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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At This Table - 3pt Mixed
Sheetmusicplus
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55
Piano & claviers
Piano seul
3
2 Pianos, 4 mains
2
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1
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1
Voix
Chorale SATB
41
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21
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5
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5
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4
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3
Chorale SATBB
1
Chorale SSAATTBB
1
+ 3 instrumentations
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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1
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1
Flûte traversière
1
Cuivres
Tuba
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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Quatuor à cordes: 2 violons, alto, violoncelle
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Violoncelle, Contrebasse (duo)
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Violoncelle
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Violoncelle, Piano
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4 Violoncelles
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5
Ensemble d'École
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Orchestre
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Cloches
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
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CHORALE - CHAN…
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Vous avez sélectionné:
At This Table - 3pt Mixed
SheetMusicPlus
Partitions à imprimer
181 partitions trouvées
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At This Table (arr. Audrey Snyder)
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Chorale 3 parties
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Idina Menzel
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Audrey Snyder
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At This Table
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Hal Leonard - Digital
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SheetMusicPlus
Choral Choir,Choral,Voice (3-Part Mixed) - SKU: HX.496015 By Idina Menzel. Arranged by Audrey Snyder. This edition: scorch. Ballad,Pop. Octavo. 10 pages...
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Choral Choir,Choral,Voice (3-Part Mixed) - SKU: HX.496015 By Idina Menzel. Arranged by Audrey Snyder. This edition: scorch. Ballad,Pop. Octavo. 10 pages. Duration 220. Hal Leonard - Digital #317463. Published by Hal Leonard - Digital (HX.496015).
$2.30
Let the Day Find You (Three-part Mixed)
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Chorale 3 parties
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Amy F Bernon
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Christ, the Eternal Lord)
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Let the Day Find You
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part Mixed Chorus - SKU: C7.CGE93 Composed by Amy F Bernon. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE93. Published by Chor...
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Three-part Mixed Chorus - SKU: C7.CGE93 Composed by Amy F Bernon. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE93. Published by Chorister's Guild - Digital (C7.CGE93). UPC: 749193023730.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church's One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God's Blessing; The Fruit of the Spirit; The Master Hath Come).
$2.10
Miranda and John (Three-part Mixed)
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Chorale 3 parties
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Amy F Bernon
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Christ, the Eternal Lord)
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Miranda and John
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part Mixed Chorus - SKU: C7.CGE99 Composed by Amy F Bernon. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE99. Published by Chor...
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Three-part Mixed Chorus - SKU: C7.CGE99 Composed by Amy F Bernon. General. Sing! Octavo. 12 pages. Chorister's Guild - Digital #CGE99. Published by Chorister's Guild - Digital (C7.CGE99). UPC: 749193023778.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church's One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God's Blessing; The Fruit of the Spirit; The Master Hath Come).
$1.95
Heaven! (featuring I Ain't Gonna Grieve My Lord No More and I Got Shoes) (Three-part Mixed)
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Chorale 3 parties
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Arranged by Ruth Elaine Schram
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Ruth Elaine Schram
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Christ, the Eternal Lord)
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Heaven!
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Chorister's Guild - Digital
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SheetMusicPlus
Three-part Mixed Chorus - SKU: C7.CGE95 Composed by Arranged by Ruth Elaine Schram. Arranged by Ruth Elaine Schram. General. Sing! Octavo. 16 pages. Cho...
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Three-part Mixed Chorus - SKU: C7.CGE95 Composed by Arranged by Ruth Elaine Schram. Arranged by Ruth Elaine Schram. General. Sing! Octavo. 16 pages. Chorister's Guild - Digital #CGE95. Published by Chorister's Guild - Digital (C7.CGE95). UPC: 749193023266.Hymns of Praise is designed to allow for maximum flexibility of use. The uses range from solo instrument with piano (or CD) to full orchestra. A listing of the various books in this series may be found below, as well as on the back covers of each book. With the exception of the Percussion book, each book includes a Solo and an Ensemble part for each hymn. Contents: Crown Him with Many Crowns (Praise to the Living God; Christ, the Eternal Lord); Morning Has Broken (Praise and Thanksgiving; Child in the Manger; Christ Beside Me); Go, Tell It on the Mountain; Lord, Whose Love Through Humble Service (As We Gather at Your Table; Jesus, at Your Holy Table; God, Whose Giving Knows No Ending); Lift Up Your Heads, O Mighty Gates (Christ Is Alive! Let Christians Sing!; High in the Heavens, Eternal God); Joyful, Joyful, We Adore Thee (Christ Is Risen, Shout Hosanna!; Sing with All the Saints in Glory); The Church's One Foundation (We All Are One in Mission; O Living Bread from Heaven); Now the Green Blade Rises (Sing We Now of Christmas); Love Divine, All Loves Excelling (Come, Thou Long-Expected Jesus; God, Who Stretched the Spangled Heavens); Let All Things Now Living (Sent Forth by God's Blessing; The Fruit of the Spirit; The Master Hath Come).
$2.10
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Fêtes Galantes : 1e
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fab...
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Full Orchestra - Level 4 - SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened.
$24.95
Come to the Table of the Lord
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Chorale 2 parties
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FACILE
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - SKU: H1.C6034DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 page...
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Choral 2-part mixed choir, 3-5 octave handbells - Level 2 - SKU: H1.C6034DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C6034DP. Published by Hope Publishing - Digital (H1.C6034DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
Jacques Dussouil: "Pastouroux et Pastourelles" from Quatre Noëls for SATB mixed chorus
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Chorale SATB
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INTERMÉDIAIRE
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Jacques Dussouil
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Jacques Dussouil: "Pastou
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Musik Fabrik Music Publishing
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishi...
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Choral Choir (SATB) - Level 3 - SKU: A0.535408 Composed by Jacques Dussouil. Christmas,Contemporary,Sacred. Octavo. 6 pages. Musik Fabrik Music Publishing #4285279. Published by Musik Fabrik Music Publishing (A0.535408). Jacques Dussouil was the Titular Organist of the Grand Orgue Boisseau of Notre-Dame de Royan from 1966 until his death in 2016. During his studies at the High School of Poitiers, he was also the student of pianist Hélène d’Ambelle who was herself a student of the great French Pianist Alfred Cortot. It was his work with Jean-Albert Villard, the organist of the Cliquot organ of the Cathedral of Poitiers which would determine his vocation as an organist. Jacques Dussouil continued his studies in Paris with Noëlie Pierront and especially with Edouard SouberbielleHis duties at the Royan Cathedral lead him to also become a choral director and composer, founding one of the best Cathedral Choirs in France which he directed for many years. This activity lead to the compostion of a large number of sacred works, including his Mass in D for two organs and Chorus.4. Pastoureaux et Pasturelles1. Pastoureaux et pastourelles, Arrivent très vitementEt volant à tire d’aile, Des anges chantent gaiement.Gloria in excelsis, In excelsis Deo!2. Quelle est dans cette nouvelle, Qui s’lève jusqu’aux cieux?Pastoureaux et pastourelles, Que faites-vous en ce lieux?Gloria in excelsis, In excelsis Deo!3. Je viens voir ce bel enfantQu’en dit couché sur la pailleNous voulons dès maintenant, Le voir avant qu’il s’en aille.Gloria in excelsis, In excelsis Deo!4. On dit que dans une étableDans Bethléem assoupi, Un petit enfant aimableEst né puis s’est endormi.Gloria in excelsis, In excelsis Deo!5. Le monde entier qui l’ignoreSaura demain pour toujours.Que le ciel entier l’adore, L’enfant Dieu source d’amour.Gloria in excelsis, In excelsis Deo!
$1.99
Come to the Table of the Lord
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Cloches
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FACILE
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 octave handbell accompaniment - Level 2 - SKU: H1.2766DP Composed by Jay Althouse. Sing & Ring Series. Ring & Sing, General Worship, Commu...
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Handbells 3-5 octave handbell accompaniment - Level 2 - SKU: H1.2766DP Composed by Jay Althouse. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Handbell score. 4 pages. Hope Publishing - Digital #2766DP. Published by Hope Publishing - Digital (H1.2766DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$5.95
Come to the Table of the Lord
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral (Choral, Handbells) - Level 2 - SKU: H1.A682DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - D...
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Choral (Choral, Handbells) - Level 2 - SKU: H1.A682DP Composed by Jay Althouse. General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A682DP. Published by Hope Publishing - Digital (H1.A682DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
Come to the Table of the Lord
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Jay Althouse
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Come to the Table of the Lord
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Hope Publishing - Digital
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SheetMusicPlus
Choral, Handbell (Choral, Handbells) - Level 2 - SKU: H1.A661DP Composed by Jay Althouse. Piano Accompaniment. Sing & Ring Series. Ring & Sing, General ...
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Choral, Handbell (Choral, Handbells) - Level 2 - SKU: H1.A661DP Composed by Jay Althouse. Piano Accompaniment. Sing & Ring Series. Ring & Sing, General Worship, Communion, Sacred. Octavo. 8 pages. Hope Publishing - Digital #A661DP. Published by Hope Publishing - Digital (H1.A661DP). Sally Albrecht. Mark 14:12 - Mark 14:13 - Mark 14:14 - Mark 14:15 - Mark 14:16 - Mark 14:17 - Mark 14:18 - Mark 14:19 - Mark 14:20 - Mark 14:21 - Mark 14:22 - Mark 14:23 - Mark 14:24 - Mark 14:25 - Mark 14:26 - Matthew 26:20 - Matthew 26:21 - Matthe.Original Communion anthem This Communion ring & sing anthem is now available for two-part mixed choir with optional handbell accompaniment. This is a tried and proven winner from the Hope catalog and ideal for churches looking for creative ways to include handbells in worship. The SATB demo recording with piano accompaniment can be listened to at hopepublishing. com.
$2.95
One at the Feast
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Chorale 2 parties
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Musique Sacrée
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Craig Courtney
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One at the Feast
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Exaltation Publications
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SheetMusicPlus
2-part choir Mixed, Piano (With Optional Flute) - SKU: LX.10-3484L Composed by Craig Courtney. Sacred Anthem, Communion. Octavo. 12 pages. Exaltation Pu...
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2-part choir Mixed, Piano (With Optional Flute) - SKU: LX.10-3484L Composed by Craig Courtney. Sacred Anthem, Communion. Octavo. 12 pages. Exaltation Publications #e10/3484L. Published by Exaltation Publications (LX.10-3484L). UPC: 000308110197.All believers are invited to the Lord's table where there are no second-class citizens. That is the essence of this inspired communion text. The anthem is a moving testament of our unity founded in God's grace and forgiveness.
$2.50
Where the Stable Light Shines
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Chorale SATB
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Joel Raney
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Where the Stable Light Shines
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Hope Publishing - Digital
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SheetMusicPlus
Choral 2-part mixed choir - SKU: H1.C5341DP Composed by Joel Raney. Contemporary, Hymntune, Jazz / Swing, Christmas. Octavo. 11 pages. Hope Publishing -...
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Choral 2-part mixed choir - SKU: H1.C5341DP Composed by Joel Raney. Contemporary, Hymntune, Jazz / Swing, Christmas. Octavo. 11 pages. Hope Publishing - Digital #C5341DP. Published by Hope Publishing - Digital (H1.C5341DP). John Parker. Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16.Original anthem From John Parker & Joel Raney, here is a light-hearted, 2-part mixed original, telling the story of the nativity in a jazzy style that hings at the Caribbean. At the mid-point, a gentle, unison treatment of What Child Is This appears to remind us of the simplicity of the moment. The colorful accompaniment with its distinctly Middle Eastern flavor, calls us to mind a journey through the desert to witness the birth of the King. . . where a stable light shines.
$3.25
Where the Stable Light Shines
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Joel Raney
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Where the Stable Light Shines
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Hope Publishing - Digital
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SheetMusicPlus
Rhythm instruments - SKU: H1.C5341RDP Composed by Joel Raney. Contemporary, Hymntune, Christmas. Rhythm Parts. 8 pages. Hope Publishing - Digital #C5341...
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Rhythm instruments - SKU: H1.C5341RDP Composed by Joel Raney. Contemporary, Hymntune, Christmas. Rhythm Parts. 8 pages. Hope Publishing - Digital #C5341RDP. Published by Hope Publishing - Digital (H1.C5341RDP). John Parker. Luke 2:8 - Luke 2:9 - Luke 2:10 - Luke 2:11 - Luke 2:12 - Luke 2:13 - Luke 2:14 - Luke 2:15 - Luke 2:16.Original anthem From John Parker & Joel Raney, here is a light-hearted, 2-part mixed original, telling the story of the nativity in a jazzy style that hings at the Caribbean. At the mid-point, a gentle, unison treatment of What Child Is This appears to remind us of the simplicity of the moment. The colorful accompaniment with its distinctly Middle Eastern flavor, calls us to mind a journey through the desert to witness the birth of the King. . . where a stable light shines.
$34.95
Amazing Grace - for adaptable wind trio (SAB)
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John Newton
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John McAllister
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Amazing Grace - for adaptable
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John McAllister
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SheetMusicPlus
Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.11437...
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Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.1143721 Composed by John Newton. Arranged by John McAllister. Folk,Multicultural,Religious,Spiritual,Traditional,World. 21 pages. John McAllister #744044. Published by John McAllister (A0.1143721). This is an arrangement of the famous folk tune Amazing Grace. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00
Can Can - for adaptable wind trio (SAB)
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Jaques Offenbach
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John McAllister
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Can Can - for adaptable wind t
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John McAllister
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SheetMusicPlus
Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level ...
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Alto Saxophone,B-Flat Bass Clarinet,B-Flat Clarinet,B-Flat Trumpet,Baritone Horn TC,Baritone Saxophone,Bassoon,Flute,Oboe,Tenor Saxophone,Trombone,Tuba - Level 3 - SKU: A0.1143719 Composed by Jaques Offenbach. Arranged by John McAllister. 19th Century,Classical,Historic,Instructional,Opera. 39 pages. John McAllister #744042. Published by John McAllister (A0.1143719). This is an arrangement of the famous Can Can by Offenbach. It is for adaptable trio and can be played with varying instrumentation that includes a soprano, alto, and bass voice. Some options might include: brass trio (trumpet, horn, trombone or tuba), saxophone trio (alto sax, tenor sax, Bari sax), clarinet trio (two Bb clarinets and a bass), mixed woodwind trio (flute, clarinet, bass clarinet or Bari sax). There are many possibilities allowing max-compatibility for performing musicians. This trio and others might be good in specific settings: solo & ensemble festivals, street musicians and buskers, gigs at events and dinners (as background OR foreground music), small groups on concerts, pre-concert chamber music. Music educators and band directors might find these particularly useful when developing a chamber ensembles program. Because of the adaptable nature, various combinations can be utilized. They can also be taught to the full ensemble, then individuals can perform in small groups.
$5.00
Lorem Ipsum [mixed choir]
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Chorale SATB
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Lorem Ipsum [mixed choir]
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Juan Maria Solare
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. ...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00
Crazy Latin! for classrooms and school ensembles - Mixed Abilities Classroom and School Ensembles
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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Crazy Latin! for classrooms an
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphso...
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Concert Band - Level 1 - SKU: A0.563350 Composed by Austin Ralphson. Instructional,Latin,Multicultural,World. Score and Parts. 188 pages. Austin Ralphson #3561245. Published by Austin Ralphson (A0.563350). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-extra-value-bundle-of-music-for-school-groups-digital-sheet-music/20768644?ac=1&aff_id=559837 ** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. CRAZY LATIN! is the second piece in this series, and has additional parts for Latin percussion commonly found in the classroom. Suggested percussion rhythms are also provided with phrases by which students can remember the rhythms. You are obviously free to alter these in any way, or add additional instruments however. Please listen to the mp3 file, which is an electronic example of the piece being played with glockenspiel on 1C, piano on 2B, xylophone on 3B, clarinet on 4A and 'cello on 5D. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Orchestre d'harmonie
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DÉBUTANT
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #368...
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Concert Band - Level 1 - SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
At Last
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Etta James
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Alexander L'Estrange
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At Last
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Alexander L'Estrange
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SheetMusicPlus
Choral Choir - Level 4 - SKU: A0.911673 By Etta James. By Harry Warren and Mack Gordon. Arranged by Alexander L'Estrange. A Cappella,Jazz,Pop,Standards....
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Choral Choir - Level 4 - SKU: A0.911673 By Etta James. By Harry Warren and Mack Gordon. Arranged by Alexander L'Estrange. A Cappella,Jazz,Pop,Standards. Octavo. 10 pages. Alexander L'Estrange #517653. Published by Alexander L'Estrange (A0.911673). “Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around.†— Music Teacher Magazine “Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb.†— The Times Alexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence. CONTACT Website www.lestrangemusic.com Enquiries info@lestrangemusic.com To be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features classy a cappella writing that will suit experienced chamber choirs, high school and a cappella groups, with a 6-part SSATBarB scoring. This beautiful love-song, inspired by both Etta James and Joni Mitchell's recordings and featuring on The King's Singers' Great American Songbook album, is now available for you to sing. N.B. This is a higher-key adaptation for mixed voices of Alexander L'Estrange's original arrangement for the King's Singers (which is also available to buy on Sheet Music Plus - have a browse!).
$4.50
Crossing the Bar (version for mixed choir and piano)
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Chorale SATB
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FACILE
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Stuart Brown
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Crossing the Bar
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Stuart Brown Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.835442 Composed by Stuart Brown. Contemporary,Spiritual. Octavo. 9 pages. Stuart Brown Music #1892443. Published...
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Choral Choir (SATB) - Level 2 - SKU: A0.835442 Composed by Stuart Brown. Contemporary,Spiritual. Octavo. 9 pages. Stuart Brown Music #1892443. Published by Stuart Brown Music (A0.835442). Copyright © Stuart Brown, February 8th 2015, All rights reserved Released February 4th 2016 Duration 2'53 at tempo indicated Suitable for all amateur (including high school) and professional choirs Note that where the bass part splits into two the lower notes are optional A choral version of 'Crossing the bar' from the song cycle 'Idylls', arranged by the composer. Supremely evocative of the ebb and flow of the sea, with pastel harmonies that tug at the heartstrings and eventually resolve into a profound sense of peace. This is sound painting at its best.
$2.99
Maybe This Time
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Comédie Musicale
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John Kander
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Michael Pilley
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Maybe This Time
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Michael Pilley Music
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.746217 Composed by John Kander. Arranged by Michael Pilley. Broadway,Jazz,Musical/Show. Brass Band. 55 pages. Michael Pilley Music #4796517. Published by Michael Pilley Music (A0.746217). The ever popular tune from Cabaret, this arrangement is a perfect addition to your concert repertoire. Faithful to the original orchestration and form, this swinging number is suitable for female vocalists, with an option to feature any instrumentalist from the band, Eb instruments preferred. A good understanding of big band style swing is required, with a healthy dose of trombone lines, and there is also an optional Piano part.Written for Tredegar Town Band and vocalist Siwan Henderson, this arrangement is at an advanced intermediate level and requires a good sense of time and advanced range in the lead players. Sensitivity to the vocalists volume is always suggested when accompanying a soloist, so playing one per part might be encouraged at times.Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer.More music can be found at www.michaelpilleymusic.com and follow me at https://www.facebook.com/MichaelPilleyMusic/ or https://twitter.com/MPilleyMusic
$50.00
ANGELS WE HAVE HEARD ON HIGH - MIXED ENSEMBLE with optional Piano
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Noël
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Traditional French Melody
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Glen Poehlmann
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ANGELS WE HAVE HEARD ON HIGH -
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arrangements by GPoehlmann
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Drum Set,Flute,Piano Accompaniment,Trombone,Trumpet - Level 3 - SKU: A0.807169 Composed by Traditional French Mel...
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Large Ensemble Alto Saxophone,Clarinet,Drum Set,Flute,Piano Accompaniment,Trombone,Trumpet - Level 3 - SKU: A0.807169 Composed by Traditional French Melody. Arranged by Glen Poehlmann. Christian,Christmas,Sacred,Standards. Score and parts. 22 pages. Arrangements by GPoehlmann #6462391. Published by arrangements by GPoehlmann (A0.807169). ANGELS WE HAVE HEARD ON HIGH - MIXED ENSEMBLE with optional PianoOriginally written for a student ensemble at a church, this arrangement is also suitable for for a group of jr/sr high school students or adults. The Piano part was added later and is optional. Could be used for rehearsal or performance if desired.Instrumentation: Flute, Clarinet, Alto Saxophone, B Trumpet, Trombone & Drum Set.80 measures. Performance Time approx. 2:40. Medium in Difficulty (Grade 3)Key: D - Eb - F. Meter: 4/4. Instrument Ranges (C4=middle C): Flute A4 - Eb6Clarinet B3 - B5 (written). Alto Saxophone D4 - D6 (written). Trumpet B3 - E5 (written). Trombone Ab2 - Eb4.PDF parts included: Score, Flute, Clarinet, Alto Saxophone, Bb Trumpet, Trombone, Drum Set, Piano.
$5.00
Take This Bread, Take This Cup – Maundy Thursday Communion Anthem
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Chorale 3 parties
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Musique Sacrée
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Edward David Zeliff
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Take This Bread, Take This Cup
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Edward David Zeliff
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SheetMusicPlus
Choral Choir (SAB) - SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792021. Published b...
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Choral Choir (SAB) - SKU: A0.888276 Composed by Edward David Zeliff. Christian,Easter,Sacred. Octavo. 4 pages. Edward David Zeliff #4792021. Published by Edward David Zeliff (A0.888276). This short but poignant Communion anthem was written for and first performed in a Maundy Thursday service. The choir being not a large one, with no tenors, the voices designated are SAB and accompanied by piano. The piano writing integrates the accompaniment into the texture and the lyrical setting of the text. This piece is designed to be practical, easy to learn, and rewarding to sing, all of which is accomplished without sacrificing artistic integrity or writing down for the choral forces. Rather, the unison/octave writing at the beginning and the return of that sonority for the third section are coloristic devices to reinforce the text. The middle section makes full use of the capabilities and ranges of the three-part mixed choir format. The musical setting underscores the Hope of Redemption on the Eve of the Crucifixion at the Last Supper. The piece is equally suitable for any Communion Sunday throughout the Church year.
$2.00
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
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Chorale 3 parties
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DÉBUTANT
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Patriotique
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Patriotique
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Music by John Stafford Smith a
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Sylvia Chapa
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National Anthem: The Star Span
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.827772 Composed by Music by John Stafford Smith and Words by Francis Scott Key. Arranged by Sylvia Chapa. A Cappe...
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Choral Choir (SAB) - Level 1 - SKU: A0.827772 Composed by Music by John Stafford Smith and Words by Francis Scott Key. Arranged by Sylvia Chapa. A Cappella,Graduation,Holiday,Instructional,Patriotic. Octavo. 2 pages. Sylvia Chapa #4632785. Published by Sylvia Chapa (A0.827772). An easy 3-part SAB Choir arrangement of The Star Spangled Banner, the US National Anthem, this was originally created for a high school choir with limited music reading capabilities. It may be sung a cappella or with the keyboard accompaniment. The accompaniment supports and doubles the parts often, and is helpful in the beginning stages of teaching the song. It could be played by a high school pianist or on a church organ. It may also be sung as a solo if following the highest notes in the treble clef (melody). This is in the Medium Low Key of Ab, so if you have that soprano, go for it! The MP3 recorded sounds are computer generated voices and piano in the key of Ab. Note that it is also available in the lower key of G, and higher keys of A, and Bb. The optional high note is then G, A, or Bb. Suitable for a vocal solo at a ball game, Memorial Day programs/church if allowed, Fourth of July, Veteran's Day, Patriots Day, and any patriotic observance in the US.
$2.50
National Anthem: The Star Spangled Banner for 3-part SAB Mixed Choir with optional keyboard accompan
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Chorale 3 parties
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DÉBUTANT
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Patriotique
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Patriotique
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Music by Francis Scott Key and
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Sylvia Chapa
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National Anthem: The Star Span
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Sylvia Chapa
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SheetMusicPlus
Choral Choir (SAB) - Level 1 - SKU: A0.827770 Composed by Music by Francis Scott Key and Words by John Stafford Smith. Arranged by Sylvia Chapa. A Cappe...
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Choral Choir (SAB) - Level 1 - SKU: A0.827770 Composed by Music by Francis Scott Key and Words by John Stafford Smith. Arranged by Sylvia Chapa. A Cappella,Graduation,Holiday,Instructional,Patriotic. Octavo. 2 pages. Sylvia Chapa #4632781. Published by Sylvia Chapa (A0.827770). An easy 3-part SAB Choir arrangement of The Star Spangled Banner, the US National Anthem, this was originally created for a high school choir with limited music reading capabilities. It may be sung a cappella or with the keyboard accompaniment. The accompaniment supports and doubles the parts often, and is helpful in the beginning stages of teaching the song. It could be played by a high school pianist or on a church organ. It could be sung as a vocal solo by reading the top notes (melody). Suitable for a vocal solo or choir at a ball game, Memorial Day programs/church if allowed, Fourth of July, Veteran's Day, Patriots Day, and any patriotic observance in the US. This is in the High Key of Bb, so if you have that soprano, go for it! The MP3 recorded sounds are computer generated voices and piano in the key of Bb. Note that it is also available in the lower keys of G, Ab, and A. The optional high note is then G, Ab, or A. .
$2.50
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