7.CGA1417). UPC: 749193023471.This inventive resource features three antiphons that can perform double duty. The first antiphon includes a verse for Advent and another for Christmas. Next is an antiphon with Palm Sunday and Easter verses. The final antiphon pairs a familiar bible verse and a hymn stanza. Learn once, sing twice! Accompany these simple antiphons with Orff instruments and percussion grooves. Makes a fun rehearsal activity!
$3.95
3.61 €
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Chorale 2 parties
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Dan Edwards
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Seasonal Antiphons
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Chorister's Guild - Digital
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SheetMusicPlus
Easter Antiphon
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.901724 Composed by David …
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.901724 Composed by David Thompson. 20th Century,Christian,Easter,Sacred. Octavo. 4 pages. David M Thompson #6744895. Published by David M Thompson (A0.901724). A short joyous Introit Antiphon for six-part choir (SSATBB). May be sung from the choir loft, or from two different points in the church. Piano rehearsal reduction included. .
$1.99
1.82 €
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Chorale SATB
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David Thompson
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Easter Antiphon
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David M Thompson
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SheetMusicPlus
Do Not Doubt (Communion Antiphon for Divine Mercy Sunday)
Chorale SATB
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.758035 Composed by James B…
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.758035 Composed by James Bicigo. Christian,Easter,Praise & Worship,Sacred. Octavo. 14 pages. Polar Publications #6351725. Published by Polar Publications (A0.758035). This is an SATB choir setting of the communion Antiphon for the Sunday after Easter, also known as Divine Mercy Sunday. I have set all ten verses and the doxology, as in the Roman Liturgy, but practicality would dictate that a reasonable number of the verses be chosen and sung, ending with verse ten and the doxology.
$4.50
4.11 €
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Chorale SATB
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James Bicigo
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Do Not Doubt
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Polar Publications
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SheetMusicPlus
If ye love me - Easter - SATB choir a cappella
Chorale SATB
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516674 Composed by Santino…
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Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.516674 Composed by Santino Cara. A Cappella,Christian,Easter,Sacred. Octavo. 5 pages. Santino Cara #496649. Published by Santino Cara (A0.516674). Easter hymn for SATB choir a cappella, composed by Santino Cara in Rome in 2007, on the text of John 14: 15-17. It can be sung as the communion antiphon for the sixth Sunday of Easter.
$7.20
6.58 €
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Chorale SATB
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Santino Cara
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If ye love me - Easter - SATB choir a cappella
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Santino Cara
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SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199…
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95
43.84 €
#
Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged …
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Level 3 - Digital Download SKU: A0.549196 Composed by Giovvanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3457617. Published by jmsgu3 (A0.549196). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 3 trombones, 3 euphoniums & 3 tubas. Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
#
Giovvanni Gabrieli
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James M
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3 tubas
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Gabrieli: Jubilate Deo Ch. 136 for Low Brass Choir
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jmsgu3
#
SheetMusicPlus
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabri…
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
43.84 €
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Orchestre d'harmonie
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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jmsgu3
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SheetMusicPlus
Choral Antiphons for Lent
Chorale SATB
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881809 Composed by Ephrem …
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.881809 Composed by Ephrem Feeley. A Cappella,Christian,Easter,Sacred. Octavo. 14 pages. Cherrybrook Music #2101953. Published by Cherrybrook Music (A0.881809). Settings of the Communion Antiphons from Ash Wednesday to the Fifth Sunday of Lent for SATB choir. These attractive, unusual and pithy settings are ideal as short choral preludes before the communion processional hymn begins or as short reflective post-communion pieces for the more advanced a cappella choir.
$3.00
2.74 €
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Chorale SATB
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Ephrem Feeley
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Choral Antiphons for Lent
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Cherrybrook Music
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SheetMusicPlus
Communion Antiphons for the Easter Season (Downloadable)
Cantor, unison voices or SATB choir, assembly/congregation, organ, optional C instrument -…
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Cantor, unison voices or SATB choir, assembly/congregation, organ, optional C instrument - Digital Download SKU: MQ.80-420-E Composed by Normand Gouin. Ascension, Easter, Easter Vigil, Pentecost, World Communion Sunday. Instrument parts. 40 pages. MorningStar Music Publishers - Digital Sheet Music #80-420-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-420-E). 1 Corinthians 5:7-8; Psalm 118; John 20:27; Luke 24:35; Psalm 27; Luke 24:46-47; Psalm 96; John 21:12-13; Psalm 78; John 10:14; John 15:1, 5; Psalm 80; John 14:15-16; Psalm 25; Hebrews 10:12; Psalm 110; Matthew 28:20; Psalm 68; John 17:22; Psalm 122; John.This collection of proper antiphons spans the Easter season, from Easter Sunday through Pentecost. The antiphons, whose English texts are adapted from the Graduale Romanum and The Roman Missal, are set in a plainchant style which is accessible for assemblies. The verses are from the psalms and are set to new psalm tones for SATB choir or cantor. Soprano descants, in Latin, might alternately be played by a solo instrument. Includes reproducible pages for congregation/assembly.Congregation parts for all Sundays in the Easter season are included in the edition.
$5.00
4.57 €
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Normand Gouin
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Psalm 118
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Communion Antiphons for the Easter Season
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Adoramus te, Christe (Good Friday Liturgy) for Male choir a cappella
Chorale SATB
Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.516442 Composed by Santin…
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Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.516442 Composed by Santino Cara. A Cappella,Christian,Easter. Octavo. 3 pages. Santino Cara #2024273. Published by Santino Cara (A0.516442). Antiphon for Good Friday Liturgy composed in Rome by Santino Cara for Male choir (Altos, Tenors, Baritones and Basses). Complete score.
$7.80
7.13 €
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Chorale SATB
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Santino Cara
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Adoramus te, Christe
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Santino Cara
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SheetMusicPlus
Entrance and Communion Antiphons (Palm Sunday through Easter Sunday)
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.629142 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.629142 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 16 pages. Exultet Music #6269127. Published by Exultet Music (A0.629142). Contemporary and traditional settings for all the Entrance and Communion antiphons that appear within Palm Sunday, Holy Week through Easter Sunday. Scored for one or two soloists with Piano accompaniment. Accessible and appropriate for any church setting. More sections of antiphons and also a complete score of Antiphons for the entire year are also available on this site. .
$5.00
4.57 €
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Voix duo, Piano
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Stephen DeCesare
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Entrance and Communion Antiphons
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Exultet Music
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SheetMusicPlus
Entrance and Communion Antiphons (Second Sunday of Easter through Pentecost)
Voix duo, Piano
Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.629330 Composed b…
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Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.629330 Composed by Stephen DeCesare. Christian,Easter,Praise & Worship,Sacred. 37 pages. Exultet Music #6322225. Published by Exultet Music (A0.629330). Contemporary and traditional settings for all the Entrance and Communion antiphons that appear within the Second Sunday of Easter through Pentecost Sunday. Scored for one or two soloists with Piano accompaniment. Accessible and appropriate for any church setting. More sections of antiphons and also a complete score of Antiphons for the entire year are also available on this site. .
$5.00
4.57 €
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Voix duo, Piano
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Stephen DeCesare
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Entrance and Communion Antiphons
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Exultet Music
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SheetMusicPlus
Fanfare for Easter
Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19122 Composed by …
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Choir Sacred Instrumental Ensemble - Digital Download SKU: JX.00-19122 Composed by Jay Althouse. This edition: InstruPax. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Easter; Sacred; Spring. Part(s). 19 pages. Jubilate Music Group - Digital #00-19122. Published by Jubilate Music Group - Digital (JX.00-19122). English.Thrilling antiphonal alleluias proclaim the victory of the risen Lord in this dramatic concertato by Jay Althouse. Perfect as an Easter introit, processional or featured anthem, it incorporates a verse for choir and optional congregation of Christ the Lord Is Risen Today. The optional antiphonal brass parts provide regal splendor. Certain to become an Easter standard! InstruPax includes: director's score, 3 trumpets, 3 trombones.
$20.00
18.28 €
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Jay Althouse
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Choral Octavo
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Fanfare for Easter
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Jubilate Music Group - Digital
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SheetMusicPlus
Fanfare for Easter
Chorale 3 parties
Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-191…
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Choir Sacred (SAB choir/3-Part choir Mixed) - Grade 3 - Digital Download SKU: JX.00-19120 Composed by Jay Althouse. Choral (Sacred); Choral Octavo; Performance Music Ensemble; Single Titles; Worship Resources. Alfred Archive Edition: Alfred SingPraise Series. Easter; Sacred; Spring. Choral Octavo. 12 pages. Jubilate Music Group - Digital #00-19120. Published by Jubilate Music Group - Digital (JX.00-19120). English.Thrilling antiphonal alleluias proclaim the victory of the risen Lord in this dramatic concertato by Jay Althouse. Perfect as an Easter introit, processional or featured anthem, it incorporates a verse for choir and optional congregation of Christ the Lord Is Risen Today. The optional antiphonal brass parts provide regal splendor. Certain to become an Easter standard!
$2.25
2.06 €
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Chorale 3 parties
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Jay Althouse
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Choral Octavo
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Fanfare for Easter
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Jubilate Music Group - Digital
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SheetMusicPlus
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