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Argument No. 2
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Vous avez sélectionné:
Argument No. 2
SheetMusicPlus
Partitions à imprimer
12 partitions trouvées
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1
Argument No. 2
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Trompette, Saxophone (duo)
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AVANCÉ
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Contemporain
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Dennis Frayne
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Argument No. 2
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Instrumental Duet Alto Saxophone,Instrumental Duet,Trombone - Level 5 - SKU: A0.879081 Composed by Dennis Frayne. 20th Century,Contemporary. Score and p...
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Instrumental Duet Alto Saxophone,Instrumental Duet,Trombone - Level 5 - SKU: A0.879081 Composed by Dennis Frayne. 20th Century,Contemporary. Score and parts. 4 pages. Presto! It's Music Magic Publishing #3502293. Published by Presto! It's Music Magic Publishing (A0.879081).
$5.99
Argument No. 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Dennis Frayne
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Argument No. 1
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Presto! It's Music Magic Publishing
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.879079 Composed by Dennis Frayne. 20th Century,Contemporary. Individual part. 2 pages. Presto! It's Music Magic Publishing...
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Oboe Solo - Level 5 - SKU: A0.879079 Composed by Dennis Frayne. 20th Century,Contemporary. Individual part. 2 pages. Presto! It's Music Magic Publishing #3502289. Published by Presto! It's Music Magic Publishing (A0.879079). Solo for Oboe.
$5.99
Ballade No. 2
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Nir Netivi
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Ballade No. 2
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Nir Netivi
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SheetMusicPlus
Piano/Keyboard,Trombone - Interactive Download SKU: A0.480719 By Nir Netivi. By Nir Netivi. This edition: Interactive Download. Classical,Film/TV. Instru...
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Piano/Keyboard,Trombone - Interactive Download SKU: A0.480719 By Nir Netivi. By Nir Netivi. This edition: Interactive Download. Classical,Film/TV. Instrumental Duet. 17 pages. Duration 196. Published by Nir Netivi (A0.480719). Duet for Piano and Trombone (Ballade), features an equal interaction between the 2 instruments with an interesting argument in the middle section. Really fun to play !
$4.99
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00
String Quartet No 1 (parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 1
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938379 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 70 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938379 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 70 pages. Colin Bayliss #6119. Published by Colin Bayliss (A0.938379). Was completed in April 1987, slightly revised for publication in 1994 with a few further revisions made for recording by the Lochrian Ensemble in 2007. The four movements follow the Classical pattern; the first movement, Sostenuto - allegro is followed by a scherzo (allegro molto, in 7/4), an adagio (also in 7/4) and a finale (allegro molto). The balance of the movements, however, differs in that the first and last movements are concertante movements for cello and first violin respectively; the argument of the third movement is largely made up of a love duet between the second violin and the viola, where the other two instruments have a mainly accompanying rôle, and only the scherzo has an equal balance between the forces. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573539633.
$12.00
String Quartet No. 1 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No. 1
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938380 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 65 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938380 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 65 pages. Colin Bayliss #6117. Published by Colin Bayliss (A0.938380). This was completed in April 1987, slightly revised for publication in 1994 with a few further revisions made for recording by the Lochrian Ensemble in 2007. The four movements follow the Classical pattern; the first movement, Sostenuto - allegro is followed by a scherzo (allegro molto, in 7/4), an adagio (also in 7/4) and a finale (allegro molto). The balance of the movements, however, differs in that the first and last movements are concertante movements for cello and first violin respectively; the argument of the third movement is largely made up of a love duet between the second violin and the viola, where the other two instruments have a mainly accompanying rôle, and only the scherzo has an equal balance between the forces. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573539633.
$12.00
String Quartet No. 4
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Quatuor à cordes: 2 violons, alto, violoncelle
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Anthony Powers
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String Quartet No. 4
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Oxford University Press Digital
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SheetMusicPlus
String quartet - SKU: OX.9780193201088 Composed by Anthony Powers. Score. 62 pages. Oxford University Press Digital #9780193201088. Published by Oxford ...
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String quartet - SKU: OX.9780193201088 Composed by Anthony Powers. Score. 62 pages. Oxford University Press Digital #9780193201088. Published by Oxford University Press Digital (OX.9780193201088). ISBN 9780193201088.Commissioned by Cardiff University School of Music and dedicated to their resident string quartet, this work is in one unbroken span that is formed from four linked movements. The work features sharply contrasting musical characters, creating Powers' typically oppositional and argumentative style.
$41.99
I Wished On The Moon
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Instruments en Do
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INTERMÉDIAIRE/AVANCÉ
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
C Instrument - Level 4 - SKU: A0.1487192 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead...
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C Instrument - Level 4 - SKU: A0.1487192 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #1064163. Published by John Fries (A0.1487192). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936.Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$3.99
I Wished On The Moon
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1487194 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Sta...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1487194 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Score. 1 pages. John Fries #1064165. Published by John Fries (A0.1487194). TYPE JOHN FRIES IN THE SEARCH BAR TO SEE ALL I HAVE TO OFFER. Thanks, John. I Wished on the Moon is a song composed by Ralph Rainger, with lyrics by Dorothy Parker. Bing Crosby sang the song in The Big Broadcast of 1936. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed. Crosby recorded the song again in 1954 for his album Bing: A Musical Autobiography.
$5.99
I Wished On The Moon
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Instruments en Do
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INTERMÉDIAIRE
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead ...
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C Instrument - Level 3 - SKU: A0.499581 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112878. Published by John Fries (A0.499581). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer. Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.
$3.99
I Wished On The Moon
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Piano, Voix et Guitare
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INTERMÉDIAIRE/AVANCÉ
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Bill Perkins
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John Fries
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I Wished On The Moon
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John Fries
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199577 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Pop,Stan...
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Guitar,Piano,Vocal,Voice - Level 4 - SKU: A0.1199577 By Bill Perkins. By Dorothy Parker and Ralph Rainger. Arranged by John Fries. 20th Century,Pop,Standards. Score. 1 pages. John Fries #798646. Published by John Fries (A0.1199577). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns.  You can also type John Fries in the searchbar to see all I have to offer.  Crosby recorded the song on August 14, 1935 with The Dorsey Brothers Orchestra and it reached the charts of the day peaking at No. 2 during a seven-week stay. At the end of the long recording session, Crosby decided to sing only a single chorus of the song in the middle of an orchestral version instead of the full ballad treatment used in the film. This led to a long argument between the singer and producer Jack Kapp. Eventually Crosby prevailed.
$4.99
Ye Banks & Braes (Trad. Arr.)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Richard John
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Peet du Toit
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Ye Banks & Braes
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Peet du Toit
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SheetMusicPlus
Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional...
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Brass Ensemble,Brass Quintet Horn,Trombone,Trumpet,Tuba - SKU: A0.1495808 Composed by Richard John (Gb1) Thompson. Arranged by Peet du Toit. Traditional. 7 pages. Peet du Toit #1072337. Published by Peet du Toit (A0.1495808). BANKS AND BRAES (O' BONNY DOON). AKA and see “Bonnie Doon,” Lost is My Quiet, Caledonian Hunt's Delight (The), Ye Banks and Braes. Scottish, Air and Waltz (6/8 or 3/4 time). The antiquarian William Chappell claims the tune is English on the strength of its being included in a Collection of English Songs by Dale (who published about 1780-1794) under the title Lost is my quiet. However, the collector John Glen (1891) relates a delightful story of the tune's origins involving the famous Scots poet, Robert Burns (1759-1796), who wrote to publisher George Thomson in 1794:Do you known the history of the air? It is curious enough. A good many years ago, Mr. James Miller, writer in your good own (Edinburgh), a gentleman whom, possibly, you know, was in company with our good friend Clarke; and taling of Scottish music, Miller expressed an ardent ambition to be able to compose a Scots air. Mr. Clarke, partly by way of a joke, told him to keep to the black keys of the harpsichord, and preserve some kind of rhythm, and he would infallibly compose a Scots air. Certain it is, that, in a few days, Mr. Miller produced the rudiments of an air which Mr. Clarke, with some touches and corrections, fashioned into the tune in question. Ritson, you know, has the same story of the black keys; but this account which I have just given you, Mr. Clarke informed me of several years ago.Miller's tune was first published under the title Caledonian Hunt's Delight (The) in Gow's 2nd Collection (1788), but Glen concludes that it is more likely that Lost is my quiet is a poor adaptation and nothing else. He also notes there is a tune having a supposed resemblance in Playford's Appollo's Banquet (1690) entitled Scotch Tune (A) (No. 68), but in the end he believes that neither Chappell's arguments nor facts are strong enough to deprive Mr. Miller of his claim. The Caledonian Hunt's Delight appears also in George Thomson's A Select Collection of Original Scottish Airs for the Voice (Edinburgh, 1793-1797), arranged by Kozeluch. A rondo on the air was composed by Domenico Corri (1746-1825) under the title Favourite Irish Air (which, of course, it is not).
$13.00
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