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Piano Trio: piano, violon, violoncelle
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Instruments en Do
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Orgue
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1
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1
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153
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51
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42
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37
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32
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31
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31
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25
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16
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14
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8
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4
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2
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141
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63
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49
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47
Clarinette
43
2 Saxophones (duo)
41
Flûte traversière
35
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31
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29
Clarinette Basse, Piano
24
2 Flûtes traversières (duo)
20
2 Clarinettes (duo)
20
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17
2 Clarinettes, Piano
17
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16
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14
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13
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12
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10
3 Saxophones (trio)
10
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10
2 Flûtes traversières, Piano
10
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9
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9
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9
Saxophone
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7
2 Hautbois (duo)
7
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7
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6
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6
2 Saxophones, Piano
6
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6
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6
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6
Flûte à Bec, Piano
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4
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4
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4
Saxophone Baryton
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Saxophone Soprano
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2 Flûte à bec (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte à bec Tenor
4
Flûte, Violon, Violoncelle et Piano
4
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
3
Ensemble De Flûte à bec
2
Clarinette, trompette et piano
2
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2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette et Basson
2
Flûte à Bec
2
Hautbois, Harpe
1
Clarinette, Basson (duo)
1
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1
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1
Clarinette, Saxophone, Piano
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1
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CUIVRES
Trompette, Piano
229
Trombone et Piano
195
Cor et Piano
158
Tuba et Piano
101
Trompette
60
Euphonium, Piano (duo)
57
Cor anglais, Piano
47
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
21
Trombone
18
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
12
2 Trombones (duo)
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba
8
Euphonium
7
2 Cors (duo)
7
Quatuor de Cuivres
5
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 trombones
3
Trombone basse et Piano
3
Quatuor de cuivres: 4 cors
2
Quatuor de cuivres: 4 trompettes
2
2 Trompettes, Clavier (piano ou orgue)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, Violoncelle et Piano
2
Ensemble de Trombones
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone, Piano
1
Trompette, Trombone (duo)
1
2 Euphoniums (duo)
1
Cor et Orgue
1
Tuba et Orgue
1
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CORDES
Violon et Piano
454
Violoncelle, Piano
316
Alto, Piano
264
Quatuor à cordes: 2 violons, alto, violoncelle
75
Contrebasse, Piano (duo)
74
Violon
61
Violoncelle
28
2 Violons (duo)
25
Trio à Cordes: violon, alto, violoncelle
18
Alto seul
16
2 Violoncelles (duo)
14
Harpe
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
2 Altos (duo)
11
Piano Trio: Violon, Alto, Piano
11
Contre Basse
10
Harpe, Violon (duo)
4
Violon (partie séparée)
3
4 Violoncelles
3
Violon, Violoncelle (duo)
3
Trio à Cordes: 2 violons, alto
2
2 Violons, Piano
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
2 Violoncelles, Piano
2
Quatuor à cordes : 4 altos
2
Violon, Alto (duo)
2
Alto, Guitare (duo)
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes: 4 violons
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle, Orgue
1
Violon, Guitare (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Violoncelle , Guitare (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
51
Orchestre d'harmonie
48
Orchestre de chambre
48
Orchestre à Cordes
47
Ensemble Jazz
35
Cloches
27
Jazz combo
18
Batterie
11
Ensemble de cuivres
5
Xylophone, Piano
3
Marimba
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Fanfare
2
Piano et Orchestre
2
Marimba ou Xylophone et Piano
1
2 Xylophones
1
Ensemble de Percussions
1
Marimba, Piano (duo)
1
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AUTRES
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9976
Largo al factotum (Figaro's aria) from Il barbiere di Siviglia - Accessible Accompaniments Edition
Voix Baryton, Piano
Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Comp…
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Baritone Horn TC,Vocal Solo,Voice - Level 5 - Digital Download SKU: A0.1176334 Composed by Gioachino Rossini. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 13 pages. Nicole Elyse DiPaolo #776458. Published by Nicole Elyse DiPaolo (A0.1176334). The first of its kind, this is a genuinely playable piano/vocal reduction of Largo al factotum,†the show-stopping first aria from Gioachino Rossini’s famous opera Il barbiere di Siviglia (The Barber of Seville). Most reductions of this aria pose a physical hazard to audition and other collaborative pianists who risk injury by trying to grab every fast repeated note and chord in this extremely long aria, nor do the repeated notes tend to come out properly or sound right on pianos compared to the string instruments for which they were written. With this reduction—which was specifically created to be more ergonomic at the piano and safer to get through on long audition-playing days—pianists may now enjoy playing this aria comfortably, without risking strain/injury. However, it’ll still be a tour de force for the baritone!Note that this score does not make any cuts to the aria; therefore, it is also suitable for recital settings without time limits.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations. About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95
8.15 €
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Voix Baryton, Piano
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Gioachino Rossini
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Nicole Elyse DiPaolo
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Largo al factotum
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Nicole Elyse DiPaolo
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SheetMusicPlus
Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson (for Piano)
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and…
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Piano Solo - Level 3 - Digital Download SKU: A0.597593 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Christmas,Classical,Easter,Wedding. Score. 4 pages. Flavio Regis Cunha #6671021. Published by Flavio Regis Cunha (A0.597593). Bach: Aria from Goldberg Variations, BWV 988 as played by VÃkingur Ólafsson (for Piano).AdvancedFormat: Concert, 9 x 12 inches4 pages.PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.Acclaimed for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, a leading pianist and contemporary musical genius, now takes on the monumental task of presenting Bach’s Goldberg Variations. The upcoming season is dedicated entirely to a global tour across six continents, with the eagerly awaited album slated for release in October 2023 on Deutsche Grammophon. Ólafsson shares, I have harbored the dream of recording this piece for 25 years.This album follows the resounding success of Ólafsson’s 2018 DG recording of Johann Sebastian Bach's works, which not only clinched BBC Music magazine’s Album of the Year but also secured Opus Klassik’s Solo Recital award and several other recording of the year accolades. Such achievements led to his well-deserved recognition as Gramophone magazine’s Artist of the Year. Now, Ólafsson directs his distinctive musical vision and meticulous recording finesse toward Bach’s masterpiece, embarking on his first complete work recording, starting with one of the most demanding pieces in the piano repertoire.In the 2023-24 season, Ólafsson sets forth on a Goldberg Variations world tour, gracing renowned concert halls worldwide, including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest, and Teatro Colón, to name a few.Reflecting on the profound impact of the Goldberg Variations, Ólafsson comments, “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, brilliantly employ counterpoint, and evoke exalted poetry, abstract contemplation, and deep pathos – all within meticulously crafted structures of formal perfection. In 30 variations, based on the humble harmonic framework of a simple, graceful aria, Bach transforms limited material into boundless variety like no one before or since. He stands as the greatest keyboard virtuoso of his time.â€This score has been painstakingly reedited. We offer here a clear edition, with indications of ornaments based on the edition by Bärenheiter, 1977.Listen to VÃkingur Ólafsson’s album ‘Goldberg Variations’ here: https://dg.lnk.to/vikingur-goldberg Discover full concert performances and operas on STAGE+, the new streaming service from Deutsche Grammophon: https://www.stage-plus.com/.
$5.99
5.45 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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Bach: Aria from Goldberg Variations, BWV 988 as played by Víkingur Ólafsson
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Flavio Regis Cunha
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SheetMusicPlus
Numbered Places [11 pieces for piano solo]
Piano seul
Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20…
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Piano Solo - Intermediate - Digital Download Composed by Juan María Solare. 20th Century, Contemporary Classical, Minimalism, Neo-Classical, Repertoire. Score, Solo Part. 35 pages. Published by Juan Maria Solare
Juan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HAJuan María Solare: Numbered Places (eleven piano pieces) <br> <br> <br> <br> 01 - One Way Flight to... (2:50)<br> <br> 02 - Twopenny Loaf [USA] (3:45)<br> <br> 03 - Three Bridges [UK] (2:25)<br> <br> 04 - Four Oaks [USA] (3:00)<br> <br> 05 - Five Pointz [NYC] (3:45)<br> <br> 06 - Six Mile Bottom [UK] (2:40)<br> <br> 07 - Seven Kings [UK] (5:10)<br> <br> 08 - Eight Streets [USA] (5:55)<br> <br> 09 - Nine Elms [UK] (2:50)<br> <br> 10 - Ten Ten Road [NC, USA] (3:25)<br> <br> 11 - Eleven Lands [UK] (3:30)<br> <br> <br> <br> Totaltime: 39:15<br> <br> Numbered Places * piano * music by Juan María Solare<br> <br> <br> <br> The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).<br> <br> <br> <br> For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.<br> <br> <br> <br> In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.<br> <br> <br> <br> Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.<br> <br> <br> <br> Let us briefly comment each of the titles:<br> <br> <br> <br> - One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.<br> <br> - TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.<br> <br> - ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.<br> <br> - Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.<br> <br> - FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.<br> <br> - Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.<br> <br> - SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'<br> <br> - EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.<br> <br> - Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.<br> <br> - Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.<br> <br> - ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.<br> <br> <br> <br> <br> <br> Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.<br> <br> <br> <br> This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1<br> <br> <br> <br> There are alsovideos of several pieces of this album. They are in the following playlist:<br> <br> https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA
$11.00
10.02 €
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Piano seul
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Juan María Solare
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Numbered Places [11 pieces for piano solo]
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Juan Maria Solare
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SheetMusicPlus
2 Sonatas for Fortepiano
Piano seul
Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin K…
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Piano Solo - Level 3 - Digital Download SKU: A0.1485608 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. Score. 52 pages. Artaria Editions #1062673. Published by Artaria Editions (A0.1485608). The dates of the two sonatas is not known, although it is clear stylistically that the E major is a much more advanced work compositionally than the E-flat major. The latter also exists in a version as a sonata for violin and keyboard, which can be dated to Kraus's grand tour, having been written in Paris in 1785 and subsequently distributed by the Viennese publisher Johann Traeg. Since there are substantive differences in the two versions, it is impossible to say which came first, and Hans Eppstein has suggested that their may even have been a third, now lost original for fortepiano, since the extant solo keyboard version clearly represents a more advanced version. This cannot be proven, but it seems clear that the version presented here can be considered Kraus's last word in this tortuous compositional trail, probably receiving its final form for publication as part of the Due Sonata per il Forte Piano that hlstrm published about 1788 as one of the first editions stemming from his new privilege. Given that the E major work is one of considerable complexity and virtuosity, it is probable that this sonata at least was composed especially for the publication. In any case, hlstrm's edition is the earliest source of the works; a number of additional copies dating from about 1795 and later all can be traced back to it. That the composer himself was involved intimately with the edition can be seen by the unusual number of clear and precise markings and articulations.These have been accepted without comment or alteration. Occasional obvious wrong notes, the result of overlooked proof reading, have been tacitly corrected, and some of the slurrings have been regularized according to parallel passages where such do not appear to have been deliberately varied. It is the suggestion of the editor that the Adagio of the E majot sonata should be performed la C.P.E.Bach in a fantasia manner with considerable flexibility in terms of tempo and relative rhythm; to play it in a strict fashion obliviates the flow of the movement. Bertil van Boer.
$37.00
33.69 €
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Piano seul
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Joseph Martin Kraus
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Bertil van Boer
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2 Sonatas for Fortepiano
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Artaria Editions
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SheetMusicPlus
J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by Víkingur Ólafsson) for piano
Piano seul
Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach an…
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Piano Solo - Level 4 - Digital Download SKU: A0.1370523 By Johann Sebastian Bach and VÃkingur Ólafsson. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional. Score. 4 pages. Flavio Regis Cunha #954867. Published by Flavio Regis Cunha (A0.1370523). J.S. Bach: Goldberg Variations, BWV 988: Var. 15 (as played by VÃkingur Ólafsson) for pianoAdvanced Intermediate. Format: Concert, 9 x 12 inches. 3 pages. PLUS: Engraved and Published with Urtext Kapellmeister Music Fonts.🎹 Unlock the Soul of Bach's Masterpiece! 🎶Calling all piano enthusiasts and maestros alike! 🌟 Immerse yourself in the timeless beauty of J.S. Bach's Goldberg Variations, BWV 988: Var. 15, as played by the virtuoso VÃkingur Ólafsson. 🎵✨ Why You'll Love This Sheet Music:1ï¸âƒ£ **Masterful Interpretation:** VÃkingur Ólafsson's emotive rendition captured on sheet music for your piano pleasure.2ï¸âƒ£ **Precision in Every Note:** Meticulously transcribed to ensure an authentic and enriching musical experience.3ï¸âƒ£ **Express Your Artistry:** Whether you're a seasoned pianist or a budding artist, this sheet music lets you express your musical soul.🌈 Unleash Your Passion for Music:Transform your playing into a breathtaking journey. Feel the resonance of each note as you bring Bach's genius to life on your piano. 🚀🎠Limited-Time Offer:Order now and receive exclusive access to a video tutorial by VÃkingur Ólafsson himself, offering insights into the nuances of this captivating variation.👉 Don't miss out on this opportunity to elevate your musicality! Order your sheet music now and let the Goldberg Variations become a masterpiece under your fingertips. 🎹✨🌟 Elevate your artistry – Bach's Goldberg Variations, BWV 988: Var. 15 awaits you! 🌟Celebrated for his visionary interpretations of J.S. Bach, VÃkingur Ólafsson, one of the greatest pianists and musical minds of today, now embraces Bach’s monumental Goldberg Variations. Ólafsson devotes his entire next season to touring the work globally across six continents, while October 2023 marks the anticipated album release on Deutsche Grammophon. “I have dreamed of recording this work for 25 years,†says the Icelandic pianist. The album follows Ólafsson’s hugely successful DG recording of works by the composer, Johann Sebastian Bach (2018), which won BBC Music magazine’s Album of the Year, Opus Klassik’s Solo Recital award, numerous other recording of the year accolades and led to him being named Gramophone magazine’s Artist of the Year. Now Ólafsson brings his unique musical vision, and an affecting, meticulous recorded sound to Bach’s masterpiece. It marks the first time Ólafsson records a complete work and he begins with one of the most demanding in the piano repertoire. Ólafsson dedicates his 2023-24 season to a Goldberg Variations world tour, performing the work across six continents throughout the year. He brings Bach’s masterpiece to major concert halls including London’s Southbank Centre, New York’s Carnegie Hall, Wiener Konzerthaus, Philharmonie de Paris, Tokyo’s Suntory Hall, Philharmonie Berlin, Harpa Concert Hall, Sydney Opera House, LA’s Walt Disney Hall, Sala São Paulo, Shanghai Symphony Hall, Tonhalle Zurich, KKL Luzern, Alte Oper Frankfurt, Mupa Budapest and Teatro Colón, to name a few. “The Goldberg Variations contain some of the most virtuosic keyboard music ever written, some of the most astonishingly brilliant uses of counterpoint in the repertoire and countless instances of exalted poetry, abstract contemplation and deep pathos – all within immaculately shaped structures of formal perfection. In 30 variations, built on the humble harmonic framework of a simple, graceful aria, Bach turns limited material into boundless variety like no one before or since. He is the greatest keyboard virtuoso of his time.†comments VÃkingur Ólafsson.
$6.99
6.36 €
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Piano seul
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Johann Sebastian Bach and VÃkingur Ólafsson
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Flavio Regis Cunha
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J.S. Bach: Goldberg Variations, BWV 988: Var. 15
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Flavio Regis Cunha
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Flute and Piano
Flûte traversière et Piano
Flute,Piano - Level 3 - Digital Download SKU: A0.594417 Composed by G F Handel. Arr…
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Flute,Piano - Level 3 - Digital Download SKU: A0.594417 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658349. Published by David McKeown (A0.594417). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Flute with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Flûte traversière et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Descant Recorder and Piano
Piano seul
Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.594420 Composed by G F…
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Instrumental Solo,Piano - Level 3 - Digital Download SKU: A0.594420 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and individual part. 4 pages. David McKeown #6658355. Published by David McKeown (A0.594420). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Descant Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Piano seul
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trumpet and Piano
Trompette, Piano
Piano,Trumpet - Level 3 - Digital Download SKU: A0.594426 Composed by G F Handel. A…
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Piano,Trumpet - Level 3 - Digital Download SKU: A0.594426 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658367. Published by David McKeown (A0.594426). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Trumpet with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Trompette, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
Euphonium, Piano (duo)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel.…
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Euphonium, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Clarinet and Piano
Clarinette et Piano
Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. …
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Clarinet,Piano - Level 3 - Digital Download SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658343. Published by David McKeown (A0.594414). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Clarinet with piano accompaniment. The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of this arrangement. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Clarinette et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
Cor anglais, Piano
English Horn,Piano - Level 3 - Digital Download SKU: A0.594415 Composed by G F Hand…
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English Horn,Piano - Level 3 - Digital Download SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658345. Published by David McKeown (A0.594415). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cor Anglais (or English Horn) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Cor anglais, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trombone and Piano
Trombone et Piano
Piano,Trombone - Level 3 - Digital Download SKU: A0.594425 Composed by G F Handel. …
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Piano,Trombone - Level 3 - Digital Download SKU: A0.594425 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658365. Published by David McKeown (A0.594425). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Trombone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Trombone et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Viola and Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.594427 Composed by G F Handel. Arr…
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Piano,Viola - Level 3 - Digital Download SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658369. Published by David McKeown (A0.594427). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Viola with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Alto, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Tenor Saxophone and Piano
Saxophone Tenor et Piano
Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.594424 Composed by G F H…
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Piano,Tenor Saxophone - Level 3 - Digital Download SKU: A0.594424 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658363. Published by David McKeown (A0.594424). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Tenor Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Saxophone Tenor et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Saxophone and Piano
Saxophone Alto et Piano
Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.594422 Composed by G F Ha…
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Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.594422 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658359. Published by David McKeown (A0.594422). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Saxophone Alto et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Saxophone and Piano
Saxophone Soprano et Piano
Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594423 Composed by G F…
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Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.594423 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658361. Published by David McKeown (A0.594423). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Saxophone Soprano et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cello and Piano
Violoncelle, Piano
Cello,Piano - Level 3 - Digital Download SKU: A0.594428 Composed by G F Handel. Arr…
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Cello,Piano - Level 3 - Digital Download SKU: A0.594428 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658371. Published by David McKeown (A0.594428). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cello with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Violoncelle, Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Oboe and Piano
Hautbois, Piano (duo)
Oboe,Piano - Level 3 - Digital Download SKU: A0.594418 Composed by G F Handel. Arra…
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Oboe,Piano - Level 3 - Digital Download SKU: A0.594418 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658351. Published by David McKeown (A0.594418). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Oboe with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Hautbois, Piano (duo)
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Violin and Piano
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Ar…
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Piano,Violin - Level 3 - Digital Download SKU: A0.594429 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. 4 pages. David McKeown #6658373. Published by David McKeown (A0.594429). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Violin with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60
4.19 €
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Violon et Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Sonata for Fortepiano & Violin in E-flat (VB 161)
Violon et Piano
Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin…
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Piano,Violin - Level 3 - Digital Download SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00
27.32 €
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Violon et Piano
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Violin in E-flat
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Artaria Editions
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SheetMusicPlus
Handel: Largo from Xerxes for Violin & Piano
Violon et Piano
Violin & Piano - Intermediate - Digital Download Composed by George Frideric Hand…
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Violin & Piano - Intermediate - Digital Download Composed by George Frideric Handel (1685-1759). Arranged by James M. Guthrie, ASCAP. Baroque Period, General Worship, Repertoire, Wedding, Recital. Score, Set of Parts. 9 pages. Published by jmsgu3
Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from "Xerxes"<br> Suitable for any venue requiring meditative music. Excellent choice for a recital encore.<br> <br> Xerxes<br> Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s “Largo,” Handel has, on the contrary, clearly marked "Larghetto" in the score.<br> <br> Handel Background<br> George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany.<br> <br> Career in England<br> It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London.<br> <br> Legacy<br> Music historians agree that Handel was in general one of the greatest composers of the Baroque era. To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas. Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.<br> <br> <br> <br> Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
$32.95
30 €
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Violon et Piano
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George Frideric Handel
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Handel: Largo from Xerxes for Violin & Piano
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jmsgu3
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SheetMusicPlus
Aria for Piano
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro…
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Piano Solo - Level 5 - Digital Download SKU: A0.1311946 Composed by Rocco Di Pietro. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 25 pages. Rocco Di Pietro #900839. Published by Rocco Di Pietro (A0.1311946). The Left hand plays the note first, while the right hand bounces off the same note in a ricochet.Use the right-forte pedal lightly and constantly, but do not blur, the pedal must be used in accordance with each rubato and phrase, as in Chopin but subtly enough to render Molto Cantabile e Brilliante. Constantly, means up and down frequently, do not hold pedal down, a cluster blur is not desired, in this first part of the score. Later on, pedal markings will indicate a blend of the sound, when  wanted.The first performance was by the composer at The Darmstadt Ferienkurse für Neue Musik in 1978. The work was part of the piano seminar of Herbrt Hencke and was considered unplayable by one pianist.The American premire took place by the composer in 1979 on Julius Eastman's Festival at the The Third Street Music School in New York.The local premiere took place once again by the composer on a Creative Associates concert in Baird Hall at SUNY Buffalo in 1979 on a program of works by Giacinto Scelsi.The Ohio premeire took place in 1995 at the Wexner Center for the Arts at The Ohio State University played by the composer for the last time where it was danced by the Vicki Uris Dance Company.
$16.00
14.57 €
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Piano seul
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Rocco Di Pietro
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Aria for Piano
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Rocco Di Pietro
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SheetMusicPlus
The Devil's Millhopper for piano solo
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.958462 Composed by Joseph Dillon Fo…
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Piano Solo - Level 5 - Digital Download SKU: A0.958462 Composed by Joseph Dillon Ford. 20th Century,Contemporary. Score. 5 pages. David Warin Solomons2 #3691515. Published by David Warin Solomons2 (A0.958462). The Devil's Millhopper is north Florida's most famous sinkhole, a 120-foot-deep bowl-shaped concavity formed in soluble limestone by the erosive action of water over millennia. This geological formation got its name because fossilized shark teeth, marine shells, and the shattered remains of extinct land animals have all been discovered in its depths, as if these hapless creatures, trapped in a gigantic hopper, had served as grist for the Evil One's mill. In this fiendishly difficult short piece, I have attempted to evoke not only the erosive forces of water and earth but also the buzzing of mosquitoes and other insects that invariably accompany those hardy enough to attempt the 232-step descent on a hot, humid summer day. Tonal ambiguity is intentionally maintained until just before the movement ends with a gentle chromatic cascade, by which point the terra firma of G Major is firmly established.
$7.00
6.37 €
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Piano seul
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Joseph Dillon Ford
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The Devil's Millhopper for piano solo
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David Warin Solomons2
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SheetMusicPlus
Franz Schubert: Ave Maria for piano solo
Piano seul
This is an exclusive arrangement for piano solo of MEDIUM/HIGH skill level from the origin…
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This is an exclusive arrangement for piano solo of MEDIUM/HIGH skill level from the original composition by Franz Schubert. This title is available as instant sheet music download. Contents: mary, d.839 / classical,wedding,traditional,festival,love
$5.99
5.45 €
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Piano seul
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Franz Schubert
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Virtualsheetmusic
Una voce m’ha colpito - Opera aria for Tuba solo and Piano
Tuba et Piano
Piano Accompaniment, Tuba - Advanced Intermediate - Digital Download Composed by Gioa…
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Piano Accompaniment, Tuba - Advanced Intermediate - Digital Download Composed by Gioachino Rossini (1792-1868). Arranged by Warren Ryland. Romantic Period, Classical Period, Opera. Score, Solo Part. 12 pages. Published by Cherry Classics Music
Rossini's comic one act opera L'inganno felice (The Fortunate Deception) was written and first performed in Venice in 1812 and became an instant success, performed around Europe over the next few years.<br> <br> The aria Una voce m'ha colpito (A Voice Struck Me) is a bass/baritone solo that was arranged for solo Tuba a hundred years later by British bandmaster, composer and cornetist, Colonel James Ord Hume. The Tuba solo went out of print quite a while ago but has been rediscovered and edited for solo Bass Tuba and Piano by Warren Ryland. This solo is featured as part of our Vintage Brass Series.Rossini's comic one act opera L'inganno felice (The Fortunate Deception) was written and first performed in Venice in 1812 and became an instant success, performed around Europe over the next few years.<br> <br> The aria Una voce m'ha colpito (A Voice Struck Me) is a bass/baritone solo that was arranged for solo Tuba a hundred years later by British bandmaster, composer and cornetist, Colonel James Ord Hume. The Tuba solo went out of print quite a while ago but has been rediscovered and edited for solo Bass Tuba and Piano by Warren Ryland. This solo is featured as part of our Vintage Brass Series.
$20.00
18.21 €
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Tuba et Piano
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Gioachino Rossini (1792-1868)
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Warren Ryland
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Una voce m’ha colpito - Opera aria for Tuba solo and Piano
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Cherry Classics Music
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SheetMusicPlus
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