English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
122
Partitions
Numériques
2 154
Librairie
Musicale
2 055
Matériel
de Musique
15
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
490
PIANO & CLAVIERS
Piano seul
314
Piano, Voix
141
Piano Facile
90
Piano, Voix et Guitare
75
Orgue
11
Piano Trio: piano, violon, violoncelle
9
Accompagnement Piano
4
1 Piano, 4 mains
3
Instruments en Do
2
2 Pianos, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
10
Paroles et Accords
8
Ukulele
6
Guitare notes et tablatures
4
Ligne De Mélodie, (Paroles) et Accords
3
Piano, Guitare (duo)
3
Basse electrique
3
2 Guitares (duo)
2
Mandoline
2
3 Dulcimers (trio)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
18
Chorale 2 parties
12
Chorale 3 parties
5
Chorale Unison
4
Voix Soprano, Piano
3
Voix seule
2
Voix duo
1
Chorale TTBB
1
Chorale SSATTB
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
26
Saxophone Alto et Piano
26
Flûte traversière et Piano
25
2 Flûtes traversières (duo)
19
Clarinette et Piano
18
Hautbois, Piano (duo)
17
2 Clarinettes (duo)
16
Saxophone Tenor et Piano
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Quatuor de Clarinettes: 4 clarinettes
11
Clarinette
7
Flûte, Clarinette (duo)
7
Saxophone, Clarinette (duo)
6
Saxophone Soprano et Piano
5
2 Saxophones, Piano
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte et Guitare
4
Quintette de Saxophone: 5 saxophones
4
Ensemble de saxophones
4
Quatuor de Saxophones: 4 saxophones
4
Clarinette, Violon (duo)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
2 Hautbois (duo)
3
Clarinette et Alto
2
Hautbois, Clarinette (duo)
2
Saxophone Alto
2
Flûte, Clarinette, Piano (trio)
2
Ensemble de Clarinettes
2
Hautbois, Flûte
2
Hautbois, Basson (duo)
2
Saxophone Baryton, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Hautbois
2
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Clarinette Basse, Piano
1
Ensemble de Flûtes
1
Flûte, Violon, Guitare
1
2 Flûtes traversières, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Clarinette, Guitare (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Violon, Piano
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone et Piano
20
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette, Piano
13
Trompette, Trombone (duo)
13
2 Trombones (duo)
13
Cor et Piano
12
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
2 Trompettes (duo)
6
Trompette
5
Tuba et Piano
4
2 Cors (duo)
4
Trompette, Saxophone (duo)
2
Trompette, Trombone, Piano
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Trompettes
2
Ensemble de Trombones
2
Trio de Cuivres
2
Quatuor de cuivres: 4 trombones
1
Trombone
1
Euphonium, Piano (duo)
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Quatuor de Cuivres
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon, Violoncelle (duo)
39
Violoncelle, Piano
32
Alto, Piano
29
Violon et Piano
21
2 Violoncelles (duo)
17
2 Altos (duo)
14
Trio à Cordes: violon, alto, violoncelle
13
Harpe
11
Violon, Alto (duo)
7
2 Violons (duo)
6
Violon
6
Trio à Cordes: 2 violons, violoncelle
6
Alto et Harpe
5
Harpe, Violon (duo)
4
Piano Trio: Violon, Alto, Piano
4
2 Violons, Piano
4
Harpe, Violoncelle (duo)
4
4 Violoncelles
3
Alto, Violoncelle (duo)
3
Harpe, Flûte (duo)
3
Harpe, Voix
3
Quatuor à cordes : 4 altos
3
Contrebasse, Piano (duo)
3
Quatuor à cordes: 4 violons
2
Ensemble de Violons
2
Alto seul
2
Trio à Cordes: 3 violoncelles
2
Ensemble de Violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 violins
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Violoncelle
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
55
Cloches
32
Orchestre à Cordes
29
Ensemble Jazz
15
Ensemble de cuivres
14
Orchestre de chambre
8
Orchestre
7
Jazz combo
5
3 Marimbas
1
Fanfare
1
Piano et Orchestre
1
Ensemble de Percussions
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
At The Cross - Full Score
Partitions à imprimer
2 154 partitions trouvées
<
1
26
51
....
2151
At The Cross
Orchestre à Cordes
String Orchestra - Level 3 - Digital Download SKU: A0.521871 Composed by Darlene Zs…
(+)
String Orchestra - Level 3 - Digital Download SKU: A0.521871 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. Score and Parts. 16 pages. Sherry Lewis Publishing #6532297. Published by Sherry Lewis Publishing (A0.521871). AT THE CROSS String Orchestra, Intermediate Level for 2 violins, viola, cello and string bass chords such as C, Em, etc. Score: Yes Parts: 7 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.93 €
#
Orchestre à Cordes
#
Darlene Zschech and Reuben Morgan
#
Sherry Lewis
#
https://www
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
Violon, Violoncelle (duo)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521875 Composed…
(+)
Cello,Instrumental Duet,Violin - Level 3 - Digital Download SKU: A0.521875 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. 9 pages. Sherry Lewis Publishing #6532859. Published by Sherry Lewis Publishing (A0.521875). AT THE CROSS String Duo, Intermediate Level for violin and cello Score: Yes Parts: 3 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99
4.58 €
#
Violon, Violoncelle (duo)
#
Darlene Zschech and Reuben Morgan
#
Sherry Lewis
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
Trio à Cordes: violon, alto, violoncelle
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521874 Composed…
(+)
String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.521874 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis Publishing. Contemporary. 15 pages. Sherry Lewis Publishing #6532855. Published by Sherry Lewis Publishing (A0.521874). AT THE CROSS String Trio, Intermediate Level for 2 violins and cello or violin, viola and cello Score: Yes Parts: 6 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.93 €
#
Trio à Cordes: violon, alto, violoncelle
#
Darlene Zschech and Reuben Morgan
#
Sherry Lewis Publishing
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
At The Cross
Quatuor à cordes: 2 violons, alto, violoncelle
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.5…
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.521873 Composed by Darlene Zschech and Reuben Morgan. Arranged by Sherry Lewis. Contemporary. 14 pages. Sherry Lewis Publishing #6532625. Published by Sherry Lewis Publishing (A0.521873). AT THE CROSS String Quartet, Intermediate Level for 2 violins, viola and cello Score: Yes Parts: 6 pages Time: 3'40 MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99
11.93 €
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
Darlene Zschech and Reuben Morgan
#
Sherry Lewis
#
https://www
#
At The Cross
#
Sherry Lewis Publishing
#
SheetMusicPlus
The Water is Wide for Viola & Piano
Alto, Piano
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoir…
(+)
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)<br> Duration: 5:24<br> Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time<br> Solo part: 3 pg.<br> Piano part: 4 pg.<br> <br> A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"<br> it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."<br> This is an original arrangement from the ground up.<br> <br> Programming:<br> If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.<br> It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.<br> Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.<br> <br> Keep in mind these performance ideas:<br> 1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.<br> 2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.<br> 3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.<br> <br> Synopsis of the arrangement:<br> verse 1: Simple quiet duet with the melody in the solo instrument.<br> verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.<br> verse 3: Melody in the piano in 4-part harmony.<br> verse 4: 3-part canon on the melody (with a free accompaniment voice).<br> verse 5: 2-part canon with a free accompaniment in the solo part<br> verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.<br> verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal<br> piano clusters over bass chords that suggest submerged church bells.<br> <br> For better insight into the performance of this music: express the emotion indicated by the lyrics:<br> <br> The Water Is Wide:<br> The water is wide, I cannot get over<br> Neither have I wings to fly<br> Give me a boat that can carry two<br> And both shall row, my love and I<br> A ship there is and she sails the sea<br> She's loaded deep as deep can be<br> But not so deep as the love I'm in<br> I know not if I sink or swim<br> I leaned my back against an oak<br> Thinking it was a trusty tree<br> But first it bent and then it broke<br> So did my love prove false to me<br> I reached my finger into some soft bush<br> Thinking the fairest flower to find<br> I pricked my finger to the bone<br> And left the fairest flower behind<br> Oh love be handsome and love be kind<br> Gay as a jewel when first it is new<br> But love grows old and waxes cold<br> And fades away like the morning dew<br> Must I go bound while you go free<br> Must I love a man who doesn't love me<br> Must I be born with so little art<br> As to love a man who'll break my heart<br> When cockle shells turn silver bells<br> Then will my love come back to me<br> When roses bloom in winter's gloom<br> Then will my love return to me<br> <br> The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).<br> <br> O Waly, waly (a lament – "woe is me") up the bank,<br> And waly, waly doun the brae (hill),<br> And waly, waly, yon burn-side (riverside),<br> Where I and my love wont to gae.<br> I lean'd my back into an aik (oak),<br> I thocht it was a trusty tree;<br> But first it bow'd, and syne (soon) it brak (broke),<br> Sae my true love did lightly me.<br> <br> O waly, waly, but love be bonnie (beautiful),<br> A little time while it is new,<br> But when 'tis auld (old), it waxeth cauld (cold),<br> And fades away like the morning dew.<br> O wherefore should I busk my heid (adorn my head)?<br> Or wherefore should I kame (comb) my hair?<br> For my true love has me forsook,<br> And says he'll never love me mair (more).<br> <br> Now Arthur Seat shall be my bed,<br> The sheets shall ne'er be fyl'd by me,<br> Saint Anton's well shall be my drink,<br> Since my true love has forsaken me.<br> Martinmas wind, when wilt thou blaw (blow),<br> And shake the green leaves off the tree?<br> O gentle death, when wilt thou come?<br> For of my life I am weary.<br> <br> 'Tis not the frost, that freezes fell,<br> Nor blawing snaws (snow) inclemency,<br> 'Tis not sic cauld (such cold) that makes me cry,<br> But my love's heart grown cauld to me.<br> When we cam in by Glasgow town,<br> We were a comely sight to see;<br> My love was clad in the black velvet,<br> And I my sell in cramasie (crimson).<br> <br> But had I wist (known), before I kiss'd,<br> That love had been sae ill to win,<br> I'd lock my heart in a case of gold,<br> And pin'd it with a silver pin.<br> Oh, oh! if my young babe were born,<br> And set upon the nurse's knee,<br> And I my sell were dead and gane,<br> For a maid again I'll never be.[4]<br> (Lyrics courtesy of Wikipedia)<br> <br> <br> For more information, please feel free to contact me at: jmsgu3 "at" gmail.com<br> James M. Guthrie, ASCAP<br> jmsgu3 publications
$32.95
30.26 €
#
Alto, Piano
#
Traditional Scottish
#
James M
#
The Water is Wide for Viola & Piano
#
jmsgu3
#
SheetMusicPlus
On That Cross (Piano part ONLY)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99
1.83 €
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
Piano Facile
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orl…
(+)
Piano Solo, Narrator - Advanced - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Recital, Spoken Word. Score. 30 pages. Published by Musik Fabrik Music Publishing
I owe an enormous debt of gratitude to the celebrated pianist Nicolas Horvath for enthusiastically bringing my Debussy works to public attention in their solo piano formats, both through his recent recitals across France and through this Naxos Grand Piano release (GP822). In some cases these are true piano pieces (like Toomai des éléphants), in others they are piano reductions of orchestral scores (like Fêtes galantes), while in others they are piano solos in their own right that also exist in orchestral versions (as in the incidental music for Le Roi Lear). Needless to say, most of these tracks are world première recordings, and this is certainly true of A Night in the House of Usher and its companion piece Un Jour affreux avec Le Diable dans le beffroi (?A Dreadful Day with the Devil in the Belfry?) which I arranged specially for Nicolas in November 2018 as a virtuosic, almost Lisztian paraphrase-fantasy. To remind us of the plot as the dramatic scenes unfold, Un Jour affreux avec le Diable dans le beffroi, like the start of No-ja-li) has a narrator (spoken in French by Florient Azoulay on the Grand Piano recording): [After an overture rising from the underworld, with a polka and a citation of a chldren?s folksong Savez vous plantez les choux?, a carillon rings out]: Hearing it, the Dutch villagers start to count, with the bells of the belfry / 1, 2, 3, 4, 5, 6, 7, 10, 8, 9, 11, and 12 / Perfect! / 13!?!/ The bell rang 13 times / 13! / The Devil is here where the clock should be! / Damn! / The bells are cracked. / The Devil laughs fit to burst / He pulls from the pocket of his coat, a small dancing master?s violin / ?My God!? says the devil ? and he tunes his violin slowly / The Devil leads the villagers in a fantastic and relentless jig [making jokes at the expense of concertos by Beethoven, Brahms and Tchaikovsky] / The Devil directs the villagers towards the canal ? where he jumps to the other side, laughing all the time / The villagers try to imitate him, but they fall into the water. / [In Part 2] the villagers are transported to a hedonistic and lively Italian village. They are similarly transformed: the men have crooked hats ? the women have wide open bodices! They dance a mad Tarantella / 1, 2, 3, 4, 5, 6, 7 and 13 / shouting ?Hey there! (Hola?) / Jean, the young hero, makes a fervent prayer to God against the Devil / The prayer is answered and the bell again rings normally! / The expression of the Devil changes: he shudders! / Everything goes black / The devil disappears in a brief red glow ? / And the carillon and the bells chime as usual / 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11 and 12 / Perfect! / But the Devil?s grinning face ap- pears once again where the clock should be ? briefly
$19.95
18.32 €
#
Piano Facile
#
Claude Debussy/Robert Orledge
#
Robert Orledge:Un Jour Affreux avec le Diable dans le beffroi for piano and narrator, based on themes from Debussy's "Le Diable dans le beffoir"
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
On That Cross
Chorale SSATTB
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182868 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise and Worship,Religious,Sacred. 12 pages. Stuart Brown Music #782616. Published by Stuart Brown Music (A0.1182868). Re-published specially for Easter 2023, this is a profoundly beautiful piece for 6-part choir and piano. The composer writes:'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that. One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only â??crimeâ?? was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were â??Oh men who dare to call on gods to justify your hatred â?? of this be sure â?¦â? and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. â??Of this be sure â?? I love you still, my cross your salvation from all the sin of man.â?It doesnâ??t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isnâ??t. He created them, he sent his Son to die for them â?¦ and he is even now ready to save them, as he is you and me. Thatâ??s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$3.00
2.75 €
#
Chorale SSATTB
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
On That Cross (choir pack + piano part + licence)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard …
(+)
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182870 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 14 pages. Stuart Brown Music #782619. Published by Stuart Brown Music (A0.1182870). The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$16.00
14.69 €
#
Stuart Richard Brown
#
Stuart Richard Brown
#
On That Cross
#
Stuart Brown Music
#
SheetMusicPlus
1917: The Halifax Disaster
Orchestre d'harmonie
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.11 €
#
Orchestre d'harmonie
#
William Brenner
#
1917: The Halifax Disaster
#
William Brenner
#
SheetMusicPlus
On That Cross - Piano part only
Piano (partie séparée)
Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown…
(+)
Small Ensemble - Level 3 - Digital Download SKU: A0.835423 Composed by Stuart Brown. Christian,Contemporary,Sacred. Score and parts. 1 pages. Stuart Brown Music #9851. Published by Stuart Brown Music (A0.835423). Possibly unique: an Easter (or more properly Good Friday) hymn for six-part choir, in which the choir is actually the accompaniment for a piano solo of almost hyponotic dissonance in comparison. The result of superimposing these elements is strangely beautiful. The composer offers the following commentary: I guess most people seeing a piece with a choir and a piano would think of it – not unreasonably – as a choir accompanied by a piano. This piece is subtly different: the way in which I can best explain what was in my mind when I composed it would be to describe it as a piano solo accompanied by choir. While the choir sings music that feels like a slow pavane the pianist plays a series of arpeggios and cluster chords around another relatively simple but unlinked melody. The combined effect is almost hypnotic and if the singers think of the pianist as their accompanist they will almost certainly lose the plot of what they are singing! On first hearing it may appear that the piano and the choir have little in common but the concept is simple enough. Both choir and pianist are meditating on the same theme, but coming at it from totally different directions. There is no formula to the way in which we approach the cross of Christ. We come as we are, seeking forgiveness and reconciliation, meeting at the foot of the cross. The juxtaposition of choir and piano represents that meeting and the cluster chords that the pianist plays reinforce a sense of brokenness that is essential to a proper understanding of the music. I have dedicated this to Canon Andrew White and the Christians of Iraq, knowing that their situation seems impossible in the face of the evil that walks that land, but trusting in the God and Father of the Lord Jesus Christ to do right even if from our earthly perspective we are unable to discern what right is.
$1.99
1.83 €
#
Piano (partie séparée)
#
Stuart Brown
#
On That Cross - Piano part only
#
Stuart Brown Music
#
SheetMusicPlus
EASTER Clarinet (6 Easter hymns for Bb Clarinet & Piano with Score/Parts)
Clarinette et Piano
Piano Accompaniment, Clarinet - Intermediate - Digital Download Composed by Various. …
(+)
Piano Accompaniment, Clarinet - Intermediate - Digital Download Composed by Various. Arranged by Gary Lanier. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 51 pages. Published by The Lanier Company
EASTER Clarinet is a collection of 6 hymn arrangements by Gary Lanier for Bb Clarinet and Piano. The hymn titles are: (1) When I Survey the Wondrous Cross, (2) Down at the Cross, (3) I Saw the Cross of Jesus, (4) At the Cross, (5) At Calvary, and (6) Near the Cross. <br> <br> This collection is more than a $35.00 value. It is ideal for Easter, offertories, special music for worship services, or for the joy of playing in any situation where music emphasizing the importance of the Cross is desired (51 pages).<br> <br> A Mp3 piano accompaniment track is available containing all six songs listed as:<br> EASTER Clarinet (Piano Accompaniment for Bb Clarinet )
$24.95
22.91 €
#
Clarinette et Piano
#
Various
#
EASTER Clarinet
#
The Lanier Company
#
SheetMusicPlus
EASTER FLUTE (6 Easter hymns for Flute & Piano with Score/Parts)
Flûte traversière et Piano
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Various. Arr…
(+)
Piano Accompaniment, Flute - Intermediate - Digital Download Composed by Various. Arranged by Gary Lanier. Christian, Sacred, Praise & Worship, General Worship, Easter. Score, Set of Parts. 51 pages. Published by The Lanier Company
EASTER FLUTE is a collection of 6 hymn arrangements by Gary Lanier for Flute and Piano. The hymn titles are: (1) When I Survey the Wondrous Cross, (2) Down at the Cross, (3) I Saw the Cross of Jesus, (4) At the Cross, (5) At Calvary, and (6) Near the Cross. <br> <br> This collection is more than a $35.00 value. It is ideal for Easter, offertories, special music for worship services, or for the joy of playing in any situation where music emphasizing the importance of the Cross is desired (51 pages).<br> <br> A Mp3 piano accompaniment track is available containing all six songs listed as:<br> EASTER FLUTE (Piano Accompaniment for Flute
$24.95
22.91 €
#
Flûte traversière et Piano
#
Various
#
EASTER FLUTE
#
The Lanier Company
#
SheetMusicPlus
"Deep River" from Crossing Jordan, - tenor, piano and viola
Piano, Voix
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284058 Composed by Spiritua…
(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1284058 Composed by Spiritual. Arranged by Maria Thompson Corley. 21st Century,Chamber,Sacred,Spiritual,Traditional. Score. 9 pages. Maria Thompson Corley #875231. Published by Maria Thompson Corley (A0.1284058). “Crossing Jordan†grew out of my daughter Kiana’s surprise request that I arrange a spiritual for voice, piano and cello for her senior recital. She received a degree in commercial music the year before COVID shut everything down, at a time before climate change made blizzards an anomaly here in Central PA. As a result, snow days still existed. I spent one of them doing the first draft of “Deep River,†her favorite.Later, I decided that if singers engage a cellist for a concert, they might like to program more than one piece for them, so I chose two more water-themed spirituals to complete the set. “His Name So Sweet†is a more meditative version of the song than I’ve generally heard. I wanted the piano, cello, and briefly the voice to imitate the fountain in the text. The mood is ecstasy, resulting from the fundamental change that baptism is meant to create. “Deep River†also includes “Michael Row The Boat Ashore†and “The Water Is Wide.†The latter isn’t a spiritual, however, taken together the message is that the river is deep, the water is wide, but with (the Archangel?) Michael’s help, Jordan can be crossed. “Wade in the Water†is one of the most well-known spirituals. I focus on the idea of escaping enslavement: the opening is quiet, furtive, maybe even nervous. The Moses in the text can be understood to be Harriet Tubman, who might urge escapees to wade in the water so pursuing dogs couldn’t follow their scent. In my mind, the ending symbolizes that the party has vanished, never to be enslaved again.This arrangement was created at the request of pianist Julia Carey. It is the only piece of the three that has been transcribed for this combination. The YouTube video is for soprano, piano and cello.
$12.99
11.93 €
#
Piano, Voix
#
Spiritual
#
Maria Thompson Corley
#
"Deep River" from Crossing Jordan, - tenor, piano and viola
#
Maria Thompson Corley
#
SheetMusicPlus
Toccata: Thea Glaukopis Athena
Piano seul
Piano Solo - Level 5 - Digital Download SKU: A0.1141251 By Filipe Bernardo. By Fili…
(+)
Piano Solo - Level 5 - Digital Download SKU: A0.1141251 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 9 pages. Filipe Bernardo #741562. Published by Filipe Bernardo (A0.1141251). This Toccata is part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. Toccata: Thea Glaukopis Athena. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Quatro Cânticos sem Palavras [Four Canticles without Words] * Fantasia. The scores are elegantly and accurately typed. The notation, from the positioning of the notes, passing through the direction of the stems, and reaching legatos that do not cross staves and barlines, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double barlines is restricted to section changes, not tonal changes, as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.
$4.00
3.67 €
#
Piano seul
#
Filipe Bernardo
#
Toccata: Thea Glaukopis Athena
#
Filipe Bernardo
#
SheetMusicPlus
AT THE CROSS Watts/Hudson elementary piano solo
Piano seul
Piano Solo - Level 1 - Digital Download SKU: A0.892271 Composed by Ralph Hudson. Ar…
(+)
Piano Solo - Level 1 - Digital Download SKU: A0.892271 Composed by Ralph Hudson. Arranged by Meryt Wilson. Christian,Easter,Gospel,Sacred. Score. 2 pages. Meryt Wilson,MusicForTheMaster #5209189. Published by Meryt Wilson,MusicForTheMaster (A0.892271). The traditional hymn At The Cross has been arranged for late-elementary or early intermediate piano solo, incorporating a minor key at the beginning to correspond with the first verse text. Hand-crossing, moving melody line and scale passage add interest. Helpful fingering indicated. Two pages
$3.00
2.75 €
#
Piano seul
#
Ralph Hudson
#
Meryt Wilson
#
AT THE CROSS Watts/Hudson elementary piano solo
#
Meryt Wilson,MusicForTheMaster
#
SheetMusicPlus
The Sands of Time Movement II: Go Down Moses
Orchestre d'harmonie
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Star…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.993114 Arranged by Peyton T. Starkweather. African,Contemporary,Spiritual. Score and parts. 33 pages. Starkweather Arts Publications #3686107. Published by Starkweather Arts Publications (A0.993114). This piece is intended for Field Opera: an orchestral Marching Band featuring theatre, ballet, and strings. This piece is elegant and suited for Orchestra, Wind Ensemble, and of course, Marching Band.The piece is one minute long and is meant to be suited next to other Egyptian features, such as the other movement of The Sands of Time. In the second movement of The Sands of Time, we further into Egyptian mythology with a cross arrangement of Go Down Moses, an African American Spiritual about the Harriet Tubman, whose codename was Moses among the slaves at the time and Aquarium, by Camille Saint-Saens from Carnival of The Animals.At the surface level, the concepts of these pieces have nothing in common, but musically, their melodies are quite similar. The piece is beautiful and catchy, despite its literal and lyrical meanings, although we can use this as a tool to delve from our time into an Egyptian fantasy.Audio Link:https://soundcloud.com/charmonicmajor/go-down-moses
$20.00
18.37 €
#
Orchestre d'harmonie
#
Peyton T
#
The Sands of Time Movement II: Go Down Moses
#
Starkweather Arts Publications
#
SheetMusicPlus
King Of The Road for Classical Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged …
(+)
Brass Quintet - Intermediate - Digital Download By Randy Travis, Roger Miller. Arranged by Keith Terrett. Individual Part, Score, Set of Parts. 8 pages. Published by Music for all Occasions
An arrangement of the evergreen top hit song from 1964 ''King of the Road'', set for classical Brass Quintet. "King of the Road" is a song written by country singer Roger Miller, who first recorded it in November 1964. The lyrics tell of the day-to-day life of a hobo who, despite being poor (a "man of means by no means"), revels in his freedom, describing himself humorously and cynically as the "king of the road". It was Miller's fifth single for Smash Records. The popular crossover record hit No. 1 on the US Country chart, No. 4 on the Billboard Hot 100, and No. 1 on the Easy Listening surveys. It was also No. 1 in the UK Singles Chart, and in Norway. Miller recalled that the song was inspired when he was driving and saw a sign on the side of a barn that read, "Trailers for sale or rent".[6] This would become the opening line of the song. The song has been covered by many other artists, including George Jones, Dean Martin, Val Doonican, Jack Jones, James Booker, The Fabulous Echoes, Boney M., R.E.M., Johnny Paycheck, Glen Campbell, Alvin and the Chipmunks, Boxcar Willie, Randy Travis, Rangers, James Kilbane, John Stevens, the Statler Brothers, Rufus Wainwright and Teddy Thompson, Giant Sand, Peligro, The Proclaimers, Ray Conniff Singers, The Reverend Horton Heat, Jerry Lee Lewis, and Jim White. James "The King" Brown (an Elvis impersonator) performed the song for a 2001 Audi commercial on German TV.[7] Of R.E.M.'s version, a shambolic, drunken, offhand rendering, guitarist Peter Buck would later comment, "If there was any justice in the world, Roger Miller should be able to sue for what we did to this song." "King of the Road" was performed live by Merle Haggard, Willie Nelson, Marty Stuart, Dwight Yoakam and Dolly Parton during Miller's posthumous induction into the Country Music Hall of Fame at the 1995 CMA Awards ceremony. The song is featured in Wim Wenders' 1976 film Im Lauf der Zeit (In the Course of Time; English title Kings of the Road). It is also played at the beginning of Talladega Nights: The Ballad of Ricky Bobby, Brokeback Mountain, Into the Wild (2007), Traveller (1997), and Swingers (1996). Miller performs it in the concert film The Big T.N.T. Show. The recording by The Proclaimers is included in the film The Crossing (1990). Near the end of their official music video, the pair are shown reading a newspaper whose headline is "Roger Miller, King of Plugs". Miller's recording appears in an episode of the Super Dave TV show, where Super Dave Osborne (Bob Einstein) sings along while sitting at a piano mounted on top of his tour bus. The bus eventually goes into a low tunnel, slamming into the piano and Osborne and pushing them off the bus and onto the ground. A send-up version by English entertainer Billy Howard was a British chart hit in 1976. A German take by the band Wise Guys exists, the parody referring to speeding on the Autobahn.
$14.99
13.76 €
#
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
#
Randy Travis, Roger Miller
#
Keith Terrett
#
King Of The Road for Classical Brass Quintet
#
Music for all Occasions
#
SheetMusicPlus
We Must Learn to Walk Together
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waite…
(+)
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1044425 By Lisa Waites. By Lisa Waites. Arranged by Lisa Waites. Folk,Holiday,Multicultural,Praise & Worship,Sacred,World. Score. 2 pages. Servant Song Music and Ministry #649158. Published by Servant Song Music and Ministry (A0.1044425). I wrote this reconciliation hymn back in 2016, when elders from the Blood Tribe, Metis, Piikani, and Siksika nations of Southern Alberta led the Reconciliation Week events at Medicine Hat College, in Medicine Hat, Alberta. They invited me to write and teach this hymn as part of the sessions at MHC, where I was (then) the ecumenical Chaplain. It has been an honour to participate in this annual tradition of indigenous leaders sharing their distinctive cultural practices, traditions, and values with the public in Medicine Hat (and the surrounding communities) for a decade, now. During the session I was asked to assist with, the Elders were sharing the Seven Grandfathers' Teachings, and so I included these core values into the lyrics of the hymn. The work in Medicine Hat started with expressions of lament and support from a group of local churches and the Medicine Hat College Chaplaincy program while the Truth and Reconciliation Commission was crossing the country. We quickly realized that many non-indigenous Canadians genuinely wanted to learn more about their First Nations, Metis, and Inuit neighbours. Seeing an urgent need for greater awareness about the intergenerational damage that was done by the Indian Residential School system here in Canada, and also identifying these Reconciliation events as a way to decrease racist stereotypes and assumptions about indigenous peoples, we decided to continue offering an annual reconciliation session, which grew, year by year. A decade later, I'm delighted to have seen deeper, healthier relationships being built between indigenous and non-indigenous people. Musically, this hymn loosely imitates the style of the French Canadian Voyageurs, the folk melodies of the 18th and 19th centuries. The lyrics incorporate the Seven Grandfathers' Teachings. This core ethical framework has many different versions, but many First Nations communities have adopted these teachings in some form. (I've heard Elders say that Respect must come first, because it is the foundation that we build on, but for this particular group at Medicine Hat College, Humility was first on the list). I have Metis ancestry myself, and as an adult, I have researched the long-hidden genealogical and cultural treasures of my family tree. Whether you are an indigenous person looking to support other indigenous Christian composers, or whether you are a non-indigenous person who is trying to broaden the repertoire of your congregation, We Must Learn to Walk Together is an upbeat, hope-filled hymn that sings about reconciliation as if it is not only possible in the distant future - but also achievable today, using the concrete steps suggested by the lyrics. The indigenous wisdom of the Seven Grandfathers' Teachings lines up beautifully with the teachings of Christ. Musically, this hymn is highly accessible for congregational singing; the range is moderate and the rhythms provide musical interest without becoming overly complex; to hear the guitar version and melody line of the hymn being played and sung by the composer, please go to the following YouTube link: https://youtu.be/3DpkFCLxgEs. The musical format of the hymn alternates between the chorus and three verses. The piece takes roughly 3:30 to perform. This hymn has been transcribed in the key of C Major, so it is as easy as possible for church accompanists to play and for congregations to sing; guitarists are invited to play in the key of A Major and simply capo 3. Guitar chords are included. I hope and pray that this hymn for reconciliation will help you, your congregation, and the wider community to think about, pray for, and enact the calls to action of the Canadian Truth and Reconciliation Commission in new and deeper ways this year.
$3.99
3.66 €
#
Piano, Voix et Guitare
#
Lisa Waites
#
Lisa Waites
#
We Must Learn to Walk Together
#
Servant Song Music and Ministry
#
SheetMusicPlus
The Saving Blood of Jesus (for 4 or 5 octave handbell choirs)
Cloches
Handbell - Level 3 - Digital Download SKU: A0.953736 Composed by John Bennard, John…
(+)
Handbell - Level 3 - Digital Download SKU: A0.953736 Composed by John Bennard, John H. Stockton and Lewis E. Jones, John T. Grape, and Robert Lowry. Arranged by G. R. Adkison. Christian,Easter,Sacred. Score. 9 pages. Gary Ray Adkison #17601. Published by Gary Ray Adkison (A0.953736). The Saving Blood of Jesus is a 4-5 octave, 110 measure handbell choir arrangement, that is a medley of the Christian hymns: Nothing But the blood, Jesus Paid It All, The Old Rugged Cross, Down at the Cross, and There Is Power in the Blood. The theme of the arrangement is the blood of Jesus that was shed for us on the Cross. Three octaves of OPTIONAL handchimes (C4 through F6) are used in The Old Rugged Cross, but handbells can be substituted for the handchimes, if desired. There is a brief introduction (...No other Fount I know...). Throughout most of this arrangement, use is made of descant lines and bass runs. There are contrasting styles, tempos, key signatures and dynamic levels within. Only the subject matter remains constant. Because of the emphasis on the Crucifixion, it can also be used as Easter music. This is probably a 3+ or 4- level of difficulty. The audio clip supplied is in a piano voice (patch) but suffices to demonstrate how the arrangement is generally meant to sound.
$4.00
3.67 €
#
Cloches
#
John Bennard, John H
#
G
#
The Saving Blood of Jesus
#
Gary Ray Adkison
#
SheetMusicPlus
At the Cross (Watts and Hudson) - piano solo by Stephen R Dalrymple
Piano seul
Instrumental Solo - Level 3 - Digital Download SKU: A0.818236 By Stephen R Dalrympl…
(+)
Instrumental Solo - Level 3 - Digital Download SKU: A0.818236 By Stephen R Dalrymple. By Ralph E Hudson & Isaac Watts. Arranged by Stephen R Dalrymple (Dalrymple Designs). Sacred. Individual part. 10 pages. Stephen R Dalrymple #3098369. Published by Stephen R Dalrymple (A0.818236). At the Cross (Watts and Hudson)♫ by Isaac Watts (lyrics – 1701, refrain added by Ralph E. Hudson / music - HUDSON by Ralph E. Hudson 1855♫ arranged for piano solo Stephen R Dalrymple♫ Isaac Watt’s lyrics have been sung to at least 4 tunes in the 300 plus years since he wrote them.♫ I used some deliberate dissonance in the piano solo arrangement to follow the mood of the text. Although ‘At the Cross’ is usually sung with gusto, I kept the first several choruses simple and quiet to contemplate the wonder of the cross and the incredible effect it has in changing lives.♫ music © 1999 (copyright registered in 'Great God of Wonders, Sacred piano Arrangements.’)♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2024 Stephen R Dalrymple ♫ performed by the arranger♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet♫ (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)♫ YouTube Channel: @DalrympleDesigns.
$4.50
4.13 €
#
Piano seul
#
Stephen R Dalrymple
#
At the Cross
#
Stephen R Dalrymple
#
SheetMusicPlus
At The Cross
Quatuor de Cuivres : 2 trompettes, trombone, tuba
Brass quartet - Grade 3 - Digital Download SKU: DX.BTB401 Composed by Isaac Watts. …
(+)
Brass quartet - Grade 3 - Digital Download SKU: DX.BTB401 Composed by Isaac Watts. Arranged by Glenn Christianson. Easter. Sacred instrumental music. Score and parts. 10 pages. David E. Smith - Digital Sheet Music #BTB401. Published by David E. Smith - Digital Sheet Music (DX.BTB401). SMS: Brass quartet for two trumpets and two trombones (opt horn and BHTC) and piano. The piece is straight forward with much of the interest in the thematic material alternating between the upper and ,lower instruments. The middle section is in unison, then breaking into a chordal structure. The ending section is spritely, concluding on a solid footing.
$14.95
13.73 €
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
Isaac Watts
#
Glenn Christianson
#
At The Cross
#
David E. Smith - Digital Sheet Music
#
SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
146.91 €
#
Orchestre de chambre
#
Juan Guerra González
#
Dreams - Score Only
#
Juan Carlos Guerra Gonzalez
#
SheetMusicPlus
Comfort at the Cross
Ensemble de cuivres
Brass Ensemble - Level 3 - Digital Download SKU: A0.1017859 Composed by Mikey Lucic…
(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.1017859 Composed by Mikey Lucich. Arranged by Connor Prim. Christian,Contemporary,Gospel. Score and parts. 18 pages. Connor Prim #6340251. Published by Connor Prim (A0.1017859). An inspirational tale of triumph over the evil we all try to run from, Comfort at the Cross is a fantastic choice for any intermediate to advanced brass quintet. It starts with a haunting fugue that then morphs into a Bach-esque chorale texture that later adds in an epic horn line reminiscent of DCI mellophone writing. From there, the piece turns into an uplifting song of hope for the future, ending with a triumphant clarino trumpet line to bring the piece into a joyous celebration.
$9.99
9.17 €
#
Ensemble de cuivres
#
Mikey Lucich
#
Connor Prim
#
Comfort at the Cross
#
Connor Prim
#
SheetMusicPlus
<
1
26
51
....
2151
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
