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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BASSE
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BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
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DEEJAY
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Aria with 2 variations
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--INSTRUMENTS--
ACCORDEON
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Aria with 2 variations
Partitions à imprimer
396 partitions trouvées
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376
Aria with 2 variations
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Classique
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Heinrich Ignaz Franz von Biber
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Joe Williams
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Aria with 2 variations
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Joe Williams
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SheetMusicPlus
String Ensemble Violin - Level 4 - SKU: A0.1082498 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joe Williams. Baroque. Score and parts. 20 pa...
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String Ensemble Violin - Level 4 - SKU: A0.1082498 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joe Williams. Baroque. Score and parts. 20 pages. Joe Williams #686688. Published by Joe Williams (A0.1082498). This Aria with 2 variations was written by the virtuoso baroque violinist, Biber. The arrangement is for a solo violin part to be accompanied by a quartet of violins.
$4.99
Once In Royal David's City variations for two pianos
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2 Pianos, 4 mains
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INTERMÉDIAIRE/AVANCÉ
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Henry John Gauntlett
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James Mayhew
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Once In Royal David's City var
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James Mayhew
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SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Perio...
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2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.996518 Composed by Henry John Gauntlett. Arranged by James Mayhew. Christmas,Contemporary,Romantic Period. Score. 10 pages. James Mayhew #4969389. Published by James Mayhew (A0.996518). This is a piece for two pianos (4 hands), which starts out with the Once In Royal David's City theme, and then there are 5 variations on it. The 1st, 2nd and 3rd variations are in G major, while the 4th and the start of the 5th ones are in G minor. The 5th variation is an extended variation with a fugato start in G minor which transitions back to G major again for a triumphant final play of the theme, and a small coda. It is quite challenging - probably early advanced level, particularly the 5th variation, although the other variations are more like late intermediate level. Listen to the computer played recording to get an idea of what it's like!You may print it twice or copy the first print to have two copies. .
$4.99
THEME, FUGUETTE, and VARIATIONS on "Lightly Row" for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Albert E
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Kent S
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THEME, FUGUETTE, and VARIATION
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WINDCREST
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.945050 Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pag...
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Brass Ensemble - Level 4 - SKU: A0.945050 Composed by Albert E. Weir. Arranged by Kent S. Burchill. Contemporary,Folk,Standards. Score and parts. 20 pages. WINDCREST #5356017. Published by WINDCREST (A0.945050). THEME, FUGUETTE and VARIATIONS on Lightly Row. Rarely has a song for children been so widely utilized and for such a long period of time. Written in the early 20th century, its wide-spread and successful use as a song for children can possibly be attributed to the construction of the melody itself. The melody starts with two descending intervals, each a minor third. These same qualities also made Lightly Row an excellent choice as a song for use with beginning instrumentalists. One might find it difficult NOT to find this song included in most published beginning-level instrument method books since the mid-20th century. This arrangement for brass quintet permits the performers to greatly expand upon the intervals and scale passage of the original song while exploring one of the more common composition forms, theme and variation with an excursion to a shortened version of another musical form, the fugue. An attempt has been made to provide interesting and challenging material for all members of the quintet. This selection could be performed at any point in a recital. It could be one of several featured selections performed in a concert with a programmatic theme of early 20th Century folk songs; or a portion of a concert where a theme and variation selection is desired. It might also serve as an encore to any recital or concert!
$15.00
Beethoven: Bagatelle Op. 33 No. 2 for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Bagatelle Op. 33 No
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jmsgu3
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1206223 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M....
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1206223 Composed by Ludwig van Beethoven (1770 – 1827). Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Classical,Contest,Festival,Wedding. 14 pages. Jmsgu3 #804421. Published by jmsgu3 (A0.1206223). No. 2. Scherzo: Allegro.Beethoven's Bagatelles Op. 33 are quite typical of his early style, retaining many compositional features of the early Classical period.  The first bagatelle in particular is arguably one of Beethoven's most well-known pieces. While they may seem light-hearted and not to be taken too seriously, they are still well-crafted works that embody the younger Beethoven's style. The Bagatelles Op. 33 were composed by Beethoven in 1801-02 and published in 1803. Bagatelles are shorter and less complex than sonatas, often consisting of a single movement. They were intended to be played as light entertainment or as encores at the end of a concert.The Bagatelle No. 2 of Op. 33 follows a simple ternary form, with a lively and playful Scherzo character. The piece is in the key of C major and is written in 2/4 time signature. The A section is characterized by a catchy and rhythmic melody that is repeated twice, with slight variations in the second repetition. The B section, in the relative key of A minor, provides a contrast to the A section with a more lyrical and expressive melody. The B section is also repeated twice, with slight variations in the second repetition. The A section returns in its original form to close the piece. The piece is relatively simple in terms of harmony and texture, with a clear melody and accompaniment. However, Beethoven's use of repetition, variation, and elaboration creates a sense of unity and coherence throughout the piece.
$24.95
Six Violin Duets, Op. 2
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2 Violons (duo)
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INTERMÉDIAIRE
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Classique
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William Shield
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Robert Hoskins
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Six Violin Duets, Op. 2
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Artaria Editions
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SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. P...
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Violin Duet Violin - Level 3 - SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
$72.00
String Quartet No 2 (Score)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938383 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 30 pages. Colin Bayliss #6121. Published by Colin Bayliss (A0.938383). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$8.00
String Quartet No 2 (Parts)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Colin Bayliss
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String Quartet No 2
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Colin Bayliss
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss ...
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String Quartet String Quartet - Level 4 - SKU: A0.938382 Composed by Colin Bayliss. 20th Century,Contemporary. Score and parts. 42 pages. Colin Bayliss #6123. Published by Colin Bayliss (A0.938382). (B33) was first written as Piano Sonata No.1 [B12] in late 1981. It was revised into a string quartet in January 1990. There are four movements, and all the thematic material, whether tonal, atonal or serial is derived from the music of the first seven bars. After this opening, the first movement is written in a straightforward sonata form, using a mixture of tonal and serial themes in constantly changing rhythms. The second movement Adagio also contrasts tonal and serial themes, while the third movement is a short scherzo and trio, with an atonal motif in the scherzo being treated in simple rhythms. A lyrical variation of the main theme of the slow movement is used for the trio, and develops further into a simple diatonic tune. The last movement is a kaleidoscopic treatment of the preceding thematic material, together with further variations and short contrapuntal passages, to give the effect of a rondo. The motif from the beginning of the whole work then returns as a coda to unify the quartet. The Score and Parts are available on this site as separate downloads The sound sample is the second movement - performed by the Lochrian Ensemble The complete 6 string quartets performed by the Lochrian Ensemble are available on itunes: see: http://www.dwsolo.com/colinbayliss/ and for this particular quartet: https://itunes.apple.com/us/album/colin-bayliss-string-quartet/id573541672.
$10.00
Goldberg Variations BWV 988 Selections for 12-part Trumpet Ensemble
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Chorale 2 parties
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AVANCÉ
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Classique
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Johann Sebastian Bach
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David Haskins
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Goldberg Variations BWV 988 Se
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Gordon Cherry
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SheetMusicPlus
Choral Choir (2-Part) - Level 5 - SKU: A0.792518 Composed by Johann Sebastian Bach. Arranged by David Haskins. Baroque,Classical,Renaissance. Octavo. 15...
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Choral Choir (2-Part) - Level 5 - SKU: A0.792518 Composed by Johann Sebastian Bach. Arranged by David Haskins. Baroque,Classical,Renaissance. Octavo. 150 pages. Gordon Cherry #4999891. Published by Gordon Cherry (A0.792518). J. S. Bach's Goldberg Variations, BWV 988, published in 1741, remain a central part of Baroque keyboard literature, and like many of Bach's works, they stand as a testament to his seemingly effortless mastery of compositional technique. The piece begins with a simple Aria, built upon the ground bass that serves as the harmonic basis for each of the 30 variations that follow, and ends with a repetition of the Aria, having come full-circle. This arrangement by David Haskins of selections from the Goldberg Variations was commissioned by Andrew McCandless, Principal Trumpet of the Toronto Symphony Orchestra, and was premiered at the Sun Valley Music Festival. Scored for 12 trumpets in two choirs, this arrangement is intended for advanced performers. Of the 30 original variations, 9 have been included here, presenting a variety of styles that are designed to highlight the lyrical and virtuosic capabilities of the trumpet. This arrangement is scored for a double choir of six performers with the following instrumentation; each 6-part choir consisting of: Piccolo Trumpet in B-flat, Trumpet in E-flat, 2 Trumpets in C, 2 Trumpets in B-flat. One C Trumpet doubles on a rotary and one B-flat Trumpet doubles on Flugelhorn.
$40.00
Aria from the Opera Orfeo ed Euridice for Brass Quintet (French Horn solo)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Christoph Willibald Gluck,
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Keith Terrett
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Aria from the Opera Orfeo ed E
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Keith Terrett
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contes...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1446054 Composed by Christoph Willibald Gluck,. Arranged by Keith Terrett. Classical,Contest,Festival,Historic,Instructional,Opera. 16 pages. Keith Terrett #1025876. Published by Keith Terrett (A0.1446054). Orfeo ed Euridice is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing.The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama.The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot—the underground rescue mission in which the hero must control, or conceal, his emotions—can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold.Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.Ther picture is Count Francesco Algarotti, an Italian polymath, philosopher, poet, essayist, anglophile, art critic and art collector. He was a man of broad knowledge, an expert in Newtonianism, architecture and opera. He was a friend of Frederick the Great and leading authors of his times: Voltaire, Jean-Baptiste de Boyer, Marquis d'Argens, Pierre-Louis de Maupertuis and the atheist Julien Offray de La Mettrie. Lord Chesterfield, Thomas Gray, George Lyttelton, Thomas Hollis, Metastasio, Benedict XIV and Heinrich von Brühl were among his correspondents.''The Sicilienne and Rigaudon is one of the many pieces that violin virtuoso Fritz Kreisler composed in the style of other composers. When he first presented and published these pieces, he offered them as recently discovered works by those other composers, newly adapted and arranged by himself. In the case of Sicilienne and Rigaudon, it is eighteenth-century French violinist/composer François Francoeur whose name is on the title sheet, though the piece really has nothing to do with Francoeur's style.The piece is a simple and a charming one, however. The Sicilienne is a binary-form miniature that sweeps along on a characteristic dotted rhythm, with a rather melancholy melody. Think old French ballet. The constant 16th notes of the Rigaudon, give it a character quite unlike that of a traditional rigaudon-a cheerful Baroque dance movement in duple meter.
$8.99
ARIA from L'Orfeo ed Euridice (Gluck) for Brass Quintet (Horn in F solo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Christoph Willibald Von Gluck
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Kenneth Martin
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ARIA from L'Orfeo ed Euridice
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Martin Music Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Co...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 11 pages. Martin Music Editions #5214105. Published by Martin Music Editions (A0.839015). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
$5.99
Nimrod, from Enigma Variations
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Sir Edward Elgar
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Stephen Levintow
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Company
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Nimrod, from Enigma Variations
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Cypress Publishing
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19t...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1458677 Composed by Sir Edward Elgar (1857-1934). Arranged by Stephen Levintow. 19th Century,Romantic Period,Wedding. 6 pages. Cypress Publishing #1037607. Published by Cypress Publishing (A0.1458677). Sir Edward Elgar’s Variations on an Original Theme, commonly known as Enigma Variations, may be the most wonderful musical tribute to friendship ever composed. Each of the fourteen variations is headed with initials or a code name of a family member or friend, with the last one being Elgar himself. The best known variation is the ninth, entitled Nimrod. It represents Augustus Jaeger, Elgar’s close friend and editor at his publisher Novello & Company. In the Bible, Nimrod is referred to as “the mighty hunter”, thus identifying with Jaeger (Jäger), meaning “hunter” in German. The stately and serene variation expresses the depth of the composer’s feelings for his friend, and is often performed separately on solemn occasions. This arrangement is based on the original orchestral score, and Elgar’s own piano reduction, both published by Novello in 1899. Technically it is not too difficult, though with some double stopping to complete the harmonies and for fullness of sound.CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites. The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$5.00
Variations on a Jewish Folk Theme, Op. 24
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Klezmer
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Mikhail Gnessin
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Variations on a Jewish Folk Th
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RÄ“sFacta Editions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1329533 Composed by Mikhail Gnessin. 20th Century,Chamber,Classical,Jewish,Romantic...
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String Quartet Cello,String Quartet,Viola,Violin - Level 5 - SKU: A0.1329533 Composed by Mikhail Gnessin. 20th Century,Chamber,Classical,Jewish,Romantic Period. 56 pages. RēsFacta Editions #917516. Published by RēsFacta Editions (A0.1329533). “Variations on a Jewish Folk Theme, Op. 24†is a compelling and expressive work for string quartet by Russian Jewish composer and teacher, Mikhail Gnessin. Completed in 1917, this piece showcases Gnessin's mastery in incorporating Jewish folk elements into classical music.  The work is structured around a central Jewish folk melody, which serves as the foundation for a series of variations. Each variation explores different musical elements such as rhythm, harmony, and instrumentation while maintaining the essence of the original theme. Gnessin skillfully weaves intricate and emotive melodies, allowing the listener to experience the rich cultural heritage of Jewish music within a classical framework.
$22.00
Nimrod- From The Enigma Variations arr. for Brass Quintet
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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Classique
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Edward Elgar
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Bud Caputo
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Nimrod- From The Enigma Variat
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Bud Caputo
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.826681 Composed by Edward Elgar. Arranged by Bud Caputo. Concert,Romantic Period,Standards. Score an...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - SKU: A0.826681 Composed by Edward Elgar. Arranged by Bud Caputo. Concert,Romantic Period,Standards. Score and parts. 10 pages. Bud Caputo #4611233. Published by Bud Caputo (A0.826681). Elgar’s Enigma Variations consists of one main theme that is altered 13 times reflecting the character of some of his friends. The Nimrod variation is presented here for brass quintet. The beautiful and recognizable melody is shared within the ensemble making for a brief, but interesting concert selection. There is an additional trombone, substitute for Horn part provided.
$12.00
Variations on a Theme of Josef Haydn (arr. for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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P
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Variations on a Theme of Josef
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Pete Strohm Music
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SheetMusicPlus
Level 4 - SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 pages. Pete Stroh...
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Level 4 - SKU: A0.928135 Composed by Johannes Brahms. Arranged by P. F. Strohm. Chamber,Classical,Contest,Festival,Romantic Period. 68 pages. Pete Strohm Music #5041117. Published by Pete Strohm Music (A0.928135). Variations on a Theme of Josef Haydn is one of Brahms' most popular works, expertly arranged here for Brass Quintet by American composer P. F. Strohm. Brahms wrote this piece (Op. 56) in the summer of 1873, first for two pianos then as an orchestral work. It is well-known for its unique five-measure phrasing of the chorale, which is used throughout the piece. Brahms kept this basic structure while developing the material in each variation, creating ten related-but-separate musical gems. This works out well for brass players, as individual variations range from just under a minute to just over three minutes for the finale. The piece is a joy to perform. The variations can be combined at will to fit performer skills for recitals, concerts and contests. Played in its entirety, Variations on a Theme of Josef Haydn is a striking concert showpiece with a typical performance time of 17:50. This third edition of the arrangement has uses a new font, clarifies some accidentals, and improves the part layouts. Difficulty level for the piece varies between Medium and Medium-Advanced. Member, ASCAP.
$18.95
Morning Prayer - Theme and Variations - Op39 No1 - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Dury Loveridge
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Morning Prayer - Theme and Var
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Dury Loveridge
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.752639 Composed by Peter Ilyich Tchaikovsky. Arranged by Dury Loveridge. Romantic Period. Score and pa...
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String Quartet String Quartet - Level 4 - SKU: A0.752639 Composed by Peter Ilyich Tchaikovsky. Arranged by Dury Loveridge. Romantic Period. Score and parts. 17 pages. Dury Loveridge #6010137. Published by Dury Loveridge (A0.752639). Tchaikovsky's 'Morning Prayer' from his Op39 No1 arranged for string quartet. I have then composed 4 variations, one with the focus on each of the 4 parts. This includes a 9/8 variation, and a finale in Eb major. This can be performed just as the theme as an middle-to-low difficulty arrangement, or as a professional level work with all four variations. This has been performed numerous times by professional ensembles, and is a great encore or concert opener.
$8.99
Happy Birthday Variations clarinet duet
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2 Clarinettes (duo)
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INTERMÉDIAIRE
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Patty and Mildred Hill
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Andrew Grenci and Cheryl Six
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Happy Birthday Variations clar
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Andiss Music
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SheetMusicPlus
Clarinet Duet Clarinet - Level 3 - SKU: A0.809970 Composed by Patty and Mildred Hill. Arranged by Andrew Grenci and Cheryl Six. Holiday. 2 scores. 1 pag...
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Clarinet Duet Clarinet - Level 3 - SKU: A0.809970 Composed by Patty and Mildred Hill. Arranged by Andrew Grenci and Cheryl Six. Holiday. 2 scores. 1 pages. Andiss Music (www.andrewgrenci.com) #5017949. Published by Andiss Music (www.andrewgrenci.com) (A0.809970). This is a fun and charming adaptation of Happy Birthday for clarinet and bass clarinet duet. (Also can work well with two clarinets.) The arrangement begins with a traditional version of the tune, followed by variations. The first variation is a tango, the second a march. Both parts are printed on a single score sheet for ease of performance. It is perfect for any birthday party where live music is desired!
$2.99
Elgar: "Nimrod" from Enigma Variation (Variations on an Original Theme for Orchestra for Brass Quint
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Arkstar Brassmusic
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Elgar: "Nimrod" from
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ASANO Takashi
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.892046 Composed by Edward Elgar. Arranged by Arkstar Brassmusic. 20th Century,Contemporary,Graduation,World. Score and parts. 10 pages. ASANO Takashi #4303223. Published by ASANO Takashi (A0.892046). The work was originally written for Orchestra, one of the most famous piece of Elgar as with Pomp and Circumstance No.1, No.4, Salut d'amour (Love's Greeting). Specially, Variation IX (Adagio) Nimrod has become popular in its own right and is sometimes used at funerals, memorial services, and other solemn occasions. Instrumentaion is for brass quintet (2 Trumpets, Horn, Trombone, Tuba) Duration: 3 minutesYou can confirm the score and perfonmance at tue following YouYube site https://youtu.be/2-IU0GV-vVc Level: intermediate
$12.00
Nimrod From Enigma Variations Oboe Duet-Two Tonalities Included
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2 Hautbois (duo)
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Abraham Maduro
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Ab and G major, 2
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Nimrod From Enigma Variations
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Abraham Maduro
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SheetMusicPlus
Oboe Duet Oboe - Level 3 - SKU: A0.715576 Composed by Edward Elgar. Arranged by Abraham Maduro. Concert,Contemporary,Graduation,Romantic Period,Standard...
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Oboe Duet Oboe - Level 3 - SKU: A0.715576 Composed by Edward Elgar. Arranged by Abraham Maduro. Concert,Contemporary,Graduation,Romantic Period,Standards. Score. 9 pages. Abraham Maduro #4598189. Published by Abraham Maduro (A0.715576). Oboe Duet arrangement, two tonalities included; Ab and G major, 2.45 minutes long approx. In this arrangement the melody remains almost the same in the oboe 1 part, the oboe 2 part is a counter melody mixed with thematic elements in some points. Nimrod is the tenth variation of the masterpiece of Edward Elgar Enigma Variations, his beautiful and solemn spirit touches deeply and is commonly used for formal and important events as well as recitals and concerts, intermediate level. Other woodwind arrangements https://www.sheetmusicplus.com/publishers/woodwinds/abraham-maduro/3006638+900121?aff_id=627655 You can check other arrangements here https://www.sheetmusicplus.com/publishers/abraham-maduro-sheet-music/3006638?aff_id=627655 For more information contact me at contrabaraham@gmail.com
$5.99
Nimrod (From Enigma Variations) String Quartet-Two Tonalities Included
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Abraham Maduro
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Nimrod
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Abraham Maduro
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.715595 Composed by Edward Elgar. Arranged by Abraham Maduro. Classical,Contemporary...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.715595 Composed by Edward Elgar. Arranged by Abraham Maduro. Classical,Contemporary,Holiday,Romantic Period. Score and parts. 17 pages. Abraham Maduro #5218817. Published by Abraham Maduro (A0.715595). String Quartet arrangement, two tonalities included; the first is the original Eb major and the second a probably more comfortable D major, 2.45 minutes long approx. In this arrangement the melody remains almost the same in the violin 1 part, The Violin 2 and Viola parts have counter-melodies and harmonic material, the cello part is mainly the bass line mixed with some thematic elements. Nimrod is the tenth variation of the masterpiece of Edward Elgar Enigma Variations, his beautiful and solemn spirit touches deeply and is commonly used for formal and important events as well as recitals and concerts, Intermediate level.
$12.99
Bach-Gounod: Ave Maria for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Bas
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contempor...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.549363 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and parts. 11 pages. Jmsgu3 #3490133. Published by jmsgu3 (A0.549363). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano, S0.661791. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Bach-Gounod: Ave Maria, Schwencke version for Bassoon & Piano
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2 Bassons (duo)
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,E...
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Instrumental Duet Bassoon,Instrumental Duet - Level 2 - SKU: A0.550922 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and parts. 12 pages. Jmsgu3 #4888319. Published by jmsgu3 (A0.550922). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95
Silent Night - Variations (Violin Duet) Complete Set
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2 Violons (duo)
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AVANCÉ
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Noël
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Musique Sacrée
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Franz Xaver Gruber
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Nick Raspa
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Silent Night - Variations
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NJR Music
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SheetMusicPlus
Violin Duet Violin - Level 5 - SKU: A0.754497 Composed by Franz Xaver Gruber. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. 16 p...
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Violin Duet Violin - Level 5 - SKU: A0.754497 Composed by Franz Xaver Gruber. Arranged by Nick Raspa. Christian,Christmas,Holiday,Religious,Sacred. 16 pages. NJR Music #5770097. Published by NJR Music (A0.754497). Theme and variation setting of Silent Night - arranged for advanced intermediate Violin duet. Â The arrangement begins in C Major with a setting of the original hymn followed by three variations. Â There are two key changes - one to G Major and then back to C Major. The full score and a complete set of parts is included. Â ASCAP.
$7.95
Two variations for string quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Samuel Araújo
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Samuel Araújo
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Two variations for string quar
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Saa Compositions
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1094473 Composed by Samuel Araújo. Arranged by Samuel Araújo. Contemporary,Ro...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1094473 Composed by Samuel Araújo. Arranged by Samuel Araújo. Contemporary,Romantic Period,Wedding. Score and parts. 22 pages. Saa Compositions #698525. Published by Saa Compositions (A0.1094473). Original composition for a string quartet, this two-variation piece was made in one of the college's composition classes, taking into account, mainly, the textures and protagonisms of the voices. This exercise can be great for a group of students in composition, or even to be performed in a string auditions, as it is a contemporary music, without abandoning the classical forms. What do you think?
$1.99
Donut Etudes v5 - Scale Duets for 2 Tubas
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2 Tubas (duo)
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Methodes
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Joshua Hauser
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Donut Etudes v5 - Scale Duets
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Slide Ride
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Publ...
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Instrumental Duet Instrumental Duet,Tuba - SKU: A0.784314 Composed by Joshua Hauser. Instructional. Score and parts. 41 pages. Slide Ride #3570013. Published by Slide Ride (A0.784314).  If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!  The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!  I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.  As with those exercises, you can vary these as much as you’d like. • Choose a tempo • Choose a dynamic. • Choose an articulation/style.  One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.  Practice one key, gradually speeding it up to improve fluidity or choose a variation and take it through all keys, playing version A, B, C, or D then skipping 5 lines to play the same set in a new key.  If you want an additional challenge in terms of range, play them in different octaves to expand the set.  Additionally, you can change the Key. Play them in f minor (all forms), different modes, etc. For jazz players, try swinging them in dorian or mixolydian modes.  The variations are endless!  All Donut Etudes with the same version number are compatible so you can play them in mixed duets with one person on part 1 and a different instrument on part 2.  Enjoy!
$10.00
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Aria with 2 variations
