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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
FILM WALT DISNEY
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
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Non classifié
3853
PIANO & CLAVIERS
Piano, Voix
5720
Piano seul
2411
Piano Facile
943
Piano, Voix et Guitare
605
Instruments en Do
396
Orgue
371
Accompagnement Piano
109
1 Piano, 4 mains
99
Piano Trio: piano, violon, violoncelle
67
Accordéon
36
2 Pianos, 4 mains
25
Piano grosses notes
22
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano (partie séparée)
16
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Trompette (duo)
13
Orgue, Piano (duo)
7
Clavecin
7
2 Accordéons
6
Orgue, Voix
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
262
Guitare
253
Ligne De Mélodie, (Paroles) et Accords
88
Ukulele
87
Basse electrique
65
2 Guitares (duo)
53
Piano, Guitare (duo)
33
Paroles et Accords
26
Mandoline
19
4 Guitares (Quatuor)
18
Guitare (partie séparée)
14
Banjo
9
3 Guitares (trio)
8
Dulcimer
5
Ensemble de guitares
4
Basse électrique (partie séparée)
3
Mandoline, Guitare (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
1060
Chorale 3 parties
428
Chorale 2 parties
313
Voix Soprano, Piano
185
Voix duo, Piano
156
Chorale TTBB
154
Chorale SSAA
130
Voix seule
107
Voix duo
95
Voix Tenor, Piano
92
Voix haute
88
Voix Alto, Piano
85
Chorale Unison
72
Voix Baryton, Piano
58
Chorale
38
Voix moyenne, Piano
28
Voix Mezzo-Soprano, Piano
18
Voix basse, Piano
16
Voix Tenor
15
Chorale SSATB
9
Voix Soprano
9
Chorale SSATTB
6
Voix basse
5
Voix duo, Orgue
4
Chorale SSAATTBB
4
Voix haute, Piano
3
Voix, Guitare
3
Chorale SATBB
2
Voix Moyenne
2
Chorale SSAB a cappella
2
Voix Baryton
1
Chorale SSAATB
1
Chorale, Orgue
1
Voix Soprano, Orchestre
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
413
Clarinette et Piano
330
Hautbois, Piano (duo)
258
Quatuor de Saxophones: 4 saxophones
254
Flûte traversière
251
Saxophone Alto et Piano
246
Clarinette
237
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
224
Saxophone Tenor et Piano
194
Saxophone (partie séparée)
185
2 Saxophones (duo)
181
Quatuor de Clarinettes: 4 clarinettes
165
Saxophone Alto
162
Flûte, Hautbois, Clarinette, Basson
148
Saxophone Soprano et Piano
145
2 Flûtes traversières (duo)
122
Hautbois (partie séparée)
111
Saxophone Tenor
110
2 Clarinettes (duo)
107
Quatuor de Flûtes : 4 flûtes
87
Quintette de Saxophone: 5 saxophones
74
Ensemble de Clarinettes
72
Clarinette (partie séparée)
72
Saxophone Baryton, Piano
66
Ensemble de saxophones
61
Ensemble de Flûtes
57
Flûte, Clarinette (duo)
54
Flûte et Guitare
53
Flûte à Bec
52
3 Saxophones (trio)
49
Quatuor de Flûtes à bec
48
Cor anglais, Piano
45
Quintette de Clarinettes: 5 clarinettes
30
3 Flûtes à bec (trio)
28
3 Clarinettes (trio)
28
2 Hautbois (duo)
26
Clarinette Basse, Piano
24
Clarinette, Violon (duo)
24
Flûte à bec Soprano
23
Flute (partie séparée)
23
Trio de Flûtes: 3 flûtes
22
Hautbois
22
Saxophone Soprano
21
Saxophone, Clarinette (duo)
20
Hautbois, Basson (duo)
19
Flûte, Clarinette, Piano (trio)
17
2 Clarinettes, Piano
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Violon
16
2 Flûte à bec (duo)
15
5 Flûtes à bec
15
Flûte à bec Alto, Piano
14
Saxophone Baryton
14
2 Saxophones, Piano
13
Clarinette, Guitare (duo)
13
Flûte, Clarinette et Basson
13
Flûte, Violon et Violoncelle
13
Piccolo, Piano
12
Cor Anglais
12
Ensemble De Flûte à bec
12
Flûte, Violon, Piano
11
Clarinette, Trompette (duo)
11
Hautbois, Clarinette, Basson (trio d'anches)
11
Hautbois, Clarinette (duo)
11
Flûte à bec Tenor
10
2 Flûtes traversières, Piano
10
Flûte, Saxophone (duo)
8
Flûte, trombone et piano
8
Clarinette, Violoncelle (duo)
8
Flûte, Hautbois, Basson
8
Flûte, Violoncelle
8
Quintette de Flûte : 5 flûtes
8
Hautbois, Flûte
8
Ocarina
7
Piccolo
7
Clarinette et Alto
7
Clarinette, Violoncelle, Piano (trio)
7
Flûte à bec Alto
7
Saxophone et Guitare
7
Flûte à bec Soprano, Piano
6
Clarinette, Harpe (duo)
6
Flûte, Alto (duo)
6
Flûte, Trompette (duo)
6
Saxophone et Orgue
6
Clarinette, Basson (duo)
6
Flûte, Basson et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
Flûte à bec, Guitare (duo)
4
Flûte, Hautbois (duo)
4
Clarinette Basse
4
Flûte, Alto et Piano
4
Flûte à Bec, Piano
4
Flûte, Violon, Violoncelle et Piano
4
Flûte, Hautbois, Piano (trio)
4
Hautbois, Harpe
3
4 Hautbois
3
Clarinette, Orchestre
3
Harmonica
3
Clarinette, trompette et piano
2
2 Hautbois, Piano
2
Cor anglais, Guitare (duo)
2
Saxophone et Piano
2
Clarinette, Trombone (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violoncelle, Guitare
2
Hautbois, Guitare (duo)
2
3 Hautbois
2
Clarinette, Contrebasse (duo)
1
Flûte traversière, Orgue (duo)
1
Instruments en Mib
1
Clarinette, Orgue
1
Flute, harpe et violon
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte à bec, Harpe
1
Flûte traversière, Basse continue
1
Saxophone et violoncelle
1
Saxophone et Harpe
1
Flûte et Quatuor à Cordes
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Flûte à bec Alto, Basse continue
1
Saxophone
1
Clarinette, Saxophone, Piano
1
Hautbois, Violoncelle
1
2 Flûtes, Basse continue
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette, Piano
241
Trompette
239
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
210
Trombone et Piano
209
Cor et Piano
164
Trombone
156
Cor
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba et Piano
104
Trombone (partie séparée)
86
Trompette (partie séparée)
85
Tuba
82
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
65
2 Trompettes (duo)
58
Cor anglais, Piano
45
Quatuor de Cuivres
43
2 Trombones (duo)
42
Quatuor de cuivres: 4 trombones
42
Quatuor de cuivres: 4 cors
39
Trompette, Trombone (duo)
31
Cor (partie séparée)
27
Tuba (partie séparée)
23
Ensemble de Trombones
19
2 Cors (duo)
19
Euphonium
18
Trompette, Saxophone (duo)
18
Trompette, Cor (duo)
16
2 Euphoniums et 2 Tubas
16
4 Tubas
13
Cor Anglais
12
Ensemble de Cors
12
Quatuor de cuivres: 4 trompettes
10
3 Trombones (trio)
9
Ensemble de Trompettes
9
Trio de Cuivres
6
2 Tubas (duo)
6
Trombone basse et Piano
6
Trombone basse
4
Trombone, Orgue
4
Cor, Violoncelle (duo)
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
3 Trompettes (trio)
3
2 Trompettes, Clavier (piano ou orgue)
3
Trombone, Tuba (duo)
3
Trompette, Violoncelle (duo)
3
Trompette et Guitare
3
Cor et Orgue
2
Cor anglais, Guitare (duo)
2
Cor, Tuba (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, Violoncelle et Piano
2
Cor et Harpe
2
Trompette, Harpe
2
Trombone, Cor (duo)
2
Trombone, violoncelle (duo)
1
Bass Clef Instruments
1
Trompette, violon (duo)
1
Trompette, Tuba (duo)
1
Cor et Basson (duo)
1
Trompette, Trombone, Piano
1
2 Euphoniums (duo)
1
Ensemble de Tubas
1
Tuba et Orgue
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trompette, Basson (duo)
1
Instruments en Sib
1
2 Trombones, Piano
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
888
Violon et Piano
537
Violoncelle, Piano
373
Violon
308
Alto, Piano
304
Violoncelle
253
Harpe
184
Violon, Violoncelle (duo)
153
Alto seul
145
Trio à Cordes: violon, alto, violoncelle
144
2 Violons (duo)
110
Violon (partie séparée)
86
Contrebasse, Piano (duo)
78
Contre Basse
75
2 Violoncelles (duo)
73
Violon, Alto (duo)
57
2 Altos (duo)
54
Alto (partie séparée)
52
4 Violoncelles
44
Trio à Cordes: 2 violons, violoncelle
37
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Contrebasse (partie séparée)
35
Violoncelle , Guitare (duo)
30
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Violon, Guitare (duo)
27
Violoncelle (partie séparée)
26
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
17
Trio à cordes: 3 violins
16
Trio à Cordes: 3 violoncelles
15
Piano Trio: Violon, Alto, Piano
14
Quatuor à cordes : 4 altos
14
Alto, Guitare (duo)
13
Trio à Cordes: 2 violons, alto
12
Harpe, Violon (duo)
11
2 Harpes (duo)
10
2 Violons, Piano
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Violoncelle, Contrebasse (duo)
7
Harpe, Flûte (duo)
7
Violon, Basse continue
6
2 Violoncelles, Piano
5
Violoncelle, Orgue
5
Trio à cordes
4
Violon, Orgue
4
2 Altos, Piano
4
Flûte, Contrebasse (duo)
3
Trio à cordes: 3 altos
3
Violon, Basson (duo)
3
Ensemble de Violons
3
Harpe, Voix
2
Violoncelle, Orchestre
2
4 Contrebasses
2
Ensemble de Violoncelles
2
2 Contrebasses (duo)
2
Violon, Clarinette, Piano (trio)
2
Ensemble d'Altos
2
Alto et Basson
1
3 Contrebasses
1
Harpe et Piano
1
Alto et orchestre
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Quatuor à cordes
1
Harpe, Violon, Violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
664
Orchestre
337
Orchestre à Cordes
325
Batterie
209
Orchestre de chambre
174
Ensemble de cuivres
127
Ensemble Jazz
113
Cloches
69
Fanfare
57
Percussion (partie séparée)
41
Jazz combo
33
Ensemble de Percussions
28
Batterie (partie séparée)
27
Marimba
17
Timbales (partie séparée)
11
Percussion
11
Quintette à Vent
8
Xylophone
5
Piano et Orchestre
4
Vibraphone
4
Xylophone, Piano
3
Vibraphone (partie séparée)
3
Instrumentation Flexible
2
Quatuor à Vent : 4 instruments à vents
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Quintette de Cuivres: autres combinaisons
1
Big band
1
2 Xylophones
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
Marimba et Orgue
1
Voix et Orchestre
1
Timbales
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Aria: \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
SheetMusicPlus
Partitions à imprimer
33 943 partitions trouvées
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9976
Marian Hymns - Music for Manuals
Includes:Hail, Queen of the HeavensAVE REGINA CAELORUMImmaculate MaryU…
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Includes:Hail, Queen of the HeavensAVE REGINA CAELORUMImmaculate MaryUNKNOWNMaiden Mother, Meek and MildCONCORDI LAETITIAO SanctissimaSICILIAN MARINERS (O DU FRÖLICHE/ O SANCTISSIMA)Hail, Holy Queen, Enthroned AboveSALVE, REGINA CAELITUM Hail, Queen of Heaven, the Ocean StarSTELLAAve MariaAVE MARIA
Song List: Ave Maria Ave Regina Caelorum Concordi laetitia Salve Regina Caelitum Sicilian Mariners (O Du Frohliche/O Sanctissima)
$11.00
9.99 €
#
Marian Hymns - Music for Manuals
#
SheetMusicPlus
Aria and Scherzo for C Instrument and Piano or Organ
Woodwind solo C instrument, piano - Moderately Easy SKU: LO.70-1200S For C Instr…
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Woodwind solo C instrument, piano - Moderately Easy SKU: LO.70-1200S For C Instrument and Piano or Organ. Composed by Emma Lou Diemer. Sacred. Sacred Music Press #70/1200S. Published by Sacred Music Press (LO.70-1200S). UPC: 000308039603.The publisher takes pride in offering this new work in two movements by an award-winning composer. The melodic phrases of the Aria are captivating as they soar against a gentle, rippling accompaniment that can be played on any keyboard instrument. The lovely SCHERZO is filled with driving rhythm and syncopation that will have immediate appeal. Subtitles suggest usage in the worship setting: MAY THE LORD BE GRACIOUS TO US AND BLESS USHAPPY IS THE SOUL WHO TRUSTS IN THE LORD.
Song List: Aria C Instrument Scherzo C Instrument Scherzo Aria And Scherzo
$10.00
9.08 €
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Emma Lou Diemer
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Aria and Scherzo for C Instrument and Piano or Organ
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Sacred Music Press
#
SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta's Aria, Complete) from Ariadne auf Naxos - Accessible Accompan
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$13.95
12.66 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Ri…
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.12 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Grossmächtige Prinzessin (Zerbinetta, from Noch glaub' ich) from Ariadne auf Naxos - Accessible Acc
Voix Soprano, Piano
Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Stra…
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Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$10.95
9.94 €
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Voix Soprano, Piano
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869010 Composed by Franc…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869010 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326641. Published by Really Good Music, LLC. (A0.869010). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of F sharp minor (C#4 – E5) for low voice.
$5.95
5.4 €
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Voix Alto, Piano
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Really Good Music, LLC.
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SheetMusicPlus
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869013 Composed by Franc…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869013 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326661. Published by Really Good Music, LLC. (A0.869013). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of E minor (B3 – E5) for low voice.
$5.95
5.4 €
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Voix Alto, Piano
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (F m
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869009 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326645. Published by Really Good Music, LLC. (A0.869009). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of F major (C4 – A5) for high voice.
$5.95
5.4 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869008 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869008 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326631. Published by Really Good Music, LLC. (A0.869008). Stringa si dolce nodo is an Aria 2 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of A minor (E4 – G5) for high voice.
$5.95
5.4 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Stringa si dolce nodo, aria from solo cantata "L'Arianna", - Voice and
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano (D m
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869011 Composed by Franc…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869011 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 7 pages. Really Good Music, LLC. #6326651. Published by Really Good Music, LLC. (A0.869011). Ingoiatelo is an Aria 3 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of D major (A3 – F#5) for low voice.
$5.95
5.4 €
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Voix Alto, Piano
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Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Ingoiatelo, aria from solo cantata "L'Arianna", - Voice and Piano
#
Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869012 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869012 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 5 pages. Really Good Music, LLC. #6326657. Published by Really Good Music, LLC. (A0.869012). Struggiti, o core is an Aria 4 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of G minor (D4 – G5) for high voice.
$5.95
5.4 €
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Voix Soprano, Piano
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Francesco MANCINI
#
Sergei PICHUGIN
#
MANCINI Francesco: Struggiti, o core, aria from solo cantata "L'Arianna", - Voice and Pia
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
Voix Soprano, Piano
Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869006 Composed by Fr…
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Soprano voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869006 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326623. Published by Really Good Music, LLC. (A0.869006). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the original key of B flat major (F4 – G5) for high voice.
$5.95
5.4 €
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Voix Soprano, Piano
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Francesco MANCINI
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Sergei PICHUGIN
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MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
Voix Alto, Piano
Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869007 Composed by Franc…
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Alto Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.869007 Composed by Francesco MANCINI (1672 – 1737). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Standards. 6 pages. Really Good Music, LLC. #6326627. Published by Really Good Music, LLC. (A0.869007). Pur ti stringo is an Aria 1 from solo cantata L'Arianna, composed by Francesco MANCINI (1672 – 1737). It has been realized from the manuscript of the cantata and arranged by Sergei Pichugin for voice and piano. The aria may be an invaluable addition to the repertoire of vocal teachers and students. It is available in the key of G major (D4 – E5) for low voice.
$5.95
5.4 €
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Voix Alto, Piano
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Francesco MANCINI
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Sergei PICHUGIN
#
MANCINI Francesco: Pur ti stringo, aria from solo cantata "L'Arianna", - Voice and Piano
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Really Good Music, LLC.
#
SheetMusicPlus
Sol che un instante - Aria of cantata Il Primo Amore
Orchestre à Cordes
String Orchestra - Level 4 - Digital Download SKU: A0.1267644 Composed by Maria Mar…
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String Orchestra - Level 4 - Digital Download SKU: A0.1267644 Composed by Maria Martinez. Arranged by Edited by Eliseu Ferreira. Classical,Early Music,Historic,Opera. Score and Parts. 33 pages. Eliseu Ferreira #860184. Published by Eliseu Ferreira (A0.1267644). A modern edition of aria Sol che un instante, second movement of the cantata Il Primo Amore composed by Marianne Martinez (1744-1812). A modern notation of ornaments has been providade in order to facilitate performances, and also a guide to harpschord playing. It´s one of the most import works of a woman composer of the classical period.
$15.00
13.62 €
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Orchestre à Cordes
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Maria Martinez
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Edited by Eliseu Ferreira
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Sol che un instante - Aria of cantata Il Primo Amore
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Eliseu Ferreira
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SheetMusicPlus
Ariana Grande - Needy
Piano, Voix
Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana G…
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Piano/Vocal/Chords, Piano Accompaniment - Intermediate - Digital Download By Ariana Grande. Arranged by Mario Stallbaumer. 4 pages. Published by Mario Stallbaumer
Here's how to play "needy" by Ariana Grande on piano!<br> <br> With this sheet music, you can play the accompaniment of Ariana Grande's song "needy".<br> "Needy" is a beautiful, calm piece which makes for a great piano ballad!<br> <br> It's an accurate piano arrangement of the full song, including the beautiful string outro.<br> <br> These piano sheets come with a seperate system for the singer, including the song's full lyrics.<br> <br> "needy" is the second track on Ariana Grande's fifth studio album "thank u, next" (released in February 2019).<br> <br> It's a beautiful, calm ballad with an interesting chord progression in the background - which you can play with these piano sheets.<br> <br> Here are the full lyrics to "needy" by Ariana Grande:<br> <br> If you take too long to hit me back<br> I can't promise you how I’ll react<br> But all I can say<br> Is at least I'll wait for you<br> Lately I've been on a roller coaster<br> Tryna get a hold of my emotions<br> But all that I know, is I need you close<br> And I'ma scream and shout for what I love<br> Passionate but I don't give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I'm obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed<br> Sorry if I'm up and down a lot (Yeah)<br> Sorry that I think I'm not enough<br> And sorry if I say sorry way too much<br> You can go ahead and call me selfish (Selfish)<br> But after all this damage I can't help it (Help it)<br> But what you can trust, is I need your touch<br> I'ma scream and shout for what I love<br> Passionate but I don’t give no fucks<br> I admit that I'm a lil' messed up<br> But I can hide it when I'm all dressed up<br> I’m obsessive and I love too hard<br> Good at overthinking with my heart<br> How you even think it got this far?<br> This far<br> And I can be needy, way too damn needy<br> I can be needy, tell me how good it feels to be needed<br> I can be needy, so hard to please me<br> I know it feels so good to be needed
$4.99
4.53 €
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Piano, Voix
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Ariana Grande
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Mario Stallbaumer
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Ariana Grande - Needy
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Mario Stallbaumer
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SheetMusicPlus
Chorus and Aria from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne auf Naxos
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Maggie Creek Music
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SheetMusicPlus
Rain On Me (Lady Gaga, Ariana Grande) - String Quartet
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet - Advanced Intermediate - Digital Download By Lady Gaga, Ariana Grande…
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String Quartet - Advanced Intermediate - Digital Download By Lady Gaga, Ariana Grande. Arranged by Aaron Bennett. Score, Set of Parts. 18 pages. Published by Aaron Bennett
"Rain On Me" by Lady Gaga and Ariana Grande from Gaga's 2020 album Chromatica arranged for String Quartet by Aaron Bennett.<br> <br> Watch sheet music: https://youtu.be/bQsDH9e2fNw
$15.99
14.52 €
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Quatuor à cordes: 2 violons, alto, violoncelle
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Lady Gaga, Ariana Grande
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Aaron Bennett
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Rain On Me
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Aaron Bennett
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SheetMusicPlus
Lady Gaga and Ariana Grande - Rain On Me (for Flute and Piano)
Flûte traversière et Piano
By Lady Gaga And Ariana Grande. Individual Part, Lead Sheet, Piano Reduction, Score,…
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By Lady Gaga And Ariana Grande. Individual Part, Lead Sheet, Piano Reduction, Score, Set of Parts, Sheet Music Single, Solo Part. 11 pages. Published by Cadenza Editions
Lady Gaga and Ariana Grande - Rain On Me (for Flute and Piano).
$6.99
6.35 €
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Flûte traversière et Piano
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Lady Gaga And Ariana Grande
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Lady Gaga and Ariana Grande - Rain On Me
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Cadenza Editions
#
SheetMusicPlus
Lady Gaga and Ariana Grande - Rain On Me (for Oboe and Piano)
Hautbois, Piano (duo)
Piano Accompaniment, Oboe, Woodwind Duet - Intermediate - Digital Download By Lady Ga…
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Piano Accompaniment, Oboe, Woodwind Duet - Intermediate - Digital Download By Lady Gaga And Ariana Grande. Individual Part, Lead Sheet, Piano Reduction, Score, Set of Parts, Sheet Music Single, Solo Part. 11 pages. Published by Cadenza Editions
Lady Gaga and Ariana Grande - Rain On Me (for Oboe and Piano).
$6.99
6.35 €
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Hautbois, Piano (duo)
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Lady Gaga And Ariana Grande
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Lady Gaga and Ariana Grande - Rain On Me
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Cadenza Editions
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SheetMusicPlus
Positions - Ariana Grande, - piano and string orchestra/ quintet
Piano Quintette: piano, 2 violons, alto, violoncelle
Piano Accompaniment, Violin, Viola, Cello, Double Bass - Intermediate - Digital Down…
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Piano Accompaniment, Violin, Viola, Cello, Double Bass - Intermediate - Digital Download By Ariana Grande. Arranged by Dan Edwards. Score, Set of Parts. 20 pages. Published by Daniel Edwards
Positions by Ariana Grande, arranged for piano & strings (or piano & string quintet) by Dan Edwards. Includes a full score (9 pages) and complete set of parts (piano, violin 1, violin 2, viola, cello - all 2 pages each, bass - 1 page)<br> <br> Dan Edwards is a prize-winning composer, arranger and producer.
$19.99
18.15 €
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Piano Quintette: piano, 2 violons, alto, violoncelle
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Ariana Grande
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Dan Edwards
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Positions - Ariana Grande, - piano and string orchestra/ quintet
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Daniel Edwards
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SheetMusicPlus
pov (Ariana Grande) - SATB with Piano Accompaniment + Soloist(s)
Chorale SATB
Piano Accompaniment, SATB - Intermediate - Digital Download By Ariana Grande. Arrange…
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Piano Accompaniment, SATB - Intermediate - Digital Download By Ariana Grande. Arranged by Alex Van den Broek. Score. 9 pages. Published by Alexandra Van den Broek
Ariana Grande's gorgeous new song "pov" arranged for an SATB vocal ensemble, with piano accompaniment + soloist line. It's a pretty, dreamy arrangement for your choir and a great way to show off any of your soloists.
$2.50
2.27 €
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Chorale SATB
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Ariana Grande
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Alex Van den Broek
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pov
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Alexandra Van den Broek
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SheetMusicPlus
E Più Ti Penso (Deborah's Theme) - Andrea Bocelli, Ariana Grande Version
Orchestre
By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Fl…
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By Andrea Bocelli And Ariana Grande. Arranged by Ennio Morricone - Transcribed by Flavio Regis Cunha. Score, Set of Parts. 58 pages. Published by Flavio Regis Cunha
"E Più Ti Penso" ("The more I think of you" in English), alternatively titled "E Più Ti Penso (from Once Upon a Time in America)" is an Italian song originally written by Ennio Morricone, Mogol, and Tony Renis for the movie Once Upon a Time in America. This is a song recorded by the Italian operatic-pop trio Il Volo in 2010 in their first CD Il Volo in 2010. Later this song was recorded by Italian singer Andrea Bocelli and American singer Ariana Grande. The song was released on 1 October 2015, and served as the lead single from Bocelli's album, Cinema (2015).
$69.99
63.53 €
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Orchestre
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Andrea Bocelli And Ariana Grande
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E Più Ti Penso
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Flavio Regis Cunha
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SheetMusicPlus
'A golden time ...' from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss…
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Excerpt from the Last Part of Ariadne Auf Naxos
Guitare
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss…
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
6.35 €
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Guitare
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of Ariadne Auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
Overture from Ariadne auf Naxos
Guitare
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss…
(+)
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
6.35 €
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Guitare
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Overture from Ariadne auf Naxos
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Maggie Creek Music
#
SheetMusicPlus
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