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53
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51
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31
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1314
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181
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9976
Canongia - Air varié for Clarinet & Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.1297680 Composed by José Avelino Canon…
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Full Orchestra - Digital Download SKU: A0.1297680 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 143 pages. J.G. Cuco Barber #887655. Published by J.G. Cuco Barber (A0.1297680). Work Title Air varié pour la Clarinette avec acc. de Grande OrchestreComposer Canongia, José AvelinoKey F minorMovements/Sections1 section(Introduction: Allegro - Theme: Andante - variações 1-4 - Allegro - Adagio - variações 5 + 6 - Coda)First Publication 1805-16Dedication Maria da Glória, Rainha de PortugalAverage Duration 20 minutesComposer Time Period RomanticPiece Style ClassicalInstrumentation solo: clarinetorchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone, timpani, strings
$45.00
41.14 €
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Orchestre
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José Avelino Canongia
#
J
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Canongia - Air varié for Clarinet & Orchestra
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J.G. Cuco Barber
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SheetMusicPlus
Irish National Anthem (Unofficial) for String Orchestra
Orchestre à Cordes
String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Ke…
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String Orchestra - Intermediate - Digital Download Composed by trad. Arranged by Keith Terrett. 20th Century, European, Patriotic. Score, Set of Parts. 10 pages. Published by Music for all Occasions
Londonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related ScoresLondonderry Air arranged for String Orchestra.<br> <br> A big band version of the song is used as the theme for The Danny Thomas Show (a.k.a. Make Room For Daddy).<br> <br> "Danny Boy" was used to represent Northern Ireland at the start of the London 2012 Olympics opening ceremony, sung by a choir of children on the Giant’s Causeway.<br> <br> On November 25, 2014, the Vancouver Canucks used the song in honor of the recently deceased Pat Quinn, who played and worked in many executive capacities for the team.<br> <br> There are various theories as to the true meaning of "Danny Boy". Some listeners have interpreted the song to be a message from a parent to a son going off to war or leaving as part of the Irish diaspora.<br> <br> The 1918 version of the sheet music included alternative lyrics ("Eily Dear"), with the instructions that "when sung by a man, the words in italic should be used; the song then becomes "Eily Dear", so that "Danny Boy" is only to be sung by a lady". In spite of this, it is unclear whether this was Weatherly’s intent.<br> <br> Why the name Londonderry Air? Londonderry and Derry refer to the same place, a city in the north of Ireland, and also to the surrounding county. Supposedly the city of Derry was founded by St. Colmcille, although archaeological evidence shows that people were living there thousands of years earlier. There is an excellent museum in the city, which is worth a visit if you want to find out more. The name of the city was actually "Doire", corrupted to "Derry" by people who can’t pronounce Irish. It thought to derive from an Irish root meaning "oak tree".<br> <br> Moving quickly along in history, about a millenium later the government of England was having a difficult time colonizing Ireland because of the fierce and warlike clans living there, especially in the north of the country, Ulster. The monarchs of England, almost all of whom were notorious cheapskates, were continually looking about for ingenious ways to conquer places without actually having to put up the money themselves, or run the risk of unpopularity if they lost. In the case of Ireland, some of these schemes of the "Brish gummit" (as it is termed nowadays in Ulster) are still producing unfortunate long-term consequences.<br> <br> In 1608, King James I gave the city of Derry to the City of London corporation. I guess the deal could be summed up by saying that if the City of London could figure out a way to chase all the inhabitants out of Derry, they would be allowed to keep the loot, minus a percentage for the King of course. If they lost, well too bad. In celebration of this historic agreement, the name of Derry was officially changed to Londonderry. (For further information, check out the Northern Ireland Tourist Board’s History of Derry.)<br> <br> The linguistic outcome of all this today is that, if you think that King James’s deal with the City of London was a good idea, you call both the city and county "Londonderry". If you do, you are probably a supporter of the Unionist movement that seeks to keep Ulster a part of the United Kingdom. If you think it was a bad idea, you call both "Derry", and you are probably a supporter of the Irish Nationalist cause. Or you might just be someone who thinks it’s confusing for kings to be going around changing the names of places all the time for no good reason.<br> <br> You can find plenty of discussion about the political side of the question elsewhere, but here let’s look at the musical side. We have an air, collected in county Derry/Londonderry, and it doesn’t have a title. What do we call it?<br> <br> If you were a proper Victorian, there’s no way you were going to call it the Londonderry Air, much less the Derry Air, because of the improper sentiments that these titles might suggest. My parents tell me that in their youth in Australia, it was usually called the Air from County Derry. (This would, I suppose, support Winston Churchill’s theory that Australia was inhabited by "convicts and Irishmen".)<br> <br> My mother also sends the following information, referring to an arrangement of the tune by the Australian composer Percy Grainger:<br> <br> Just another note about Danny Boy, that I grew up in Australia believing to be the Air from County Derry. We were looking through some LP’s last night (back to vinyl yet!) and found a Mercury Wing Classical Favorites stereo LP SRW18060, COUNTRY GARDENS and other favorites by Percy Grainger {played by} Eastman-Rochester Pops, Frederick Fennell, conducting. The cover notes included the following: "Irish Tune from County Derry was harmonised in memory of Irish childhood friends in Australia." Considered by many to be Grainger’s masterpiece of harmonization, the tune was collected many years ago by Miss Jane Ross of New Town, Limavady, Ireland. Grainger has set it for many instrumental combinations. So there’s another variant on the name for it. It doesn’t say who wrote the notes, but the bits in quotes for each of the works on the record are Grainger’s original comments.<br> <br> The references to Londonderry Air that I’ve seen don’t go back any earlier than the late 1930s. For example, the Glenn Miller Orchestra recorded Danny Boy (Londonderry Air) in February 1940. Bing Crosby’s version was recorded in July 1941 (reference). (So many different things I could check up on!) Londonderry was an important American naval base during WWII, but the US hadn’t come into the war in 1940.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com<br> <br> Contact Publisher Related Scores
$8.99
8.22 €
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Orchestre à Cordes
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trad
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Keith Terrett
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Irish National Anthem
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Music for all Occasions
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SheetMusicPlus
Om Kvelden (In the evening) For solo Bass Clarinet and Concert Band
Clarinette, Orchestre
Arranged by Arild Mjaaland. Score, Set of Parts. 39 pages. Published by Arild Mjaaland
Arranged by Arild Mjaaland. Score, Set of Parts. 39 pages. Published by Arild Mjaaland
$30.00
27.43 €
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Clarinette, Orchestre
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Arild Mjaaland
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Om Kvelden
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Arild Mjaaland
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SheetMusicPlus
Trilogy Pets: Puppy, Kitten, Little Mouse (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.979596 Composed by Nikolay Rozh…
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Full Orchestra - Level 4 - Digital Download SKU: A0.979596 Composed by Nikolay Rozhko. Children,Jazz,World. Score and parts. 44 pages. Mykola Rozhko #482667. Published by Mykola Rozhko (A0.979596). The Trilogy Pets consists of 3 pieces: Puppy (leading instrument - clarinet), Kitten (leading instrument - flute), Little Mouse (leading instrument - piano) - accompanied by a variety orchestra of 20-30 performers. Duration of work: appr. 4 min. Difficulty: advanced intermediate. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 2 alto sax, 1 tenor sax, 2 trumpets, 1 trombone, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$9.99
9.13 €
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Orchestre
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Nikolay Rozhko
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Trilogy Pets: Puppy, Kitten, Little Mouse
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Mykola Rozhko
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SheetMusicPlus
Nocturne for violin and orchestra
Orchestre, Violon
Violin and orchestra - Digital Download Completed and orchestrated after the sketches…
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Violin and orchestra - Digital Download Completed and orchestrated after the sketches of Debussy by Robert Orledge. Composed by Robert Orledge and Claude Debussy (1862-1918). Arranged by Robert Orledge. This edition: vocal/piano score. Violin Library. Downloadable. Duration 10 minutes. Schott Music - Digital #Q46518. Published by Schott Music - Digital
The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.The Belgian violinist, Eugene Ysaye (1858-1931), with his impressive blend of virtuosity and poetry, was a great admirer of the young Debussy's music who led the Paris premiere of his only string quartet in December 1893. In September 1892, Debussy was planning an American tour with the financial support of Prince Andre Poniatowski that was to include his 'nearly completed three Scenes au crepuscule', inspired by the Symbolist poetry of his friend Henri de Regnier. He made 'extensive revisions' to them in 1893, even if all that seems to have survived is a series of sketches in Bibliotheque Nationale de France, MS 20632(2), most of which appear to be for violin and orchestra in E or B major. Another related, and more virtuosic, theme emerged in a Parisian sale in June 2006, which opens the main part of the present Nocturne (after a slow introduction).<br> <br> We also learn from Ernest Chausson in April 1893 that Debussy was composing a work for Ysaye's first American tour in 1894-95, which at one stage was described as a 'concerto'. Then, as Debussy was putting the finishing touches to L'Apres-midi d'un faune in 1894, he told Ysaye he was now working on 'three Nocturnes for solo violin and orchestra which are destined for you', and which undoubtedly derived from his earlier 'Twilight scenes'. The first was to be 'for strings only'. the second for three flutes, four horns, three trumpets and two harps. the third combines all these instruments'. He also informed Ysaye, perhaps with Whistler's Nocturnes in mind, that they were to be like 'a study in grey in painting'. Debussy only abandoned this project in November 1896 after Ysaye told him he would not be able to premiere the Nocturnes in Brussels 'for financial reasons'.<br> <br> My completion comes closest to the third Nocturne Debussy planned and to being a rondo with related episodes. The dynamic idea that emerged in 2006, which was scored by Debussy, leads naturally into the 'twilight' theme in B major beginning on solo cello and doublebasses, with the high, haunting three-note idea first heard at the outset floating above on solo violin, exactly as Debussy conceived it. All five of Debussy's themes are harmonized and they vary in length between three and thirteen bars: none of them relate to the orchestral Nocturnes of 1897-99. Rather than develop any of these themes, they are presented in changing harmonic backgrounds in the contemporary manner of L'Apres-midi d'un faune, and the whole work centres on an expansive scalar which joins the various aspects of Debussy's 'twilight' themes together in a new perspective.
$19.99
18.28 €
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Orchestre, Violon
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Nocturne for violin and orchestra
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Schott Music - Digital
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SheetMusicPlus
The Christmas Song (Chestnuts Roasting on an Open Fire) (30-Piece Digital Pack)
Orchestre
Full orchestra String Bass - Level 3-4 - Digital Download SKU: HX.276738 By Mel Tor…
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Full orchestra String Bass - Level 3-4 - Digital Download SKU: HX.276738 By Mel Torme. Arranged by Bob Krogstad. Christmas,Holiday,Winter. 2 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.276738).
Digital Pack includes:The Christmas Song (Chestnuts Roasting on an Open Fire) - Full ScoreThe Christmas Song (Chestnuts Roasting on an Open Fire) - Flute 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Flute 2The Christmas Song (Chestnuts Roasting on an Open Fire) - OboeThe Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Clarinet 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Clarinet 2The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Bass ClarinetThe Christmas Song (Chestnuts Roasting on an Open Fire) - BassoonThe Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 1The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 2The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 3The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 4The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 2The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 3The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 2The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 3The Christmas Song (Chestnuts Roasting on an Open Fire) - TubaThe Christmas Song (Chestnuts Roasting on an Open Fire) - TimpaniThe Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 2The Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 3The Christmas Song (Chestnuts Roasting on an Open Fire) - HarpThe Christmas Song (Chestnuts Roasting on an Open Fire) - Piano/CelesteThe Christmas Song (Chestnuts Roasting on an Open Fire) - Violin 1The Christmas Song (Chestnuts Roasting on an Open Fire) - Violin 2The Christmas Song (Chestnuts Roasting on an Open Fire) - ViolaThe Christmas Song (Chestnuts Roasting on an Open Fire) - CelloThe Christmas Song (Chestnuts Roasting on an Open Fire) - String Bass
Digital Pack includes
:
The Christmas Song (Chestnuts Roasting on an Open Fire) - Full Score
The Christmas Song (Chestnuts Roasting on an Open Fire) - Flute 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Flute 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Oboe
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Clarinet 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Clarinet 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Bass Clarinet
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bassoon
The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 3
The Christmas Song (Chestnuts Roasting on an Open Fire) - F Horn 4
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Bb Trumpet 3
The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Trombone 3
The Christmas Song (Chestnuts Roasting on an Open Fire) - Tuba
The Christmas Song (Chestnuts Roasting on an Open Fire) - Timpani
The Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Percussion 3
The Christmas Song (Chestnuts Roasting on an Open Fire) - Harp
The Christmas Song (Chestnuts Roasting on an Open Fire) - Piano/Celeste
The Christmas Song (Chestnuts Roasting on an Open Fire) - Violin 1
The Christmas Song (Chestnuts Roasting on an Open Fire) - Violin 2
The Christmas Song (Chestnuts Roasting on an Open Fire) - Viola
The Christmas Song (Chestnuts Roasting on an Open Fire) - Cello
The Christmas Song (Chestnuts Roasting on an Open Fire) - String Bass
$95.00
86.85 €
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Orchestre
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Mel Torme
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Bob Krogstad
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The Christmas Song
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Hal Leonard - Digital
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SheetMusicPlus
ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 pages. David Warin Solomons #4573. Published by David Warin Solomons (A0.576188). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.57 €
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Orchestre
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David Warin Solomons
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ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
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David Warin Solomons
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SheetMusicPlus
ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4563. Published by David Warin Solomons (A0.576184). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00
4.57 €
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Orchestre
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David Warin Solomons
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ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
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David Warin Solomons
#
SheetMusicPlus
Pirates of the Caribbean (arr. Ted Ricketts) (29-Piece Digital Pack)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: HX.472902 Composed by Klaus Badelt…
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Full Orchestra - Level 4 - Digital Download SKU: HX.472902 Composed by Klaus Badelt. Arranged by Ted Ricketts. This edition: scorch. Disney,Film/TV. 4 pages. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.472902).
Digital Pack includes:Pirates of the Caribbean (arr. Ted Ricketts) - Full ScorePirates of the Caribbean (arr. Ted Ricketts) - Flute 1Pirates of the Caribbean (arr. Ted Ricketts) - OboePirates of the Caribbean (arr. Ted Ricketts) - Flute 2Pirates of the Caribbean (arr. Ted Ricketts) - Bb Clarinet 1Pirates of the Caribbean (arr. Ted Ricketts) - Bb Bass ClarinetPirates of the Caribbean (arr. Ted Ricketts) - Bb Clarinet 2Pirates of the Caribbean (arr. Ted Ricketts) - BassoonPirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 1Pirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 2Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 1Pirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 3Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 2Pirates of the Caribbean (arr. Ted Ricketts) - Trombone 1Pirates of the Caribbean (arr. Ted Ricketts) - Percussion 1Pirates of the Caribbean (arr. Ted Ricketts) - PianoPirates of the Caribbean (arr. Ted Ricketts) - F Horn 4Pirates of the Caribbean (arr. Ted Ricketts) - Mallet PercussionPirates of the Caribbean (arr. Ted Ricketts) - F Horn 3Pirates of the Caribbean (arr. Ted Ricketts) - Violin 1Pirates of the Caribbean (arr. Ted Ricketts) - TubaPirates of the Caribbean (arr. Ted Ricketts) - Trombone 3Pirates of the Caribbean (arr. Ted Ricketts) - Percussion 2Pirates of the Caribbean (arr. Ted Ricketts) - Trombone 2Pirates of the Caribbean (arr. Ted Ricketts) - TimpaniPirates of the Caribbean (arr. Ted Ricketts) - Violin 2Pirates of the Caribbean (arr. Ted Ricketts) - ViolaPirates of the Caribbean (arr. Ted Ricketts) - String BassPirates of the Caribbean (arr. Ted Ricketts) - Cello
Digital Pack includes
:
Pirates of the Caribbean (arr. Ted Ricketts) - Full Score
Pirates of the Caribbean (arr. Ted Ricketts) - Flute 1
Pirates of the Caribbean (arr. Ted Ricketts) - Oboe
Pirates of the Caribbean (arr. Ted Ricketts) - Flute 2
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Clarinet 1
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Bass Clarinet
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Clarinet 2
Pirates of the Caribbean (arr. Ted Ricketts) - Bassoon
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 1
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 2
Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 1
Pirates of the Caribbean (arr. Ted Ricketts) - Bb Trumpet 3
Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 2
Pirates of the Caribbean (arr. Ted Ricketts) - Trombone 1
Pirates of the Caribbean (arr. Ted Ricketts) - Percussion 1
Pirates of the Caribbean (arr. Ted Ricketts) - Piano
Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 4
Pirates of the Caribbean (arr. Ted Ricketts) - Mallet Percussion
Pirates of the Caribbean (arr. Ted Ricketts) - F Horn 3
Pirates of the Caribbean (arr. Ted Ricketts) - Violin 1
Pirates of the Caribbean (arr. Ted Ricketts) - Tuba
Pirates of the Caribbean (arr. Ted Ricketts) - Trombone 3
Pirates of the Caribbean (arr. Ted Ricketts) - Percussion 2
Pirates of the Caribbean (arr. Ted Ricketts) - Trombone 2
Pirates of the Caribbean (arr. Ted Ricketts) - Timpani
Pirates of the Caribbean (arr. Ted Ricketts) - Violin 2
Pirates of the Caribbean (arr. Ted Ricketts) - Viola
Pirates of the Caribbean (arr. Ted Ricketts) - String Bass
Pirates of the Caribbean (arr. Ted Ricketts) - Cello
$80.00
73.14 €
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Orchestre
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Klaus Badelt
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Ted Ricketts
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Pirates of the Caribbean
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Hal Leonard - Digital
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
36.56 €
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Orchestre de chambre
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Arizona Centennial Overture - Orchestra Version
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
36.56 €
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Orchestre
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Sy Brandon
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Arizona Centennial Overture - Orchestra Version
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Sy Brandon
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SheetMusicPlus
Music Mosaic (for a Variety Orchestra)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.979602 Composed by Nikolay R…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.979602 Composed by Nikolay Rozhko. Jazz,World. Score and parts. 32 pages. Mykola Rozhko #2151221. Published by Mykola Rozhko (A0.979602). Duration of work: appr. 4.5 min. Difficulty: advanced intermediate. Performance Practice Suggestions: a piece for a variety symphonic orchestra of 20-30 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 1 soprano sax, 3 alto sax, 1 tenor sax, 3 trumpets, 1 trombone, 1 xylophone, 1 drum set, 1 percussion, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$5.99
5.48 €
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Orchestre de chambre
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Nikolay Rozhko
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Music Mosaic
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Mykola Rozhko
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SheetMusicPlus
St. John's Eve - Ukrainian Folk (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.979594 Composed by Nikolay Rozh…
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Full Orchestra - Level 5 - Digital Download SKU: A0.979594 Composed by Nikolay Rozhko. Folk,Jazz. Score and parts. 30 pages. Mykola Rozhko #115509. Published by Mykola Rozhko (A0.979594). This piece is influenced by a Ukrainian folk music. Duration of work: appr. 3.5 min. Difficulty: advanced Performance Practice Suggestions: a piece for a variety symphonic orchestra of 30-40 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 2 alto sax, 1 tenor sax, 3 trumpets, 1 trombone, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$8.99
8.22 €
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Orchestre
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Nikolay Rozhko
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St. John's Eve - Ukrainian Folk
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Mykola Rozhko
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SheetMusicPlus
Sadness (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.979592 Composed by Nikolay Rozh…
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Full Orchestra - Level 4 - Digital Download SKU: A0.979592 Composed by Nikolay Rozhko. Jazz. Score and parts. 26 pages. Mykola Rozhko #115507. Published by Mykola Rozhko (A0.979592). Duration of work: appr. 4.5 min. Difficulty: advanced intermediate Performance Practice Suggestions: a piece for a variety symphonic orchestra of 30-40 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 1 soprano sax, 3 alto sax, 1 tenor sax, 3 trumpets, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Leading instrument: cello Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$7.99
7.3 €
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Orchestre
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Nikolay Rozhko
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Sadness
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Mykola Rozhko
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SheetMusicPlus
Zaporizhian Sich - Ukrainian Folk (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.979597 Composed by Nikolay Rozh…
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Full Orchestra - Level 5 - Digital Download SKU: A0.979597 Composed by Nikolay Rozhko. Contemporary,Folk,Jazz,World. Score and parts. 26 pages. Mykola Rozhko #482689. Published by Mykola Rozhko (A0.979597). This piece is influenced by a Ukrainian folk music. Duration of work: appr. 4 min. Difficulty: advanced. Performance Practice Suggestions: a piece for a variety symphonic orchestra of 30-40 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 3 alto sax, 1 tenor sax, 3 trumpets, 1 trombone, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Contact Information: Nikolay Rozhko, info.fortamusic@gmail.com.
$7.99
7.3 €
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Orchestre
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Nikolay Rozhko
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Zaporizhian Sich - Ukrainian Folk
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Mykola Rozhko
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SheetMusicPlus
Floating above the Ground (for a Variety Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.979607 Composed by Nikolay Rozh…
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Full Orchestra - Level 4 - Digital Download SKU: A0.979607 Composed by Nikolay Rozhko. Jazz,World. Score and parts. 62 pages. Mykola Rozhko #3462195. Published by Mykola Rozhko (A0.979607). Duration of work: appr. 3.25 min. Difficulty: advanced intermediate.Performance Practice Suggestions: a piece for a variety symphonic orchestra of 30-40 performers. Scores for the following groups of instruments: 2 flutes, 2 clarinets, 3 alto sax, 1 tenor sax, 3 trumpets, 1 trombone, 1 drum set, 1 guitar, 1 bass guitar, 1 piano, 2 violins, 2 cellos. Leading instruments: 2 trumpets (performers should be able to play ad-lib).
$6.99
6.39 €
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Orchestre
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Nikolay Rozhko
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Floating above the Ground
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Mykola Rozhko
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.24 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.14 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.14 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
73.14 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
45.71 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
#
SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
36.57 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
#
SheetMusicPlus
Eleanor Rigby - Beatles for Orchestra
Orchestre
Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged…
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Full Orchestra - Intermediate - Digital Download By David Cook, The Beatles. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney.<br> <br> The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".<br> <br> Taken from https://en.wikipedia.org/wiki/Eleanor_Rigby"Eleanor Rigby" is a song by the English rock band the Beatles from their 1966 album Revolver. It was also issued on a double A-side single, paired with "Yellow Submarine". The song was written primarily by Paul McCartney and credited to Lennon–McCartney.<br> <br> The song continued the transformation of the Beatles from a mainly rock and roll- and pop-oriented act to a more experimental, studio-based band. With a double string quartet arrangement by George Martin and lyrics providing a narrative on loneliness, "Eleanor Rigby" broke sharply with popular music conventions, both musically and lyrically. Richie Unterberger of AllMusic cites the band's "singing about the neglected concerns and fates of the elderly" on the song as "just one example of why the Beatles' appeal reached so far beyond the traditional rock audience".<br> <br> Taken from https://en.wikipedia.org/wiki/Eleanor_Rigby
$60.00
54.85 €
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Orchestre
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David Cook, The Beatles
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Javier Martínez Maya
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SheetMusicPlus
Canongia - Clarinet Concerto No.2 in B flat major
Orchestre
Full Orchestra - Digital Download SKU: A0.1302485 Composed by José Avelino Canon…
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Full Orchestra - Digital Download SKU: A0.1302485 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 153 pages. J.G. Cuco Barber #892105. Published by J.G. Cuco Barber (A0.1302485). Work Title Clarinet Concerto No.2 in B flat majorAlternative Title Deuxieme Concerto pour la Clarinette Avec OrchestreComposer Canongia, José AvelinoKey B flat majorMovements/Sections 3 movements: Allegro maestoso Andantino sostenuto Allegro vivace Dedication Pierre 1er. Empereur du Bresil et Roi de PortugalAverage Duration 18 minutesComposer Time Period RomanticPiece Style RomanticInstrumentation clarinet, orchestraInstrDetail 2 flutes, 2 oboes, 2 clarinets, 2 bassoons2 horns, 2 trumpets, bass trombone, timpani, strings.
$45.00
41.14 €
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Orchestre
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José Avelino Canongia
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J
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Canongia - Clarinet Concerto No.2 in B flat major
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J.G. Cuco Barber
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SheetMusicPlus
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