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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
At the Station
Non classifié
76
Piano & claviers
Piano seul
55
Piano, Voix
17
Orgue
14
Piano Facile
12
Piano, Voix et Guitare
12
Instruments en Do
6
Piano grosses notes
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
6
Ukulele
5
Guitare notes et tablatures
5
Guitare
4
Basse electrique
1
Paroles et Accords
1
4 Guitares (Quatuor)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
27
Chorale 2 parties
8
Chorale Unison
4
Chorale SSAA
4
Chorale 3 parties
3
Voix duo, Piano
2
Voix seule
2
Chorale TTBB
2
Voix Soprano, Piano
1
Chorale, Orgue
1
Voix duo
1
+ 6 instrumentations
Retracter
Vents
2 Saxophones (duo)
14
2 Clarinettes (duo)
6
2 Flûtes traversières (duo)
5
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Quatuor de Saxophones: 4 saxophones
3
2 Hautbois (duo)
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Flûte, Trompette (duo)
1
Flûte, Violon
1
Hautbois, Flûte
1
Clarinette et Piano
1
Hautbois, Violoncelle
1
Saxophone Baryton, Piano
1
Hautbois, Basson (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte traversière
1
2 Flûte à bec (duo)
1
+ 17 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
2 Trombones (duo)
4
2 Trompettes (duo)
4
Trompette, Trombone (duo)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Quatuor de Cuivres
1
Tuba et Piano
1
+ 3 instrumentations
Retracter
Cordes
Alto, Piano
17
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon, Violoncelle (duo)
8
Violon, Alto (duo)
4
2 Violoncelles (duo)
3
Violoncelle, Piano
3
2 Violons (duo)
3
2 Altos (duo)
3
Violon et Piano
3
2 Harpes (duo)
2
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
Alto, Violoncelle (duo)
1
+ 8 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
33
Orchestre d'harmonie
26
Orchestre
12
Orchestre à Cordes
4
Orchestre de chambre
3
Ensemble de Percussions
2
Jazz combo
1
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Instruments
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DOBRO - GUI…
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FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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Vous avez sélectionné:
At the Station
Partitions à imprimer
495 partitions trouvées
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At the Cross Her Station Keeping (Third Station: Jesus Meets His Afflicted Mother) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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At the Cross Her Station Keepi
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-3E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-3E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-3E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-3E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
1917: The Halifax Disaster
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by Wi...
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Concert Band - Level 4 - SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
There in God's Garden (Seventh Station: Jesus Is Nailed to the Cross) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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There in God's Garden
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-7E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-7E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-7E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-7E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
By the Babylonian River (Fifth Station: Jesus Meets the Women of Jerusalem) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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By the Babylonian River
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-5E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-5E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-5E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-5E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Jesus Dies on the Cross (Eighth Station: Jesus Dies on the Cross) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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Jesus Dies on the Cross
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-8E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-8E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-8E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-8E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Jesus Is Laid in the Tomb (Ninth Station: Jesus Is Laid in the Tomb) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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Jesus Is Laid in the Tomb
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-9E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 1 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-9E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 1 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-9E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-9E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Go to Dark Gethsemane (Fourth Station: The Cross Is Laid on Simon of Cyrene) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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Go to Dark Gethsemane
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-4E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-4E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 4 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-4E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-4E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
O Sacred Head, Now Wounded (Sixth Station: Jesus Is Stripped of His Garments) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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O Sacred Head, Now Wounded
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-6E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 5 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-6E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 5 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-6E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-6E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
A Lamb Goes Uncomplaining Forth (Second Station: Jesus Takes Up His Cross) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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A Lamb Goes Uncomplaining Fort
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-2E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publis...
(+)
Organ - Medium - SKU: MQ.10-365-2E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 3 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-2E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-2E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Ah, Holy Jesus (First Station: Jesus Is Condemned to Death) (Downloadable)
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Orgue
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INTERMÉDIAIRE
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David M
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Ah, Holy Jesus
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Organ - Medium - SKU: MQ.10-365-1E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publis...
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Organ - Medium - SKU: MQ.10-365-1E Composed by David M. Cherwien. Lent, Triduum/Three Days, Tenebrae. Instrument part. 2 pages. MorningStar Music Publishers - Digital Sheet Music #10-365-1E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.10-365-1E). “These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included.
$5.00
Every Day at the Station. Descriptive Song & Chorus
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Piano, Voix
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Gussie L
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Every Day at the Station. Desc
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.18968 Composed by Gussie L. Davis. Railroad stations, Railroad tracks, Courtship & love, Weddings, Accidents, Death, Emotion--...
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Piano and voice - SKU: LV.18968 Composed by Gussie L. Davis. Railroad stations, Railroad tracks, Courtship & love, Weddings, Accidents, Death, Emotion--pain. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.18968). Chas. Weber's Big Hit in Primrose & West's Minstrels. Every Day at the Station. Descriptive Song & Chorus. Words and Music by Gussie L. Davis. Published 1897 by Jos. W. Stern & Co., 45 East 20th St. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Railroad stations, Railroad tracks, Courtship & love, Weddings, Accidents, Death, Emotion--pain. First line reads At a little railroad station, sits an old man ev'ry day.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
Good Friday Reflections: Organ Meditations on Stations of the Cross
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Good Friday Reflections: Organ
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SheetMusicPlus
“These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service bas...
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“These are written-out improvisations that were a part of the Good Friday noon liturgy at Mount Olive Lutheran Church, Minneapolis. It is a service based on stations of the cross from the Anglican tradition, in our case, with a procession to each of nine stations. At each station there is a mini-liturgy which consists of a reading, prayer, interpretive improvisation on the organ, and the singing of a stanza of a hymn. For the improvisation, I weave in images from the reading with the hymn. For example, at the sixth station, the reading includes the phrase “His yoke is easyâ€, and the hymn is “Go to Dark Gethsemane.†The improvisation alternates between the theme from the chorus “His yoke is easy†from Handel’s Messiah and a very dark and thick chordal setting of the hymn. The improvisations are full of imagery which are evocative and emotionally charged.â€-David CherwienThis unified set represents nine Stations of the Cross, but the pieces can also be used individually as preludes, hymn introductions, or worship interludes. A special reproducible liturgy Good Friday: The Way of The Cross by Susan Palo Cherwien is also included
Song List
: An Wasserflussen Babylon Ein Lammlein geht Herzlich tut mich verlangen (Passion Chorale) Herzliebster Jesu Kas Dziedaja Redhead 76 (Gethsemane/Petra) Shades Mountain Stabat mater dolorosa
$21.50
Brisbane Ladies (Augathella Station)
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Chorale TTBB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863...
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Choral Choir (TTBB) - Level 1 - SKU: A0.774723 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 13 pages. Sandra Milliken #3863765. Published by Sandra Milliken (A0.774723). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon.Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port. Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Brisbane Ladies (Augathella Station)
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Chorale SATB
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DÉBUTANT
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Traditional
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Sandra Milliken
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Brisbane Ladies
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Sandra Milliken
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SheetMusicPlus
Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863...
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Choral Choir (SATB) - Level 1 - SKU: A0.774722 Composed by Traditional. Arranged by Sandra Milliken. Folk,World. Octavo. 16 pages. Sandra Milliken #3863763. Published by Sandra Milliken (A0.774722). Brisbane Ladies, sometimes known as Augathella Station, is an Australian folk song based on an English naval song titled Spanish Ladies. The song probably dates from the time of the War of the First Coalition (1793-96) when the Royal Navy carried supplies to Spain in support of that country’s resistance to revolutionary France. It then probably gained further popularity during the later Peninsular War when British soldiers were transported to Spain to assist rebels fighting against the French occupation by the forces of Napoleon. Spanish Ladies is a tale of British naval personnel sailing north from Spain and along the English Channel to their home port.Due to its popularity, several variants of Spanish Ladies later appeared in various parts of the world. American whalers sang a version called Yankee Whalermen. In Newfoundland it appeared as We’ll Rant and We’ll Roar. Special lyrics were written to the tune for the Bluenose, a famous Canadian sailing ship plying out of Nova Scotia. In Australia, around 1880, another set of lyrics appeared, written by Saul Mendelsohn who was a storekeeper in the small Queensland town of Nanango. Brisbane Ladies tells about the drovers who bring the herds of cattle overland from western Queensland to the markets in Brisbane. There the drovers spend most of their money and time with the ladies before setting out for home in search of the next herd of cattle for market. The places mentioned in Brisbane Ladies are mostly small towns along the stock route that stretched some 750 kilometres north-west of Brisbane towards the small town of Augathella, on the banks of the Warrego River. Augathella, at that time, marked the convergence of three major bullock tracks from Morven, Tambo and Charleville.
$2.20
Play in Harmony in 12 Major Keys: Folk Songs and Singing Games from Around the World Book One
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Piano Facile
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DÉBUTANT
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Jolea Jensen
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Arr
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Play in Harmony in 12 Major Ke
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Jolea Jensen
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,Wor...
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Easy Piano - Level 1 - SKU: A0.517906 Composed by Jolea Jensen. Arranged by Arr. Jolea Jensen. Children,Folk,Instructional,Multicultural,Traditional,World. Score. 106 pages. Jolea Jensen #128632. Published by Jolea Jensen (A0.517906). Learn folk songs and singing games from around the world in this early elementary book. This series features a solo melody line accompanied by I, IV, and V7 chords, making it perfect for a general classroom setting or for private lessons. Level One (Book 1, Part 1) begins with basic rhythms (quarter, half, dotted half, and whole) in the keys of C, G, D. Each key begins with several songs in the basic five-finger position, then adds either one note above or one note below, then adds 3/4 time, then adds songs in which the hand is not in the basic five-finger position for that key. Level One (Book 1, Part 2) continues with the keys of A, E, B. Eighth notes are introduced in the key of E. Level One (Book 1, Part 3) contains the keys of F#, Db, and Ab. Level One (Book 1, Part 4) contains the keys of Eb, Bb, and F. I have been teaching several of my students with this book, and they are often eager to begin their lessons by playing their assignment out of this book. The feedback I've received from parents is that their child loves the songs because they are fun and easy to understand. Children often love coloring in the black and white pictures on each page. I hope your students also enjoy these songs. Scope and Sequence for Level One songs: Introduction to I and V Simple with LH thumb melody note I and V More leaps I and V I and IV and V extend pinky I IV V extend thumb I IV V three four time simple move hand Alphabetical Song Index with Key and Pg Number: A Ram Sam Sam Ab 67 AijÄ, Žūžū, LÄÄa BÄ“rni E 32 Ainsi Font Bb 82 Alle Meine Entchen C 5 Ambos a Dos B 37 Ang Pato Ko Eb 70 Arroz con Leche F# 47-48 Au Clair de la Lune E 34 Bells in the Steeple Bb 83 Bill Grogan's Goat Bb 84 Björnen Sover Bb 81 Boil Them Cabbage Down C 4 Brinca la Tablita F 88 Buttercup G 8 Button, You Must Wander Ab 64 Chase the Squirrel C 1 Chopsticks C 6 Clap, Clap, Clap Your Hands D 15 Closet Key F# 42 Cobbler, Cobbler F 85 Cradle Hymn Db 52 Down by the Station F 86 Down in the Valley G 12 Five Fat Turkeys F# 45 Five Little Chickadees G 11 Frog in the Meadow Ab 59 Frogs in the Pond C 2 Go Tell Aunt Rhody D 14 Goodbye, Old Paint F 91 Grandma Grunts F 87 Ha' Sukkah Mah Yafah Ab 60 Hob Ich a Por Oksn Ab 61-62 Hop, Old Squirrel B 35 Hush-A-Bye G 10 Hush, Little Baby G 9 I'm a Nut Eb 75 Johnny's Hammer E 30 Journey of the Leaves E 33 Juan Pirulero B 40 Kangaroo Skippy Roo Bb 76 King's Land Eb 73 Kolyada A 24 Kuckuck Db 57 Lady Come A 22 Lavender's Blue Eb 74 Lightly Row C 3 Limerick Song D 19 Long-Legged Sailor F# 43 Love Somebody G 10 Mmm, Ahh, Went the Little Green Frog Bb 77-78 Mon Petit Lapin a Bien du Chagrin Ab 63 My Horses Ain't Hungry G 13 Naughty Kitty Cat F# 46 O wie wohl ist mir am Abend Db 58 Old King Cole B 38 On Top of Old Smokey D 20 One, Two, Three, Aleerie F 92 Over in the Meadow F 89-90 Pak Pak Ka-ak A 21 Passa, Passa, Gavião Db 51 Pease Porridge Hot A 25 Piva, Piva l'oli d'uliva Ab 65-66 Promenons-nous dans les Bois Eb 71-72 Sandy McNab A 26 Sasara ang Bulaklak Bb 79-80 Scotland's Burning B 36 Seashell Eb 68 Sleep, Baby, Sleep D 16 Tallis' Canon A 27 Ten in the Bed Eb 69 The Deaf Woman's Courtship A 23 The Elfin Knight Db 55-56 The Frog in the Bog D 17 The Noble Duke of York E 31 The Old Sow Took the Measles Db 53-54 The Sandman Comes D 18 Three Jolly Fishermen E 29 There's a Hole in the Bucket F# 49 Twinkle, Twinkle, Little Star B 41 Ulo Abaga B 39 Vamos a la Mar F# 44 Who's That Tapping at the Window Db 50 Yoo Hoo! E 28 Zhao Peng You C 7.
$20.00
The Journey (Downloadable Piano/Vocal Score)
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David Conte
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Antoinette Kuhry, producer
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The Journey
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SA...
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6 soloists, SATB choir, chamber orchestra (1[afl/pic] 1 2[1.bcl] 1 — 2 1 1 0 — 1 perc — hp, pf — str —Solo Voices — SATB Chorus) - SKU: MQ.5969-E Composed by David Conte. Instrument part. 47 pages. E. C. Schirmer Music Company - Digital #5969-E. Published by E. C. Schirmer Music Company - Digital (MQ.5969-E). The Journey is a twenty-minute cantata extracted from the opera The Dreamers. The opera was commissioned and produced by the Sonoma City Opera in 1996; Antoinette Kuhry, producer; musical direction by John Miner; stage direction by Sanrda Bernhard. The Dreamers captures a formative moment in American history where characters are separated by their cultural and racial differences, and brought together by their dreams and their longing for a new home. The Journey was commissioned by the Oakland East Bay Symphony, Michael Morgan, conductor, and was premiered at the Paramount Theater in Oakland, CA on May 18th, 2001. To set the scene for the excerpt here entitled The Journey: The entire town of Sonoma is gathered at The Collonade Theater to watch an amateur production of Shakespeare's Othello. An unpleasant racial incident occurs which brings the performance to a halt. To smooth thingsover, a sing-a-long is proposed. The song chosen is My Old Kentucky Home by Stephen Foster. After a brief statement of that tune in the orchestra, the entire company enters a dream-state, as six characters from the opera, with commentary by the chorus, sing arias about home. Johnny Rowe, an American soldier stationed in Sonoma, serves as a kind of master-of-ceremonies. Black Sam is a freed slave working as a gambler in Sonoma to earn money to buy his wife out of slavery. Indian Princess Isadora is the last of her tribe. Jim and Mary Eastin have migrated to California from Kentucky. Lizzy Fine is a widow who sings a farewell to her departed husband. The finale of this sequence is an Octet, where all six characters and the men and women of the chorus sing their various texts together, ending with the words from Stephen Foster: Weep no more.
$16.00
The History of Shells
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Piano seul
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INTERMÉDIAIRE
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Sarah Bonsignore
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Sarah Bonsignore
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The History of Shells
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Sarah Bonsignore
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Conte...
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Piano Solo - Level 3 - SKU: A0.1172232 By Sarah Bonsignore. By Sarah Bonsignore. Arranged by Sarah Bonsignore. 19th Century,20th Century,Classical,Contemporary,Romantic Period. Score. 11 pages. Sarah Bonsignore #772456. Published by Sarah Bonsignore (A0.1172232). Here is a brand new piece in five parts that has been haunting me for two days. It came to me at 3am yesterday and I went into my studio to notate it. It's a dreamy, soothing and sometimes soaring piece that reminded me of the octopus from the amazing documentary My Octopus Teacher. Part 1 is possibly more beginner intermediate, and I think some of the parts can be played as individual solos. I've included a link to the youtube demo on the score with an above hands view and a light up keyboard so that students can follow the score and listen.My husband and children loved this piece when they heard it, so I'm excited to have it published for others to learn and play. Part 3 was an idea from a piece I improvized in the Tottenham Court tube station a few years ago (yes, there was a piano in the tube station, and there should be a piano in every tube station as far as I'm concerned :) The theme I played that day never left me and it seemed to fit here. I wrote an expanded version of part 3 called Flight in D major that I hope to include on my website singplaystudios.com and here in a few weeks, so if you like part 3, I hope you'll check that piece out too. I plan to include this work in my 20 Beautiful Piano Solos book 3 (please find the first two books and many other repertoire and ear training books on Amazon). Thank you for considering learning this piece. It is very special to me, and you can read more about my inspiration and process at the youtube link.
$5.99
Waiting at the Station
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Piano seul
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FACILE
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Sharon Wilson
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Sharon Wilson
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Waiting at the Station
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1079006 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instruction...
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Piano Solo - Level 2 - SKU: A0.1079006 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instructional. Score. 2 pages. Sharon Wilson #683205. Published by Sharon Wilson (A0.1079006). Does this song seem to begin a little too slowly? The first section of this song is mimicking how it feels to be anxiously waiting for the train to come so the journey can begin. The middle section of the song picks up a bit, simulating the entertainment one might find in the train depot to pass the minutes away, but then it's back to wait, wait, wait. The slow section presents the ideal opportunity for perfecting expression in tone and touch. This arrangement is one of the five songs in the collection Railroad Days. Other titles in the collection include: All Aboard, Full Steam Ahead, Chugging Along, and Caboose on the Loose. Duration: 1:50 Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusicKeywords: recital pieces, supplemental piano instruction materials, student repertoire, elementary teacher curriculum, train music, train travel, the good old days, toot toot, choo choo, chug-a chug chug
$3.99
I Sit Here On The Barren Hill
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Piano, Voix
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FACILE
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Fiona Hickie
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I Sit Here On The Barren Hill
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Fiona Alice Hickie
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by...
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Piano,Vocal,Voice - Level 2 - SKU: A0.738138 Composed by Fiona Hickie. Contemporary,Standards. Score. 7 pages. Fiona Alice Hickie #4853343. Published by Fiona Alice Hickie (A0.738138). A song about loss of love and the devastation it causes to our lives. Lyrics: 1. My roots once clung to the earth, The wind is calm the river still. As if nothing else survives. My world is empty, am I alive? From my limbs a fruit was plucked, Within its sheath my heart was tucked. Its seeds contained my unknown future, Inside a flesh so sweet and pure. 2. Would my seeds find a place to fall? Nice fertile ground so they'd grow tall. Or would they find some barren ground. Where no love or nurture can be found? Without the fruit my limbs were bare. An old tree nearby just stood and stared. Why should it stop and help the tree Who let its fruit be taken from thee. 3. About the charmer who took the fruit? Should he help to make them grow? Instead he walked right off the land. With barely a wave of his hand. He bit the apple as he walked away. Enjoying its flesh but did not stay. No care at all for the damage he’d done He took the heart from his loved one. 4. So grow another fruit you say. And yes that would be the logical way. But some trees grow abundant fruit. Small and nice without dispute. Others instead grow one to perfection. Round and sweet, on close inspection. But once it’s gone then that is all. Then no more shall ever fall. 5. I sit here on the barren hill, The wind is calm the river still. As if nothing else survives. The world is empty no soul survives.
$4.99
Caboose on the Loose
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Piano seul
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INTERMÉDIAIRE
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Sharon Wilson
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Sharon Wilson
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Caboose on the Loose
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1079024 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instruction...
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Piano Solo - Level 3 - SKU: A0.1079024 By Sharon Wilson. By Sharon Wilson. Arranged by Sharon Wilson. 20th Century,Children,Contest,Festival,Instructional. Score. 5 pages. Sharon Wilson #683223. Published by Sharon Wilson (A0.1079024). This is a riveting piece to learn with its frequently changing mood and motion, like a caboose on the loose! Will this caboose ever come to a stop? Fortunately for this caboose, it's a fun, imaginary journey and the caboose arrives safely back at the station after enjoying a few ups and downs, and twists and turns rolling along the tracks uncoupled from the engine. Have fun with this piece by adding plenty of expression and dynamics.This arrangement is one of the five songs in the collection Railroad Days. Other titles in the collection include: Waiting at the Station, All Aboard, Full Steam Ahead, and Chugging Along. Duration: 2:00. Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$4.99
My Illness is the Medicine I Need
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Violoncelle, Piano
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AVANCÉ
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Thomas Larcher
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My Illness is the Medicine I N
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Schott Music - Digital
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SheetMusicPlus
Soprano, violin, cello and piano - difficult - SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and par...
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Soprano, violin, cello and piano - difficult - SKU: S9.Q45642 For soprano and piano trio. Composed by Thomas Larcher. This edition: score and parts. Downloadable, Score and parts. Duration 15 minutes. Schott Music - Digital #Q45642. Published by Schott Music - Digital (S9.Q45642). English.In a magazine with reports on mental institutions, Thomas Larcher came across interviews with patients: 'These sentences are of a strong inner power, yet do not claim to convey an overall picture of these people. There rather appear snatches from their world like a stroboscope.' The soprano part in Larcher's composition attends to these texts in a very restraint, often introverted manner, but they continue to have an effect in the instrumental parts, like catalysts of seemingly disturbing processes. The world premiere with Juliane Banse, Christian Tetzlaff, Nikolaj Schneider and the composer on the piano took place at the renowned festival 'Spannungen' in the power station of Heimbach in 2002. Recently, a recording has been released by ECM New Series.Dans un reportage sur les établissements psychiatriques, Thomas Larcher a trouvé des interviews de patients : “Ces phrases sont d’une grande force en soi mais elles ne prétendent pas donner une image globale de ces personnes. Comme avec un stroboscope apparaissent plutôt des lambeaux de leur monde.â€.
$46.99
Acclamations to Accompany the Stations of the Cross
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Piano, Voix
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FACILE
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Musique Sacrée
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Teresa Young
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Teresa Young
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Acclamations to Accompany the
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Teresa Young
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SheetMusicPlus
Piano,Vocal,Voice - Level 2 - SKU: A0.1139654 Composed by Teresa Young. Arranged by Teresa Young. Christian,Easter,Praise & Worship,Religious,Sacred. Sc...
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Piano,Vocal,Voice - Level 2 - SKU: A0.1139654 Composed by Teresa Young. Arranged by Teresa Young. Christian,Easter,Praise & Worship,Religious,Sacred. Score. 5 pages. Teresa Young #739924. Published by Teresa Young (A0.1139654). This responsorial experience for vocal soloist/song leader, assembly, and piano provides all those gathered for the Stations of the Cross a way to participate soulfully. The soloist/song leader expresses a different verse at each station, repeated by the assembly.
$4.99
Down with the Smokers for voice and guitar
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Voix duo
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INTERMÉDIAIRE
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David Warin Solomons
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Down with the Smokers for voic
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David Warin Solomons
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SheetMusicPlus
Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published ...
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Voice Duet Voice - Level 3 - SKU: A0.576909 Composed by David Warin Solomons. 20th Century,Blues,Pop. 14 pages. David Warin Solomons #516085. Published by David Warin Solomons (A0.576909). I am so happy that smoking in enclosed public places is now illegal in the UK and in many other countries, but this song was written in the 1980s when people had to breath the pollution created by inconsiderate smokers, and, of course, there are still countries where this is the case. So I decided to publish the song even though the battle is thankfully won here. The sound sample is my own performance with some additional (un-notated) improvisations on cello and vibraphone. The pdf file contains the score and parts. The music has also been arranged as an instrumental duo called Laid back bounce, also available on this site. I went out this morning along the way to work when without warning I was faced with clouds of murk refrain: Sing Down with the smokers who infect the air with clouds hate their unthinking uncaring unblinking hate the stinking coughing crowds! I went down to the station and was waiting for my train but to my irritation the stinkers were there again. [refrain] Wouldn't it be pleasant to enjoy a drink in a theatre bar discussing the play or wouldn't it be jolly just to sing along with pals in a cozy pub along the way or wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death. [refrain] I was eating my fav'rite curry but the air was getting thick and I felt I had to hurry because the smokers made me feel sick [refrain] It's fine bright hot and sunny and I'd love to have a drink but why spend time and money where the smokers sit and stink? [refrain] Wouldn't it be pleasant just to pass the time at a social do or a meeting hall or wouldn't it be jolly to dance the night away with the one you love at a disco or ball wouldn't it be nice to go any where and not have to share with every breath some secondhand smoke and firsthand death [refrain].
$8.00
Father Rondo (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Father Rondo
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954418 Composed by Robert Ashford. Contemporary. Score. 3 pages. Robert Ashford #3008881. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954418 Composed by Robert Ashford. Contemporary. Score. 3 pages. Robert Ashford #3008881. Published by Robert Ashford (A0.954418). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
Where Are The Heroes and Heroines? (Piano Solo)
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Robert Ashford
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Where Are The Heroes and Heroi
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Robert Ashford
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.954420 Composed by Robert Ashford. Contemporary. Score. 1 pages. Robert Ashford #3008887. Published by Robert Ashford (A0...
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Piano Solo - Level 3 - SKU: A0.954420 Composed by Robert Ashford. Contemporary. Score. 1 pages. Robert Ashford #3008887. Published by Robert Ashford (A0.954420). From Robert Ashford’s CD, Where Are The Heroes and Heroines? (available on cdbaby.com)Other selections from the CD available on Sheet Music Plus:Beauty of Love (Flute and Piano)Beauty of Love (Violin)Because (String Quartet)Children’s Dance (Piano)Crazy Waltz (Piano)Far and Near Love Song (Violin and Cello)Father Rondo (Piano)Here We Come (Woodwind Sextet)Life Like Water Flowing (Piano)Rise and Fall and Peaceful Rest (Violin, Cello, and Piano)Short and Suite for Violin and CelloSummer’s End (Piano Version)Summer’s End (String Quartet)Where Are the Heroes and Heroines? (Piano)Young and Old Together (Violin and Cello)Robert Ashford's music is aired on radio stations throughout the USA. His compositions will please anyone who loves beautiful melody and harmony. His melodies are immediately appealing and grow on you the more you hear them. Ashford’s music has a calming and centering quality that promotes concentration and is good for children of all ages.Noted musicologist Don Campbell, champion of the Mozart Effect, described Ashford's music as both awakening and calming at the same time, ...clean, beautifully structured and inspiring.Ornette Coleman, said Robert Ashford’s music has a natural and spiritual beauty that everyone should hear.Luminous beauty were words used by Australian Composer Simon Wade to describe Robert Ashford’s music, Robert Ashford’s music is a true delight. in the words of Rachael Kohn, Producer of the The Spirit of Things on ABC Radio National, Australia.According to BMI's Concert Music Director, Ralph Jackson, Robert Ashford's music is receiving extraordinary radio air play. Ashford is truly one-of-a-kind.With extraordinary originality, Robert Ashford builds on centuries of melodic development from early madrigals through Schubert and beyond, adding fresh contemporary expression, to compose truly exquisite new melodies that will be borrowed, arranged, and orchestrated by others well into the future.Robert Ashford’s music is available on cdbaby.com
$4.99
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