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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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VIOLONCELLE
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Au Moment...
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
Au Moment...
SheetMusicPlus
Partitions à imprimer
14 partitions trouvées
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1
Au Moment... (score)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Drake Mabry
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Au Moment...
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799459 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 48 pages. Drake Mabry #1966929. P...
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Chamber Orchestra - Level 4 - SKU: A0.799459 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 48 pages. Drake Mabry #1966929. Published by Drake Mabry (A0.799459). Au Moment… is for improviser(s) and chamber orchestra and was a commissioned from Gérard and Nicole Gouye for the multi-instrumental Resonance Duo. The work is dedicated to the conductor, Paul Méfano. The duration is about 20'. The part of the improviser(s) is entirely improvised while the orchestra plays from a written score which includes an open architecture that can be altered to create a different performing and listening experience each time. Any instrument may be used by the soloist(s). For the premiere of this piece, Resonance Duo played the following instruments: Drake Mabry – oboe with a small miniature saxophone mouthpiece, a wooden soprano saxophone and soprano to contrabass bamboo clarinets. Catherine Schneider played piano both on the keyboard and inside along with percussion instruments from Africa and the Middle East. The work, in three movements was premiered by Resonance Duo with the Ensemble 2e2m conducted by Paul Méfano at the Pompidou Center in Paris on January 29, 1996.
$9.99
Au Moment... (parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Drake Mabry
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Au Moment...
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Drake Mabry
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.799460 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 34 pages. Drake Mabry #1966931. P...
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Chamber Orchestra - Level 4 - SKU: A0.799460 Composed by Drake Mabry. 20th Century,Contemporary,Jazz. Score and parts. 34 pages. Drake Mabry #1966931. Published by Drake Mabry (A0.799460). Au Moment… is for improviser(s) and chamber orchestra and was a commissioned from Gérard and Nicole Gouye for the multi-instrumental Resonance Duo. The work is dedicated to the conductor, Paul Méfano. The duration is about 20'. The part of the improviser(s) is entirely improvised while the orchestra plays from a written score which includes an open architecture that can be altered to create a different performing and listening experience each time. Any instrument may be used by the soloist(s). For the premiere of this piece, Resonance Duo played the following instruments: Drake Mabry – oboe with a small miniature saxophone mouthpiece, a wooden soprano saxophone and soprano to contrabass bamboo clarinets. Catherine Schneider played piano both on the keyboard and inside along with percussion instruments from Africa and the Middle East. The work, in three movements was premiered by Resonance Duo with the Ensemble 2e2m conducted by Paul Méfano at the Pompidou Center in Paris on January 29, 1996.
$7.99
Sonata No. 6 "Kharkiv", Op. 48
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Guitare
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AVANCÉ
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Classique
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Michelle Willis
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Un, Flambeau, Jeanette Isabell
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Teton Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4...
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Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4 pages. Teton Music #3138323. Published by Teton Music (A0.887268). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French.Duration: 2 minutes, 45 secondsEnglish LyricsBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!French LyricsUn flambeau, Jeannette, IsabelleUn flambeau, courons au berceau.C’est Jésus, bonnes gens du hameau,Le Christ est né, Marie appelleAh! Ah! Que la mère est belleAh! Ah! Que l’Enfant est beau.Qui vient là frappant de la sorteQui vient là frappant comme ça.Ouvrez donc j’ai posé sur un platDe bons gâteaux qu’ici j’apporte.Toc! Toc! Ouvrez-nous la porteToc! Toc! Faisons grand gala.C’est un tort quand l’Enfant sommeilleC’est un tort de crier si fort.Taisez-vous l’un et l’autre d’abord,Au moindre bruit Jésus s’éveilleChut! Chut! Il dort à merveilleChut! Chut! Voyez comme Il dort.Doucement dans l’étable closeDoucement venez un momentApprochez! Que Jésus est charmant,Comme Il est blanc, comme Il est roseDo! Do! Que l’Enfant reposeDo! Do! Qu’Il rie en dormant.
$2.49
Sagas Nos. 1-6
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Orgue
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AVANCÉ
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Jean Guillou
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Sagas Nos. 1-6
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Schott Music - Digital
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SheetMusicPlus
Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Mus...
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Organ - advanced to difficult - SKU: S9.Q6218 Composed by Jean Guillou. This edition: Sheet music. Downloadable. Op. 20. Duration 36 minutes. Schott Music - Digital #Q6218. Published by Schott Music - Digital (S9.Q6218). This is the name given to the ancient tales and legends of Scandinavia, mostly drawn up in Iceland. The term itself is of Germanic origin, form the verb 'sagen' which means to say, to recount. The title also has to do with what is said, what is recounted, in a musical epic of today. Three of these pieces, Sagas 2, 4 and 6, have the particularity of being improvisations. In Saga 1, the instrument seems to awaken out of a dream of which the two opposing elements gradually become ordered. Pedal staccati soon take control and come to predominate as they build up while, in a spirit of contradiction, various solo steps, Cornet, Cromore, unfold their melismas. The dream then reestablishes itself, this time for good. The second Saga is a sombre, frenetic dance based on groups of five semiquaves. It dies away, then, after a long silence, a note emerges, and this lone note, on three different solo stops, beaten, hunted by its two neighbouring notes in increasingly animated accents, anacruses and appoggiaturas, disappears, giving way to the sombre dance which then broadens out. It is interrupted all of a sudden by the irritated, exasperated, fuming tone of that harshness that overdoes itself and vanishes. The sombre dance appears one last time, letting itself go into paroxym. The third Saga unfolds as a very ancient chant, the memory of an Ossianic chant of the earliest times. The fourth Saga develops the lyricism of a tale to be told. But in midway comes a sort of destructive outburst of which the ever tighter links give way for a moment to pure narrativity, which, after a few upsets, ends the piece with the memory of great danger overcome by candour. The fifth Saga is a kind of quiet walk, interspersed with a few controversies, interceptions and demonstrations that are rather more lively. The sixth Saga develops a kind of theme in runs, whose constantly rhythmic rebounding might bring out the idea of apologetic or exalted acclamation.Jean Guillou (*1930) gilt als einer der bedeutenden Organisten und Orgelkomponisten der Gegenwart. Sein kompositorisches Schaffen umfasst über 40 Orgelwerke, außerdem Symphonien, Klavier- und Orgelkonzerte und Kammermusik. Auch bereichert der Dupré-Schüler, der seit 1963 Titularorganist an St. Eustache in Paris ist, das gängige Orgelrepertoire durch eine Reihe außergewöhnlicher Transkriptionen von Orchesterwerken.
$22.99
AMÉ
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Ludovic SELMI
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AMÉ
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D-Project Co., Ltd.
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SheetMusicPlus
Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. ...
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Marimba,Piano,Rainstick,Violin - Level 5 - SKU: A0.1415494 By Ludovic SELMI. By Ludovic SELMI. 21st Century,Contemporary. 61 pages. D-Project Co., Ltd. #997229. Published by D-Project Co., Ltd. (A0.1415494). I structured the beginning in a very expansive, linear way, with this rain reproduced by the rain stick. The piano creates a rotating bassline. Over this foundation, the marimba and violin come and go repetitively. There isn't really an ending; we move towards silence, in fact, it's very Zen. I wrote this piece so that the marimbist passes the rain stick to the violinist at a certain moment, a baton exchange like in a relay race. J'ai construit le début de manière très étalée, très linéaire, avec cette pluie reproduite par le bâton de pluie. Le piano qui fait tourner une basse. Par-dessus cette base, le marimba et le violon viennent et s’en vont de manière répétitive.Il n’y a pas de vraiment de fin, on va vers le silence en fait, c’est très Zen.J'ai écrit cette piece en permettant que le marimbiste transmette au violoniste le baton de pluie a un certain moment, un échange de baton comme dans un relais donc.
$24.00
Quelle Est Cette Odeur Agréable?
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Trad
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Gayle Gould
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Quelle Est Cette Odeur Agr&eac
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Gayle Gould
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1345721 Composed by Trad. French carol. Arranged by Gayle Gould. Advent,Christian,Christmas,Holiday,Traditional. Score. 4...
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Piano Solo - Level 4 - SKU: A0.1345721 Composed by Trad. French carol. Arranged by Gayle Gould. Advent,Christian,Christmas,Holiday,Traditional. Score. 4 pages. Gayle Gould #930603. Published by Gayle Gould (A0.1345721). Voici un arrangement pour piano solo de ce magnifique chant de Noël traditionnel français, populaire en Europe, pour les premiers pianistes avancés. Il y a deux couplets, avec une introduction originale, un intermède et une courte balise à la fin. Quatre pages au total. Celui-ci a une mélodie envoûtante qui restera avec vous pendant un moment.
$3.95
EZ Blues in A
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Piano seul
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FACILE
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FunJazz Piano Lessons
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EZ Blues in A
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Funnelljazz Publishing
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1132655 By FunJazz Piano Lessons. By Jim Funnell. Blues,Instructional,Jazz. Score. 1 pages. Funnelljazz Publishing #73285...
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Piano Solo - Level 2 - SKU: A0.1132655 By FunJazz Piano Lessons. By Jim Funnell. Blues,Instructional,Jazz. Score. 1 pages. Funnelljazz Publishing #732854. Published by Funnelljazz Publishing (A0.1132655). 🇬🇧 “EZ Blues in A†is a fun little piece (for beginner/intermediate jazz pianists) that should help you with your shuffle/swing feel and hand independence. Make sure to “play the rests†correctly: lifting your right hand off the keyboard with good timing will greatly contribute to solidifying the sense of groove in your playing. Also pay attention to the points where the harmony changes in the left hand — these transitions have to be smooth and should be practiced at a particularly slow tempo. As an additional exercise, measures 11-12/13-14 (typical blues turnaround/ending) can be taken through all twelve keys using the circle of fifths.🇫🇷 “EZ Blues in A†est une courte pièce (pour pianistes de jazz débutants/intermédiaires) qui devrait vous aider à améliorer votre swing (rythme shuffle) ainsi que l’indépendance de vos mains. Assurez-vous de “jouer les silences†correctement : relever votre main droite du clavier au bon moment contribuera grandement à solidifier le sens du groove dans votre jeu. Faites également attention aux endroits où l’harmonie change à la main gauche – ces transitions doivent être fluides ! A pratiquer lentement donc… En guise d’exercice supplémentaire, les mesures 11-12/13-14 (turnaround/coda typique du blues) peuvent être reprises dans les douze tons en utilisant le cycle des quintes.
$1.99
L'ABC de la Guitarra Vol1
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Piano Facile
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DÉBUTANT
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Professor Mussol
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José Lucas
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L'ABC de la Guitarra Vol1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,...
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C Instrument - Level 1 - SKU: A0.1414957 By Professor Mussol. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996686. Published by José Lucas (A0.1414957). ABC for Guitar Beginners Vol.1 (Catalan Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
El ABC de la Guitarra Vol.1
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Piano Facile
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DÉBUTANT
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Profesor BuÌho
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José Lucas
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El ABC de la Guitarra Vol.1
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional...
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C Instrument - Level 1 - SKU: A0.1414952 By Profesor BuÌho. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #996681. Published by José Lucas (A0.1414952). ABC for Guitar Beginners Vol.1 (Spanish Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
Le coup de soleil
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Cédric Hermand
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Cédric Hermand
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Le coup de soleil
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ArtIA
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SheetMusicPlus
SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,World. F...
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SKU: A0.1415585 By Cédric Hermand. By Cédric Hermand. Arranged by Cédric Hermand. Contemporary,Multicultural,Romantic Period,Standards,World. Full Performance. Duration 241. ArtIA #997303. Published by ArtIA (A0.1415585). Redécouvrez le classique Le Coup de Soleil, réimaginé avec passion et un talent inédit par Cédric. Cette version revisitée du clip apporte une nouvelle profondeur à la mélodie intemporelle de Richard Cocciante, grâce à une interprétation vocale à la fois fraîche et émouvante.Le clip débute sur l'image poétique d'un lever de soleil, métaphore parfaite de renouveau et d'espoir, avant de nous plonger dans l'univers personnel de Cédric. Sa voix, mêlant force et vulnérabilité, donne une nouvelle vie à l'histoire d'amour ardente et complexe au cœur de la chanson.À travers une série de scènes visuellement captivantes, le clip alterne entre des moments de performance intime de Cédric en studio et une narration visuelle des hauts et des bas d'une romance tumultueuse. Chaque note et chaque parole sont magnifiées par l'authenticité et la passion de son interprétation.La caméra capture des instants de bonheur pur et de désespoir profond, illustrant le voyage émotionnel des amants, tandis que la voix de Cédric guide l'auditeur à travers leur histoire. Les défis et les réconciliations du couple sont dépeints avec une sensibilité qui touche directement le cœur.Le climax du clip est une célébration visuelle et musicale de l'amour retrouvé, où la puissance de la chanson et l'intensité de l'interprétation atteignent leur apogée. C'est une explosion d'émotions qui capture l'essence même du coup de soleil : brûlant, inoubliable, et transformateur.En conclusion, le clip se referme sur une note d'espoir, les premières lueurs de l'aube apportant la promesse d'un nouveau départ. C'est une fin qui laisse les spectateurs inspirés, contemplatifs, et impatients de voir où la voix unique de Cédric peut encore les emmener.Le Coup de Soleil par Cédric est plus qu'une simple reprise ; c'est une œuvre d'art à part entière. Le clip, enrichi par sa voix captivante, invite à une expérience immersive qui résonne longtemps après la fin de la chanson.
$1.99
ABC KezdÅ‘ Gitárosoknak Vol.1
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Piano Facile
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DÉBUTANT
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Prof
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José Lucas
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ABC KezdÅ‘ Gitárosok
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José Lucas
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Trad...
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C Instrument - Level 1 - SKU: A0.1415634 By Prof. Bagoly. By José Lucas. Arranged by José Lucas. Children,Classical,Early Music,Instructional,Traditional. Lead Sheet / Fake Book. 48 pages. José Lucas #997350. Published by José Lucas (A0.1415634). ABC for Guitar Beginners Vol.1 (Hungarian Edition)Basic guide for guitar beginners with 38 songs.Methodically well-designed for kids from age 7 and up.- Learn how to read notes, chords, music theory and interaction with the teacher- Simple exercises to practice before the kids tackle the pieces/songs- Rules for how to train a difficult part- Learn to read left vs. right hand in music- Learn the differences between strings and ribbons- Famous children's songs from around the world- Visually appealing pages for kids- Famous pieces from classical music- DiplomaCONTENT- Mary had a little lamb (US)- The spring song (Hungary)- Playful dialogue (Germany)- Old MacDonald (US)- Björnen sover (Sweden)- Au clair de la lune (France)- Hänschen klein (Germany)- Andantino Op. 59 (Carcassi)- Russian theme (Russia)- Dog waltz (Germany)- Savez-vous planter les choux? ( France)- Sonata no.11 K331 (Mozart)- Brandenburg dance (Germany)- Gran vals (Tarrega)- Carnevale di Venezia (Italy)- Andantino (Küffner)- Go to sleep (Germany)- The silly song (Irland)- El Testament D’Amelia (Catalán)+ Thoughtfully crafted short musical interludes ensure seamless transitions between the songs listed above.This book isn't just for children; it's also perfect for adults who are serious about delving into the world of sheet music. So why wait? Press play and embark on a musical adventure like never before. Get ready to unleash your inner maestro!Q&AsWhy use names? So kids proudly claim, This is my song! — igniting their excitement and fuelling their passion for learning.Why larger scores? For better visibility, making learning a breeze for our young musicians.Why the abundance of illustrations and colors? Kids adore vibrant hues, keeping their interest ignited and enthusiasm soaring.Why the complex accompaniment?Many of us teachers, are classically trained guitarists aiming to preserve our hard-earned skills. The sophisticated accompaniment not only adds a professional touch for parents but also dazzles at closing concerts.Why chord notations? A chance for parents to bond with their children, sharing quality moments of musical exploration.Why begin with loose strings? For beginners, it eases them into rhythm and note lengths, gradually mastering each aspect before advancing to more challenging techniques.Why start with the A-note when start using left hand? The G-string's flexibility is perfect for young fingers, and the second finger offers strength and ease for seven-year-olds.Why sprinkle music theory throughout? To ensure kids learn theory when its most relevant to their progress.Why feature songs from various countries? To preserve the rich tapestry of global folklores, cherishing our cultural heritage.Why not introduce eighth notes? Mastering whole, half, and quarter notes takes precedence, ensuring a strong foundation.Why provide audio? Empowering kids to practice independently at home, with parental guidance, fostering their musical journey.
$17.50
Do You Remember?
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Margaret Brandman
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Désirée Regina
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Do You Remember?
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Jazzem Enterprises
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SheetMusicPlus
Mezzo-Soprano Voice,Vocal Solo - SKU: A0.939246 Composed by Margaret Brandman. Concert,Contemporary. 9 pages. Jazzem Enterprises #3879179. Published by ...
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Mezzo-Soprano Voice,Vocal Solo - SKU: A0.939246 Composed by Margaret Brandman. Concert,Contemporary. 9 pages. Jazzem Enterprises #3879179. Published by Jazzem Enterprises (A0.939246). ‘Do You Remember? (duration 4'31), is the third song in the song cycle of contemporary classical art songs ‘Songs of Love and Desire’ for Mezzo-Soprano voice and piano, composed by Margaret Brandman to the passionate lyrics of Désirée Regina. In this song, the lovers muse on beautiful moments together in the twilight. This song has been composed with a haunting modal melody underpinned by a gently swaying Latin-American influenced rhythm. The work has been performed in concert many times by lyricist Désirée Regina and composer/pianist Margaret Brandman who have also recorded the song cycle for the ‘Songs of Love and Desire’ album on the JazzEM music label (MMP8041). The work is registered with A.P.R.A (Australian Performing Rights Association). The album is available for purchase from CD Baby and/or Margaret Brandman’s website. www.margaretbrandman.com. The recording is available on Margaret Brandman’s You-Tube channel. http://bit.ly/mb5music www.facebook.com/margaretbrandmanmusic https://au.linkedin.com/in/margaret-brandman2a435a1 https://twitter.com/margbrandmusic5 http://www.instagram.com/margaretbrandmanmusic
$5.95
Marches
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Piano seul
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INTERMÉDIAIRE
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Ragtime
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Scott Joplin
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Marches
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Schott Music - Digital
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SheetMusicPlus
Piano - intermediate - SKU: S9.Q11431 9 Original Pieces for Piano. Composed by Scott Joplin. This edition: Sheet music. Downloadable. Schott Musi...
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Piano - intermediate - SKU: S9.Q11431 9 Original Pieces for Piano. Composed by Scott Joplin. This edition: Sheet music. Downloadable. Schott Music - Digital #Q11431. Published by Schott Music - Digital (S9.Q11431). Anyone who hears the name of Scott Joplin immediately thinks of the ragtime which is inseparably connected with this composer, particularly since the film The Sting has triggered a real renaissance of this musical style. The fact that the American rag master also wrote compositions for other genres – he actually left a veritable opera – is hardly known. The present volume unites the original piano marches written by Joplin: They are true marches, yet occasionally also ragtimes 'in disguise' bearing a 'March' in the title – these technically not too difficult piano settings guarantee joyful moments of music-making. And they evoke the atmosphere of the North American clubs, cafés and salons around 1900.Quand on entend le nom de Scott Joplin, on pense aussitôt au ragtime, mais le maître américain du rag a aussi composé pour d’autres genres musicaux. Le présent volume réunit les marches originales pour piano de la plume de Joplin. Le plaisir de jouer ces compositions pas trop difficiles techniquement est garanti.
$11.99
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