English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
47
Partitions
Numériques
25
Librairie
Musicale
0
Matériel
de Musique
0
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
5
PIANO & CLAVIERS
Piano, Voix
8
Piano, Voix et Guitare
1
Piano Trio: piano, violon, violoncelle
1
GUITARES
VOIX
Voix seule
2
Chorale 2 parties
1
Voix basse, Piano
1
VENTS
CUIVRES
CORDES
Violon et Piano
1
Violoncelle , Guitare (duo)
1
Violon, Guitare (duo)
1
PERCUSSIONS & ORCHESTRES
Orchestre
3
AUTRES
Vous avez sélectionné:
Au bord de l'eau - C
SheetMusicPlus
Partitions à imprimer
25 partitions trouvées
<
1
Reverie au Bord de l'Eau
Chamber Music & Piano Accompaniment Violin, Piano - Grade 1 - Digital Download SKU: FX.…
(+)
Chamber Music & Piano Accompaniment Violin, Piano - Grade 1 - Digital Download SKU: FX.FX073770 Composed by Arnaud Meier. Original Composition. Classical, Educational. Score and Set of Parts. 6 pages. Duration 2 minutes, 45 seconds. FLEX Editions - Digital Sheet Music #FX073770. Published by FLEX Editions - Digital Sheet Music (FX.FX073770). Impressionist piece describing a beautiful cloudy and mysterious landscape at the edge of a river. This piece is adapted for the end of the first year or second year of violin. ; Instruments: 1 Violin 1 Piano.
$7.95
7.44 €
#
Arnaud Meier
#
Instruments: 1 Violin 1 Piano
#
Reverie au Bord de l'Eau
#
FLEX Editions - Digital Sheet Music
#
SheetMusicPlus
Au bord de l'eau, Op. 8 No. 1 (B-flat minor)
Piano, Voix
Voice and piano - Digital Download SKU: XB.DNLB01431BB Composed by Gabriel Faure. S…
(+)
Voice and piano - Digital Download SKU: XB.DNLB01431BB Composed by Gabriel Faure. Score. 4 pages. Bells Publishing #DNLB01431BB. Published by Bells Publishing (XB.DNLB01431BB). B-flat minor [Vocal range: Bb3-Eb5].
$4.95
4.63 €
#
Piano, Voix
#
Gabriel Faure
#
Au bord de l'eau, Op. 8 No. 1
#
Bells Publishing
#
SheetMusicPlus
FAURÉ: Au bord de l'eau, Op. 8 no. 1 (transposed to B-flat minor)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1128320 Composed by Gabriel Faure. Arr…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.1128320 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #728936. Published by AST Publications, LLC (A0.1128320). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.35 €
#
Piano, Voix
#
Gabriel Faure
#
ArtSongTranspositions
#
FAURÉ: Au bord de l'eau, Op. 8 no. 1
#
AST Publications, LLC
#
SheetMusicPlus
FAURÉ: Au bord de l'eau, Op. 8 no. 1 (transposed to D minor)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.538388 Composed by Gabriel Faure. Arra…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.538388 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #4278583. Published by AST Publications, LLC (A0.538388). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.35 €
#
Piano, Voix
#
Gabriel Faure
#
ArtSongTranspositions
#
FAURÉ: Au bord de l'eau, Op. 8 no. 1
#
AST Publications, LLC
#
SheetMusicPlus
FAURÉ: Au bord de l'eau, Op. 8 no. 1 (transposed to F-sharp minor)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.540018 Composed by Gabriel Faure. Arra…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.540018 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #6497647. Published by AST Publications, LLC (A0.540018). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.35 €
#
Piano, Voix
#
Gabriel Faure
#
ArtSongTranspositions
#
FAURÉ: Au bord de l'eau, Op. 8 no. 1
#
AST Publications, LLC
#
SheetMusicPlus
FAURÉ: Au bord de l'eau, Op. 8 no. 1 (transposed to B minor)
Piano, Voix
Piano,Vocal,Voice - Digital Download SKU: A0.1128321 Composed by Gabriel Faure. Arr…
(+)
Piano,Vocal,Voice - Digital Download SKU: A0.1128321 Composed by Gabriel Faure. Arranged by ArtSongTranspositions.com. Romantic Period. Score. 5 pages. AST Publications, LLC #728937. Published by AST Publications, LLC (A0.1128321). ⇨ PAY $0.00 with INSTITUTIONAL MEMBERSHIP✓ 10,000+ art songs and Baroque aria PDFs✓ Transpose sheet music to any key✓ Free for faculty, students, staff, and employees✓ Campus-wide access via IP authentication✓ Off-campus access via EZproxy or SAML
$9.99
9.35 €
#
Piano, Voix
#
Gabriel Faure
#
ArtSongTranspositions
#
FAURÉ: Au bord de l'eau, Op. 8 no. 1
#
AST Publications, LLC
#
SheetMusicPlus
Au Bord de L'eau - Violin and Piano (D minor)
Violon et Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU…
(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - Digital Download SKU: A0.959591 Composed by Gabriel Faure. Arranged by Henrique Oliveira. Chamber,Classical,Romantic Period. 9 pages. Henrique Oliveira #6869249. Published by Henrique Oliveira (A0.959591). Arrangement with bowings and in a better key for the violin (D minor) - Intermediate Level.
$1.99
1.86 €
#
Violon et Piano
#
Gabriel Faure
#
Henrique Oliveira
#
Au Bord de L'eau - Violin and Piano
#
Henrique Oliveira
#
SheetMusicPlus
Au Bord De L'eau
Piano Trio: piano, violon, violoncelle
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1295222 By Derek…
(+)
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1295222 By Derek STUART-CLARK. By Gabriel Faure. Arranged by Derek STUART-CLARK. Chamber,Classical. 7 pages. DEREK STUART-CLARK #885534. Published by DEREK STUART-CLARK (A0.1295222). A charming French song arranged as a piano trio.
$12.00
11.23 €
#
Piano Trio: piano, violon, violoncelle
#
Derek STUART-CLARK
#
Derek STUART-CLARK
#
Au Bord De L'eau
#
DEREK STUART-CLARK
#
SheetMusicPlus
Gabriel Faure - Au bord de l'eau
Piano, Voix et Guitare
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.944670 Composed by Ga…
(+)
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.944670 Composed by Gabriel Faure. Arranged by Frank Reifenstahl. Romantic Period. Score. 7 pages. Frank Reifenstahl #5009415. Published by Frank Reifenstahl (A0.944670). This is an arrangement for advanced players of classical guitar. The guitar score sticks to the piano score as close as possible respecting tonal qualities of the guitar; occasionally emerging spanish harmonic reminiscences invite to accentuate those qualities. Some of the chord transitions have to be practiced particularly to sound as fluent as the piece requests.
$5.99
5.61 €
#
Piano, Voix et Guitare
#
Gabriel Faure
#
Frank Reifenstahl
#
Gabriel Faure - Au bord de l'eau
#
Frank Reifenstahl
#
SheetMusicPlus
Au bord de l'eau, Op. 8 No. 1 (A minor)
Piano, Voix
Composed by Gabriel Faure (1845-1924). Score. 4 pages. Bells Publishing #DNLB01431A. …
(+)
Composed by Gabriel Faure (1845-1924). Score. 4 pages. Bells Publishing #DNLB01431A. Published by Bells Publishing
$4.95
4.63 €
#
Piano, Voix
#
Gabriel Faure (1845-1924)
#
Au bord de l'eau, Op. 8 No. 1
#
Bells Publishing
#
SheetMusicPlus
Au bord de l'eau, Op. 8 No. 1 (B minor)
Piano, Voix
Composed by Gabriel Faure (1845-1924). Score. 4 pages. Bells #DNLB01431B. Published …
(+)
Composed by Gabriel Faure (1845-1924). Score. 4 pages. Bells #DNLB01431B. Published by Bells
$4.95
4.63 €
#
Piano, Voix
#
Gabriel Faure (1845-1924)
#
Au bord de l'eau, Op. 8 No. 1
#
SheetMusicPlus
Au Bord De L'eau (ed. Hugh Chandler)
Chorale 2 parties
Composed by Emile Paladilhe (1844-1926). Edited by Hugh Chandler. This edition: scor…
(+)
Composed by Emile Paladilhe (1844-1926). Edited by Hugh Chandler. This edition: scorch. Concert, Contest, Festival, French. Octavo. 7 pages. Fred Bock Music Company #0. Published by Fred Bock Music Company
$2.10
1.97 €
#
Chorale 2 parties
#
Emile Paladilhe (1844-1926)
#
Au Bord De L'eau
#
Fred Bock Music Company
#
SheetMusicPlus
Au bord de l'eau (for Cello & Guitar)
Violoncelle , Guitare (duo)
Composed by Gabriel Faure. Arranged by Kenneth Pasciak. Classical,Romantic Period. 9 …
(+)
Composed by Gabriel Faure. Arranged by Kenneth Pasciak. Classical,Romantic Period. 9 pages. Kenneth Pasciak #909858. Published by Kenneth Pasciak
$3.99
3.73 €
#
Violoncelle , Guitare (duo)
#
Gabriel Faure
#
Kenneth Pasciak
#
Au bord de l'eau
#
Kenneth Pasciak
#
SheetMusicPlus
Au bord de l'eau (for Violin & Guitar)
Violon, Guitare (duo)
Composed by Gabriel Faure. Arranged by Kenneth Pasciak. Classical,Romantic Period. 9 …
(+)
Composed by Gabriel Faure. Arranged by Kenneth Pasciak. Classical,Romantic Period. 9 pages. Kenneth Pasciak #909856. Published by Kenneth Pasciak
$3.99
3.73 €
#
Violon, Guitare (duo)
#
Gabriel Faure
#
Kenneth Pasciak
#
Au bord de l'eau
#
Kenneth Pasciak
#
SheetMusicPlus
Elégie de Marie (Mary's Elegy) (mp3)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310119 By David Warin Solom…
(+)
Alto Voice,Guitar - Level 3 - Digital Download SKU: A0.1310119 By David Warin Solomons. By David Warin Solomons. 20th Century,Contemporary,Singer/Songwriter. Full Performance. Duration 373. David Warin Solomons #899257. Published by David Warin Solomons (A0.1310119). Music composed and performed by David W SolomonsThis setting is the first song that I wrote in Strasbourg in 1976, where I met the poet Marie Keyser, who features in this video.Her poem is about the angst of adolescence. She is a scholar of German poetry and in particular the works of Hölderlin.The poem is as follows Entends mon chant d'exil et comme avec patience ensevelie en terre hostile je désapprends la respiration l'instant et toute presence humainedu royaume au bord du tempsils m'ont arrachée de l'aubeet maintenant le temps sévitle mal de terre est profondjamais la nuit n'atteint l'auroreinachevés abolis nous reposonsmais je me souviensentends mon chant d'exil et le déchirementau royaume lointain au bord du tempss'accomplit la naissance et le premier vertige de voir d'entendre et de de toucher le mondeploie l'adolescence alanguie enclose en ellel'île à fleur de mer au chant d'écume éphemère et renouveléet l'envol s'accomplit vers le point d'aubeoù le premier chant indécis de la grive musiciennedélie les sources dormeuses,le vent et l'envie d'allerles arbres vont en cortège devantentends mon chant de retour et le cheminement....mais pourquoi l'exil revient-il, briser l'allégeancecondamner les jardins et les demeures et dicter à nouveau l'errancej'entends par mes déchiruresles rumeurs humaines et l'arrêt de mort de l'instant convalescentils m'ont arrachée de l'aube....tu dis que le château entre les bouleaux frêles regarde la vallée entièrede l'aube à la nuitet déjà ériges la touroù dormir ou demeurer où vivre déliée de la mélancholiemais les fleurs dorment sous la terresemées par milliers dans le jardin balsamaire.
$4.50
4.21 €
#
David Warin Solomons
#
Elégie de Marie
#
David Warin Solomons
#
SheetMusicPlus
Ange Flégier: Au crépuscule for baritone voice and piano
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Compo…
(+)
Baritone Horn TC,Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.533410 Composed by Ange Flégier. Concert,Romantic Period,Standards. 9 pages. Musik Fabrik Music Publishing #2913373. Published by Musik Fabrik Music Publishing (A0.533410). A setting of a poem by Jean Richepin. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Baritone Voice and Piano.Toccata Classics, 2016. In e minor. Duration: aprox. 4 minutesAnge Flégier (1846–1925) was born in Marseilles and also died there. Hestudied composition with Ambroise Thomas at the Conservatoire in Paris and then became a well-known composer with more than 350 works in his catalogue. Most of his works are concert songs and chamber music pieces. He also worked as a music critic and, later in life, as a painter.Dans le silenceLe bateau dortEt bord sur bordIl se balance.Seul à l’avantUn petit mousseD’une voix douceSiffle le vent.Au couchant pâleEt violetFlotte un refletDernier d’opale.Les flots déteintsOnt sous la briseLa couleur griseDes vieux étains.Alors la veuveAux noirs cheveuxSe dit: «Je veuxFaire l’épreuveDe mes écrinsDans cette glace.»Et la Nuit placeParmi ses crins,Sous ses longs voilesAux plis dormants,Les diamantsDe ses étoiles.
$9.10
8.52 €
#
Ange Flégier
#
Ange Flégier: Au crépuscule for baritone voice and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Au bord de l'eau, Op. 8 no. 1 (A minor)
Piano, Voix
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 7 pages. Published by AST P…
(+)
Composed by Gabriel Faure (1845-1924). Romantic Period. Score. 7 pages. Published by AST Publications (S0.272229). - Score - Romantic Period - AST Publications
$9.99
9.35 €
#
Piano, Voix
#
Gabriel Faure
#
Au bord de l'eau, Op. 8 no. 1
#
AST Publications
#
SheetMusicPlus
Au bord de l'eau - B Minor
Voix seule
Composed by Gabriel Faure (1845-1924). 20th Century, Romantic Period. 5 pages. Published b…
(+)
Composed by Gabriel Faure (1845-1924). 20th Century, Romantic Period. 5 pages. Published by Change the Key (S0.197541). - - 20th Century,Romantic Period - Change the Key
$4.50
4.21 €
#
Voix seule
#
Gabriel Faure
#
Au bord de l'eau - B Minor
#
Change the Key
#
SheetMusicPlus
Au bord de l'eau - E Minor
Voix seule
Composed by Gabriel Faure (1845-1924). 20th Century, Romantic Period. 5 pages. Published b…
(+)
Composed by Gabriel Faure (1845-1924). 20th Century, Romantic Period. 5 pages. Published by Change the Key (S0.197547). - - 20th Century,Romantic Period - Change the Key
$4.50
4.21 €
#
Voix seule
#
Gabriel Faure
#
Au bord de l'eau - E Minor
#
Change the Key
#
SheetMusicPlus
Ange Flégier: La Poésie for bass voice and piano
Voix basse, Piano
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533427 Composed by Ange …
(+)
Bass Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.533427 Composed by Ange Flégier. Concert,Romantic Period,Standards. 12 pages. Musik Fabrik Music Publishing #2913681. Published by Musik Fabrik Music Publishing (A0.533427). A setting of a poem by Édouard Pailleron. Edited by Jared Schwartz and Mary Dibbern.Recorded on Ange Flégier: Mélodies for Bass Voice and Piano.Toccata Classics, 2016. In Ab major Duration: aprox. 6 minutes 30 secondsLorsque le premier homme à sa première aurore,Au sein du monde immense et vierge comme lui,Promenait vaguement, pensif et seul encore,La curiosité de son divin ennui,Les mots venaient éclore à sa lèvre étonnéeÀ chaque enchantement du spectacle infini,Comme vient la chanson éclore au bord du nid:À l’heure qu’il naissait la parole était née.Mais, lorsque s’éveillant de son autre sommeil,Il vit, plus belle encore que l’aurore première,Eve nue et debout dans la grande lumière,Comme un astre vivant, adorable et vermeil;Il étendit les bras vers sa maîtresse blonde,Et, jusqu’à son désir inclinant sa beauté,Sachant bien que l’amour lui coûterait le monde,Du remords éternel il fit la volupté;Et dans le doux transport dont l’âme était saisie,Et dans le dur sanglot qui s’y venait briser,Tu naquis à ton tour, ô jeune poésie,De la première larme et du premier baiser!
$10.35
9.69 €
#
Voix basse, Piano
#
Ange Flégier
#
Ange Flégier: La Poésie for bass voice and piano
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.4 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.4 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.4 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Wynwood Walls
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by…
(+)
Guitar and string quartet - Advanced - Digital Download SKU: ZY.DO-1526 Composed by Stephen Goss. Score and parts. 120 pages. Les Editions Doberman-Yppan (digital) #DO 1526. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1526). Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
$33.95
31.77 €
#
Stephen Goss
#
Wynwood Walls
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Songs of the Open Road II
Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed…
(+)
Easy - Digital Download SKU: ZZ.DZ-4241 Intermediate Sight Reading. Composed by Stephen Krishnan. Method book. 37 pages. Les Productions d'OZ - Digital #DZ 4241. Published by Les Productions d'OZ - Digital (ZZ.DZ-4241). J'espère que ce livre offrira une manière joyeuse de renforcer les compétences en lecture et aidera les jeunes musiciens à aimer interagir avec la musique imprimée. Le terme « lecture à vue » est utilisé ici de manière vague : les mélodies de ce livre sont destinées à être étudiées de près, de sorte qu'au fil du temps, l'élève développe les compétences nécessaires pour interpréter visuellement les hauteurs, rythmes et expressions complexes que l'on trouve couramment au niveau intermédiaire. répertoire. Le livre est composé de courtes chansons qui peuvent chacune être magnifiquement jouées en une seule séance. Il existe des titres de chansons uniques (et parfois loufoques) avec des illustrations assorties de Sasha Kolesnik qui capturent l'esprit de la musique. Vous trouverez ci-dessous un aperçu des éléments clés du livre et mes suggestions sur la manière de les aborder.My hope is that this book provides a joyful way to strengthen reading skills and helps young musicians enjoy interacting with printed music. The term sight reading is used loosely here - the melodies in this book are meant to be studied closely, so that over time the student will develop the skills to visually interpret the complex pitches, rhythms, and expressions commonly found in intermediate-level repertoire. The book is made up of short songs that can each be played beautifully in one sitting. There are unique (and sometimes goofy) song titles with matching illustrations by Sasha Kolesnik that capture the spirit of the music. Below is an outline of the book’s key components, and my suggestions for how to approach them.
$14.95
13.99 €
#
Stephen Krishnan
#
Songs of the Open Road II
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
