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Vous avez sélectionné:
Antithesis
Partitions à imprimer
11 partitions trouvées
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Antithesis for Solo English Horn
Cor Anglais
English Horn Solo - Digital Download SKU: A0.732994 Composed by Eudoxia Ypsilanti. …
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English Horn Solo - Digital Download SKU: A0.732994 Composed by Eudoxia Ypsilanti. Contemporary. Individual part. 4 pages. Ayotte Custom Musical Engravings #2039551. Published by Ayotte Custom Musical Engravings (A0.732994).
$9.99
9 €
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Cor Anglais
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Eudoxia Ypsilanti
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Antithesis for Solo English Horn
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Ayotte Custom Musical Engravings
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SheetMusicPlus
The Counter of The Point
Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859
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Instrumental Duet Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.943859 Composed by Jonah Koppitz. 20th Century,Contemporary. Score and parts. 1 pages. Jonah Koppitz #5748861. Published by Jonah Koppitz (A0.943859). The first thing that you should know about this piece is that it breaks nearly every rule of counterpoint that it can. To me, this composition represents the antithesis of how classical composers thought to compose. By directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing. My only hope is that, if Johann Joseph Fux were alive today, he’d see my work as an abomination of all the rules he holds so dear.My Ruleset:1. In sixth species counterpoint (countercounterpoint/anticounterpoint), you may write as many notes as desired in your new melody for each note in the cantus firmus.2. The first note and the last note must not form either an octave, unison, or a fifth with the cantus firmus.3. The penultimate note of your melody should not be an even scale degree.4. Augmented Fourths must resolve down and Diminished Fifths must resolve up.5. You may use parallel motion very recklessly because it obscures the independence of the voices.6. The harmonic interval formed between the voices on the downbeat of every measure may not be a perfect/major consonance-unison, third, fifth, sixth or octave. Diminished, Augmented, and Minor are fine.7. The interval formed between the voices on the second beat of every measure may not be a major third or major sixth.8. The overall shape of your melody should have a single high-point, preferably as far from the middle as is reasonable.9. Except for on the first beat of a measure, Consonant intervals are only allowed if preceded by a dissonant interval on a strong beat.10. Every Chord is fair game.11. The interval between the first beat of each measure should alternate between even numbers and odd numbers.12. Leaps must prepare, leap, and resolve in the same direction and may be greater than a fifth.13. Functional Harmony is for cowards who let chords tell them what to do.
$1.99
1.79 €
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directly contradicting the rules they follow and still creating music, it shows that stiff rule formats and limits on what makes good music are not necessary and oftentimes restrict creative composing
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Jonah Koppitz
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The Counter of The Point
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Jonah Koppitz
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SheetMusicPlus
A Week in November - Sally Whitwell
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. …
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Piano Solo - Level 5 - Digital Download SKU: A0.873046 Composed by Sally Whitwell. Contemporary. Score. 11 pages. Sally Whitwell #6119391. Published by Sally Whitwell (A0.873046). A Week in November… and what a week it was! It was the week of the US Presidential Election 2020. As I write these words, the absurdist tantrums of the Trump-Pence campaign versus the reasoned compassion of team Biden-Harris continues even well after the results have been called in the Democrats’ favour. There will not be the usual respectful concession speech and transition of power. I worry every day about how these next few months will be so very difficult, maybe even dangerous, for my American friends. Those convoys of flag waving Trumpists gleefully, openly, encouraged by their ‘leader’, attempting to block the democratic process was horrifying to witness. Was America on the brink of civil war? It still doesn’t seem far fetched to think that as I sit in my studio on the other side of the world, feeling helpless. The only thing I felt that I could do for my friends over there was to offer them a way to feel safe and loved in the moment, a bit of musical mindfulness. It was in this spirit that I wrote the second movement of this work, subtitled A Pocket Full of Calm. My excellent pianist friends Erica Sipes (USA) and Sandra Mogensen (Canada) adopted my little tune, recorded it on their social media to share said moment in the moment as it were. I hope it helped. I mean, if I can bring to even just one person some sense of calm solidarity, I’m happy with that. The fifth movement in the set, Victorious, resolute, but gracious, was a stream-of-consciousness creative response to the Biden Harris victory and the way they handled it so eloquently, so humbly, how they gave the world a sense of optimism once more. For a long while, I’d felt that I probably wouldn’t be welcome in America. As a mixed race, queer woman I was the antithesis of everything they valued. But now, people like me over there can feel human again. The relief! As for the other days of that week in November, they are part of a continuing series of daily composition exercises I started back in October in an effort to end a lengthy period of pandemic-induced creative block. Using a combination of exercises from Music Composition Toolbox (Barbeler/Blom/Hindson) and Brian Eno’s Oblique Strategies I’ve been able to find my creativity again. Starting a composition ‘habit’ is the best thing I’ve done for my writing all year and is how I mean to continue for a long time. Sally Whitwell12 November 2020
$15.00
13.51 €
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Piano seul
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Sally Whitwell
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A Week in November - Sally Whitwell
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Sally Whitwell
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SheetMusicPlus
Shadow and Self
Piano Trio: Violon, Alto, Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download …
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Instrumental Duet,Piano Instrumental Duet,Piano,Viola,Violin - Level 5 - Digital Download SKU: A0.1004166 Composed by Matthew Scott Phillips. 20th Century,Contemporary. Score and parts. 33 pages. Matthew Scott Phillips #6358435. Published by Matthew Scott Phillips (A0.1004166). Among the most recognizable of psychological archetypes is the Self; the totality of all the characteristics,perspectives, and personal natures we can introspectively recognize as our own, and the Shadow; the collection ofrepressed traits, tendencies, and instincts with which we do not identify but nevertheless posses. While the Shadow is always present, hidden within the details of our awareness, it is rarely observable to the conscious mind.However in times of stress or personal growth the antithesis of our self image cancome boiling to the surface. And although it may seem sinister to us, exposure often reveals it as a source of creativity,inspiration, and the keeper of all the honestly simple emotions and drives that we had forgotten.This composition is a programmatic telling of the emergence and (inevitable?) return to the unconscious of the Shadow Archetype.It is also an exploration of the archetype concept itself: having both a conscious texture, and asubconscious harmonic direction. Its key structure consists of a tonal center, and two subcenters which are completetonal areas in themselves, but are nevertheless part of the greater whole. As the conflict betweenShadow and Self progresses, the intervallic distance separating these keys is altered to produce greater dissonance or consonanceas necessary to reflect the greater or lesser concord between the divergent aspects of personality.
$7.00
6.3 €
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Piano Trio: Violon, Alto, Piano
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Matthew Scott Phillips
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Shadow and Self
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Matthew Scott Phillips
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SheetMusicPlus
Lo, How a Rose E'er Blooming
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.839967 By Christopher Alexander. By…
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Piano Solo - Level 3 - Digital Download SKU: A0.839967 By Christopher Alexander. By Alte Catholische Geistliche Kirchengesäng (1599). Arranged by Christopher Alexander. Christmas,Sacred. Score. 12 pages. Christopher Alexander #6461321. Published by Christopher Alexander (A0.839967). This 16th century melody takes its time, like a flower blossoming in the springtime. As an antithesis the supporting rhythms create a driving pulse that wants to elevate the piece along as the progresses. A great piece to which you can dig your fingers into the piano!
$2.00
1.8 €
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Piano seul
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Christopher Alexander
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Christopher Alexander
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Lo, How a Rose E'er Blooming
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Christopher Alexander
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SheetMusicPlus
String Quartet No. 3: Among Friends
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed …
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
32.42 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Robert M
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String Quartet No. 3: Among Friends
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Robert M. Greenberg
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SheetMusicPlus
Polka Ponderosa Arranged for Solo E flat Clarinet & Wind Band A4 size
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1290264 Composed by Peter Boris K…
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Concert Band - Level 5 - Digital Download SKU: A0.1290264 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and Parts. 242 pages. Peter Boris Koval #880968. Published by Peter Boris Koval (A0.1290264). The piece is lighthearted and the florid melodies show off the soloist to full advantage. The solo passages are lightly accompanied, but the interludes allow the rest of the band to shine. The piece was originally presented in an arrangement for solo tuba and wind band, and the title was chosen as a humorous antithesis of the character of the piece - ponderosa means ponderous but the work is light and flowing. Thus it ably lends itself to the repertory of the E flat clarinet. The work is also available on ArrangeMe formatted in Letter size.
$50.00
45.03 €
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Orchestre d'harmonie
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Peter Boris Koval
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Peter Boris Koval
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Polka Ponderosa Arranged for Solo E flat Clarinet & Wind Band A4 size
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Peter Boris Koval
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SheetMusicPlus
Polka Ponderosa Arranged for Solo E flat Clarinet & Wind Band Letter size
Orchestre d'harmonie
Concert Band - Level 5 - Digital Download SKU: A0.1299696 Composed by Peter Boris K…
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Concert Band - Level 5 - Digital Download SKU: A0.1299696 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century,March. Score and Parts. 144 pages. Peter Boris Koval #883172. Published by Peter Boris Koval (A0.1299696). The piece is lighthearted and the florid melodies show off the soloist to full advantage. The solo passages are lightly accompanied, but the interludes allow the rest of the band to shine. The piece was originally presented in an arrangement for solo tuba and concert band, and the title was chosen as a humorous antithesis of the character of the piece. Ponderosa means ponderous , but the work is light and flowing. Thusit ably lends itself to the repertory of the E flat clarinet. (In actual fact the piece was originally written as a brass band cornet solo many years ago without any title at that time).The work is also available on ArrangMe in A4 size, with extra transposed parts for European style bands.https://youtu.be/1XkBprsdtts?si=6DEm9EWzIK-CtVXf
$50.00
45.03 €
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Orchestre d'harmonie
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Peter Boris Koval
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Peter Boris Koval
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Polka Ponderosa Arranged for Solo E flat Clarinet & Wind Band Letter size
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Peter Boris Koval
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SheetMusicPlus
Will Of The People
Orchestre d'harmonie
Concert Band - Level 3 - Digital Download SKU: A0.1306290 By Muse. By Matthew Bella…
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Concert Band - Level 3 - Digital Download SKU: A0.1306290 By Muse. By Matthew Bellamy. Arranged by Stéphane Bournez. 21st Century,Rock. 75 pages. Stéphane Bournez #883943. Published by Stéphane Bournez (A0.1306290). Here is an exclusive arrangement of the Muse's song Will Of The People, for concert band, rock band (drums, bass guitar, guitar and lead voice) and choir!A great opening for your next show!This tune has been described as an anthemic glam rock song, also featuring traits of progressive rock.The song commences with a crowd repeatedly chanting the will of the people; this is a feature that is repeated throughout the track, forming both the song's bridge and the backing vocals to the choruses.Lyrically, the song is an anti-establishment protest song, similarly to previous Muse single Compliance; however, in contrast to the gaslighting nature of the previous single attempting to convince the listener that the oppressor is the one in the right, the lyrics of Will of the People are from the perspective of the victim, calling for direct action to be taken against the oppressor. The song is intended to be a populist parody, almost the antithesis to 'Uprising', another Muse song with a similar anti-establishment theme that instead [takes] it seriously..
$99.99
90.06 €
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Orchestre d'harmonie
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Muse
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Stéphane Bournez
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Will Of The People
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Stéphane Bournez
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SheetMusicPlus
Antithesis
Fanfare
Composed by George N Atkinson III. TV. Score. 17 pages. Published by George N Atkinson III…
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Composed by George N Atkinson III. TV. Score. 17 pages. Published by George N Atkinson III (S0.18940). - Score - TV - George N Atkinson III
$8.28
7.46 €
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Fanfare
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George N Atkinson III
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Antithesis
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George N Atkinson III
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SheetMusicPlus
In the end, we are all dead.
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Winfried Strauss. 20th Centu…
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Piano Solo - Intermediate - Digital Download Composed by Winfried Strauss. 20th Century, Impressionistic, Minimalism, Neo-Classical. Individual Part. 2 pages. Published by Winfried Strauss
Avant-garde pianist Winfried Strauss’ ‘In The End We Are All Dead’ is a bittersweet, melancholic piece that winds and lulls; taking the listener on a journey of reflection as keys chime and clash against the hum of a crackling vinyl.<br> <br> A specialist in minimalism, the Berlin-based composer started playing piano aged 6, and recorded his first tracks on a 16-bit Atari Computer in High School. Inspired by the likes of Max Richter, Volker Bertelmann and Philip Glass, Strauss deals in juxtaposition and will often explore antithesis within his arrangements.<br> <br> ‘In The End We Are All Dead’ achieves beauty through simplicity, soaring with retrospective strings and romantic melodies underpinned by the nostalgic sounds of mellotron and celesta.
$1.99
1.79 €
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Piano seul
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Winfried Strauss
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In the end, we are all dead.
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Winfried Strauss
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SheetMusicPlus
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